incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, �coke� (no questions asked) welcomes another one of ryo�s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat�s young greek maestro, argy, creates a stunning hi-tech remix of �down the sky,� complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo�s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.

supported by tom clark, sasse, 2000 and one, woody, paolo martini, 3 channels, adultnapper, dj naughty, garnier and many more.. mindforce is an extra special release we have put together for you. it features an excellent remix by kabale und liebe who is currently causing a big stir amongst the house community with his deep and dark minimal groovers, needless to mention his big hit mumbling yeah that was in the charts of almost every dj and became one of the key tracks last year. also his upcoming productions on the dutch remote area label are amongst our favourite tracks so we couldn�t resist to ask this guy to do an interpretation of a special track we made. mindforce is a bit different to the rest of the dirt crew output, we wanted to make a more reduced grooving dj tool that is still old school but on the other hand contains an hypnotic feel that is more likely to be found in current minimal productions

four track ep from this young up & coming producer from zurich. his sound is highly influenced by old school detroit techno and vintage chicago house. warm, melancholic and deep house and techno that goes beyond the beat.

when i first started making the drum on my mpc it sounded like a battle of drums i then added some stabs from the machines, trying to make it sound like the oldschool chicago tracks. this track is all about editing, drum programming and of course the inimitable tap repeat touch that only the mpc can generate. the end result is ninted house, a pure floor killer for all you real house heads. the clash is not a reference to the band but i felt the track goes well with ninted house it has the same mpc groove. stabs and hip hop sampled voices that remind us of those kind of tracks, where editing and sound mixing are more important than the musical elements. its that breadth in house music that i love. enjoy those two floor killers and dance ur ass off! franck roger

jona is back with manta: a sick, expertly crafted new e.p. for get physical music. 24-year-old belgian jonathan troupin s true arrival on the house and techno block his debut 12- for get physical, the learnings. since then, he s chalked up another acclaimed e.p. for physical, tizia, not to mention assorted releases for labels like fumakilla and resopal red, and high profile remixes for michal ho, soffy o, daso and labelmates booka shade and m.a.n.d.y. jona doesn t mess about: title track manta immediately establishes itself as a no-holds-barred, peaktime club weapon, with a hard, pure-of-purpose kickdrum taking centre stage while kinetic drum edits and pressurized fx patter in, out and around it. a dizzying synth motif adds to an already mind-bending brew, while each successive build and drop ravishes the listener into submission. this is music to immerse yourself in, for sure, but above all it s music to really, really dance to. at this point you might expect the pace to let up, but b-side amon is a similarly hectic, energetic cut. all rolling bassline, acidic synth cycles, crisp percussion, jump-up vocal samples and surging narcotic effects, amon is a blast of magnificently controlled chaos for the party s more intense moments. the 12- draws to a close with exoplanet dub a no less formidable but certainly more spacious club track. its addictive, zig-zagging melodies reminding us of the more playful side to jona s music. with manta, jona furnishes us with three vehement yet elegant tracks guaranteed to turn a dancefloor near you inside out

with blind way, franck roger is going back to the early years of house. in fact he shows a lot of himself, musically and vocally, taking us onto a fascinating night-tracky journey. some may call it old school, franck simply calls it 100% pure house music. i dream of u is a little shout out to the wonderful & inspirational detroit scene. the hypnotic chimes loop, turnin around a looped bass, whilst stabs drive this riveting track along its way. only for real house lovers! call it detroit house but why not also call it paris house music!?

french artist based in paris. this prolific musician gets noticed by the od records label that has produced his 2nd ep in 2006 mixing in all his productions influences from the 80s, 90s and 2000s through cheap but stylish synth sounds, melodies that underlie a certain sense of tragic and his own gimmicks, he builds tracks socked in old school house, minimal and electropop that immerse us in a cold, sensitive and personal ambiance.

