for its third release. chuwanaga goes back in the past with the reissue of -(where is the) sunshine- by kalima. a rare 7- originally released in 1981 and produced in baltimore by afro-american pianist and producer derrick amin. part i on the a side and part ii on the b side form a real journey. a beauty in its own style fusing jazz. soul and spirituality as well as political values.
soul jazz records’ latest album ‘yoruba! songs and rhythms for the yoruba gods in nigeria’ is newly recorded in lagos. nigeria. the album is co-produced by laolu akins. founding member of the legendary 1970s nigerian afro-funk/rock group blo. and soul jazz records label head stuart baker. the heavyweight double vinyl comes in a gatefold sleeve with download code included.
first pressing of 750 individually numbered copies on orange marbled audiophile 180 gram vinyl.
the ghanaian afrobeat band osibisa released their sixth studio album welcome home in 1975. since their formation in 1969 they played an important role in bringing the world music to a bigger audience.
AFRICAN ELECTRONIC MUSIC 1976 - 1982 (2X12 INCHLP)
2x12" Vinyl NL07.06.18
repress 2018 - a retrospective of truly incredible. clued up and innovative songs and electronics from francis bebey. drum machines and oddball synths intertwine with bebey s wonderful vocals and deft guitar playing. high life new wave. we ve been waiting for this one! weighty double lp pressing. tip!
double vinyl in gatefold sleeve with 24 page lp-size booklet and download code for high quality wav / mp3 files.
a great compilation can open the gate to another world. who knew that some of the most exciting afro-funk records of all time were actually made in the small west african country of benin? once analog africa released the first african scream contest in 2008. the proof was there for all to hear. gut-busting yelps. lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.
ten years on. intrepid crate-digger samy ben redjeb unveils a new treasuretrove of vodoun-inspired afrobeat heavy funk crossover greatness. right from the laceratingly raw guitar fanfare which kicks off les sympathics’ pile-driving opener. it’s clear that african scream contest ii is going to be every bit as joyous a voyage of discovery as its predecessor. and just as you’re trying to get off the canvas after this one-punch knock out. an irresistible afro-ska romp with a more than subliminal echo of the batman theme puts you right back there. ignace de souza and the melody aces’ “asaw fofor- would’ve been a killer instrumental but once you’ve factored in the improbably-rich-to-the-point-of-being-nat-king-cole-influenced lead vocal. it’s a total revelation.
following her 1959 appearance in the anti-apartheid film come back. africa south african native miriam makeba vaulted into the international spotlight. fell under the tutelage of harry belafonte. and moved to new york city in 1960 where she immediately became a massive recording sensation. this lp collects some of that brilliant early material that launched her career and made her one of the most beloved voices of the 20th century. all tracks recorded 1957 - 1962.
the chisa years: 1965–1975 (rare and unreleased) is a compilation album by south african jazz trumpeter hugh masekela. the album consists of 14 rare or forgotten tracks recorded by stewart levine and hugh masekela from 1965 to 1975 when they ran their own chisa records label. thom jurek of allmusic wrote “in sum. there isn’t a weak moment on this entire collection. it’s appeal is wide and deep and one can only hope this is the first of many volumes of this material to appear. bbe records has done a stellar job in making this slab available.” dan nishimoto of the prefix magazine stated “the compilation focuses on masekela’s original idea of “african american music.” from the early experiments of the zulus (a group featuring m’bulu) in mixing doo-wop. rhythm & blues and south african gospel and the mbaqanga/”grazing in the grass”-style work of the generically named johannesburg street band to the clearly fela-influenced ojah (masekela’s band in the mid-’70s. consisting of players from ghana and nigeria) and the readyfor-primetime belting of m’bulu. each track reveals a multi-pronged effort to find and challenge the notion(s) of how african and american cultural forms could interact.”
ayuune sule brings the soul into kologo power. in kumasi. the second city of ghana and capitol of the ashanti region. ayuune sule is the main kologo star. the most famous kologo player these days in the whole of ghana and abroad is king ayisoba. together with king ayisoba. guy one. atongo zimba and sambo. he represents the generation that broke kologo music outside of the north east region of ghana. in europe we know ayuune sule as a member of king ayisoba’s band and as a solo artist who often opens up for his shows.
