rough ebm assault from russia. last ep by the kalingrad based artist, tragically passed away in september 2016.

london-based producer, visual artist and nts radio host kit grill has announced a new 5-track ep, titled westway. the ep will be available digitally along with a limited run of 200 vinyl copies designed by alex sullivan, with cover photography by grill and an accompanying video by london director laurie lynch. westway draws on grill’s personal experiences of living in a cityscape and echoes the industrial, fast-paced and repetitive rhythm of his home city, london. the ep was recorded over the course of several months from early 2015 to february of this year, the propulsive beats and driving, shimmering synthwork across tracks like ‘distance’ and ‘street runner’ inspired by and echoing the brutalist beauty of the capital, culminating in the euphoric, widescreen string flourishes of closing track ‘stairway’.

dancefloor munitions aplenty with this release from rlsd. 4 great tracks with plenty of potential. rlsd 001 finally drops, featuring original tracks by doug cooney, pgj and jonathan k, along with a lee holman remix. in long established tradition, the first outing by dublin based techno label rlsd records has indeed been a labour of love. with small quantities already in all city records, it’s firing on all cylinders and has been well worth the wait.

mono junk’s cult label dum records is back with a new five track various artists ep that again packs a vital punch. he appears himself along with some fellow legends of the scene. first up, morpholgy is a consistent performer who has continued to serve up quality electro since 2009 and here serves up a hot new piece. ‘vector plant’ is busy and industrial, slick and metallic as it unfolds and burrows deep into your veins. then comes the a2, irwin berg featuring freestyle man (aka finnish moodmusic boss sasse aka klas lindblad) with a track made in 1995 and never released before. this pair worked together and made a cult electro record for sähkö recordigs in 1998 and this one is just as impactful. it is frosty and frazzled, slow motion but high impact and full of distorted lines and heavy drums. next is mr velcro fastener who were the first kings of electro to come out of finland and between 1999 and 2006 were famous all over the world. their brand new cut ‘almost there’ is a deep one that is riddled with bleeping melodies and has smeared chords bringing a sci-fi feel. then it is mono junk’s turn to dive into the vaults with an unreleased track from 2005. ‘feeling or destroy’ is a physical number with crashing hits and snaking, gurgling bass that is dark and dystopian. last of all comes irwin berg with mono junk as new york city survivors. says the dum boss, “our unreleased track here was made after the new york city survivors – static light cd 2002” and it is a turbo charged track with screwed up grinding bass, icy hi hat rhythms and menace in its grooves.

repress !!absolutely flawless boogie sounds on nycs sam records from 1982, greg henderson s -dreamin- was licensed from the tiny rain records label and no doubt gained some invaluable exposure to the early 80s post disco club scene that was in full swing at that time. breezy, soulful, sweet and most importantly of all funky, dreamin is an absolute pleasure to the ears. greg henderson only released a handful of records during his career (including the incredible henderson & whitfield - dancing to the beat) and was also involved in the production of some other classic boogie rarities (masterforce -dont fight the feeling, rome jeffries good love).dreamin has always been a sought after record, often fetching collectors prices of £100 - £200 a time. a sublime cut for all lovers of disco, boogie, funk and modern soul. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

packed full of cinematic textures, plaintive vocals and dusty house grooves, the last raw era is the stunning debut album from hollis parker: a vinyl-only love-letter to new york city that harks back to bygone days of us house music.

a boogie classic from 81 on the legendary sam label out of new york city! k.i.d. is the production pseudonym of british library record stalwart and munich machine member geoff bastow. bastow s career has been an extremely colourful one seeing him work with various artists including amanda lear, elton john, donna summer and la bionda amongst many others. -hupendi muziki wangu?- is swahili for -you don t like my music?- and the track has long been a classic with underground disco/boogie aficionados for many years and has been a staple in the record bags of many legendary jocks since it s release 35+ years ago. on the flipside we are treated to -it s hot-, another sleek cut of early 80 s boogie perfection aimed squarely at the dancers. truthfully though, the a-side steals here the show here, take a listen - you ll see what we mean! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - *essential disco*

