peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

the meeting between tyrrhenians obtane and romes giorgio gigli creates two deep and dark techno where cinematic elements meet industrial structures in a dry and powerful form. transmission is up building and tight, the dark patterns reach obsession. reception takes a wider signal from a mysterious laboratory somewhere in the mountains.

for sure dfr001 is a bomb plus it s hammered by dubfire, the advent, joseph capriati, joey beltram, technasia, markantonio, dj murphy, robert natus, ken ishii....
the first release features nobody else than the nice guy and techno-preacher eric sneo (masters of disaster / beatdisaster) from frankfurt, germany. after a lot of smashers on well known labels like kombination research, clr, patterns and abstract, eric is now back on driving forces recordings with a massive 2 tracker. on the a side you can find a mainstyle braincracking track called vintage force which will drive the crowd totally crazy. with a rolling beat, the sneo typical driving percussion and a wicked leading sound, this one will heat up every mainstage all over the globe. the b side features a track called coming home, a dark and evil bassmonster with a tiny percussive melo, strong enough to break down the walls of all the clubs out there. modern techno for the peaktime is what you get. it lets you forget the hype about the minimal kind of music. next to the austrian local heroes, a number of big names of the international techno circus were signed and thats why a good and diversified start of the label will be sure.

played by richie hawtin, loco dice, lauhaus, pheek, tim green and many more!
lessizmore continues with a striking fresh release from its new darker serie noire imprint. kane roth is working towards a mix of psycho-reactive minimal techno while tim xavier redefines kama sutra with playful bass lines.
kane s kama sutra is focused on a melodic audion-like gimmick. the track is remarkable by the use of typically pitched down vocals and massive kicks, it viciously hooks the listener.
yearning begins with strange and dark sounds but after three minutes holds the line with simple yet magnificent synth layers. in this track, kane is close to robag wruhme s delicate vision of techno music.
the remix of kama sutra constantly thumbs our nose at. tim xavier arrangements are mapped out with calculated intent, he pushes the track into a brilliant fun and never-ending roller coaster.

logoshirt with special glow in the dark effect (100% cotton)

born in neaples, the italian producer guiseppe morabito aka abyss turned heads last year with the single mind games on ben watts highly acclaimed buzzin fly records. although by no means his first studio output, this mystical and dark mover was a killer record and certainly caught a lot of peoples attention with everyone.

fantastic late summer release by galaxy toobin gang, includes remixes by lee douglas, the prince of new york disco and dj overdose (of novamen and getitboyz), the dark night of the hague electro. none of the meandering ponder-o-rama of their debut album, but straight up bootywhomping dancefloor chaos this time

stroboscopic artefacts 1st vinyl release is an incendiary 2 track ep. label founder lucy gives us a visionary blueprint for the future stroboscopic artefacts releases, etching out the soundtrack for an apocalyptic club scenario. out of the a-sides dark, pulsing beats and itchy baselines, a granular voice rises up. krishnamurtis rasping vocal cuts through, creating a colossal techno track. the result is a hybrid of the physical need to dance fusing with the cerebral. amid resonant piano samples and utopian 60s strings, a crystalline question emerges: why dont you change? in the middle of a hazy, overcrowded dance floor this peak-time guerrilla track hints at a moment of epiphany. on the b-side dub man walking, lucys dub-roots background collides with his techno identity. the heavy drum machine structure is injected with obsessive dubby baselines and intersected by high frequency distortion. the track floats, the elements never fully solidify, instead they surge forward becoming ever more urgent. lucy mixed and arranged dub man walking live using his faithful mackie ms 1202 to keep the texture warm in an old skool way

another raw tech house experience from jerome sydenhams jango series (ibadan)!! funky detroitish / deep house styled monster... a dark, groovin and hypnotic flavoured journey

lost for 30 years - unreleased masterpieces by disco legend patrick cowley and indoor life singer jorge socarras - remixed by morgan geist (metro area) & kink (rush hour)! first single from the forthcoming album “catholic” by patrick cowley & jorge socarras. “soon” is a dark proto-techno track with hypnotic lyrics and warped synths, while “robot children” builds on a rigid sequencer bassline and futuristic sounddesign. these masterpieces were lost for 30 years and get released for the very first time! the first remix comes from no one less than metro area’s morgan geist - and it’s arguably one of his best mixes to date. responsible for environ’s unclassics series, he certainly was the first call for the job. his rework transforms cowley’s trademark production sound into 2009, respectful for authenticity and forward thinking at the same time. rush hour’s kink has turned heads with his incredible production skills and live appearances. his remix of “soon , derived from the original’s drum machine sounds, catapults the track to the future. bass heavy with a rugged beat, this is one to cross boundaries from techno to dubstep to experimental!

