klement bonelli is back under his klmnt alias we all know his melodic, techy,spaced out trademark sound zouin is not different at all its a massive builder with an effective synth melody and outstanding funky bassline tiger stripes is on remix duties again and he did 2 pieces of art already played by jerome sydenham, francois kevorkian, roger sanchez, john digweed, hernan cattaneo

7 artists, 4 tracks and one destiny:electronic music for club, fresh, carefree, amused and direct.lucio & pep from italy bring a brilliant proposal of changing, intense, funny and deep hi-fi techno. the new association between bruno.d (citizen kain) + jaumëtic sees the light with >use your brain< a serious and effective track. adaptor is the union of forces between cj jeff + handle with care, 2 values in rise from greece, with a great remix of super flu who moves the track into a great tech house song

mekanik and mk records labelboss manu kenton from belgium is known for his diversity in taste and productions. he released numerous successfull productions and remixes on respected labels like alphatbet city, lupp and genetic. here he once again demonstrates what cutting edge anger the man can put into music. a seriously effective harder pumpin techno ep

the original clublive version starts with effective and bouncy lynn drum beats. then a trancey synth arpeggio and some dirty bassline come in along with a catchy vocal by gustaf. the glimmers deliver effective synth works with phat double bass

clectic producer johnny dangerous returns to king st. with yet another esoteric single, only yourself. his unique spoken word vocal stylings are what set him apart from other dance music producers. haunting as they may seem, they penetrate the psyche while the underlying rhythms rev up the body. italian heavy hitting producers, the pasta boys, are on board to give this an effective synthy remix thats perfectly inline with johnnys lexis. edgy, dark, minimal, techy and punchy, their remix gives energy without being overly aggressive. for those who need something a bit lighter, johnny dangerous original mix puts a bit of the funk and soul back into the song with guitar wa was and slapping percussion. theres something incredibly sexy about what johnny dangerous brings into being. is it his voice? his lyrics? his production? whatever it is, its good, and a pasta boys remix to boot? buon apetito

just in time for the fast-approaching summer months, rio de janeiro s main man dj memê joins soulfuric trax to unleash his brand new release v.a.i. blending together all the right ingredients, memê s club mix creates a summery, carnival-inspired vibe whilst deep josh lays down a very effective deeper mix. the stereo mutants spice up their version with some great sound effects and the beatzz come as an added bonus. definitely one for the ibiza season

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

digitalism presents their zdarlight original reworks and the compelling erol alkan edit of jupiter room. the mash up is devastating, let there be terrorlight now !there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to.digitalism initial release on kitsuné remains their best known: zdarlight. the heavy dance tune, with its acidic undercarriage, lilting guitar line and stratospheric climax, is distinctive enough.the parnoid asteroid mix presented here is the beauty behind the club beast, a full effect rework driving you through an emotional break while keeping your feet moving.then the basement trash tryout mix si explicitly underground for all you punks, digitalism recorded live with guitars !jupiter room edited by erol alkan : two breaks, a monster is born ! huge effect with a simple idea, thank you erol, for another compelling electronic record. there has not been an electronic act with the potential to cross over on such a scale since daft punk and the chemical brothers. it s been a long wait!their forthcoming new single pogo from their first album, entitled idealism, will be released on may 7th

from the throbbing techno heart of spain, comes reeko with his very own imprint and productions. juan rico has shown his quality skills recording for emerging labels like emergence, integrale, deafmosaic, rxxistance, trece, main out, recycled sound. known for his style of dark and effective techno. his live acts are original and heavy in true birmingham style

eva records is proud to present the first productions of maximilian skiba on a french label !!! after very noticed debuts at the end of 2005 on the german label boxer recording, he offers us here >transphormer< and >bye bye c64<, two electro-disco tracks melodious as one pleases. >transphormer< is remixed by the boss of the label personally ! sydney roy so proposes a second reading of the original in a monstrously effective electro style

nice price deal !!! solid electrohouse for big sound systems.in the a side you will find body control, a must have for any dancefloor in 2007, with an incredible electronic breakdown and apowerful bass line.in the b side energize will delight electro addicts with killer sounds that make an amazing effective track