named after the tenor saxophone. actually. jimi tenor is not just jimi tenor - he s as well jimi keys. jimi flute. jimi vox and jimi composer. yeah. he is. as a multi-instrumentalist and music master in general. all of this! but wait: active since the mid-80 s he s also jimi legend. and if you overlook his whole oeuvre then finally you will find out that on top of all of this he s jimi genius.
das debütalbum des multitalentierten keyboarders. komponisten und produzenten joe armon-jones. mitbegründer des ezra collective. zeichnet sich durch unverwechselbare tiefe. wärme. freude und virtuosität aus. mit jazz als ursprung. verarbeitet er vielfältige inspirationen aus dub. hiphop bis soul. an den aufnahmen beteiligt waren weitere mitglieder der jungen londoner jazz-szene wie moses boyd. nubya garcia und oscar jerome. auf tour geht er mit künstlern wie ata kak und pharoahe monch.
africa seven is taking its first trip to germany... well germany via cameroun. charlie kingue soppo is better known as charly kingson. cousin of manu dibango and a cameroonian emigrant in the 1970s. charly first headed to paris and then found his way to munich in 1978. he recorded two albums in his career. “born in africa” in munich in 1978 and “dance to the music” two years later in new york. for this outing we focus on his debut “born in africa”. it was recorded in union studios in munich with some of the city’s finest (and surprisingly funky) session musicians of the day.
big tunes by mac gregor... nan ye li kan is a sought after and well known bomb.. a welcome release that brings the two nicest tunes from the lp to 12 format for that loud dj play. . originally from martinique. clem marise voltine aka mac gregor moved to abidjan in 1979 searching for. what she called. her “negritude quest”. she sang about her love for her adoptive city until her death in april 2004 at chu of abidjan. trechville hospital.
a limited reissue of cheikh lô’s classic debut album né la thiass. produced by youssou n’dour in dakar in 1995. cheikh ranks the album as his favourite release. available for the first time on vinyl. with new artwork and mastered from the original cassette mixes. includes 2 bonus fully artworked postcards. 180g heavyweight. 16 page colour booklet. download code included. cheikh will be touring internationally throughout 2018.
‘pat thomas introduces marijata’ is a seminal ghanian album that fuses highlife. reggae. folk. funk and soul. from legendary vocalist pat thomas. originally released in 1976 on gapophone records. ‘marijata’ was a group made up of three members – kofi ‘electric’ addison on drums. bob fischlan on organ and nat osmanu on guitar. hailing from ghana. pat thomas career began in 1969 with the ‘broadway dance band’. leaving a year later to join the ‘uhuru dance band’. he then played with ebo taylor’s ‘blue monks’ and finally formed the ‘sweet beans’ in 1973 where he really made his name. the group released ‘false lover’ in 1974. split and then reformed as marijata. releasing ‘marijata’ (also available on mr bongo) and this album. ‘pat thomas introduces marijata’. thomas career spans more than 50 years and he still tours regularly across the world. replica original artwork. official mr bongo reissue. licensed from gapophone records courtesy of george prah.
ghanaian legend ebo taylor returns with perhaps his finest album to date. but don’t take our word for it. that’s coming straight from the man himself. and he should know after more than 60 years in the business.
kwaito 12 inch featuring two forgotten bass-heavy cuts from south africa in the early 90s. vanonyana lava by volcano is a sought after tune right now (so difficult to get an original copy!) while the beat gangsters are a new introduction (to us) from okapis vaults. tip! hot on the heels the labels debut release burnin beat. johannesburg-based afrosynth records second release is a 12inch of two bass-heavy cuts of obscure 90s kwaito from south africa.
ganze zehn jahre mussten die fans des im kongo geborenen und in belgien lebenden musikers warten. dass ein nachfolger zum 2008er debütalbum hotel impala erscheint. 14 tracks präsentiert baloji auf seinem neuen album und perfektioniert dabei den musikalischen brückenschlag zwischen traditionell-afrikanischen klängen und afroamerikanischen sounds aus dem kosmos des hip-hops. souls. funks und jazz. wie lhiver indien. ein track der teil des aktuellen fifa 18-soundtracks ist. verfolgen alle songs das gleiche ziel: sie sollen den hörer auf die beine und zum schwitzen bringen. schwarzes doppelvinyl im gatefold sleeve. inklusive booklet und downloadcode.
