following his breakthrough release on cult bristol label happy skulls, which carried a tearing funkineven remix, adjowa marks his second release of the year with a slamming addition to the dba dubs series. beautiful swimmers own max d (known to his friends, but perhaps not his family, as maximillion dunbar), contributes the compulsory us remix on the flip, drawing on the grime, jungle and breakbeat hardcore tropes to create a truly otherworldly banger.

ferocious, grimey breakbeat and techno from itinerate dubs on heavyweight 180 gram vinyl.

aah, the breakbeat, the very foundations on which the british underworld of dance music was built upon, takes it rightful place once again, and will azada royally plunders the spirit of the rave scene on his opening track, mysterious white powder.

the first noisia release since the imperial ep release in may 2012. for this 12inch noisia locked horns with calyx & teebee on the haunting, punchy roller hyenas, and evol intent on the liquid, an epic, breakbeat rave-up

with his debut album prepped for november release, a sagittariun drops a taster of things to come, in the form of the >across the celestial sphere ep<. >clusters< rolls out another dusty breakbeat in perhaps his most dancefloor-centric offering yet. >fire sign< is a warm and jazzy slice of techno, whilst >the dna of life< is a moody, industrial electro join

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

after three sold out releases on gamm the edit king the reflex is back with vol.4 in his re-vision series! this time around he goes slightly more rare groove-ish than before with three amazing re-edits.
first up blood sweat & tears gets a breakbeat rework that kills the original by the miles if you ask us. the dope jazz brake in the middle is extra nice.
to follow up we go on a funky blues trip on *gone is the thrill* and last but not least a hot (!) ohio players jam gets funked up to the max.
the reflex and gamm have done it again!

after their musical debut on italians do it better last year now the two swedish freaks come up with an psychadelic soul disco trip called road less travelled. including two amazing house remixes for the dancefloor. tiedye are anton klint and edvin edvinson - from the rocks and waves of the west coast of sweden. with a worldwide fame for beeing incredible dj. now they sho that they also are unique producers. their shit is raw. their sound is dirty. it fits perect with gomma.

k breakbeat legend clatterbox returns to trust with two killer hard-hitting electro tracks. the remixes are a real treat as well, coming from the elusive creepy autograph - for those who know - with a 6min electro-step-tech monster and pomelo records main man, dan lodig, recording under his lok44 guise.

after the success of cult classic mediterraneo, dr. beat from san sebastian is back with another installment of beautiful sunset house music for 2013. dj kaos jolly jams imprint delivers again!

parallel zum start seiner neuen welttournee erscheint boys noizes brandneue ep go hard. darauf wartet alex ridha aka boys noize mit einer ganzen bandbreite an unterschiedlichsten styles auf: früher acid/hardcore/breakbeat/rave, analoger techno (ohne bass, ohne melodie, mit intensiven roboterstimmen), 909-acid/disco-house, acid-rap und nochmal klassisch-sicker rave-beat. go hard indeed!

a-side brings a 45rpm mentalcore speed hardtechno, very progressive with some good bloody breaks, and bass changes! twirling stuff absed on a david green sample... playable at 33rpm.. b-side brings one 33rpm dub techno breakbeat track, very efficient, with a long dub intro, opening on a massive kick where it was expected. a real tune travelling into style and remaining dancefloor, this tune is a postal collaboration between lityk and vulpine smile from usa. one side 33 rpm boostables and one side 45 rpm playable 33rpm... a superb record we are very proud to co-produce with lityk.

george k, dj and producer, born in 1981, based in milan. his first steps in music date back a long time, when he began taking an interest in mixing and scratching techniques. his roots are hip hop and reggae, but in a short time thanks to breakbeat (rockit - herbie hancock) he abandoned that sound for experimentations in electronic music: techno was love at first listen, detroit and acid above all. with the passing of time he has begun to dedicate himself as much as possible to productions using synth and drum machine. now he has begun his new venture as owner/manager of his label fu.me where he will focus his work on promoting new and old sounds - without forgetting his roots - offering bad and dirty sounds .

vinyl only release.
solo debut for the berliner (aka decas) on this super-promising imprint. hard-hitting, gritty techno-house, percussive and freely musical, with a vivid, ill dose of vintage breakbeat from remixer john swing.

the pirhana prodigy remix is a 166 bpm superb speedbreakbeat enhancer. rihanna sos remix is a 140 bpm dubsteppaz meeting breakbeat for a massive bassline effect... supa clean prod.

