greg delon, one half of the well known duo delon & delcan, lights two housy techno crackers in hangfire mode, while the koletzki & meindl mix commands the new years eve again, loud, full of pressure, variegated, sparkling & in a really good mood...

3rd release on soul motive!! 2 uprising new artists presenting 2 strong tracks!! coleco on the a side goes dubstep while shamanji on the flip comes with a funky breaks number!!

following his awesome face up ep on saved and an amazing remix as part of skylarks i-panik album, joel mull is back on saved records label with a stunning ep of melodic, atmospheric techno. encantado is a real standout record. up-tempo, shuffling percussion creates an infectious rhythm while a mad wobble-board noise weaves in and out of the track to provide the distinctive hook

ceephaxs drive time k7 was released as a bonus cassette with his first album, and is a cult classic. half an hour of music per side, ranging from banging vocal acid to the deepest and darkest side of ambient, with everything in between. the 27 tracks are a perfect description of andy jenkinson s original music universe, his roots. it took about quite a while to transfer it onto acetate, it was one of the most challenging vinyl cut that anyone can imagine. the making of this record is kind of similar to homer s iliad. the stamper was then stored for several years, safe from the dangers of heat and daylight. just like for the nicest bottles of wine. firtcask records just took this jewel out of the cellar...

while the woolfy vs projections album got great feedback and is still running strong, we re happy to present you the first remix 12inch from the album with stunning remixes of absynth and the return of starlight by innervisions marcus worgull, whose much talked about remix for the juan mclean is out now and the invisible conga people, who had their impressive debut on italians do it better earlier this year and did a great simian mobile disco remix, which is featured on the recent remix album. both remixes make the track suitable for the dancefloor without loosing the spirit of the original track for maximum pleasure.

he superb disco deviance crew continue to impress with their amazing re-edit series !! editors for this release are well known electrofunkateers from up north, bc, who definitely know their disco boogie. having been re-edited themselves on the redux imprint by legendary electrofunk don greg wilson on a track called >hardcore boogie<, they then went on to release the highly praised >konked out< and >missy done a pil< edits on the same imprint. on this, their first release for disco deviance, they continue their habit of not only re-editing, but also mashing and over-dubbing their cuts with their own played sounds to make an amazing blend of discoid bliss thats perfect for both djs and dancefloors. the opening cut >magnificent disco< is a wonderful mix of elements (both sampled and played) taken from their beloved konk, the clash and kool and the gang which are worked into a sublime disco work out. while on the flip its aretha franklins >jump to it< which gets reworked and extended into a hip disco joint that has echoes of atlantic conveyors crossover classic >we are<. enjoy the music

2 sides - 2 styles - 1 artist. side a features samuel l. jacksons voice in a great bigbeat track, while the flip gives us the kicking side of techno with melodic moments.

techno minimal meets johnny dangerous aka foremost poets massive remix from hugo adds meat to the package pump it is the result of their collaboration, a meeting between the techno minimal sound of robytek, the eclectic shield taste and johnnys spoken word poetry. the original version bring all these qualities together and fuses them in to one powerful, energetic groove while leaving enough room for the hooky vocal to take the lead

for our lucky seventh 12inch in the rvng of the nrds series, the galactic captain of the edit, greg wilson, makes bodies move with two grooves from the heart and soul. cosmic dj delight cycle spins an italo classic through giddy guitar orbit while adding groovy echoes from the bright corners of the big 90s dancefloor. soul sacrifice plunges the percussive depths of san frans finest jam moments of 1969 and comes up modulating for more. seriously enlightened cuts from the creator and originator.