absolutely classic double header of brand new mixes from the mighty mike maurro! a detroit classic goes head to head with another solid gold philly classic on this 12- of exclusive mixes lifted from his -peak hour remixes- project, all produced from the original master tapes. the spinners evergreen soul classic -i ll be around- takes up the a-side with mike s trademark respectful flourishes evident - a restrained, classy version of this all-time anthem is what we re treated to by someone who truly understands the originals and feels the music. a must have for all serious soul lovers out there. on the b-side we have the trammps stellar -the night the lights went out-, a long time favourite that has been extensively sampled by numerous house artists and the trammps paean to the infamous city wide blackout during the summer of 77 in nyc that ended up subsequently reshaping popular culture as we know it. maurro s mix, as always, has respectfully rearranged the track in such a way that he s managed to put a new spin on a legendary disco classic focussing on the incredible arrangements of norman harris original. simply put, another set of essential mixes from a modern day master! file under - *essential disco*

the third from farbwechsel and the first one from route 8 is back on vinyl. mental murder ep is a lo-fi jack gem with four tracks from the prince himself and a remix from the houston-based house wizard miguel flaco. mental murder is a fateful stab wound with a blunt, rusty knife straight to your brain, which causes a kind of lobotomy happiness.

the long awaited reissue of the classic aim debut album from 1999. limited edition translucent ice blue 2x12 inch vinyl.

white label - hand stamped - vinyl only - limited 300 copies pressing.
oops, he s done it again!&#148, titonton duvante is coming back to soul research with a second volume of work entitled recapitulate. the american producer, whose sound was born between detroit and chicago in the early 90s, loves to mix motorcity techno with the windy city s house vibes. recapitulate, part 2, is the worthy conclusion to his first ep: dry and addictive beats, synth and pad directly from detroit. get a glimpse represents a dancefloor soul with stunning basslines. the ending of the ep is melodical in take me down: an ethereal voice and the ideal atmosphere for soul searching ...

the inaugural release from raffaele attanasio’s letters from jerusalem represents a dark descent through various musical forms. the name of the label itself pays homage to jerusalem as a city and its metaphorical location at the center of the earth. the ep, then, is an extension of this imagery in its use of music as a descriptive source of the emotions that lie within man’s innermost recesses. credible threat, though ambitious in its breadth, is cohesive in its style and sound design: brooding, industrial, and percussive, this release is a shadowy and refreshing installment from a rising star in the underground scene.

nearly 20 years ago, a little label started by releasing a handful of lathes containing stories of life in a sleepy city called perth in western australia. inspired by the ocean and the river during long hot summers, red ember’s humble pursuit is deep expression via the practice of analog synthesis. ewan jansen resurfaces to take the helm again on the 3rd vinyl release… an aquatic house music tale that is equally lost at sea as it is freely swimming in the ocean.

clouded house 3 is an an ode to the classic splice & dice - nostalgia in a freshly squeezed sleeve. bumping, grindin’ and other forms of expressive dancing are highly encouraged.

b-stock! cover with seem split! the album from shiki kyokai. retrospective series part 2. the label owner dj shufflemaster who came back to the scene in 2014 gives his unreleased tracks which were produced from 1995 to 2002

prince of persia sound from the big city: the dusty twilight of day and night sets the atmospheric backdrop for the dreamlike groove visions of berlin based producer zigan aldi. the track “blue hill” combines a compelling bassline with the enigmatic sound of a string instrument that seems to originate straight from the parallel world of 1001 nights. “rosa martha” starts as a stripped-down rhythm tool with a rather dark vibe which then contrasts beautifully with a hint of warm house music bubbling up from the depths towards the middle of the track. mollono.bass and pophop dedicate their remixes to the uplifting side of things, and the digital version provides two more exciting adventure stories for dance floor explorers.

this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

british deep house veteran sir lord commix is the latest producer to hand over dats of forgotten late 90s studio sessions to the team behind for those that knoe. predictably, they ve chosen four great cuts to release. first up you ll find the elastic synths, alien melodies and fizzing motor city percussion of early tech-house style shuffler -pieces of dream-, before the p-funk-influenced uk-us garage fusion of -leroy garage- takes us in an altogether breezier direction. flip for the jovonn style synthesizer melodies and groovy garage rhythms of -new jersey-, and the electro-inspired intelligent techno dreaminess of -destiny-.

