lange vergriffen und jetzt wiederveröffentlicht als vinyl ist das album von 1983. produziert von linval thomspson und mit den roots radics im channel one studio eingespielt, am mischpult saß soldgie hamilton. mit *the mouse and the man* deckt der singjay eek-a-mouse in gekonnt gewohnter manier die ganze bandbreite von sozialkritischen texten bis zur hommage an die ladies ab - inklusive der single *terrorists in the city*.

we are thrilled to release the debut ep by the mysterious and mystifying glasgow-based dub-pop duo laps (ladies as pimps). lady two collars (golden teacher) and sue zuki (organs of love) wowed us with their exciting mix of vocals, acid, dub and hip hop. using out-there dub recording techniques and instrumentation fused with a tasty pop sensibility, they make an original and experimental blend of underground dance memes. there is an incredible breadth of sounds over the seven-track record, making it an excellent choice for any dancefloor. the ep also features guest collaborations with some of glasgow s best musicians, including golden teacher, sinead young, duncan young, and an excellent remix by green door studio.

lp in gatefold sleeve + large poster and cd included

the groundbreaking verve remixed series is back with verve remixed: the first ladies, set for release july 16th on verve records. the all female compilation features 13 classic jazz tracks remixed by some of todays most acclaimed djs and producers. billboard has called verve remixed “one of the most successful brands in dance/electronic music” and it is considered by many to be the best remixed series of all time.

it is with great pleasure to announce the first jet jam single, which comes in the form of a collaboration between star slinger and sound pellegrino founder teki latex. together they have created a tune you will be iding at the club in no time. featuring tekis screwed-down lyrics over slingers soca-snare-driven house production. the superb renaissance inspired artwork is by michaela selmani. one of the founders of jet jam.

nicht ohne ein kleines augenzwinkern und etwas schwarzem humor suchen die beiden the glitz mit ganz viel soul ?in their pants? nach ihren freunden und den lieben ladies...oh my god! simon baker lässt es dort gewohnt britisch locker angehen und schüttelt mit seinem groove alles noch einmal durch den club-kakao! der zweite song von the glitz widmet sich mit einem wunderbar deep treibenden sommer-vibe der ?windy city?. lachen und träumen!

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bjørk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bjørk, mum, sigur rós etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

the day leonard cohen and phil spector decided to make an album together marked the beginning of one of the most controversial partnerships in either mans career.
over the course of three weeks, the pair had written 15 new songs, a selection of which ended up on the 1977 album >death of a ladies man<. it is true that a cursory listen to the album suggest that the whole thing was simply a ragbag of crazy notions thrown into the air to see where they landed. but if you pay attention, it will quickly make sense.
pressing on 180 grams audiophile vinyl, comes in gatefold sleeve.

something of a departure into uncharted territory for ostgut ton on the fiftieth single release of the label. following berghains hugely sucessful art exhibition alle which showcased the many visual artists among the members of staff at berghain/panorama bar, ostgut ton shows they cannot be pinned down easily to one genre by offering their anniversary release to two artists of the extended ostgut family who normally wouldnt be associated with what you might have come to expect from the label. shambhu the undisputed queen of the berghain bar ladies (she regulary holds court every saturday upstairs at her very own gitter bar) and rummelsnuff the germanic hulk of the berghain/laboratory bouncers come up with enchanting and surprising results. the release comes pressed as a 7 inch (a first for the label and limited to 500 hand-numered copies) and each side is given to one of the two artists.

ltd backstock !

1979 funky disco classic by kool & the gang.

cool voodoo child / jason nevins rmxs

christian quast from hamburg comes with solid beats, fully rounded basses, harmonious elements and rudimentary melodies..

soulful funked up vocalhouse tracks

raw & trocken pumpende chicago techno traxx>> kickit

strange and highly limited electronica promo by kettel.. must!

bobby oroza returns with a two-sider of songs paying homage to the ladies of the world.

vinyl only ep, slamming house / techno

red indie

57 tracks on 6lp

soundtrack

b-stock! case is damaged or not original. cds are not affected & brand new. 2 cds full of italo feeling!

2 cds full of italo feeling!

no sakles to north america, asia, australia, special remarks: cd with uncoated board digisleeeve. shrinkwrapped.

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bj¿rk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bj¿rk, mum, sigur r—s etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

wretch 32, real name jermaine scott, is one of the uks most loved mcs - from the underground up. from his early years in londons flourishing grime scene back in the early 00s, the tottenham-raised lyricist has always stood out from the crowd. his conscious and reflective bars, along with an extremely relaxed flow, made him a firm favourite on the uk hip hop circuit. much like tinie tempah, wretch 32 has proved that british mcs can reach the mainstream without selling their soul to pop. the first fruits of this crossover success were tasted in january 2011, when his single traktor broke into the domestic top five following an appearance on the bbc sound ofÉ list. and his second official single, unorthodox, fared even better, peaking at number two in april. so its clear that much has changed since his debut lp of 2008, wretchrospective - but has public recognition come at the expense of what marked wretch 32 out as such a talent in the first place? not at all - on the opening title-track, the rapper lets the listener know that its the same old wretch at work. over a drum-heavy hip hop beat he sets up the rest of the album well, advising everyone to fasten their seatbelts as he prepares to take them on a ride that they wont forget in a hurry. never be me finds wretch delving into his past, opening up about making certain decisions in life that got him to where he is today. featuring rnb newcomer angel on the hook, the track has an inspirational feel to it - all over another impressive, but this time more grime-influenced, beat. a true standout is anniversary, with alex mills on singing duties - its a love song, minus any cheese. then the album lurches into the electro-infused sanes the new mad - a glimpse into wretchs party lifestyle, with ladies and alcohol at the forefront of his attentions. and closer dont go just might be one of the tracks of the year.

black vinyl

seaglass wave coloured vinyl.

white with purple splatter vinyl.

each box includes the cd, a t-shirt and a stencil

each box includes the cd, a t-shirt and a stencil

each box includes the cd, a t-shirt and a stencil

each box includes the cd, a t-shirt and a stencil

reissue

reissue

each box includes the cd, a t-shirt and a stencil

pressed on randomly mixed colored vinyl

rock n roll