after w & p hugg aka hugo giner from valencia had scored a veritable underground hit with >sleep scott heron< the last release on his higly collectable cornuta imprint and after an excellent ep on spains deephouse flagship deep explorer, he know brings more heat on cornuta accompanied by deep explorers dubbyman and his brother above smoke returning the favor on the remix tip. on the self-explaining >funkstart< and the percussive pressure-cooker >basic groove< w & p hugg gloriously displays his great ability to strip down his tracks to the addictive essences of deephouse without unnecessary gadgets or pointless tootling: pure irresistible grooves with classic funk basslines, vocal snippets and simple rhodes keys to warm the heart - straight up heat! dubbyman builds a completely new complex midpaced groove around funkstarts original chords , while above smoke drops the 4/4 drum altogether for a swinging broken beat mix with live bassline and nice jazz guitar licks. absolutely essential release

since their first releases on circus company and milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. the band is clement zemtsov on beat programing, damien vandesande on keyboards and horns at last but not least, jonathan illel is warmly laying the lyrics. after having produced hip-hop instrumental for a few years they got into house music after meeting nicolas from nôze. one year and a half later they come up with between the blues ep, a brilliant first ep on circus company. then the guys several eps on other labels like orac or eklo. they also start touring a lot across europe and eastern countries. this new record is called blanche neige (snow white) as the lead track of the ep. all the lyrics from it are taken from the original text written by jacob & whilelm grimm back in 1812. .blanche neige is declined in two different versions. on the a side comes the original mix is the dancefoor cut. slower house beat, solid groove, surround by a marvelous chior. while the break show upreading the first lines of snow white in french. let me just tell you that when the break is over you should fasten your seat belt before a nice take off… the first track on b side is romeo. this track was produced by dop and nôze. once again all the lyrics are taken from a book. here its from .romeo and juliet written by william shackespeare. this track perfectly represent the alliance of both bands. the unik saxophone skills from damien vandesande the one man horn section, a wonderfull piano ride by nôze and the sexy voice of jonathan illel. an acoustic house blaster ! the ep is finaly closing down on b2 with the pop version of blanche neige called >kinder cut. there comes the deepness

the berlin based dj and highgrade-artist jens bond presents with his new ep >hypochonder< his latest work. bond is allready known for his percussive tracks beside that the resident dj of berlins watergate club is well established thanks to his collaborations with benno blome (sender records) and guido schneider (pokerflat). in the namegiving titeltrack for this new ep for highgrade jens bond gives it all: stakkatos of rolling percussions meet pearling synth-lines, creating a jacking, neverending groove. >got some…< develops this recipe for success more into a slightly darker direction, while keeping up beeing changefull with the same >hands-up<-factor. instead of a break mr. bond serves us with >paulista grill< the next highlight of this ep. massive, with a touch of darkness, build on a strong fundament of a funky, dry-asa-bone groove. three tracks, simultaneously eventfull and homogeneous, carrying clearly jens bonds signature.

already support from boys noize, james talk, markus kavka, glimpse, savas pascalidis, patrick batemann and many more... the follow-up to the first, very successful, remute-release zuendli , is all about hypnosis. the a-side is a strong house tune with many glamourous breaks and twists, while the b-side is breathtaking techno-whip which will just destroy all dancefloors on the planet. be careful: it s actually, literally m.a.s.s. h.y.p.n.o.s.i.s.!!!

6th release on silo comes from dilemn!! 1st class on the a side is a huuge funky roller while my rage on the flip is a techy infected banger!!

its been a while since the last release by mark august on connaisseur, but now hes back with an extraordinary one. two tracks, both like a fairytale of a country far, far away. a fable, with mystic and mysterious animals and creatures, might best describe what mark had in mind while working on the tracks. the wasps from tunisia and the silver piggy – the main track on this release is an uncommon piece of music. it starts moody and with a stoic pumping beat, yet also a somehow laidback feeling. it then unexpectedly and surprisingly builds up to a monster of a track, working manically towards its climax. then however, over the length of the track, it completely transforms again, coming back to its beginning, as though nothing had ever happened. scorpions groove is a deep and dubby affaire.