andy vaz recovered this data in 2006 for persistencebit records.

after almost 2 years without publishing new material. the label properproud reappears with this ep limited to 250 copies. the owners of the label santi and roger (strange connection) have worked very hard to remind everyone with this record that the electro-techno and ebm will not die ever! this time, properproud back with more force and with the intention of staying forever. closing mouths includes 4 tracks of 4 major artists and the name isn t coincidental. it s time to shut many mouths that don t rely on this kind of music the first one closing mouths (a1) has been signed by the owners of the label (strange connection) is the first time published in properproud. a track of pure ebm, dark and evil but with great force and which has received great support from artists like angel molina and dave clarke who has played several times in his white noise radio show. the second one hurt me (a2) has been signed by jonathann cast in collaboration with the voices of drey. after publishing in dancefloor killers come to properproud and do it in a forceful and dark track that can move any dance floor. bluntly electro-techno and without mercy! on b side, we find 2 of the best signings he has made during that properproud parentheses. in the first cut (b1) adriano canzian, currently one of the most bizarre techno artists, with halim the dream shows because david carretta and dj hell is set in it. a brutal track, direct and intended to enjoy it in a club. dave clarke has supported it without hesitation. and to finish off the ep, ruben montesco (b2), after his passage through lasergun and other labels turn to properproud to demonstrate in madrid that also makes good techno and ebm. insomniac s red room is a dark track, evil but with a lot of energy and a perfect voice. rubÚn besides being a great friend and supporter of properproud is undoubtedly one of the best producers of this style at national level. 4 tracks that shape a piece of craft for lovers of brazen sounds and is the first of a series of 12 inch that will see the light soon and will be limited to 250 copies. properproud is back .... stop the minimal. use your brain!

apm 001, resident of the name festival inaugurates family name with the well-named 001, a single stiring between techno, house and minimal. a pure bass line, a running groove and hypnotic waves are all here in this single which crystallizes brilliantly the multiples influences of its author. unclassifiable, jennifer cardini surprises us once more with this remix. keeping the waves from the original single, jennifer installs a dark and personal dimension where the sounds intertwine with grace for a single on the edge of strangeness. specialist in knowingly constructed atmospheres where each element takes time to install itself, chloe ...

nice egg-in-white logo-shirt with a small dark imprint (100 cotton)

nice egg-in-white logo-shirt with a small dark imprint (100 cotton)

mexican techno veteran luis flores makes his debut appearance on the droid recordings label with dain brammage. as both an artist andmusical catalyst, luis has shared many ideals with the members of droid. after many years of pushing progressive concepts that are both innovative and non conforming, luis has developed his own production style that is precise, hypnotic, and maintains a healthy degree of dance floor groove. his title track is a deep journey into psychedelia and unearthly bass. brammage contains only a few essential elements, each tripped toperfection. sparse eerie vocals carry nicely along the 6 minute sequence. flores inside track the call is a slow and steady builder with dark subtle vibes and crisp hand claps. at four minutes flores introduces a rippling synth gate that trips listeners deeper into submission. very heady, very essential

techno/ techhouse. forever is a big rocker for the outdoor (summer!!!!) season with warm pleasent vocals and the pads get under the skin. bizarre on the other hand is a dark driving tune and good alternative for those who like it a bit stronger.

elon returns to dumb-unit with 2 sublime summer works. treading lightly on current trends but with full individual strength he jacks the notion of what a modern techno djs should deliver in this day and age. fxck cuba is a layered and playful excursion into what the post minimal freestyle years have allowed us to achieve. freedom from constraints & styles. he then continues the mood on >right on babe< an ode to slinky summer sex, here elon pushes a dark and nasty feel that will grind hips this summer.next up is a man we have been eyeing for some time and his first foray onto dumb-unit is a stormer. ahmet sisman, the upstart from essen who has already made major waves (including being featured being on sven väths sound of the 9th season), takes the remix to another dimension (so pay close attention). not for the light hearted, this remix a a powerful calling to festival and main room dance floors of the summer, direct, unabashed and loads of fun ahmet is clearly a man with a lot to say and delivers a powerful modern take on dumb units renown sound.