limited edition vinyl features white scratch-off ink and a 25 cent piece cased in a plastic outer sleeve. each copy will be unique, as the quarter will move around the plastic sleeve in transit creating its own pattern. this is intentional, so any scratches that appear on the front cover when the vinyl arrives is a result of this. sirens is the highly anticipated second full-length lp from nicholas jaar, the chilean-born electronic music producer, mixing engineer and dj, which comes out on october 14, 2016 via other people/kobalt. a prolific artist with a wide palette of talents, jaar spent his teenage years in dance music circles in new york city, where he now resides. in 2011, he released his debut album, the critically-acclaimed space is only noise. in 2012, he was contributed to bbc radio 1’s prestigious ‘essential mix’ series, winning ‘essential mix of the year’. in 2013, matador released the debut album from darkside, jaar’s project with his friend dave harrington. the band toured the record with a giant, rotating circular mirror, with key performances at primavera sound and coachella. other notable projects by jaar include from scratch, a live concept first developed for moma ps1, pomegranates, an ambient record and alternate soundtrack to the armenian film the colour of pomegranates, and the original soundtrack for dheepan, a thriller by the french filmmaker jacque audiard about a family of sri lankan refugees living in the suburbs of paris. dheepan won the palme d’or at cannes in 2015. jaar is the founder of the new york based imprint other people, releasing music and spoken word by a diverse group of artists ranging from lydia lunch to ezekiel honig

parachute is proud and excited to release art rock unit starfuckers legendary sinistri lp, remastered and pressed on vinyl for the very first time since its original version in 1994 on underground records. formed in 1987, starfuckers is an italian avant-garde band primarily from the 1990s, considered a notable part of the experimental rock scene and one of the more out there acts during their active tenure. originally inspired by 80s post-stooges noise and new york city no wave, starfuckers eventually carved their path to their own distinctive sound by following in the footsteps of xenakis, john cage, maderna and stockhausen — all without ever abandoning their own attitude and raw personality. an incredibly important record for us here at the label, sinistri feels just as fresh in 2016 as it did in 1994.

washington, dc native joe quarterman had his first hit in 1973, an instant funk classic that was part of the capital city’s red hot 70s funk scene. “so much trouble on my mind” is a party rocking anthem still being sampled and played over 40 years later. fort knox five recently got quarterman back in the studio to record a new song, the stripped down funk banger “don’t go”.

born and raised in newcastle in the uk, man power is now embedded in the depths of mexico in monterrey, a city on the rise after many years of internal strife. this unique new perspective and observations while on the road as a touring dj has given man power the impetus to launch his new label entitled me me me with his own production ‘tachyon’ paired with a remix from dj tennis.

dominatrix is a synth-pop/electro project from the 80’s, best remembered for their 1984 club hit, “the dominatrix sleeps tonight”. the brains behind this new york city based project is producer/songwriter stuart argabright, whose other projects over the years have included ike yard, black rain, the futants, the death comet crew, the dystopians, and the voodooists.
the story behind this project began one night when a young stuart met a beautiful mysterious older women in a corvette while hitchhiking. they became friends, spending nights at her east side apartment, getting high and listening to bowie records. after argabright noticed the bull whips and manacles hanging in her closet, it became apparent that his friend’s occupation was chaining up, whipping, and torturing upscale manhattan businessmen (who were very willing victims and had the credit card bills to prove it). this project came to life because of his sincere admiration and respect for professional dominatrixes.
this is a limited edition on white vinyl with un-released tracks from dominatrix.

vinyl only. terrence parker and detroit. the legend and the iconic city. side by side they are history. * deep detroit heat re-edits* vol. 1 and 2 document part of the strong 90s legacy, offering new versions and unreleased material with edgy contemporary production.