isle of jura go back to 1976 to resurrect anambra. the jewel in the crown of dub. soul & funk outfit ozo. anambra is something of a classic. a unique song thats slow. ritualistic and spiritual. mixing african & nyabinghi drumming with a buddhist sanskrit mantra om mani padme hum. an alternate version anambra river appears for the first time on the same 12 inch.
acclaimed malian musician sidi touré returns with his fourth album. toubalbero. named after the large traditional drum used to gather people in the malian region of gao. toubalbero is a danceable. dynamic. and despite the region’s signifcant political challenges. joyous album. the double 12 inch comes in a gatefold sleeve with download code included.
as the lead singer of george darko s legendary burger-highlife hit-band. lee dodou became the number one voice of 80 s highlife. born in kumasi. the epicenter of ghanaian highlife. he came to berlin in the late 70 s - by then the uprising epicenter of burger-highlife - to work as a back-up-singer for pat thomas. after joining and leaving georg darko and running his own band -kantata-. he stopped releasing music in the early 90 s. now. philophon is proud to present new recordings of his soulful genius to the world of 2018. basa basa is a song in the classic -concert party- style. as it was played in the glorious 60 s. after a firey horn introduction lee takes over in that funny and entertaining manner typical for -concert party- music. buzz duncker joins lee s phrases with some gentle clarinet. highlife at its best! sahara akwantuo is anything but a classic: it s the start of a kind of philophonic highlife. labeled as kraut-life. ghanaian love of life meets german romantic melancholy. happy rhythms meet mysterious synth landscapes. eternal summertime and mangos are meeting a wet winter world and roast apples. kraut-life at its best!
lp. first re issue ever. cut from original masters. original packaging strictly reproduced. incl. rinted gatefold sleeve and printed inner-sleeve with cd included. original year of release: 1991. features the tracks out of time man. king of bongo. madame oscar. etc. mano negra the legendary first band of french singer manu chao featuring songs in spanish. french. english and arabic. we are celebrating this year the 30th anniversary of its foundation. the album has been unavailable on vinyl since its first original pressing.
mindblowing afro soul music from ivory coast served up by an obscure artist who only recorded four albums in between 1979 and the beginning of the 80’s. he created an original funky fusion with bété langage. a selection of four amazing tracks recorded in abidjan on two different records label called war records and as records. the music here is a mixture of funk with heavy basslines. traditional percussions. funky guitar riffs. nice horns section and lyrics in beté. the song «demonde» is inspired by harmonies of the famous «dance to the drummer beat» by herman kelly. those two rare records were found by afrobrazilero aka djamel hammadi and never appeared on the vinyl market. it’s almost impossible to have infos about this singer and composer neither the musicians involved in the recording sessions. most of the trace of the recording session were lost by the labels we licensed the tracks with. unique. pressed on a deluxe vinyl. remastered by the carvery. this very funky album is a must have for all the afro funk lovers!
one of the most mysterious and outsider soca 45s out there by h.m. these eyes timothy. the a-side let me love sounds like doo wop recorded with oluko imo s gear. and the b-side soca hustle sounds like the residents jamming a marvin whoremonger song with augustus pablo. the original 45 is so obscure that even his siblings didnt know that he made music. and rumour has it that. frustrated by its lack of success. michael threw most of the copies of the 45 in the valley beside his family s house in the hills just outside port of spain. one-time pressing of 500 copies
mar & sol first release is aleluia lp from the cabo verde singer pedrinho. at the time. late 70 s. this lp was one of the biggest successes from cabo verde music. singer pedrinho moved to lisbon when he was 18 years old. and recorded this album. the first one of his career. aleluia was produced in the same street where mar & sol is based nowadays. in rua de s.bento. lisbon. portugal. this street was also where pedrinho come to live when he arrived in portugal. like the majority of the musicians and emigrants from the old african portuguese colonies move at that time. to try a new luck. a big community grew here and these artists got the opportunity to record their own traditional music by the hands of local labels. now is the time for mar & sol to give a new life to all this music. this is the first of many reissues that are coming to start the series of the label.