we are happy to welcome on this 5th release one of the most important argentinian producers, franco cinelli, well known for his recent album on alphahouse, played by the most important minimal das around the the globe.he is finally back on the young spanish label esperanza with a couple of tracks, accompanied by a mikael stavostrand remix.on the a side we have a funky course track, >antenna<, characterized by his typical fat and vibrating bassline, thin and cleverly placed hi-hat patterns and unexpected bubbling delayed bleeps.this is the perfect to change the gear of the dj set from a warmup session to a serious rockin party, thanx its energetic restart after a mid breaking pause.>oscilator one< on a 2 goes more hypnotic though mantaining a funk rate, thanks to a huge variety of cycling loops featuring a dubby bassline and an appreciable rhythmic pattern.on b side we have >antenna 2< wich is remixed with knowledge by the swedish artist mikael stravostrand, bringing it much percussive on start and effective in every kind dancefloor, all that enriched by an exceptinal vocal performance by big bully that definte lyx make it a true bomb to detonate in the right moment of the night

simple but very effective electrohouse smacker from a minimal heart

jimi polar is the newest addition to the future classic family, making sublime minimal music with a vivid australian aesthetic and undeniable floor appeal. here comes an atmospheric club rocker with a bahnstorming remix by robert babicz aka rob acid. fans of buttrich, ame, claude von stroke, alex smoke, etc should find this effective !!

the music of jerk belongs to dirty mornings in sark techno clubs. complex and raw rhythm layers build up into huge mad max scenarios, dusky & coll bass-lines, simple and effective drums and irritating efx form a fucked up and dry sexiness..

after his dessous debut >bona fide< in spring 2006 st. sebastian aka gamal sebastian kaba returns with a new two-tracker. on >genetics< the young talent from manchester perfectly manages to produce stripped down and dark techhouse tunes. both tracks spread a rather dark atmosphere with their vocal samples and an elaborate choice of sounds set in the right spots, but still manage to make the hips shake. the title track >genetics< convinces with a sparse but very effective build up with synthie stabs and a wafting bassline. just as well and cleverly arranged is >backwardsman< on the flipside. the mumbled vocal sample and some spooky laughter hide in the dark behind a punchy kick, a deep deep bassline and some strange chords which make this the perfect soundtrack for your techy ghost train

equipped with the past, celebrating the future was always an effective artistic strategy of creating striking ensembles. six years after their debut album >future< and four years since the last maxi >errorist< (both available on disko b), artist unknown, germany s cloak-and-dagger electro project is performing on anthony rother s datapunk label, which is currently expanding its content of electro music in all directions, like no other platform at this time. artist unknown covers itself with regards to their biography and presents selected pilgrim travels to kathmandu, guitar roadie performances for oasis and video stores in turku as its highlights

already played by magda, chloe, dinky, mike shannon, laurent garnier the beloved member of einmaleins, sweet n candy is back with number 017release of the established label. scrollmops the original track is charactrised by clickyness and simple but effective sounds.deep, dark n slow.no title (…!?#) is a more playfull track with quirckyness and trippy landscapes of noises developing all the way through its existence.it gives groove to the body based on nice textures.falko rmx is keeping it dark just like the originalkeeping the rhythm and the paths its works slow and trippy. falco brocksieper does a really nice interpretation of the original within the boundaries of the sounds available to him, completing this release in the best way

on the second release from its remix imprint vr, berlins vakant label comes with the goods, turning out what might be its most far-out release to date - and at the same time, its most punishingly effective. going head to head, glasgows alex smoke and paris man tolga fidan tackle each others tracks, twisting up knotty rhythms and gauzy electro-acoustic sounds into a battered syntax that expresses one thing, move !!

***massive club anthem**** finally the first production pouxy prod, new label angevin of oups well-known association of the magnet medium. on this first maximum vinyl, two tracks effective composed by arno gonzalez and elysse, >higway11<, first track deep magnet felt well with an acid environment and incisor, intended for the hottest afters. the other track, >need hit<, certainly the tube of the reentry, with a monstrous kick, a station-wagon hip-hop tortured and altered with the sauce made in >very bad kids< will turn over, undoubtedly, next the dancefloors of france. to listen and dance in the modern evenings with the jungle

the polish man adam kroll aka adam proll presents two extraordinary productions which draw a bow from house to pretty weired techno. the a side comes along very elegant with a light but effective shuffle programming. flipside starts like a fuzzy electrotrack with a dark bass sound and a mighty 909 kick soon turns into a true techno monster with freaky breaks and insane synth sounds !!! an absolute highlight for fans of zombie nation and daniel dbx bell....