just in case someone might have forgotten: stil vor talent is based in berlin. and this ep by sascha braemer, one part of heinrich & hirtenfellner, proves just that. braemer, whos just been at the top of everybodys dj charts with his funk-laden minimal soul piece >mamba drums< on kindisch records, has donated three tracks to oliver koletzkis imprint that mirror what this city is best know for: funky minimal grooves. first up there is >ghost track< a typical dry minimal loop with a rhythmically in touch vocal sample that is then juxtaposed by a simply astonishing piece of melody. goose bumps and groove humps on the floor - guaranteed! on the flip: >girl<. here braemer has created a dubby piece of tech house that floats towards a soulful vocal and some beautiful strings. this is one for the early morning, or in berlin, the late afternoon, those times when everything seems in perfect harmony with each other. last up is >guitar man<, yet another very sample-based stripped down loop with one riff of an echoed guitar being the protagonist. when that riff is fully played out, we all know its summer. but it wouldnt be berlin if there werent some dark wobbly basslines seemingly destroying this but in fact creating the perfect combination of soft and hard, of light and dark. on top of this the vocal sample >i wont leave< perfectly encapsulates the vibe of the praised berlin afterhour. stil vor talent is back at home with this ep.

technopassion release number five delivers a tremendous blast of techno sound from george le nagelaux that no one can resist. the a side features a massive remix from belgiums ambitious techno star stephane signore. he made a truly energetic version of no resistance that goes forward with melody driven raw power. surely one of the top tracks of the year! the b side features the straight funky original version and our species will not survive , a track that is, as the name suspects, pretty dark. rumbling bass, catchy oldschool synthlines and propulsive beats are the outlines of this piece. no resistance ep is a solid, rhythm packed bundle of uplifting techno music, so go and get your vinyl copy of this one before its out of stock!

limited edition doublepack!!

some serious biznizz goin on here, no doubt - elementals brand new 12 inch for reduction brings some major, dirty break-step action to the floor, phat-ass, squelchy, distorted, squashed low-end and rollin beats make for two dark and heavy drops. this is the kind of style that wears its junglist roots on its sleeve, with a real, late night warehouse rave nastiness - and we totally love it. elementals growing reputation for tough dubstep cuts is supported by a succession of releases from him for labels such as audio freaks and urban graffiti, he s had tracks appear alongside scuba on hotflush, released with caspa & rusko (dub police / destructive), been remixed by boxcutter, and featured on fabric live.32 mixed by tayo. bristols reduction label first debuted with a plate from wedge (paradise lost / z-audio) featuring a remix from gatekeeper (soul jazz / tempa). here they bring a prime slice of local talent from a west country city positively teeming with innovative music.

nice price deal !!! from the deep dark cold depths of melbourne down and out disco suburbia comes the long-long awaited debut release from serial hitmaker, synth wiz, coffee addict and all rounddudebabe, gloves. fresh, from the titanic sinking of his former musical yacht, damn arms, and off the back of remixes for the likes of cut copy, vanshe, sneaky sound system, the deathset, the scare and ted & francis, gloves sails bright into the dance horizon with his first 2-track original release on banggang12s.

ultraphat dark and dirty detroit smash with another stunning joris voorn remix.. ltd backstock

almost two years after his highly acclaimed debut, fabian bussmann is back with a release on debox. and the waiting was worthwhile! sometimes i m invisible is a remarkable piece of work and shows a recognizable advancement in fabians production skills. >or else< on the a- side is predestinated to be played on a big sound system: dark, athmospeheric, reverberated with lots of freaky delays and effects and equipped with a powerful bassline the track creates a tension that will surely massively discharge on the dancefloors this summer. the remix on the b- side was created by bastian buesser who recently attracted a lot of attention with his releases on debox and endlich elektro. buessers interpretation of the track is a deeper, more playful approach of the theme. without touching the basic structure of the track he constructs a more relaxed, athomospheric vibe, taking back the tempo and adding a new bassline to the adaption. the title track >sometimes i m invisible< clearly distinguishes from the the a- side and presents a different side of fabians work coming along with a groovy bassline and lots of percussive elements.