out of his basement in athens, george laimos expands his low frequencies science to ntrop recordings techno platform. while boomstu at the a-side is a jackin trippy techno cut, at the b-side, techeran remains calm and jazzy with a leon segka mix to converts the track to a dubby hypnotic version

support from chloé, konrad black, kiki, peter kruder, xpansul, dario zenker, danny tenaglia, par grindvik, andrew grant.. freak n chic sub label: micro-fibres, leaded by marc antona, says hello to 2009 with a glorious platter of hypnotic techno from the latter which marks the labels 5th release. through releases on mobilee, sender and micro-fibres antona has established himself as a purveyor of nononsense grooves which lock the listener in and provide the perfect aural ambience for hedonism, and this release is no different. >day after day after day< is an urgent, driving number which uses drops to build tension while looped melodies and delayed taps are employed to draw the listener into antonas dancefloor landscape

permanent vacation present you the first 12inch release from their shiny new joint venture with the great swedish label service (who brought you studio, whitest boy alive, jens lekman, kool dj dust). together they bring us the embassy, a duo from gothenburg that makes the most beautiful songs. their sound is warm and light, but underneath the surface theres always some kind of tension, they sound like an ecstasy fuelled, jewel stealing balearic indie band on a permanent vacation at the riviera. or as they say themselves: underclass disco. the original of lurking (with a distances) sounds like a forgotten manchester rave anthem, while wunderkind tensnake made a little jam session with boney m in his parents basement to provide a heavy remix sporting a great sax and a killer panpipe!

the second release introduces a new project on the raw fuel imprint: state of emergency. the a-side features shock from the pain, a mainstream partytrack with a catchy melody, cool vocals and stunning kicks, guaranteed to get those hands in the air and feet of the ground! this track already received great dj support from artists like: angerfist, paul elstak, the viper, t-junction and rudeboy & tomcat. on the b-side we find the rough banger game time. play this track and youll have serious dancefloor madness for sure! once again a great hardcore slammer that cant be missed!! grab it while its still hot!

after 17 years of working together, tejada & leviste are back in the studio again putting their modular synths to good work. m tracks (m as in modular) features 4 analog workouts in varying styles. m track 1 features a melodic deep, yet driving track reminiscent of the duos best known work. m track 2 and 3 showcase a trackier sound focusing on basic elements while m track 4 turns in a much more experimental direction. the approach to this ep was a very fun, hands on process. analog sequencers are used to drive the various modular synths and their components. this process allowed for a more organic feel as the unstable electronics change over time as well as the manual changing of parameters over time. systems used include doepfer and frostwave sequencers, and modular systems consisting of cwejman, doepfer, harvestman and bananalogue modules. analog drum machines aided in the rhythms, however m track 3 was generated from pure modular hardware including the drums.

sin & soul are back with a new edit series with nicely designed sleeves. volume 1 is hitting us with two tracks re edited to set any dancefloor on fire – side a goes the deep disco route while the flipside is from the golden age of italo/euro disco.

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

a hefty pounding bassline with seductive r&b vocal hook keeps the grooves steady while you get plenty of dells trademark dubby drops in to measure for the tech heads. flip it for the mighty dub version and there you have it.

nail biting punk disco! speaker shredding synths and drunken, chanted choruses! a valiant first stab at the disco dance charts! comes with along with two equally mental prins thomas remixes. the nordic demigod brings the funky disco beat with his first interpretation of double fisted, while on the flip side he creates a head nodding balearic version that makes one feel a bit like they should be lying in the tall, tall grass watching a liquid gel light show in outer space.

liverpool based raw recordings steps up with some extreme bassline pressure from dj target, a man whose productions have been causing waves in the drum & bass underground for a little while now. nows your chance to grab some fresh meat from a hot new talent, and when your crowd calls for the rewind, you ll know who to thank.