this one really got the soul. a superb four tracker that reminds us to the good old chicago house times. a must have for those who know

earlier this year, todd sines inaugurated yore with the slamming techno-funk of the .xtrak release back_up ep and now returns for round two with dont stop. without losing the stripped-down, minimal tech-house funk essence of the .xtrak sound, sines ups the acid-house ante considerably in the new material. the old-school title cut makes an immediately vivid impression by repeating the insistent vocal hook >dont stop<-both command and mantra-over a towering backbeat. >cut to the chase< does exactly that with funky handclaps and syncopated swing, while the b-sides low-riding >unreflect< pairs dropouts and bass-crawling boogie. slightly different in character, the squiggly acid-techno track >quantum mechanics< is as precision-tooled as its title suggests. despite the subtle shift in stylistic emphasis, dont stop offers a splendid complement to the earlier release

next hypnotical gel abril two tracker !! on the a-side, >200 grams< cannot be the weight of this heavily bouncing and hypnotizing tune. with a distinctive quirky line and a heavily bouncing groove like we are used from gel abril, �200 grams� keeps you moving all the way up to the main break, and then takin you back into the dubby old school groove. if the a-side was freaky and bouncing, well the ep title-track >your face is a mess< on the b-side can only be descibed as a dirty mindblowing minimal/tech house track with a druggy vocal all over and a very stripped down synth line

rick wade brings back the oldskool, original flavour. on this ep youll find the classic house cuts >contact< & >deep n dirty<, both with that typical rick wade sound. also included is >rome ext< and is exclusive to this 12!!! a lost rick wade track that had never seen the light of day..until now, limited pressing, quality shit classic cuts, previously released on original deep house labels from the 90s including harmonie park, m3, elevate, music is

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label

frankie is back with a 4 tracker ep >balcony ep< a concentrate of shakyness and unpredictable beats on a1 stoic rough melodies and cut dirty voice increase tension & speed effective! on a2 secrets in a more freaky oldschool house way with incise drums and shaky beats bumper tune on the flip b1klipp a minimal techy track with rough heady melody and a paradoxal atone crispy voice and b2 repliq more funky housey complete this amazing tumultuous ep

after the hugely popular conf006 (inc bitch fuck) comfortable records returns with three choice underground cuts. 76-79 (aka label owners vigo & tomski) show they are adept at creating 3 totally fresh and edgy house cuts that will appeal to a minimal or tech house floor. however if house/minimal is not energetic enough for you, check >six ten< for a record that llies halfway between techno & house & is layered with some very nice old school sounds. this ep really breaks the mold!! in the past when these artists have released tracks they have had a massive amount of praise from the likes of laurent garnier, rob mello, mr scruff, charles webster & fabrice lig. this release is a prime example of why they deserve such high merits & is destined to becoming just at large as comf006

this time hertz is back with a funk fuelled energy bomb that balance in between an old school vibe ala 1998 and a fresh approach for 2008. expected support from a wide range of djs. on the filp you will find a track with a repetitive acid-sounding bassline but without the 303. this is rather a fresh synth that gets the tweeking. on the b2, you find a pierre j remix that takes care of the house-ier sounds

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label.

new kanadas adam marshall delivers a stunning peak-hour track with obvious inspiration from old school detroit techno and classik chicago house. >kokane< begins as a tightly wound minimal house groove with precise, pounding percussion and heavily swung jack. after the 3:30 mark the track gives way glistening synth chords which shine through the darkness transporting the cut into carl craig-ish jazz territory. on the flip, montreals ernesto ferreyra mutek, cynosure brings a south american flavour to the remix and takes the dancefloor oddessy deep into the chilean canyons. a late night mixing tool for the djs. lastly, we find the outro called >moonlight chills< on the second cut of side b. ambient and lush, this one is for the late night detroit highways. mojo and the darkness along i75! a deep ending to a very personal journey.

