limited edition 180 gram double vinyl reissue in gatefold sleeve, housed in a foil slipcase with robert williams original jacket art. remastered for the first time from original stereo analog tapes (192khz 24bit high resolution transfers). original single vinyl release expanded to a double vinyl with gnr logo hologroove hologram on side 4. includes a download code for cd quality digital edition of the album (expires december 31, 2020).
the mighty dungeon meat s marauders into the finest club cuts continues with their first offering of 2017 and their first various artist e.p on the label. a collection of dance floor dynamite set to detonate as soon as the needle hits the groove. here we see the boys recruiting some new beat bandits with ron obvious and per hammar and also reviving one of the og dungeon masters blunt instruments. each one bringing the the heat with their prime cuts of meat, making this one hefty slab of wax that is a sure fire winner for those dark strobe lit rave chambers. as with all dungeon meat release these are tried and tested for maximum ass-assination.
* friske joins the dust audio revolution in the form of the destruction ep . the assassin comes with 3 tracks of pure undiluted drum & bass cuts. fresh of the back of his critically acclaimed metalheadz ep he doesn’t slow down with the clinical drums and unrelenting bass… seek this out now, if not it will defiantly search you out, lock on to its target and cause destruction. * the ep’s title track “destruction” rolls from start to finish with clever intricate bass play that sneaks, weaves and hisses like a cobra snake. the almighty drop hits you and the vocal snippet “destruction” aptly describes what this killer is going to do on many a dancefloor, this rib cage rattler is designed to sit in any dj’s selection who wants to boost intensity and create a certain mood. * on the flip friske drops “artikal” into the equation. this vibing half stepping chunk of goodness has all the classic friske trademarks, atmospheric intro, little vocal’s that have been twisted into different territories. the bass and mid ranges juxtaposition for space but work in tandem for the common good.
after doing a couple of remixes over the past years noise destruction is back on hellcat tunes with a new ep. this dj duo from novi sad, serbia has released tracks for labels like neuform, laus, proloop, headtunes, itech soundsystem, people that make the music,etc. now these guys are delivering the versatile zeebeats ep, packed with true house grooves. heavy baselines, tight rhythms, old school chords and evolving synth lines is what this ep is all about.
osf is happy and proud to announce a new 12-inch by its founder, nur jaber. the label was conceived by the staub resident as her very own creative platform, a place for her to not just release uncompromising music, but also to print poems, letters and in the case of this record, even direct a video. based in berlin, the young producer who was born in beirut remains very attached to her roots. this background partially explains why she can be inspired by tragic events happening regularly in the middle east - making brave statements in the mostly apolitical electronic music environment. the past years have seen nur embrace a career as a music producer, seeing her slowly and steadily become an original new voice in the techno landscape. this ep showcases nur s ability to create and combine daunting atmospherics and frantic paces. it is dark and twisted, with its vocals and screams, but always driving. weapons of mass destruction is meant for banging crazy dance floors, but it is also personal and almost cathartic, especially in the current political situation surrounding all of us. the artwork, as always, is put together by osf family members the beholder and beauty&machines.
nice price deal !!! fresh from a big 2010 that saw corrosion become many peoples candidate for album of the year, and a follow up 12inch with remixes from autechre and the black dog that brought even greater attention to the project, the next job for anodyne (colin cloughley) is to now release what is bizarrely his debut solo 12inch. while corrosion showed colins love for early black dog and warp records, this ep starts off with the more growling intent of destruction - a thundering techno/dubstep hybrid that brings together the rawest elements of both genres, punctuated by suitably eerie undertones and venomous bass-heavy snarl - a true club monster if ever there was one. a2 is a straight hitting acid/hoover attack that descends into all sorts of chaos - reminiscent of the power of polygon window coupled with the madness of spiral tribe, this is a track that quickly brings things into disrepute. on the b-side menace 808 revisits the electro/breakbeat rave sound with all sorts of twists and turns that eventually drops into a pure unashamed hands in the air breakdown, one for the fields and festivals this summer? you know it is. closing with the pacy, glitched up breaks of talon, anodyne proves once again that when it comes to haunting yet majestically uplifting dancefloor music, there are few better in the game.
counterstrike stand as one of the hardest production entities to pin down in the heavy-hitting end of drum and bass, delivering exceptionally well-executed cuts across the multiple sub-genres of the scene to carve out their unique sound. following up a string of releases across leading labels in the scene, which sparked as early as 2001 and sees them today as one of the leading forces with their heavy sound - they unveil their 2nd lp through their own algorythm recordings - fear division destruction.
kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album
initially focused on its mission to spread left-field dance music from south america, with early appearances of the likes of luciano and pier bucci, the swiss-chilean label is now ready to conquer the whole wide world. under the command of the imprints ever-energetic epicenter dandy jack aka captain deutschland, ruta 5 pepino airways flight n° 5 takes off to a truly compass-defying journey.
this monterous techno anthem is oscillating between n.cuer usual minimal style and physical records fearsome atmosphear, develloping with a huge leads and squeaky sounds, undoubtinglys been prepared to set fire on the floor. as for b side, we get two remixes made by the label co-owners and main artist mik zif and midwooder. the first is drilling deeper into darkness with a proper physical techno rave style rmx. when the second is digging deeper into minimal techno, bringing the original tunes a bit more of deepness, while still keeping it ultra dancefloor efficient. definitely about to make a lot of noise in the techno scene this year and further, overload destruction and its remixes appears to be unmissable titles for any minimal and techno sets!
in over 10 years of experience in the hard electronic music scene, stormtrooper has scored releases on labels such as industrial strength, artillery, deathchant and several others, always bringing a different sound which has shocked the crowds of many countries. now, after his appearance on sana 10, the man strikes back on the 17th release of cerebral destruction with 4 intense, multifaceted tracks which contain the result of his latest sound research. nice and quiet sound e.p. is not just an alchemic mixture of hardcore and drum and bass, but blends also everything in between in a way only stormtrooper can. another dancefloor cleaner? no way! while having his sound fresh and experimental, peter kept the vibe which moves the crowd always avoiding the obvious combinations. the truth is that there are no words for this record the only way to fully understand is to listen for yourself the nice (and not so quiet) sound of stormtrooper!
kenny >dope< gonzales and terry hunter are mass destruction - and their weapon is created by larry heard! 4 edits of >blackout< in finest new-york-style as a teaser for their upcoming album >kenny dope & terry hunter present mass destruction<.
janko bartelink is a new artists on the bunker robot dystopia series. he brings stunning dark industrial techno/electro atmospheres and soundscapes. tip!
cool 80s and new wave inspired tracks a side with a dancefloor shaking track with michoacans own vocals flip for the more subtler side of things but still a good driver (sb)
counterstrike stand as one of the hardest production entities to pin down in the heavy-hitting end of drum and bass, delivering exceptionally well-executed cuts across the multiple sub-genres of the scene to carve out their unique sound. following up a string of releases across leading labels in the scene, which sparked as early as 2001 and sees them today as one of the leading forces with their heavy sound - they unveil their 2nd lp through their own algorythm recordings - fear division destruction.
kink spent years of backwards-engineering the sounds of detroit, chicago and early warp. tweaking whatever software was available, he learned all the sideways possibilities of hacking into the sonics of analog classics with the beauty of digital degradation: alias noise, bit crush, noisy fft grains - his one-of-a-kind results electrified dance floors all over the world ever since. now, all the elements of kinks live sets have been bundled like a laser beam in his debut album
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