another incredible, time- and boundariless offering from john daly with waves of distorted synth incessantly ascending, overlaping, collapsing over a simple but effective house beat gently pushing you into a calm state of euphoria. flip over for a beatless ambient version reminiscent of experimantal 70s synth music

on the occasion of the 40th release, tom clark is presenting the third release of the >various artists< -series: himself together with the club guerillo daniel dreier as well as tom clark solo plus multiinstrumentalist sven brede. three tracks reaching fr

minus/pariter artsist w/fresh new stuff

the fourth release shows the experimental, pumping and glitchy minimal structured part of ascon bates! this e.p. waits with tiny vocal snippets combined with loaded lines and funky beat clusters which will give you the shivers..

>baby show up< shows olivers strength in crafting a vivacious floor-rocking beat, with a deeply cavernous kick and sharp stabs forming the groove before simply gripping synth melody gives the track a sparsely wistful atmosphere. as the bass bounces the track along, a precisely executed break leaves no doubt as to the peak-time quality inherent in this production. >baby show up – elegant universe remix< demonstrates the appropriate name of these young remixers, with a track that falls nothing short of a nearmasterpiece. textured melodic soundscapes float gently over an entrancing and slowly lumbering bass-kick combo, purveying a level of passion rarely found in such a graceful piece

genre crossing little number from the dragonette sweet female vocals in a cool fusion with electro and techy vibes on the a side flip over for some broken beat action not to be missed

fantastic bootleg version by beat freak label head d formation

representing tokyo-techno-scene, >co-fusion< (dj wada & heigo tani (wall five), their 2nd ep of their new project series is coming up again. as the latest work of 1911 ep, this is their day of todays work which they have assimilate as their career that they have been quite long time period in japan. the quality of sound is extreme elements to get deeply... >devgru< on side-a comes with funky sub-bass through to the end, tech house beat flows the track offer you if you like radio slave and claude vonstroke. >rink< on side-b as a stark contrast, comes with cut-up style of minimal taste, the elements of sampling subtle track. on the other side, sounds experimental throughout the track as clink or vakant

stunning package delivered by nick terranova aka starkillers & austin leeds

a firm favorite of the 2020 army & a skillful beat maker in his own right. burnski delivers this twitching & jacking 3 tracker. perfect for the cooler floors this summer

enormous club distroyer from one of the new kid on the bloc. this beat is gonna make you dance.

nice price deal !!! the original mix is a broken beat 303 flavoured track with a strong female vocal tall & small deliver two 4 to the floor funked up electrohouse versions not to be missed

show must go on !! one can really regard supdub as a kind of artnow, tones and illustrations will permanently harmonize in the future through artistic innovations from our drawer >odin<. a lovely but chopped girls voice approaches the listener on the a side >silvertune< in a checkless way, and you know who took his hands in that tune even before the beat starts and sends you in the direction of the dance floor

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

so sound returns with a brilliant four track ep by nottinghams superbusy kinky movement crew 4 funk filled deep grooving house gems for those who know this is a must have

jerrald james aka jerry the cat musical career is a typical example for detroit music of the last decades having played percussions with parliament and disco outfit cj & company he early came in contact with the first wave of detroit house and techno producers and began to experiment with these new sounds. his productions today are still evident for the unique mixture of detroit soul history and futuristic electronics. therefore this new sound signature is exemplary for the detroit sound as it skillfully fuses the free flowing jazz inflected vocals of genevieve with jerralds rootsy percussions play, accoustic live bass and a skanking, hypnotic house beat. flip over for the dubby instrumental track vanished

main mix features roy davis jr on slick old school flavored vocals supported with tinkling keys and jazzy synth horns that make way to a delicious break that leads into some searing percussion and serious bass all joining together for a jaw dropping, refreshing reintroduction to some real house music. next up is the jimpster mix, a deep edged straight ahead affair accentuated with big keys and roys vocal right up front and center. a midsection that pulses and hesitates and then drives on with an enveloping deepness that pulls you in. gorgeous! last up is the dub, a wildly percussive take with roys vocal setting the tone. pumping bass and tabla drive the energized big sound with breaks that twist and distort only to launch back into the infectious groove

rush hour limited presents san propers adam family series. this is a series where he teams up with well known and lesser known producers from amsterdam. on this four part he collaborates with one of amsterdams busiest djs, o.boogie, check the results! a deep slamming 12 inch