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

vinyl only! forgotten planets is an adventurous voyage with heavy bass and storytelling synths, combined with hammering rimshots, snares and drums. after that we are surrounded by fog, experimental soundscapes generates a uncanny atmosphere.
on the b side we have escape mode, a massive stomper with an industrial feeling and droning alarm signals. and last but not least ancient spaceships, a little time journey into the sound of the 90ies, no barriers between detroit techno, rave, breakbeat or whatever music was called in the past or will be called in the future. 365 copies black vinyl and 165 copies red marbled vinyl. no repress!

dj kaos jolly jams imprint, returns with some ultra big club slammer of their next release, a killer hot jam by richard from milwakee. featuring a massive eric dunks duncan mix this is bound to cause mayhem at your local disco.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos.

nearly 10 years on from it’s last release, phantom audio relaunches on march 11th 2013¬†and what better way to start than to go back to the very beginning! ¬†originally released on dec 6th 1999, phantom force went on to become one of the legendary dnb anthems, still being heard in sets today. fracture tears it apart and takes it right into 2013 with a mammoth half-stepping groove, led by those familiar pounding stabs, nervous strings and teasing break edits. digital & spirit go to work on backlash themselves, harking back to an era where the beats where dirty and the mood was heavy for a trademark slice of sub-heavy organised breakbeat chaos

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

dinamuzac clues you in: 19 minutes of psychedelic lunacy in one piece on side a named *sanctionism*, two atmospherically diverging electro/breakbeat-tracks processing a variety of tonal influences from the 1980s on side b! all designed with the most trashy analogue and low fidelity sounds possible to create something beyond common sense - this is *lo-fi twinkle* by dinamoe!

after the success of the first ep, comes the remix ep signed by three great artists of the techno scene. thrive is remixed by two veterans: mark broom and pacou. mark makes a very attractive and more techno version of the original track. pacou shows a version completely different amazing breakbeat! pulzar is remixed by jeroen search, who is never wrong at the time! powerful second vinyl for this label.

more romanian talent up next on fear of flying. drona mixes things up with a heavy breakbeat mixed with subtle melodic touches to give an ethereal quality whilst oan freshens up the vibe with a shuffling slice of bliss.

d-floor is a new label from the italian crew comprising by nice7, leon and pirupa. the debut ep comes from frankie watch (ops records, tenax) and gets remixed by nice7 (noir music, defected) and pirupa (desolat, defected) a hot mixture of classic house with a breakbeat-influenced b-side.

prplx continue with four new tracks of the highest quality exploring the deeper side of the breakbeat spectre. these tracks still reminds us of early bluenote & speed days but definitely with modern production skills, wich can be heard in the mysterious & deep mask track (also known as the ufo track, samples where taken from an old sci-fi documentary, exploring unidentified flying objects). part two comes with full coloured artwork, limited to a 250 handnumbered edition on 180 gram crystal clear vinyl (customized 75mm labelcopies and 75mm innersleevesholes)

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

four exclusive tracks from elbee bad that conclude the true story of house music compilation on rush hour ... more class cuts!
following the recent elbee bad compilation, we bring you four more tracks that were not included on the album. this ep showcases tracks that he produced for and/or with other artists. more classic stuff that was released on some of the leading nyc house labels at the time. keith, kat & blondie for nu groove, lord kcb for easy street and the wizard & the prince for city limits.
this release again shows the early house mastery of elbee bad as well as his diversity. the keith, kat & blondie shows his deep, eerie side, his freestyle vibe on the wizard & the prince track (which became an early uk warehouse/breakbeat hit) and his hip hop roots on the lord kcb track.
again, a fine example of the formative years of nyc house music. unmissable!

plymouths 14th best dj aldo vanucci drops his latest in the form of this killer ep. >you re all show< features the sublime vocals of kylie auldist - best known as the lead singer of the bamboos but also a massive star in her own right. in this track she lyrically tears down some unfortunate individual who has been showing out a little too much. >take me to a party< features rappers asm batting off the unwanted attentions of the post gig sparkle ponies and with aldos backing creates a classic hip hop party vibe. >what happened?< re-works a classic vocal to devastating effect and >alone< re-creates the off kilter breakbeat vibe of aldos biggest track to date >when i see you smile<.

jolly mayhem, this one is sure to rock the floor & is already getting major support from some serious heads! the flipside is a more mid tempo house affair but is equally as devastating. richard from milwaukee takes on better off, a stomping disco groove which escalates into full-on crowd control.its all about the classics here, with richards trademark chunky percussions & synths galore. did we mention the bassline? kick back to this one. dj kaos jolly jams imprint delivers again!

