pop / rock

ltd 5 cd digipack

3cd digipak

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

both landaus voice and compositions are extraordinary: the voice raw and exposed, pure and precise.

here we are again, the third volume in a series set to outstrip my legendary deep funk comps.

here we are again, another dose of unsung heroes from the past. all the tunes on here (bar possibly the opening tune) will be well known by the rockabilly world. however to those of you who have recently become, or are about to be infatuated with this music you are now holding a compilation of some of the rarest and desirable tunes known to the serious collectors

2 track maxi cd

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

schšnes folk album zum trŠumen

reggae / dub

the return of guy contact to craigie knowes. on the energy obsession ep, guy contact presents his masterful interpretation of progressive house.

killer album from one of glasgow s unsung heroes - joe howe 30 copies only

180g mustard coloured vinyl

2x 12inch colored vinyl with full cover print

collaborative album by harpist mary lattimore and accordion player walt mcclements.

decks tipp

limited edition pink coloured 180 gram vinyl.

features 14 compelling tracks from one of the most gifted musical minds in hip-hop history

rock

hip hop album

moscow based multi-talent impish presents the ÒhushÓ lp, his latest album project that has been released strictly on vinyl and is now available on cd as well.
working through labels such as hospital records, c.i.a., program and his own fast rising occulti music imprint impish is quickly establishing a name for himself in the global drum & bass scene. in a world that consumes more and more music in a superficial way impish manages to take a halt on the hush lp with timeless songwriting, arrangement and production inspired by live music and drum work.
from effortlessly rolling tracks such as ÒcanÕt feelÓ and ÒshadowsÓ towards more introspective vibes on Òchanging coloursÓ and the lpÕs title track a common thread runs clearly throughout the album: the aim for perfection, true craftmanship and a drive to combine to high-quality beats and breaks with musical elements. uk based female singer kate wild, julia marks and irish drum & bass producer zero t feature on the album for vocal appearances and remix work.