the second release on the vinyl only series of apes go bananas finally drops. the label is the new imprint from steve bug and clé, who together make up the production team for the releases. as with the well-received first ep, all we have is straight-up, no-nonsense, dance floor-filling house tracks. lead cut ‘all we have settles right into the groove with crisp and funky percussion, chi-town chords and amazing vocal samples. its got peak time written all over it. she cargo makes its influences pretty clear via the title, and the track certainly references some of the iconic sounds of the home of house. thick, rubbery bass lines, squiggly synths and firing percussion combine to deliver a suitable a homage to the windy city. ‘ape parade is built from some similar materials, but the chords are a little more lush and deep - synth strings and keys add a sense of the epic, and everything is tied together with a sick kick / snare / hat pattern. three modern killers for the floor, infused with the spirit of classic house.

in celebration of palette recordings 20 year anniversary, palette releases a special re-issue of john tejadas timeless classic timebomb and the timebomb vip mix. both versions were originally released in 2001 and 2002 on daniel bells 7th city records. with permission we now for the first time have them together on the same 12inch release. remastered by stefan betke at scape mastering they now sound better than ever. both versions became instant classics, have been played over the years by the worlds top djs and have been licensed to numerous compilations. timebomb original and vip are 2 classic tejada tunes that have stood the test of time

we turn to chapter 3 as we introduce a brace of remixes by easily one of our favourite djs and producers, the one and only lena willikens! we havent really went in for remixes much before with the label, as we feel strongly about the power of the original. in the right hands, a great remix can be equally as powerful though and lena has succeeded in bringing her own weird and wonderful sounds to a track from each preceding chapter - rroxymore from chapter 1 and oslo gabon from chapter 2, whilst still keeping true to the original work.

the second release on tb arthurs (312) label finds the mysterious artist revealing a collaborative project with magda as blotter trax. the pair first encountered each other at the famous motor city record store record time, when detroit artist bmg introduced his then co-workers magda and derek plaslaiko to arthur, who was visiting the shop from chicago. sometime after that meeting, magda and arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4 tape and then three tracks were selected for release. 1a is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2a then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. last of all, 2b snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. this, then, is a truly fascinating pairing.

this september will see visionquest release selector from luke hess, coming accompanied with remixes from delsin artist d5, label co-founder lee curtiss and maher daniel. detroit artist luke hess has been one of the most celebrated acts coming out of the motor city over the past decade with an impressive back catalogue boasting material on omar s fxhe, carl craigs planet e, echochord and kontra-musik to name but a few. here though we see hess join the roster of visionquest following recent output from wareika, vlad caia, tuccillo and mirko loko.

italian label greentech was inaugurated by minimono last year with a great remix by windy city legend paul johnson. the second edition features gaetano caruana aka caruan making his debut in production after many years of djing. -tempo reale- is an inventive and off kilter groove generated by clearly analogue means that pounds and grinds away out of sync at first, until it gradually begins to lock and it sounds great. there s some killer remixes by a real who s who of the scene and we can t help but mention all of them! first up fellow italians verrina & ventura deliver a typically stripped and rolling minimal house rendition. croatian hypnotic techno don petar dundov then delivers something more pounding and aggressive than we re used to, but we loved it all the same. finally the -eduardo de la calle tempo intrusion reale remix- sees the spanish master of trance induction deliver one of his best remixes in a while, complete with spooky sci-fi atmosphere, millsian bleeps and sonar blips.

this the second album by big funk factory d-funkt! the soundtrack to the story transaction declined traces the final adventure of dweeb droid and introduces aged rocker awm, whose perfidious character we will suffer a good deal more in the final chapter of the big funk epic bucky ball. anyway back to d-funkt! the band s usual cast features amongst others mat johnson (jamiroquai, laura doggit, julian perretta, duffy) as the nerdmeister general on keyboards. wayne nunes and perry melius (tricky, aswad, billy ocean) as that tall bloke and the metrognome on bass and drums

detroit isn t just a place. sure, it is a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. but detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of detroit techno and electro on a deep level. those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

nice price deal !!! adam-x should need no introduction as he and his brother, frankie bones, pioneered techno in a post-disco, pre-guiliani, new york city through the late-eighties and onwards past the nineties with countless productions under their belts and throwing renegade parties throughout the 5 boroughs. their record store sonic groove served as a hub for purchasing cutting edge electronic music from across the globe and was a meeting point for likeminded freaks throughout the city.