michel cleis has been on a streak of strong releases in 2009, lead by his highly popular la mezcla on cadenza!!

steve angello returns to his own size records, only this time accompanied by his brother, an21. flonko is a massive, klezmer style track that has been bubbling under for some time and is now here! essential new tune on pete tongs essential selection already, the sound of a gypsy summer is here. still staying true to steves recent tech sound, the underbelly of this track is tough and dark lifted but the klezmer melody. an absolute essential summer track!

from belfast to detroit is next, with the legendary carl craig picking up deeper shades of black through hearing it on myspace, for his new planet e sub-label guilty pleasures for a release in june. psycatron tunes have been supported by some of the finest djs in the world, from deep dish to sasha. independent in his own right - paul has presented the respected bbc radio show across the line for the past 5 years. for the past six years paul in concert with phil johnston held one of the most prestigious residencies in ireland at the world famous shine in belfast, as well as it s sister club the stiff kitten. psycatron has also guested around ireland, the uk and europe at the likes of excentric (ibiza), excentric (perth), acii disco (dublin), deep fried funk (derry) and others. psycatron remixes constructed in the past year for excentric and the ep for fergie s imprint rekluse are massive with getting the support of everyone from carl cox to stacey pullen. psycatron s new material showcases a tougher techno-orientated sound

another big release for tim xavier on ltd400! tim keeps up the momentum with his next installation, featuring two floor-burning conceptual tunes. on the a side, no day like thursday is a colorful and mixable track with tims signature dark percussion, complete with a layer of manipulated, warped synthesizer pitches on top. the result resembles something like an out-of-thisworld harp, and the combination of these ideas result in a timeless, psychedelic minimal sound that makes this release unique and irresistible. the flip side is yellow corvette a nice, moody mixer with eerie vocals, chuggy percussion, and a big room bass-line

steven espee patton is a young talented dj and producer from glasgow. his electro music is deeply influenced by the deep sea resonance of drexciya as well as other dark and enigmatic artists, such as aphex twin, lory d, dj stingray 313, underground resistance, and artists from his beloved glasgow such as rustie, voltaic, chordata. glasgow itself he calls a huge inspiration to his productions. merging all these influences, espee creates his own individual musical world - a combination of enchanting melodies, intricate bass lines and fat beats. espee is a refreshing up and coming artist and with his own unique style he helps to keep electro alive.

tommy four seven returns for the fifth release on his deep techno imprint, shooting elvis. london townis typical of tommy, deep, dark and hypnotic using repetitive locked drones marching to a fierce groove and sharp percussion. early support from chris liebing, joel mull, hernan cattaneo, mark-henning, perc, darko esser, pheek, xpansul, sebastian roya, dave shokh.

juan kidd is one of an elite few to bootleg a faithless record and get the seal of approval from maxi jazz himself. pete tongs a fan having spun it in miami and so is cr2 head honcho mark brown, so much so that hes signed this monster to the label. he is man responsible for the dark, techy, house sounds youre hearing in the clubs rightnow - his sound is dirty but expertly polished. his is one of a breed of new school producer/djs with labels queuing up to sign his work. with bags of experience as a dj and engineer, he is breaking through as one of the most respected producers on the underground scene. kidd has many fans inc steve angello, erick morillo who have signed juans tracks to theirlabels size & subliminal and teaming up with mark brown released the massive æburningon subliminal.

fukkk offf aka bastian heerhorst has been renowned for some time in his hometown of hamburg for storming live sets in the clubs scattered around the citys red light district. die sundige meile or the sinful mile as it is known has seen its walls shaked and thighs quaked by the throbbing depths of bastians big room fukkk offf sound. after the first two hit singles im a freak and rave is king, of which the latter went to # 1 on the german club charts, fukkk offf delivers his debut full length album love me, hate me, kiss me, kill me. the album which includes his previous singles delivers even more flavor from the hip-hose party rocking duet more than friends, featuring nyc rappers razor cain & hazel, to the fashionista anthem famous. by turns dark and menacing then veering towards moments of playful funk and kitsch, lmhmkmkm doesnt let up on its grand tour of the discerning late night dance floor