tim wright comes on his tresor debut with a pure tresor-track, styled up with the voice of toastie tailor and a full-out rave beat on the aside. the flip comes more minimal with electro jazz tinges that pays a certain homage to the early minimal detroit soundmakers

great brachial funky schranz tracks on the second hardbeat massacre

montréals guillaume coutu dumont doesnt lack for collaborations. he works alongside julien roy as egg (karat. m_utek), with david fafard under the luci (morris audio, titbit) moniker, and collaborates with argentinas ernesto ferreyra in chic miniature (raum musik, musique risque). but now its time for guillaume to continue his quest for the ultimate ham bone funk recipe with his solo project: guillaume & the coutu dumonts! a special blend of funk, house, techno, gospel, swing, barbershop quartet and afro-beat! >boogie woogui<, his second solo output after his hartchef debut, presents two special tracks of sweet and hypnotic grooves that will make any dancefloor climb a few steps towards a better place. the funky basslines wrapped in warm and soulfull blanket of old bluesy samples will seduce even the grumpiest. this 12inch is completed by a matt john (perlon) remix which keeps the groove steady and focused on one goal: make you all dance, smile and wiggle! jump on our soul train and shake your ass... shake your ass!

sweeping harder uk underground techno by zoid & distek

something really special for old school electro funk lovers

2nd 4kenzo ltd release here feat techy edged funked up house tracks by johnny fiasco and brett johnson while the 1200 warriors go for a smooth detroit ish broken beat groove not to be missed

nates soulful vocals backed with a delicious broken beat on the a side flip over for a funky kevin ford remix and the album version a must have

excellent 10th release on gung ho recordings by new zealands luke walker who delivers 3 excellent tech tracks here mayhem on the a side is an acid tech track that reminds of josh winks higher state of consciousness, born in 83 is a broken beat electro affair with excellent drums and percussions flip over for the electrotech rocker markwon that closes this brilliant 3 tracker

tyler nelson remix.. pete tong support

"produced & mixed by amnaye & tony l amnaye, along with kif head honcho tony l, the beautiful afra outdoes even that epic stomper; the track is simultaneous depp, techy, jazzy and driving. when the joyous vocal sample drops at the four minute mark, dance floors go berserk."

keith worthy returns with the second release on the detroit based aesthetic audio label. she loves me not is a deeper than deep, with sweet percussion accompanying the smooth beats while the spaced out keys create a laidbadk vibe perfect for afterhours/early morning play. the alternate mental deepstrumental adds a slight techy edge to the track. beat the beat up is a typical detroit ish tech house track with moody keys over a techified beat

huge proggy anthem alert here robinson valentti delivers a noisy electro flavoured remix with a cool broken beat breakdown flip over for another slamming percussion driven dj fist version

big hit! stunning minimal techno from berlins underground producer scene! the subdub label owner and berlin based techno activists heinrichs & hirtenfellner, have already released numerous tracks and remixes on labels like lordag, supdub, tonkonsum, römer and freshly squeezed: karateklub! violet rain on the a-side is a deep groovin’ track with melancholic atmosphere rounded up with an amazing pumping bassline. on the flip drop to the warm ground is a funky and intense track accented with bleepy textures. for peak time play, no question about it! “under the water surface” starts with a smooth beat combined with nice melodic elements. but after the break: a dirty and pushing bassline rolls over the whole track - the monster awakes and send the dancing crowd to the moon and back! amazing 3-track ep - buy or die!

new kanada is excited to present two deep advanced house cuts from the mood edit group. >santa domingo< is a peak-time monster house cut - seamlessy blurring the line between minimal and maximal. seriously jackin and bumpin beats collide head-on with haunting sirens and swirling textures. fast enough for the big room - but with a depth and rumble that screams >lock the doors and bring out the good stuff!<. >broken< begins as a tight minimal beat with gritty breakbeats dropping into the mix. slowly it expands into a frenzied piece of surgical funk that fits somewhere between nicolette s >dove song< and carl craig s >bug in a bassbin<. a long extended 8-minute journey into deepest water

on the a side the bee low remix is a masterpieceof a remix that aims at moving people with hypnotic, repetitive grooves and fierce build ups. flip over for the original timothy l version and chev chelios an intensive track you wont forget as it haunts you with its whirring synths, a driving synthetic beat and an almost melancholic feel