support from: dubfire, davide squillace, karotte, sian, richie hawtin, ambivalent, sam paganini, dj simi, umek, mladen tomic, slam, luigi madonna,, someone elese, rino cerrone, markantonio, meeph, daniel sanchez, d.diggler, paco osuna, francesco bergomi, elia perrone, oliver klein, francesco grant.

randomer is a dirty boy. and this is one of his dirtiest yet. proprietary edm trend-forecasting software has predicted year on year growth of deranged acid breakbeat music. we give you we laugh we scream. nar: a timely response to the proliferation of industry >yes men< freak dub: if dillinja made house?

dj shadow ist eine schlüsselfigur der dj-kultur. in den fußstapfen von eric b. und lee scratch perry, als vorreiter von st. germain und thievery corporation hat der 40jährige musiker aus san jose, kalifornien die kunstform namens hip hop zu neuen ufern geführt, neue maßstäbe im trip hop, ambient breakbeat und turntablismus gesetzt. mit >reconstructed< gibt dj shadow zum ersten mal dem größeren publikum eine eintrittskarte in sein universum.

after superfort already presented himself on bigm productions with digital releases this year, it is time now to leave his real floor monsters out of the cage with this huge 12 inch wax ep straight for the floor. four action loaded, skills proving tunes in a breakbeat-ghettofunk-bigbeat manner rock your ass off! superfort, the insider tip of the year.

finally out on dj kaos imprint jolly jams tiago soul jam, motor jam + bonus track! an absolute floor slammer with crazy techno style!

new yorks premier experimental drum & bass imprint, offshore recordings, teams with londons left of centre 170 bpm music tastemaker, organic, to present the osrorg series. the two combine mutual musical vision with a joint exploration of the subversive sounds. the creative essence of both new york and london are captured in this transatlantic collaboration- showcasing true urban breakbeat culture. osrorg002a daat - >orange line< newcomers daat bring a serene piece of music just in time for summer. one half of the duo, jason os, is no stranger to lush pads and beats with releases on modern urban jazz and counter intelligence. a catchy lead line and moody atmospheres are rooted atop a heavy 808 kick drum. think of the musical marriage of david lynch and 170 bpm, with a brooding baseline to keep it all grounded. for fans of synkro and indigo. osrorg002b daat - >orange line (deep blue remix)< before you ask, yes, its >deep blue<, deep blue. the legend has come out of retirement to bless us with this amazing remix. he completely deconstructs the elements from the original and filters them through a completely different style. deep blue combines a collage of smooth glacial textures with hypnotic driving beats re-arranging the dna of the original track. techno nuances at 170 bpm.

finnish dj crew rollomatik break out on the boogie boutique imprint with a two track release that aims to represent the arctic circle fully in the nu funk/breakbeat scene. formed of hesh & eaves, rollomatik aim to rock the party and that much is evident on this cheeky 12 inch with >we love to party< deftly blending will smith with chic amidst a melange of other recognisable samples. a similar approach runs through flipside jam >the greatest< as rollomatik lay down the vocal from an oft used q-tip solo joint over a heavily filtered take on sister sledges most ubiquitous track.

finally! after already two digital releases on bigm productions, stereo beatz now presents his first vinyl 12 inch ep, packed full with four stereo beatz bombs. from ghetto funk over breaker breats and breakbeat to oldskool breaks, the records contains a great variety of huge slammers for the floor. a peak time choice and must have.

prplxs entitled fabric of space explores the deeper side of the breakbeat spectre. clever drum programming as well as going in a bass shakin direction, it reminds us of early bluenote & speed days but definitely with a modern touch. these tracks are another testament to prplxs love for the breakbeat. also included here is the roadtested taiga track which starts of deep and hypnotic but surprises you with the harsh amen drop, raw synth and dark male reggae vocal, do we hear a r.e.w.i.n.d.? the album will be released in two parts, the first one is a 250 handnumbered edition on 180 gram crystal clear vinyl (with special 75mm labelcopies and innersleeves) including free mp3 download codes and wrapped in a sealbag. all tracks have been mastered by stuart hawkes from metropolis london. support comes from all the usual suspects. on a first come, first served basis only