flying in from another disco dimension comes the return of the ædisco spaceship series. hot on the heels of volume 1, which featured æthe disco spaceship by laurie michael, ævolume two heads deeper into the cosmic void. first up we have a proper piece of et boogie from sylvia love. æextraterrestrial lover is an uptempo belter with a rapturous chorus and a driving bassline. check out the incredible heads down pulsating breakdown complete with keys and an incredible re-launch! here in both vocal and instrumental versions. on the flip we have another incredibly rare jam in the shape of pluton & humanoids æworld invaders. a dark sci-fi electro-disco epic with heartfelt vocoder vocals thats rare as hens teeth. the third instalment of ædisco spaceship series is in its launch pad with its ignition sequence started!

amyl nitrate (commonly known as popper) is a chemical compound. it has a long history of safe medical use in treating angina. its also often inhaled with the goal of enhancing sexual pleasure.inhaling nitrates relaxes smooth muscles all over the body, including the sphincter muscles of the anus and the vagina. listening to the original version, it is easy to understand the reason behind such a title. a dark and obsessive techno-bass in its depths. acid, nervous loops on the surface. sex and sweat everywhere. here and there, two surrealistic, hypnotic melodies breaking the darkness of the bass loop. a mix of sharp and round, deeper sounds. the vinyl version also features 3 great remixes: the amazing electro-minimal rmx by the hacker, the spiritual-dark rmx by rubÚn montesco and the fresh club rmx by produkkt

a brilliant pumping and body-shaking excursion >brain wash< on the a side. this muscled track drops dirty and tense beats over a persuasive fat bassline and acid-infused loops to liberate magic drops and increase the synths climax. a pearl for the big rooms! >hope this feeling< on the other side starts things with melodic and dreamy keyboard workout without forgetting groovy basslines until the vocals blends into dark synth loop and drives the whole track to hypnotic sensations.

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

the first single from her upcoming wagon repair debut album and her first release of 2009, dinky (aka alejandra iglesias) is ably following up on the momentum gathered from her 2008 album may be later on vakant. in a decade of releases on labels from cocoon and traum to carpark and crosstown rebels, dinky continues to cement her place amongst technos most enterprising producers with four new tracks. opener wind mesmerizes with repetitive keys looped over a straight kick. chirped tones pulse curiously amidst descending melodic chimes in a steadily evolving elemental journey that equally evokes reich and contemporaries (and new label mates) cobblestone jazz. outro establishes territory with intoxicating arpeggio melodies, while wet hair plunges us into submarine depths. dripping with resonance and reverb, sporadic metallic tones color a dense mix of murky pads and sharp beats. interrupted briefly by an epic symphonic interlude, wet hair continues its descent into deep and dark territories to close. the eps closer, butterfly floats with squeaked melodic tones and breathy vocals taking lead over a busy percussive base. saturated with a variety of sounds from indigenous samples to wobbly bass and deep detuned keys, butterfly takes us on a winding scenic route, disorienting and enchanting in equal measure.

skizofrenik presents its new release chromosome disorders ep. after several releases, skizofrenik records launches necro dur s first entire release with a really complete reference for the hardtechno comunity. this release contains four different tracks. on the a-side damage recipe with an old-hardtechno touch and chromosome disorders with a powerful break and a blasting voice. on the b-side dracula with a great dark melody break and the dark side with a hard and dark synth style. all four tracks come with a really hard bass that will hit hard in all dancefloors for sure. so be prepared for this new skizofrenik records release!

cesare vs disorder has become a name synonymous with dark tribal mystique of the whole ever-ness. now he returns to dumb-unit under his queen atom alias with 2 powerful moody exponent of summer fueled target mayhem. refuse greed is the monster of the 2 and is set to create precise dust storms of engraved monuments throughout the continents. beaten down circuit trek. forward, functional and expertly designed, it is the swiss knife of the hard motion. minsk is the trickster of the 2, the wild coyote data dash it goes deep and dark and slides through stacks like no other tin tit. hollow, resonant and compelling it s some fireside buzz log. it s out there ... now go find it ...

two shortstories of electronic suspense, deep and hypnotizing. eavesdropper leads you through the dark with a firm hand.