bristol is a tight knit place and there has always been a healthy culture of collaboration in the city, lmye (lend me your ears) are the latet in that tradition. two friends who met, and for a period recorded above the idle hands shop on stokes croft. they made their debut on funkineven’s apron label earlier in 2016 with the ‘cali 76’. here they keep things closer to home with a release on idle hands.
‘manhattan’ is as indebted to ’70s us funk as it is to ’90s uk garage. a house tune that has turned heads on the various mixes it has found itself on over the last year.
over on the flip shanti celeste turns in a brilliant remix, one of her best we think.

released on limited edition made in detroit label with neat engraved single on the flip. the side that does play is a monster - detroit s -they could have been bigger than the temptations- mighty mighty the precisions and the iconic northern soul album -if this is love (i d rather be lonely . motor city magic.

see that man on a far off hill, working his dog while attempting to find shelter from the howling wind and driving rain? that�’s the crooked man, the very antithesis of the modern dance music producer. he lives a simple life, dragging his world�, weary soul across the moors in an endless bid to escape the fallout from 30 years spent at the forefront of sheffield�’s electronic music scene. once regarded as one of the steel city�’s greatest selectors, he now admits to being gripped by fear at the idea of djing, and refuses to spend any time in nightclubs.

following the success of their 4th album malamore released in april this year, french duo the limiñanas have now trusted london star dj, producer and friend andrew weatherall to remix the flagship single garden of love (feat. peter hook). the collaboration has resulted in two unique remixes. when we released je ne suis pas tres drogue in 2009, andrew played it in his radio show in london. then bernie fabre contacted me because andrew wanted us to play in his festival de la city a la cité in carcassone. thats how we met. when we worked with peter hook, the idea of a maxi with one or two remixes made sense. so we did this record with the original edit of garden of love and two remix edits by andrew weatherall. - lionel liminana

flabaire comes back on d.ko with a deep, funky 4 tracker, on a journey between paris, the motor city, and the outer space..

paradise garage anthem “let’s do it” by convertion with remixes by krystal klear to be released on original sam records label. 12” vinyl released on september 9, 2016 let’s do it by convertion was originally released in 1981 on sam records, and featured production by greg carmichael and vocals by leroy burgess. upon release this song immediately went into heavy rotation for larry levan at the paradise garage and for frankie crocker, then the number one rated disco jockey on new york city’s number 1 ranked radio station wbls. over the years it has become a staple of classic disco playlists worldwide. now remixed as a peak hour tune for today’s dancefloor, this 12” release includes two mixes produced by dec lennon p/k/a/ krystal klear. a dublin native and red bull music academy alumni, klear has made a steady rise to become one of the freshest new faces in music that both has the chops to destroy underground dance floors with his deep crate of records or spin out polished productions in the studio with legends like nile rodgers. klear’s musical accolades can be conveyed through his singles “tried for your love” that was championed by bbc r1 dj benji b for 13 weeks in a row, and “addiction” which has helped solidify main stage at top tier events such as sonar, fabric, space ibiza, and the famed panorama bar.

despite his artist name and his trademark sound, steve murphy does not come from chicago, but from mira, a little town on the suburban area of venice. steve has been djing since 2001, and in the past years has been rocking almost every club in his region. he is serious and professional behind the decks: playing only with vinyl, he blends electro and house, techno and new wave, acid madness and pop appeal. steve has produced together with die roh an album (-the chasm-) and one e.p (-windy city-) on chiwax, and a solo 10- (-planet earth-) on rawax, these records have quickly gone out of stock and that have been acclaimed by the lovers of the classic warehouse sounds. in 2012 he has started the riviera project and has founded the muscle records label, together with lucretio, dj octopus, caio, madì grein and chevel. the label is a facility to spread what has been called -the sound of brenta-: a raw, nasty, machines powered clash of house and techno. in 2012 he also released -the dove ultimatum- on vae victis records, under the moniker of durant: an unfriendly 12- of distorted electro and funky acid beats produced with die roh and lucretio.