redshape returns with another strong delsin release. after his impressive debut, again three deep house tracks. -misc usage- on the a side brings dark acidic deep house, with an irristible bassline. -cajmere- shows the warmer side of redshape with the beauty of melody, along the lines of ame material. last track goes -dem young sconies- on acid, dark, and highly effective!

impressive and hiper-effective 12 with 2 tracks from citizen kain introducing his next album in regular for october 2006 !! a super hit remix by one of the producers of the moment oliver koletzki (cocoon, stil vor talent). big with mandy, oliver koletzki, jaumetic, agoria, inaqui marin

in the wake of raudive aka oliver ho (podium 1) comes amsterdam native shinedoe who with her 2004 debut >dilemma< (on 100% pure) instantly accomplished what others never achieve: respect and support by the likes of väth, hawtin and villalobos. her style: straightforward, strictly functional detroit techno - with an essential and effective touch of soul. as her debut album is expected for september 2006, we may catch a glimpse into the near future with her track >amsterdam meets berlin.< here, she does what she s best at. she uniquely creates atmosphere with just one chord, relying on the power of harmonies. but watch out. when the dreamlike vibe leads to a sudden change of keys, we re all puppets on her strings.

a-side rising pharaoh. b-side rising pharaoh dub, rising pharaoh (bon johnson mix) a-side tech funky mover with killer bass, built around a bluesy vocal and guitar plus a faint but effective flute. b-side features a pumped up stripped down tech house leaning dub, simple and to the point with quite an infectious drive and cowbell thing that ought to get them on their feet. last mix is a full on funked up version courtesy of bon johnson

klement the favourite newcomer choice of pete tong, roger sanchez and jerome sydenham. they all love his dark techy souly style with effective strings and atmospheric feelings.. on the flipside label boss teams up with his second release on soultec. >from malmoe to bremen< is an old skool sounding piece of techhouse music. the influences are ron trent and the late eighties house sound of chicago..

a: tral 49 - a easy beat with good placed cheeping sounds and well-balanced grooves are the key elements of the track >tral 49<. after a dj friendly introduction gloominess and psyche meet each other and invite to dance as both complement each other in full harmony and build the peak to the basis. b 1: zwischenlandung is a minimal track which atmosphere bringsa convenient feeling. the track starts with an emotional bass line which makes space, in the continuing story line, for a melancholic melody which coherence and charm never gets lost. b 2: der kuss des drachen -the finish is a nice homage to all which prefer a more relaxed motion but don t want to start sleeping on the way. a grooving beat cooperates in effective harmony with a classic chinese stringed bowed instrument so that you don t want to stop to seesaw in the rhythm. the whole time short padding sounds build up and down without losing the red line or leaving space for boredom

special nice price action...
>fascination< incorporates synthetic rave lines, driving drums and super effective arrangements. >in the sound< works with a very simple bassclick which develops into pure dancefloor dynamite with acidish toppings and mean vocals..

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

danish lad who has been knocking out the big floor rocking electro house cuts for labels like c2 and whoop under his alse monniker lifting it up a notch here with this tasty number on litmus highly hooky and based around a simple yet very effective bassline with some uplifting synths thrown in over the top remix comes from the beatchuggers

electronic house and tech house with a slice of tribal a sides original mix is a gritty sleazy knockout aimed at the hottest progressive floors out there especially as the minimal but wickedly effective bit of depeche y vocal slides in flips nocando remix goes deeper at first with a filthy minimalist electro bender that warms up a bit slowly before catching fire at the break big one

freedom sounds are back with colonel red on vocal! a dope jazzy bouncy broken tune for the co-op massive and for the party people. already a classic in the box of ig culture, orin and all the hot djs, this tune is simple but effective. alex attias production is tight and the man is back with some freedom soundz flavour , low sub bass and simple key hook .for your dancing pleasure of course

there certainly ain�ft no stopping franck roger at the moment: another 12�� teaser from his forthcoming album makes perfectly clear that this parisian producer is churning out nothing but pure quality deephouse. >say you love me< sports a classic, slightly latin-fused riddim with and effective off-beat organ chords and horn stabs. the dub mix is even more stripped, putting the emphasis on the strong beats - dope

the patterns number 25 comes with a piece of tight drum programming, fresh vocal snippets and a funny yet effective sample from the simpsons.. produced by elton d (g-force, stark, fine audio)

jack of all trades tim paris shows his rocking, more electro side on crack & speed getting right down to business with >standing up< a jacking electro-pop opus with understated yet glamorous vocals by allonymous and a few suprising stops and breaks pulled by tim paris. stefan goldmann strips off the pop ornaments for his remix and maximises the jack and takes us on a bumpy ride with clonky, metallic beats, buoyant acid squeaks continuing in the vein of his releases on classic etc. tim paris takes us back to dirty electro-rock with his remix for france s grande dame de techno dj chloÉ s >take care<: a frazzeld, constantly serrating synth line runs wild over super-dry, cumbrous drum beats - sparse yet super-effective