dennis ferrers the world as i see it album is still being listened to and its tracks are still being played, hence the remixes are gonna keep on comin… one of the most memorable tunes from the album, run free, is seeing remixes by 2 very distinct and quality remixers oddly found at opposite ends of the earth. uks sean mccabe debuts his talent for king street after having had past remixes and productions released on soulfuric deep, fluential, device, soundmen on wax, tony records and more. his chunky beat-filled interpretation of this single has a tough enough bass drum and nice enough funky key jabs as to keep the great energy flowing but not overpower the song. japanese-nyc transplant producer tomo experience grooves and soothes the eardrum. his easy kicks and lightly bouncing bassline puts a nice spin on this tune, all the while kt brooks (r.i.p.) fervent vocal laying atop the 2 re-product ions. check out these cool remixes for great measure and greater flow.

the zentrale randgruppe ep features 2 original tracks from the lucerne boys. their deep & cinematic grooves have been remixed by the almighty afrilounge, who ve turned in 2 nice dubby flavoured mixes of >frijoles< while jens bonds driving remix of >deep sea diver< gives the track a more big room feel. a well rounded package to kick off the debut release from the swiss duo

meridian is a perfect example of dj 3000s evolution as a producer. the mark of a good producer is to never stop growing, once you do, you are condemned to making the same record over and over again and hoping no one notices. this record is the perfect marriage between the percussive staples of the motech sound, and a new lighter exploration of sound elements by dj 3000. >meridian< dares you to sit still while listening to it, or to stand on the wall if you are near a dance floor. its ability to make you dance as well as captivating your ear if you are sitting and listening illustrates the dynamic flexibility of the motech sound.

jay shepheard, timewriter & dinamoe remixes of the roberto rodriguez classic... while the poor berlin kids are still suffering from psychoses resulting from the 2nd world war, inexorable overindulging the afterhours and for sure will be ashamed of their pictures, they will see of themselves in 25 years...we should talk about good win

todd bodine demonstrates with this ep once again extraordenary taste and skills. after a very successfull excursion on claude van strokes mothership label and his activities as a heavily booked live-act and dj he presents on >unexpected life-form< two brilliant tracks, that seem to burst with their energy. todd bodine apparently has gained a lot of experience how to bunch the impact on both the dancefloor and the musical side and how to turn the result into a wall of sound. and hes doing it by following his own unique style. on the a-side >calypso< captivates you right after a few seconds with its pulsating sequences and a subtle growing energy-level from break to break. developing a drive which wont miss its impact on any floor. >snakeskin< on the flip is homogeneously build around shimmering melody-sequences which create the energy of this track, while the bassline below pulsates warm and deep. sounds like: detroit without kitsch. or like a cross between matthew johnson, robert hood and fabrice lig. to put it in other words: a typical todd bodine release in the best sense. allready a true highlight in the highgradecatalogue in 20

e.centric records is proud to present release # 4 by brian nrg!!this talented dutch hardstyle producer/dj offers his first release on the seismic records sister label and this excellent release receives very positive feedback from all main hardstyle jocks? hardbass attack is a basic yet deadly effective monster track? the hard poundinkickdrums and catchy lead make this an absolute crowd pleaser which will cause mayhem on all international hard floors!the a-side offers the outstanding haze remix, well known for his great productions on leading labels like dutch master works and confusion records? the flip offers the great original mix! already supported by loads of top djs so grab your stock while ours lasts!

de hey s brand of techno always has funk and this enables his music to be played by a wide range of dj s. >finally man< and >we re fucking hi< are two massive groovy dancefloor burners, get em while they re hot!

fresh new electro label coming straight outta berlin ! and by electro we dont mean some lame-ass four-to-the-floor shite soaked in distortion and full of all the latest ‘hotsamples, fresh from a timenspace cd. this is the real deal, six tracks of well thought out machine music, where the funk is in the circuits… automated syndrome 1 defines the first set of symptoms which robots (or other artificial intelligence) show while being exposed to a series of certain stimulants. to acquire information regarding any artificial intelligence amongst your family, friends or colleagues the bass4bots label is now proud to be offering you all the data necessary in one complete package. get yours before the others do!

these 3 re edits harken back to the early days of the legendary chicago all ages night club, medusas. the cures the walk is remixed on the a side, while the flip contains re edits of new orders 586 and spks tribal/ industrial cut war on islam. white labels in stickered paper sleeves.