new music by hailu mergia. featuring tony buck (drums) and mike majkowski (upright bass). the culmination of mergias remarkable worldwide tours over the past few years. these new recordings celebrate an evolving. youthful soul. lala belu completes a realistic portrait of hailu mergia
very often included among the 50 must-have albums of modern african music. the two albums “angola 72” (with the inevitable “mona ki ngi xica”) and “angola 74” (with the first ever recorded version of “sodade”) are finally re-edited in vinyl lps. with their original sleeves as published in 1972 and in 1974. in the netherlands. on the label morabeza records.
very often included among the 50 must-have albums of modern african music. the two albums “angola 72” (with the inevitable “mona ki ngi xica”) and “angola 74” (with the first ever recorded version of “sodade”) are finally re-edited in vinyl lps. with their original sleeves as published in 1972 and in 1974. in the netherlands. on the label morabeza records.
GUMBA FIRE: BUBBLEGUM SOUL & SYNTH BOOGIE IN 1980S SOUTH AFRICA (3X12 LP)
3x12" Vinyl UK09.03.18
soundway releases new compilation of rare 1980s south african ‘bubblegum’ & boogie
in 1980s black south africa a local form of pop music evolved as the disco boom died down and slowly mutated. it was often ubiquitously described as bubblegum - usually stripped-down and lo-fi with a predominance of synths. keyboards and drum-machines and overlaid with the kind of deeply soulful trademark vocals and harmonies that south african music is famous for. compilers miles cleret (soundway) and dj okapi (afrosynth records) present a selection of 18 rare. handpicked 1980s cuts that highlight the period that nestles in between the ‘70s (where american-influenced jazz. funk and soul bumped shoulders with local mbaqanga) and the ‘90s when kwaito and eventually house-music ruled the dancefloors of urban south africa.
strut presents the new album from the modern day leader of afrobeat. seun kuti. the youngest son of afrobeat legend fela kuti is as incensed by injustice as his father ever was and. with his mighty new album black times including a feature from carlos santana. he honours the revolutionaries who have gone before and rallies the torch-bearers to come.
drums of passion was the first album released by babatunde olatunji (1927-2003) in 1960. olatunji was a drummer. social activist and musician. born in ajindo. nigeria. in this album he has recaptured some of his early impressions in his drum beats and giving them new zest. the african drum rhythms are not only musical melodies and songs but also ways of communication. for instance. the first track -akiwowo- was the name of a train conductor who shouted his humorous cry against the fading rhythm of the freight train. -baba jinde- is a dance play and the title track -gin-go-lo-ba- was sampled by many contemporary artists (santana and fatboy slim amongst others) and covered in 1979 by latin jazz/percussionist candido for his disco chart smash -jingo-. drums of passion is mainly a danceable album and often cited as one of the first african albums recorded in (then called) stereophonic sound in the united states in 1960. pressing on 180 gram audiophile vinyl.
mix righteous fuzz guitar. bad-ass keyboards and ecstatic african rhythms and what have you got? celebration by aktion - a slab of of heavy afro-funk-pysch-rock from the hardest working band in 70s nigeria.
baad john cross’s new revolution is a afro-electro-funk-boogie-disco banger that could only come from 1980s nigeria. bright. optimistic. with an unrelenting eye on the dance floor. it is regarded by many as a prototype of the electro rhythms that would become the signature sound of nigerian boogie.
this time y-bayani has support from the great voice of baby naa. baby naa was just hanging out at the studio in accra/ghana when the recordings of rehwe mie enyim took place. the crew was waiting desperately for a singer to back up y-bayani. after an hour of waiting the producer. knowing that she sings at church every sunday. asked baby naa to do the missing part. then something occurred that nobody was expecting and finally everybody was happy that the original singer hadn t made it. rehwe mie enyim is a unique example of how roots-reggae can sound today. maybe it will be the very last recorded real roots-reggae song in human history? on mi sumolo the band of enlightment. reason and love gives us a light and cheerful instrumental every dj must have for his late night wedding set or any other high-class party.