>effective< on the a-side is one of those tracks with a very special groove. simple, but strongly effective. dry twittering sounds on top, keep with the clicks and all is well. the b-side >been in glue<, is another 100% sureshot. you can hear the classic traffic signs sounds from the release. it is this very unique formula, the mixture of jackin beats, dry bass and short melodies what makes you groove on and on and on and on…

the title track is a sharp, dance floor effective electro track, on the funky bassline, with a mysterious vocal line on top. raining night driving , the second track goes more along the musical lines of model 500 and drexciya. more again into concepts, as the first release on this label, can be found on side b: audition me - is the theme, which is explored in two parts, bot with a more rough industrial sound, but both still close to the sharp sounds of dynarec

smooth electro disco works for the floor. three tracks with a positive club vibe. 'taboo' is a cosey clubby track which just makes things ok as they are... effective for everyone!. 'seduction' is darker and bottom heavy. but the most outstanding track on this ep is defenitly 'taboo 2'. this is the kind of track that brings the party to another level! great electro disco-tech for everyone who likes to party

dirk dreyer aka one louder with his debut single.. sparkling sound and shreds of melody are wound around a metronomic click bass! simple and effective electro techhouse with some nice female vocals..

classic detroit techno energetic and uplifting with smooth effective basslines

keeping up the trade mark oblong quality dickenson and lievense from over the water (ireland) bring us two top notch cuts of deep basslines tight drum programmes and melodic synth riffs support from all the usual suspects

a quirky thick basslined dirt crewstyle, full on groover, dry , kicking and effective with a great break - made to play i would say!! flip over for shyza minellis mix , tuningspork styleee acid research and check out marco palmieri and terry-ann frencken from und / turin (trapez) ,who contribute a fragile minimal funker with over dubbed female vox. let this mobile move you

hard pounding grooves and clever programming of steam which has an effective dark vibe for the dancefloor, incl. hertz rmx + johan bacto rmx

the 3 tracks are all diverse in style with the a side being a superb moroder influenced dance floor killer with a funky bassline, subtle string edits and clinical production. the 2 b side tracks are more minimal in nature but no less effective with the b2 track having a haunting string melody that's truly awesome

the original, with its wailing organs 909 beats and dark vocals samples takes this one down the road 3.am style. whilst the flip-taken over by dj linus - goes even deeper into a dubby synth workout with a chicago trax bassline and 707 claps hitting hard ontop of the 909 kick. pure, effective nostalgia.

sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all, a laboratory where dreams and artistic visions metamorphose into concrete reality.

als in den spŠten 80er jahren die ersten outdoor-trance-partys im indischen bundesstaat goa stattfanden, hŠtte niemand gedacht, dass sich dieser trend so lange halten bzw. weiterentwickeln wŸrde. kaum eine andere dance-szene in europa hat ein grš§eres zusammengehšrigkeitsgefŸhl als die goa-szene. hier wird musik und alles, was damit zusammenhŠngt, noch gelebt. zu keinem genre gibt es eine ausgeprŠgtere und besser entwickelte -underground--partyszene, in zahlreichen foren und communities stehen die fans in regem kontakt. stŠndig finden kleinere veranstaltungen statt, und im sommer sind die gro§en festivals und partys wie waldfrieden wonderland, vuuv festival, alice im wummerland oder psy-purgisnacht immer ausverkauft.

after what seems like a thousand years of blood, sweat, tears, and a lot more blood, your zombified disc disciples at finders kreepers unveil one of their most essential collections yet. this musical mausoleum of malformed freak funk and dreadful discoth�que pop has been resurrected from the maligned cinematic subculture of bombays bloodthirsty horror film industry and witnesses the cognoscenti of the bollywood pop scene at their most creative, destructive and experimentally effective. tip!