thank you for the world vol1 is a 3tracks ep delivered by sentiments, house producer and deejay from our beloved city of lyon. summer 12inch to get in mind.

louie vega s latest album, louie vega starring... is a dualdisc conceptual record featuring over twenty-five artists on twenty-eight different songs. the record is louie vega’s first solo album ever and a contender for his magnum opus. vega is in esteemed company, with a seasoned group of collaborators imparting their magic for this special project including, funkadelic & george clinton, the 3 winans brothers and the clark sisters, jocelyn brown, nick monaco & soul clap, n dea davenport, lisa fischer, cindy mizelle, anane vega, monique bingham, caron wheeler (soul ii soul), josh milan, bucie, tony momrelle, kaylow, vikter duplaix, cassio ware, adeva, covertion & leroy burgess, kenny bobienl, zara mcfarlane, luis salinas, roberto roena, diviniti, and byron stingily.

who is v? some say a belgian with an ebm heritage, some say a nomad from outer prussia, im afraid no one knows for sure. lets just fall back on the old cliche of letting the music do the talking, 2 perfect newwave/post/proto/dance tracks sure to rekindle the flames of a lost love or sooth even the most broken hearted of souls. on the flip is a man known to many as ripperton who delivers two slices of his trademark deep and mysterious technohouse music that unfurl with a poise and elegance known only to those with a true mastery of the craft. glorious stuff.

fuckthegovernment.ltd, a.k.a. f.t.g (alfredo trastulli) and music box head honcho, marco riff, return to the skylax fold in 2016 with a cache of house nuggets for our listening pleasure. their last venture on skylax saw f.t.g collaborate with a bunch of his friends, resulting in some of the best tracks we’d heard all year, including the unforgettable fuckthegovernment theme. their tracks have been celebrated and hailed by some of the best djs in the game, names such as derrick may, ricardo villalobos, raresh, and dj harvey. the bar set by the first record remains sky high, and somehow, these two manage to raise the bar even higher. it may be the biggest cliche going when talking about an album, but the duo certainly do take us on a journey, through the past and present of house music. it’s a record not too dissimilar in tone to paranoid london’s from a few years back, but f.t.g and marco strip things back even further than those guys did, in our opinion, the sound is more raw with less frills, and no track names to predispose feelings in the listener either. this eight track project is cohesive and elaborate, with movements through sounds both acid and jazzy, minimal and maximal. it explores sounds that came to prominence in famous house locales such as detroit and chicago over in the u.s., but the underground european influence is definitely present, from paris to berlin, and of course f.t.g and marco’s home of italy. with this album, these guys add to the underground sound that has cultivated in the city of perugia for years now, a place that has seen the likes of simoncino and nicholas hone their craft.don’t miss out on a piece of skylax history

bastinov is back on etruria beat with his new space programmer ep the main title starts with an hypnotic synth sequence on a 909 based beat driving thru some drony sounds. cosmic comes next with fat arpeggios, driving the song with melancholic vibes. on the flip side roberto clementi takes the title track into darker zones with some distorted elements and drones. last comes regis, a detroit influence track which reminds you of the glory days of the motor city.

göteborgselektronikerna (the electronic engineers of gothenburg) is the quartet that takes the tram ride through the line 11 to celebrate the city in true kraftwerk spirit. the quartet plays catchy beats and beautiful melodies, played and tweaked up with analog synths and vocoder.

der umtriebige frankfurter dj, produzent und running back-labelbetreiber gerd janson hat sich zu einem der profiliertesten connaisseure und trendsetter der elektronischen musik mit weltweiter ausstrahlung entwickelt, was nun in einer eigenen fabric-cd-ausgabe gipfelt. auf dieser bietet janson ein stilsicheres, fabelhaft fliessendes mixset aus cosmic-disco und acid-house, das sommerliche sonnenauf- und untergŠnge perfekt in szene setzt.

black spuma are fabrizio mammarella (telespazio) & phillip lauer (tuff city kids / talamanca system). infamous for releases on running back, beats in space and permanent vacation, they now return to international feel.