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

back in the box is a brand new series from leading uk house label, nrk. taking the worlds leading and longest serving dj legends, b.i.t.b. invites them to plunder deep into their collections to those old house records that rocked the party time and time again, records that have since been left dormant on the shelves, waiting for the right moment to be dusted off (and this is that moment!). we re talking about those records that shaped and influenced a whole music scene, from that golden era of house music from the late 80s to mid 90s. a mix that will evoke great memories of lost nights on the dancefloor, b.i.t.b is the trip back in time you ve been waiting for.

first release from this new talented dutch 20 year old producer/dj who is better known to his mum as laurens hollemans. both tunes have that typical so called dutch house style. wobbling electro filled bassline with a touch of latin vibe to it.with nearly every dutch major league house player already on support it looks like lauw is entering the scene by storm!

producer holger behn aka h.o.s.h. is back on stil vor talent with his third release and second 12 inch on oliver koletzkis imprint. his latest two tracks are all about house music, while always keeping a strict eye on the dancefloor. it starts with the tech-house anthem >grünanlage<, the name of a sunday afternoon open air in h.o.s.h.s hometown hamburg that he co-organises. the tune features a great clappy snare and some wonderful balearic guitar melodies, which swing over the fast loop. this tune is going to put a smile on your face wherever you are. on the flip there is >blaupause<, which translates as blueprint and is a dreamy housy pusher that keeps grooving with its synthie-stabs and warm bassline. later in the track h.o.s.h. adds an oldschool piano that pushes the track into another state with its drifting melody. it reminds us of so very many great rave moments. however, h.o.s.h. never gives in to the temptation of drifting off into cheese, stays cool at any given moment and keeps the seal of quality for his music very high. >blaupause< is a wonderful summery teaser that never explodes, but keeps imploding! h.o.s.h. once again does what he does best: delivering two wonderfully melodic tracks that fluctuate perfectly between house and techno. just the way we like it

imagination of the shape draws a new skyline while not abandoning the roots of the city. the tracks this time obviously point towards the future of course a bright one! the mixture of established artists and newcomers declares that plastic city has many great names and artists inside the city limits and nevertheless searches for new flavours, techniques, sounds and people but this time something is really different. all artists mentioned on the double 12inch compilation come up with neverseen creations which all have a new flavour and perfectly fit together. imagination of the shape sounds like science fiction house music something you never heard before. high quality tech house touches new spheres and instantly grabs the listeners attention. approved artists as terry lee brown junior, the timewriter, greg parker, rob pearson, colin dale or eddie richards prepared a row of pleasant surprises as they left the old centre of their city. slightly more minimal but still housy and groovy the tracks are connected to each other as it has always been greatly compiled at plastic city. theres much consideration behind the artists works as well as behind this chapter. imagine the shape imagine the future

finest disco flavoured deep techhouse 4 tracker !! motor mouth are fresh ! new electro house disco masters from stuttgart germany. martin welzer ( dj friction, freundeskreis ) and philipp könig (blendbrank, kris menace ) are well known for their fat disco productions on their own and various hot remixes they did the last years for labels like !k7 and global underground. the two originals are rockin old shool disco with housy deepness and straight forward beats like we know from acts like spirit catcher or star you star me. no wonder we loved it straight away and had to sign this new and exciting project for our players paradise imprint. if this was not enough we topped the whole thing off with 2 extra full on remixes by our mixmaster james flavour and a reinterpretation of motor mouth member dj friction himself who delivers a fine piece of nu skool disco for the leftfield dancefloors.the james flavour checker mix is as always deep ! with his typical house groove we know from tracks like test 5 and da ride.

winding road returns with yet another top class release by office gossip. office gossip ranks amongst the cream of deep house producers, and this ep is arguably the best and most rounded og release to date. from the slick old school flavour of strangers to the pumping intensity of carbon copy, via the heavy vocal crunch of say it, this record has quality in abundance. plus theres a fine remix courtesy of new winding road star lovebirds, which transforms the original into a sunshiney analogue disco monster. essential

lead track, keep control, is a prime slice of club house. this is the kind of tune you can be sure is going to rock any dancefloor, and even raise the mood to another level. solomun s sparse production means the track retains an old school vibe while still sounding contemporary. there are enough breaks to give the crowd a chance to make themselves heard too. another quality of this track is the fact that it fits into almost any kind of house/techno set