hammered by toni rios, danny tenaglia, someone else, xpansul, ambivalent, kiki, kaiserdisco, stacey pullen, dave tarrida, gel abril. robin jacobs s label skript music presents its 4th release, the klink pat ep by newcomer john lagora. he brings us 3 outstanding tracks for the dancefloor. the tracks are full of tricky arrangements and crazy fx and they will definitly rock the crowd.

dark atmospheric minimal techno !!

the sunshine coast?s resident electronic maverick, milanese is back on with his heavy-as-fuck 2nd album on the mighty planet mu, and a snapshot of the continued evolution of his unique, fresh angle on streetwise uk bass music.
having pioneered the heavy, dark and twisted experimental dubstep sound with his previous releases on warp, combat, mg77, arcola, seed and planet mu, this new lp sees a shift towards collaboration. with strong vocal artists like ben sharpa (pioneer unit, cape town) and rqm (al haca, vienna), who deliver interesting lyrics in a unique style, melded perfectly with milanese?s own fat swerving basslines, solid drums full of attitude and odd, mangled samples.
melting dubstep?s earth shaking frequencies with hip hop & grime vocals and hard edged timbaland influenced drums and percussion, the result defies categorization: neither dubstep, grime, hip hop nor idm - you could call it a mashup of all these, but it?s more accurate to say it sounds like streetwise bass music for the year 3000. incredibly strange beats and sounds but keeping the funk, fury and bounce 100% on lockdown.
challenging, menacing and forward thinking like his previous releases 1up on warp (2004) and extend on planet mu (2006), its also 31 year old steve milanese?s most dancefloor record yet.

miniminds have been making quite a noise over the last year with some sublime releases on fling recordings and picking up support from the likes of adam beyer, paco osuna, smith & selway, stephan bodzin and pig & dan, to name just a few! they continue to do great things with this excellent 2 tracker on hedgehog, a label previously releasing tracks from marco bailey and pig & dan. >overdose< is a dark driving monster, with huge funked out bassline, and builds with eerie synth lines. a sure fire peaktime smasher!

hypnotic, minimal groovy tracks!!

2004 floorrocking release by new york city based band radio 4. remixes delivered by ashley beedle and headman.

a carl craig production!!! here is the 1st extract taken from night music, etienne jaumet new album to be released end of september. etienne is the keyboard player of zombie zombie. this man is breathing music. you have to catch him live to see how involved he is in his music. almost possesed. when i heard his album a while ago, i asked carl craig to make some production, which he accepted and made a job above our expectations! he pushed the level of psychadelism to the max! entropy is one of them. cosmic dark obssesive - a meeting between ashra temple, can and liaisons dangeureuses. tr 808, vintage synths...lets go for a ride... for the remix, christian vance, an australian producer who released recently a brillant track on rippertons label perspectiv has done a great job, changing the tune into a mental techno ride...we only released one mix, but check the digital platforms for more unreleased versions...

played by karotte, giles smith (secretsundaze), laurent garnier... already up to its 17th release, yore keeps rolling on, this time with a new release by memory foundation. in 1994 robert hood found his way into a dark basement somewhere in viennas suburbia. mr. hood was impressed by what he had heard, and with him a dat-tape took a long journey back to where techno was invented once. with their first appearance on detroits m-plant label 15 years ago, the memory foundation or one of their many alter egos found its way into the hearts and the record-bags of many serious electronic music lovers. in 1997, after setting up their own record labels central and together with jeremiah grow! and other releases on m-plant, 7th city or usm followed. the memory foundation now returns with their contribution for the yore camp, with their >reptiles in exile ep< they prove that they havent lost their magic touch. the track burns with electro-funk fire, with natural kit and cymbal sounds giving the already-surging cut extra thrust and the staccato burble of metallic chords adding berlin flavour. a lithe eight-note bass motif anchors the warm techno-funk of >bass traveller< as a flaring synth motif squiggles alongside rhodes chords and a boogieing clavinet line, and its easy to become so engrossed by the tunes relaxed swing that the artistry of its arrangement can go underappreciated. textbook body music, >summer visions< is an earthier, mid-tempo funk workout thats sure to get the dance floor crowded, while the light-speed closer >reptiles< blazes a slinky house trail whose fresh swing has got yore written all over it. with any luck, we wont be waiting twelve more years for the next memory foundation release