just in time for summer, pampa issued aimlessness, the long-awaited new album from dntel aka los angeles producer jimmy tamborello. his latest electronic suite brought forth stronger leanings toward house grooves, building upon the pop and idm approaches he explored earlier in his career as half of the postal service and a member of figurine - with a healthy dose of pampa otherworldliness on top. now, robag wruhme steps in and recontextualizes two aimlessness cuts for a remix ep. wruhme is already a beloved member of dj koze’s extended family, having released the full-length thora vukk about one year ago, which was deemed another success for both him and pampa” in resident advisors four-star review. first up is robags kloff mottüré mix of bright night, a starry-eyed transformation of dntels work that twinkles like fireflies in the clear midnight sky.with symphonic splashes, playful pitter-patters and a tranquil breakdown, it sounds a bit like teenage toads skinny-dipping amongst the lilypads. next up, robag finds inspiration in dntels jitters,not once but twice: the marf labo mix takes the title quite literally,offering a jittery breakbeat interpretation with a metallic angel chorus swirling over the haphazard beats. finally, on the flip side,the emmens worsch mix brings things more closely aligned with the grooving, heartfelt house thump that pampa has engendered. its the eps most dj-friendly cut, while at the same time showing off robags gentle production touches and letting tamborellos sweet, subdued voice shine through.

large music chicago! bastions of quality house, large music have joined forces with belfast based producer ric mcclelland aka scope for the release of his outstanding debut lp. as a special gift to sound purveyors everywhere, large music has released a vinyl only sampler featuring 4 of the stand out tracks from the album. laidback grooves such as i dont and the breakbeat fueled workout of >wont be long< bring a certain diversity to the mix, giving the album real depth. ric also stretches his musical muscles with the downtempo charmer >myles groove< and the 80s flavored >the drop<. seven reasons displays a breadth of sounds that make for an engaging and genuinely interesting listening experience.

shoes spin-off imprint plimsoll drops this 5 track ep from florida producer alejandro ramirez. tracks full of dub, samba, afro-cuban jazz, latin funk and disco-rican-structed into house and breakbeat floor fillers. a super set of tracks for fans of latin flavored dance beats.

deadly, techy breakbeat science with certain mid 1990s metalheadz reminiscent feel.

uk breakbeat legend clatterbox returns to trust with two killer hard-hitting electro tracks. the remixes are a real treat as well, coming from the elusive creepy autograph – for those who know – with a 6min electro-step-tech monster and pomelo records main man, dan lodig, recording under his lok44 guise.

the german based label kitty corner records turns back the wheel and starts a new series of fresh experimental techno music. the opening track hachzem from bristols kanji kinetic comes with storming mutant basslines and rave stabs collide over a thumping techno beat. for battle creek brawl rrritalin and cynthia stern take it back to 92 with pitched up rap vocals over a prodigy style breakbeat hardcore track.spacefaces hands of a lunatik is frenetic and crazy wonky techno, while lukes anger rounds off the ep with the robotic 909 warehouse beats of throwing switches.

allì borèm returns to desolat with two smashing tracks accompanied by dj rafik. there is quite a way that allì borèm went since scotch your mind, his debut release on desolat in 2011, that was compiled by sven väth for in the mix the sound of the twelfth season. with 2 new tracks allì develops further his musical vision with peak time sound of once and psychotic funk of jonk. the release is completed with a remix by dj rafik. rafik, founding member of lordz of fitness and dj who won dmc world championship 6 times, stands for a unique club sound - an eclectic mix of electronic music, breakbeat, hip hop and rock. with his impressive skills on the mpc, rafik turns once into a serious electro-funk floor shaker.

the italian slok consider himself more a great pasta chef than an underground contemporary electronic music artist...by the way, he had big influence on the italian breakbeat, drumnbass and jungle scene with his two debut albums they call it jungle and freak 2000, both produced for the renowned irma records. after a natural change to electronic and personal house music beats and sounds in 2006, the international club hit lonely child, released with the collaboration of satoshi tomiie & hector romeros saw recordings label (defmix production), boosted his musical career quickly. his discography also includes releases and remixes on hi profile records labels like get physical music, my favorite robot, circle music, one records, turbo, om, harthouse, plastic fantastic (stereonova), futic tokyo and many more. he currently runs on his own imprint electronic petz, a structure created for support brand new talented electronic music minds. in 2010 he released two different albums: rain, on alex flatners label circle music germany, and the fat pasta grooves on electronic petz. after an intense studio work and sounds research, the year 2012 promises to be full of new collaborations including the release of a new artist album and a live set.

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.