supported by m-nus crew, onur ozer, marco carola, karotte, nick curly, anthony collins, x-pansul, matt star, sebastian roya, alexy delano, dave ellesmere… if the original ‘burning the midnight oil’ was already a blast in all minimal tech dance floors, the remix records arrives with a new twist to keep the discos moving. soulrack & mikel_e present a fresh groovy track full of voice lines that’ll go directly to a packed dance floor. seph moves around darker and more hypnotic territories with a continuous loop while fabrizio maurizi dives deep into old school, with some broken beats, distorted voices and numerous bleeps & clicks. a collection of hits that’ll make the night vibrate. long life martinez!

one of the most consistent us production duos since the 90s return to strictly for the third time in a year with one of their mellow, understated vocal grooves. singer tara j keeps it laidback and jazzy while lem and john craft a selection of r n b fuelled vocal mixes, just the instrumental mood ii swing dub providing a deeper flavour with tense beats and electronic touches, while the acoustic, downtempo urban lounge mix is a revisit to their classic live mixes.

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.

slap - one of the most obscure and forward thinking acts from the early 80s meets the spearhead of today’s electronic music, ricardo villalobos. the originals are disturbingly brilliant electronic excursions, while villalobos’ jazz-fueled rework is one of the deepest mixes he has ever done. vivid drums are built around a driving bassline, aiming the track right at the floor. not to mention the rough claps! imagine miles davis’ “bitches brew” joined by throbbing gristle, playing “minimal techno” live. earlier this year macro unearthed namlook’s long lost “subharmonic atoms” featuring outstanding pépé bradock remixes. this continuation of the “prototypes” series is none less of a dream team. slap’s experimentalism just seems to be the right inspiration for ricardo villalobos, who takes it to a level of weirdness only he can achieve while retaining such danceability. essential!

on the aptly titled baked goodies ep, berlin meets san francisco as iz returns with his first original release since 2005! you ll find all the movement and spacey funk of that classic joshua sound, with a whole lot of bleeps, blips and deep breakdowns to satisfy modern listeners around the globe. both mixes of lil muffin will get the floor rocking, while cookies is a little lighter on the late night/early morning tip.

class71 return to the constantly in-form four:twenty following the diamond door/seaphone 12 debut which won fans of just about every decent house dj around, and what a follow up it is! alba adriatica is a 13 minute excursion in to detroit flavoured house and is as subtle as it is memorable. a rounded bassline provides the movement while delicate, dubby fx create a hypnotic vibe which underpins a blissful live saxophone and rising keys. the summer is not over yet. always being attentive to djs needs, four:twenty have also included a dub for the saxo-phobes and if that wasnt enough, they bring in the legendary move d for further mixes. with a back catalogue which includes celebrated labels such as modern love, uzuri, city centre offices and liebe*detail, move d is the toast of underground house music and has delivered a vocal and dub mix of impeccable standards. utilising the fm bass and bringing the chords up in the mix, mr. d (as nobody calls him) creates a densely layed percussive dub mix which provides a perfect kickless track for creative djing while his vox mix adds both kick and some sparse but beautiful vocal touches. this is another winner from a label which continually searches out fresh talent and is more than worthy of your attention

zero cash is back, served in slices! dont say what you think comes at you with two different versions, both hot out the over. the main mix is straight ahead, bangin and dark for the peak hours and tends to make you very nervous. the alternate mix takes you down the dial to minimal/sci fi soundtrack land slathered over an intentionally thicker crust. both mixes are hot and heavy and not for the feint of heart. then in classic zero cash style he lightens stuff up for the b side with more than enough taking you on an electro journey remniscent of 80s cop shows and shoot em up video games. served in slices, get em while they re hot!!!