joey returns to his own jackin tracks imprint for a lovely 4 tracker, this time re-releasing two of his classic tracks and showcasing two new ones. for anybody who may have missed it, joeys >sunrise ep< on freaked records uk came out in 2004 and was widely regarded as one of the best records in his discography. the standout was >memories< featured here beautifully remastered on a1. it has since become a house classic, and also a very hard-to-find record. on a2 is >the devils groove<, a twisted cut perfect for those drugged out moments at 5 am in a very dark room. flip for b1s >country life,< nice dancefloor-aimed material with a massive bassline and soulful male vocals, this one was surely inspired by derrick carter and achieves that sound perfectly! and lastly is >45 funk< � the full a-side track on the original freaked release - old-school youngman sound, undeniably funky with a wicked keyboard solo thrown in for good measure

support from claude von stroke, tiefschwarz, ricardo villalobos, laurent garnier, steve lawler, radioslave, sebo k, ripperton, misstress de funk (radio 1), kiki, xpress 2, guy gerber� this is the second part of the >three arches ep< from freak n chic and cocoon star david k. the deep and dub mixes were made with the afterparty in mind and centre around a low slung bassline, hypnotic groove and a tripped out melody. in david s words >this is one my favourite productions this year fusing the best elements of deep house and techno � i love to play these tracks<. samim ups the ante and delivers a killer club mix, adding a heavier bottom end and old skool riff whilst maintaining the dubby vibe of the original. one of his best mixes yet! an essential tsuba release.

big with: dan curtin, gregor tresher, karotte, thomas schumacher, monika kruse.... fresh fried is a new project by chris wood, nedzad berovic and frank leicher. nedzad and frank have already made furore with their release on balkon records. the aside >50 ways< starts with an organic housegroove. during the song a minimal melody originates, which comes to its climax because of a clever arranged break and a pad that sounds like the old detroit tracks. hands up on every open air floor ! the b-side includes the titel >on my mind< in two different versions: chris b1 version shows us how deep beats and tricky vocals can work together, and comes after a short break with a warm baseline to a house appeal that stayes in your mind... the version from berovic & leicher is a little bit harder and more minimal. because of nice arranged beats and the drifting baseline this track has to be played at the clubs

dos palomas negras follow up their succesfull t&t shake with this blistering vocal/house track using a familiar old school disco sample just in time for summer.again produced by dj tdk & dj tyme and j van der saag dont wanna go home comes with a plethora

luna city express feat. diamondancer >r.e.m < (davomat remix) justified cause is proud to present its ninth and most international release. a convergence of artists from around the globe. from deep inside berlin comes two artists that are on the crest of the underground wave, marco resman and norman weber under their house moniker luna city express. luna city express bring us a dreamy original track that is named and inspired by the dreamstate >r.e.m.<. the track gives us a nice blend of cutting kicks and stabs that somehow maintain their subtle deepness as they progress into a string medley reminiscent of old school detroit which is appropriate with the sensual neuron touching voice over by detroits own diamondancer. as youve come to expect form us down here at justified cause, weve counted on the collaboration of some of our troops to bring you some hot remixes. this time to follow the success of the >vending machine< release we got davomat to give our ears another treat with this groovy minimal touch remix. a bit more for the dancefloor this mix really carries its power in its bass sounds. the quality style weve come to expect our boy davomat. we really couldnt get enough of this ninth release so us troops down here at justified cause have decided to cook up a few more mixes of this jammie! weve made it a two parter! cause009 & cause009r. so be on the lookout for two more exceptional remixes and the accapellaby diamondancer! the remixes will be by house cafes deep daddy dj ino and the other by, our own in house jacker, garcynoise vs. pablo bolivar. we leave you for now... in the meantime please enjoy our troops luna city express, diamondancer, and davomat!