nyege nyege tapes proudly announces the first international release of electro acholi pioneer otim alpha s incredible body of work recorded over a period of 11 years. otim alpha together with his early producer leo palayeng began in 2001 taking traditional acholi larakaraka wedding songs and reinterpreting them with music software on computers. the results are a fast paced poly-rhythmic music ready for dance floor madness.
for the past 15 years the tanzanian megalopolis of dar es salaam has had one of the most exciting underground electronic music scenes in east africa. a constellation of micro-scenes from mchiriku. sebene and segere all the way to its latest mutation of singeli that finally after years of lurking in the underground has exploded into the mainstream and taken over bongo flava as the music of choice amongst tanzania s youth. born in the sprawling working class neighborhoods of tandale and manzese. singeli s signature sound consists of fast paced frantic loops interlocking with each other. with influences from zanzibars tarab music all the way to south african afro-house coupled with mc s who often spit satirical lyrics about the challenges facing tanzania s youth. from police corruption to the complications of dating girls when you are broke. if there is one studio that stands out amongst the hundreds that dot dar es salaam s musical landscape it is sisso records. centered around producers. bwax. sisso. bampa pana and yung keyz morento and mc s dogo niga and makavelli. they were early pioneers of the singeli sound. whilst some singeli artists have begun fusing their music with more traditional tanzanian hip hop. sisso have remained uncompromising in their sound. always raw. fast with a punk diy aesthetic that can at times verge on noise and gabber. to produce a spell binding music that is like no other sound system culture in the region.
releasing an album into the world is a special moment for any artist but when you re an artist who grew up in remote northern ghana with no schooling. spending a life herding cows and goats. building your own instruments and teaching yourself to sing. then there s a particular sense of occasion and celebration in finding recognition and an audience for that music. this is the case for guy one. an utterly unique artist who is writing and performing frafra music. a style that originates from a small area in the north of ghana. whilst guy one is already loved and adored locally by now - building up a fervent following in local villages in which no funeral or wedding would take place without his soaring voice and deeply rhythmic playing. before then transforming into an award-winning. tv appearing artist in ghana - his music is now to find a much wider audience through max weissenfeldt s philophon label (jimi tenor. hailu mergia. alemayehu eshete) on this berlin meets bolgatanga release.
2018 repress of this album by the drummer of fela kuti. produced by doctor l. incl asiko as sampled by jaydee for commons hot shit! featuring remastered versions and ariya (psyche juju mix) as bonus track. which was not part of the original release. tony allen completely rewrote the books on what was possible within the afrobeat genre with his stunning 1999 album. black voices. when one considers exactly what is going on throughout black voices. it is quite mind boggling. as it is almost impossible to associate a minimalist. electronic feel with the massive walls of sound which allen was known to create.
following the release of baba commandants debut album juguya in 2014 on the mighty sublime frequencies label. mawimbi is proud to present wasso. one of the best cut from the album in brand new mixing shape alongsides killer electronic remixes from the likes of mawimbi signee loya and mr. boom.
the afro-funk side of the latin soul maestro! born in gao (mali). boncana maiga is one of the most talented and popular producer of west-african music since the 60s. he studied flute and latin arrangements in cuba during the 60s and founded the famous les maravillas du mali in 1968. he became orchestra leader for the national ivorian tv in abidjan in the mid-seventies. and toured all over the world with the famous africando band. during his recording sessions in nyc at the beginning of the 80’s with a lot of “latin musicians” from puerto rico. venezuela or colombia. boncana maïga also recorded few rare funky tracks with heavy breaks! with the artist. we decided to reissue four rare tracks from 1978 to 1982 dedicated to dancefloor. including a really rare soundtrack for the oil company of ivory coast called petroci. in 2018. hell be back on tour with les maravillas du mali. still have a weekly tv show on tv5 monde and with this reissue will continue to warm your afro-funk parties! fully licensed. 12inch vinyl (45 rpm) including interview. remastered by the carvery!
awa poulo is a singer of peulh origin from dilly commune. mali. near the border with mauritania. largely pastoral and often nomadic. peulh- (or fula-) speaking peoples are found from senegal to ethiopia but predominate in the sahel region of west africa.
the vinyl lp includes a download code.