after releasing two splendid vocal house productions, dj pit (aka christophe moudenc) teams up with the lords of soul for a lovely four track ep. kicking off is >ill make you jazz< which combines live played jazz instruments with a smooth house beat and vocals by ndinga and nathalie andre, with the result being a brilliant jazz house track. >before< is a beautiful jazz drenched deep house groove featuring a sensual female vocal and great keys. both >sweet lady< and >baby i need you< are on a laidback deep house tip and feature soulful male vocals alongside lovely rhodes and organs

dies ist ein hit unserer bescheidenen meinung nach. nicht so einer der laut >hier !!< schreit und dann wieder weg ist. eher einer der stetig aus dem hintergrund rüberwinkt und bald zu einem guten freund wird

infectious groovy new number by outlines includes a remix by ed bangers krazy boldhead played by gilles peterson, mr scruff, king britt, peter kruder, laurent garnier and josh wink

nice price deal !!! beat warriors and party-starters par excellence, andry nalin (bush ii bush) , returns from the front line together with saschco, who did his debut single >feel/serenity< on electribe records a few months before. the red mix delivers a full electronic bassline monster, containing a hughe breakdown followed by a all hands up peak. classic stabs, rollin effects, a synthesized vox, pumping beats and a electro bassline, adding a special flavour to a rockin groove. the white mix delivers a deeper version with warm pads and turns into the early morning territory.

switzerlands andrea festa with this huge club bomb a highly infectious vocal loop backed with a funky techhouse bassline on the flip you ll find a minimal tech mix by dj dune and an electro flavoured broken beat version by tomahawk

brendon moeller comes out from behind his beat pharmacy moniker to deliver his most upfront tracks yet. the jazz space ep is the first of three 4 tracker eps which will be released by third ear during 2007 as vinyl 12s, 4-track download eps, and to wrap the project up, as a cd comprising the 12 tracks. this music can best be described as tripped-out, post-minimal techno. beautifully produced and superbly mastered by stefan betke @ scape mastering, already being played by ricardo villalobos, craig richards, kenny hawkes, andrew weatherall, luke slater, derrick may, francois k, steve bug, luciano, timmy regisford, jimpster

coyote are timm sure and ampo.they have been djing since 1988.now they are releasing their own true balearic music on their own is it balearic imprint. includes a great phoreski remix

007 sees the launch of the more about music label, releasing the hottest new music across a variety of styles, from house to hip hop via broken beat and other underground sounds. sheffield based small arms fiya are producers scott monkz moncrieff and tom toddla bell. their style is a fusion of hip hop, soul, dancehall, broken beat, uk garage and detroit techno influences, which creates an innovative and original sound. pressure drops in with beats reminiscent of james yancey dilla, with ayahs soulful delivery adding the finishing touch to a track that will keep ya warm till summertime. on the flip you ll find gotta decide, where ayah glides through an electronic p funk bomb, destined to detonate any dance floor. whilst broken beat maestro domu adds a slice of 1980s disco boogie dust for full effect

first release on the new kat imprint on the a side you ll find an 8 minute long broken beat nu jazz re edit by danny krivit flip over for a deep grooving latin edit by bob henzell

new label serious assault brings you hot remixes of two superb vocalists. both reworked by a famous swedish producer who wishes to remain anonymous. the classic masters at work track work featuring the vocals of wumni gets the bugz style broken beat roller treatment. on side b india irie gets the urban house rework smooth and heavy bassline and new jersey style drums. music for dancefloors..

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

killer release !!! minz is simply introducing himself by a few words… influenced by techno, house, acid & dub, minz creates deep electronic dance music with attention to detail. on the a-side, minz gifted us with the unbelievable chinese drip. a pure mix of modern minimal music and the too long left asleep « deep » side of things. this track is indeed a delightful journey trough the minz world. groovy, sexy, deep and incredibly dance appealing. oceanic oscillations starting from below the sea level and reaching the sky to dive again! clap your hands, shake your booty ! get the crowd on their knees with the tool of 2007 ! the b-side host an even deeper cut, >we are the new me< sports a basic channel inspired groovy beat, sparkling spacey sound designs and that ultra deep bassline that just get you on the floor. minz is clever enough not to follow its predecessors and develop again a very personal groovy and delightful track. finally, >none.of the mill< is a wonderful piece of the minz ambient world enlightening us with a different point of view, a different perspectiv..

cool 80s inspired >beat street< styled electro !

stunning off-beat techno tracks !!

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!