all tracks on arti farti have been tested out the last 6 months by our local heroes, and have been proven to work in many a club:-) a: yesteryear: this one is rough. combining modern tech house with some old school >funky< rythms, and catchy keyboard riff, this one has blown up floors for me for a long time. its full of details, and has that eiry >ive heard this track before< feel to it. a massive hit in copenhagen allready, i hope itl be one for you too. full support from a bunch of big djs b: out run in: as the title suggests, this is yet another return to the olden days. i love records like computer madness, but they absolutely sound like crap next too newer releases. this is my tribute to the days where a 808 and a 101 were enough to creat magic hope you like the stuff, and remember. stay on the scene, like a fax machine!!

second single from the forthcoming full album cd due for october. dirt crew goes deep into the old school again with >coming for you<, experience the power of jacking bass and rough beats. the >big bad city< is another step towards darkness and warm minimalistic deep house, a great combination of percussion and deep organs make this track a special afterhours tune for the sweaty summer raves/tip

this portuguese label has been delivering some massive pieces of tribal house from its beginning and soon received constant support from the main international djs such as danny tenaglia, victor calderone, dj vibe, deep dish, erick morillo etc.the original version returns back to the beginning of the 90s with that old school bass line and fat drums. percussive tune with hypnotic waves creating a trippy atmosphere. this is the kind of record that can be played by both tribal lovers and house aficionados.the hard mix on the other side gets it darker for a perfect peak time set hour. the sound for big rooms. tribal groove with strong rhythm and that pumping feeling driven with tech waves and male vocals let yourself flow

another smooth release by amplified orchestra which goes way beyond the hip disco edits we hear all the time. on this obscure chicago label (hand stamped and no further artist info) we get 3 tracks with the sublime moon voyage (based on an old cosmic disco-funk track, but completly rebuild), the incredible asteriod (reminiscent to early moodyman and rick wade. very good detroit house) and the disco-funk-soul stepper lets have a ball. nice one

supportet by: stephan bodzin, monoroom, ziel 100, mijk van dijk, stephan hinz, wollion, christian fischer, andrea doria, greg churchill, gennaro rossi etc. with pepperjuice hamburg based duo nudisco are delivering a good example for this fact: minimal oriented drumming, short decays, modern groove and just enough sound to honour the harmonic background of music in general. piemont goes even further and created a straight minimal version that will surely please even the most credible djs around. for the collectors of deep tunes, ajowan sure is the right choice. crisp high percussions, subtle bass and a melody that wont leave your mind for a long time create an awesome mood on the floor. hypnotic, propulsive and igratiating it sure is a winner on the floor. stereofunk adds a remix that subjoins additional kick on top of the original idea. pumping compression and oldschool chords that remind you of the good old 90s but combined with the productions skills of nowadays itll burn down the house! you better be prepared!

the new project of japanese dj/producer yukihiro fukutomi. he is well known as a pioneer of the japanese house/dance music scene. his career started as the dj of legendary club gold in the late 80s, and started productions from 1990. his works are known worldwide, releasing on king street, irma and jcr. foog is a project inspired by his musical roots old school chicago,detroit techno,spiritual jazz,progressive rock�he makes fourth dimension sounds with digital synths and real vintage keyboards. 4040s rhythms and textures are inspired by spiritual jazz, this would be great stuff for fans of henrik schwarz,carl craig,and the deep space sound

montréals guillaume coutu dumont doesnt lack for collaborations. he works alongside julien roy as egg (karat. m_utek), with david fafard under the luci (morris audio, titbit) moniker, and collaborates with argentinas ernesto ferreyra in chic miniature (raum musik, musique risque). but now its time for guillaume to continue his quest for the ultimate ham bone funk recipe with his solo project: guillaume & the coutu dumonts! a special blend of funk, house, techno, gospel, swing, barbershop quartet and afro-beat! >boogie woogui<, his second solo output after his hartchef debut, presents two special tracks of sweet and hypnotic grooves that will make any dancefloor climb a few steps towards a better place. the funky basslines wrapped in warm and soulfull blanket of old bluesy samples will seduce even the grumpiest. this 12inch is completed by a matt john (perlon) remix which keeps the groove steady and focused on one goal: make you all dance, smile and wiggle! jump on our soul train and shake your ass... shake your ass!