big with: josh wink, gregor tresher, agnès, jimpster, djulz, alex attias, brothers vibe, sebo k, 2020vision, 3channels, lauhaus, davide squillace, nic fianculli,... simon flower, who since his first release on curl curl left his mark with productions on poker flat, moon harbour and recently railyard, now releases his second 12 on curl curl: still here, still there. while residing a world away on the idyllic isles of new zealand, here he makes a heavy nod to the detroit of the early 90s. he mixes it with his own deep hypnotic style, resulting in a release which sounds uncoventional yet combines the multi-layered repetition of an almost timeless techno style. the key to flowers unique sound is the influence from his well-honed and organic live set, which has lead to growing bookings across europe. both parts of still here, still there match funk and dancefloor pressure, and have been integrel to his live set for years.

support comes from steve bug, shinedoe, karotte, james flavour, gruber & nuernberg, paulo olarte !! highgrade goes east! with homm & popoviciu the berlin-gang grows in the eastern direction - to be specific: romania. their musical..output..of both wasn..t hard to spot, because markus homm and mihai popoviciu made a name for themselves for quite a while. no wonder that their output spreads across several..high-class..labels like dj hell..s international deejay gigolos, pascal feos.. non zero records, as well as the british immigrant and the spanish sub conce label. after their first strike - highgrade digital number 009, this is their first vinyl ep on highgrade. without any doubts they take the chance to demonstrate their most.. appreciated.. skills: on the the titletrack >urban ballroom< they send a massive..house-groove..to a trip, alongside with a swinging bassline, decent melodylines and some springy percussions, combining perfectly funkyness and deepness. >contact< and >wipp< on the flipside are convincing in the same versed way. the former slightly more dubby, the latter comes up with a little more speed. all in all forming an ep cast from the same mould, while the title >urban ballroom< says it all. homm & popoviciu are delivering a new housy shade for the labelsound, which suites highgrade perfectly

his this years 2nd album >heavy day< still heavily resonates in peoples ears, now that falko brocksieper already delivers an appropriate follow-up. on >fresh 727< brocksieper finds back to raw, sketchy arrangements, evolving their full energy just from deep, rolling basic grooves, as opposed to the close examination of each tiny sound and every dramaturgic peculiarity in the recent longplayers production. on the title track >fresh 727< noisy, maurizio-esque house chords encounter futuristic vocal messages, while edgy, classic drumbox-riffs rip up the dense atmosphere of the track again and again. a deep, marching groove and the freeminded combination of elements signalize special club moments from the very start. on the backside >request< turns out to be an equally organic, sizzling counterpart, which can promote its sustainable cheerfulness alone by its ongoing bouncy bassline, in a way that all accessory parts get dispensable - to the benefit of a well-balanced blend of rattling percussion, carved vocals and quirky atmo...s

soliquid slides back into the driving seat once again, for baroque, with this energetic two tracker. techno meets euphoric house with spine tingling effect! amen is a slightly darker tech house cut, great for getting things building while marghurite is made for that peak time moment. a superb ep from this exciting young producer, and one which highlights perfectly why baroque have this guy currently working on an artist album, due early 09!

a deep mixture of raw funk, oldschool house, bass, more bass and some kind of a dubstep vibe... the title track pressin on goes straight on dirty bassline moves crossed by dedicated trumpet sounds while the second cluster funk got tricky clap programming and lives up to ones name. on the flip humongous and driftwood are not less funkier but both are with some kind of detroit house appeal and impressive minimal ruffness...

ltd edtion , comes with free dvd !!!spanish electronica label semantica brings part two of this limited release by vladislav delay, and this time its the turn of the remixers. andy stott (modern love) stretches the original out into a typically deep and tweaked out dub-tronica version, while fibla (spa.rk, expanding, quatermass) makes a somewhat gentler and more melodic piece. very nice

excellent single of the combo noon & gastek: the original track feat. meei at the vocals is a delicate and deep house track for the cool stuff lovers while the remix od theodor zox is giving more dance floor flavour to sweeping noise

super way is a peaktime bigroom electrohouse anthem while one one goes the techy house path!!