the two amsterdam based djs and producers onno & rocco mundo present their newest release on the lmr imprint.insanity defense:as the track leads in with some raw bass lines the summerish synths take the overhand and gets your head at a big partyon the beach.with influences from old school trance and progressive this track is just 100% nostalgic and can expect many support from a very wide range of djs.classified insanity:then its time for some more house action on the b side.this track begins with a smooth build up, followed by some grindin basslines.and just like in isanity defense theres also a summerish break here.

brand new label from laurence ritchie (inland knights). >the high rise ep< is vintage inland knights. this quality release is old skool fashioned and shows their side of early releases. deep and funky house at its best

no, only in sweden definitely illustrates markus enochsons new journey in sound. no, only in sweden is aimed straight for peak time. more techy than markus previous productions, it is a killer house tune with stunning key stabs that build up to a climaxing riff. markus also decided to invite newcomer the subliminal kid to share a slice of this great 12. already hammered by gilles peterson and quoted as his kind of house music, the chord song is an instant classic that could be representing the new wave of house music where boundaries between house and techno are thin and the feel is definitely old school. huge tip !!!

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

rhythmetic is back with the 7th shot, this time a compilation round wich features 4 damn great tracks, tom clark with jens bond produced the opener, straight to da point tech-house tune, dark and crispy sound effects, pretty cool & clever staged samples and a keen sense of dancable basskicks and drum works�..the next one is aldo cadiz and he is presenting a grandiose peak time anthem�.beamy basskicks and cool analogue lines will push the crowd to the max�actual horsepower. the first one on the flip is a tune by jobim�s cousin aka argy �oriantal styled and smooth song, recommend for early morning hours.last shot produced by diffuse��mystic and dark hypnotic - rounder, alarming sound scapes meet old-ravey sound structures�altogether and pretty good new release with four different tracks

"nice reminiscent of a classic minimal josh wink !! justified cause�s proposal for this ep is to present an exclusive, extended mix of the song >take control< from the 981 north album in the classic 12&#8243; format. we believe the track to be a strong fusion of american house in its deepest style, but made with an exceptional current day minimal production technique. as a result, we hope that besides just being a great dj track, that it will appeal to both types of listeners. as you would expect from the crew down at justified cause� who better to remix this track but our in house jack master, garcynoise who >takes control< of the remix and turns it into an indubitable dance floor filler by also fusing some old school feel with some new school production"

one sided release by one of the hottest names in techno at this moment. slower pace and slower beats with a nice old school-ish house feel. the real hook line is a slow raving sample that goes on and on

supported by karotte !! with the signing of south-german newcomer dizko toaster oliver koletzki rediscovers his old love for squeaky peak-time disco house. toast hawaii is one of those tracks, starting with the sound of the sea breaking and combining filtered disco grooves with sexy techno synths that take you back to the hedonism of studio 54. the track itself is the bomb, but the list of remixers is impressive, too: koletzki as parker frisby turns it into a smashing hit adding his typically strong loops and some hypnotic vocals. on the flip man of the moment remute contributes his production skills and creates an effect-laden driving techno piece full of surprises. stil vor talents own h.o.s.h. then takes a totally different approach resulting in a deep and warmly grooving detroit-style track that immerses the listener into the depth of the tune. this record is a lot of fun

after 3 releases on od records and one more recently on initial+, heko is back in force with a four tracker transcending into the depths of electro-fried synths with solid grooves and italo bassliners. a1, primavera: an electro house tune with a touch of metro area will really take control of the audience. a2, voyager: more catchy, this tune is a pure dancefloor killer with its powerfull bassline & dark synths. b1, energy 3000: a definitly disco beat and vibe for moroder fans, electro toms scattered all over the mix with furious high pop-synth. b2, mrs butterfly: dedicated for cosmic old-timers, this butterfly brings you into a magic trip through its funky bass, afro beats & full of love rodhes. definitly the release of maturity, this fatal dance music weapon finds its place in all dj s bag

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies � he used to make drum n bass before he switched onto house and techno � you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

classic greatest hits album from the king of old school jams including all the big hits this will work the dancefloors again and again...