for this album. ebo joined forces with 12-piece band ‘the pelikans’ — from the cape coast region of ghana — led by bessa simmona. with rhythm guitarist fifi orleans lindsay. a genuine ‘holy-grail’ of ghanaian music and one of ebo’s most saught-after.
the album was released on the small abookyi label. named after a nightclub they played in called pelikans. and sung in english and fante. this was the first album where ebo sang on tracks. such as the classic ‘come along’. on which he also plays keyboard. this song clearly defined a new direction in highlife and has become a ghanaian funk anthem. ‘come along’ formed the basis of sadat x’s ‘remember that’ hip hop jam from 2011.
this official mr bongo re-issue is packaged in our new & improved heavyweight ‘tip-on’ sleeves. printed in japan. pressed on high quality vinyl. audio restored to the best of our ability. with label designs and artwork as per the original release.
hamad kalkaba and his golden sounds 1974 - 1975- i remember the day clearly. i was searching for treasures in a record shop in yaoundé. the capital city of cameroon. when suddenly i came across a 7-inch record with a picture of a young man wearing a traditional hat and bearing the marks of several imposing vertical scars on the side of his face. carved when he was just a boy as a reminder of his heritage in the musgum tribe of the northern part of the country.
first official reissue of nigerian boogie disco grail lp produced by grotto for emi nigeria and originally released in 1978. contains dance classic bad city girl. liner notes by nigerian music expert uchenna ikkone. include previously unpublished photos and extensive interviews by temitope kogbe
search the name ‘burnis moleme and the returns are sparse. you’ll discover that his track ‘where is the answer’ appeared on soundway’s excellent nigerian disco compilation. doin’ it in lagos. and there are a few entries about this pmg re-issue of light my fire. but other than that. he seems to have disappeared off the face of the earth. he’s not even a minister of religion. the career path most nigerian stars from the 80s chose to follow. thankfully. we still have light my fire. produced by former funkee jake sollo and backed by a hot team of session musos including friday pozo. nkono teles and joseph ‘jojo’ kuo. burnis delivered a slab of slick afro disco boogie for the ages.
heaven sent from nigeria’s tumultuous east. the apostles have been preaching a particular blend of funky psychedelic soul/rock fusion for over forty years. on banko woman they threw a little afrobeat into the mix. creating an afro-funk disco bomb that has been energising dance floors ever since.
one of the most pivotal figures in the history of malian music is sorry bamba. his work spans five decades and his music bridges the gap between mali s cultural traditions and new the music which arose from the musical cross overs which occurred in mali s post-colonial period. bamba was born in 1938 in mopti. this is dissected by both the niger and bani rivers and known for its rich cultural diversity. bamba s father was a distinguished veteran of emperor samory toure s military and a nobleman in malian society. however. this meant young sorry was forbidden to make music. as under the nation s caste system. music was an art form reserved for the griots.
in 1977 sorry produced his second lp for the paris based sonafric group. long out of print africa seven is pleased to be re-issuing the lp. the re-issue benefits from extensive restoration and re-mastering to a spectral analysis level. bringing and polishing long lost and distorted sounds.
check out african seven for further re-issues of sorry bamba third and first lp.
next stop soweto vol. 1 - township sounds from the golden age of mbaqanga is the first volume of struts groundbreaking series of south african music. exploring lesser known township jive and mbaqanga 45s. artists include mahotella queens. izintombi zesi manje manje and lucky strike sisters.
strut present the first in a series of essential original lp reissues exploring rare and under-rated african. latin and caribbean music classics. curated by duncan brooker. in january 2017. the series kicks off with ‘sugar daddy’. an experimental highlife / disco outing by nigerian highlife guitarist joe king kologbo.
issued in 1975. this is the articulation of zambia’s zamrock ethos. while other albums - rikki ililonga’s zambia. witch’s lazy bones!! - are competitors. it’s hard to best this album as it covers each major quadrant of the zamrock whole: it came from the mines. its musicians were anti-colonial freedom fighters. it envelops zambian folk music traditions. and it rocks - hard.
this 2x12 inch reissue contains reverb mixes of all tracks on vinyl 2.
strut present the first ever new international studio album by one of the all-time great african big bands. orchestre les mangelepa. “last band standing” is out now! comprising congolese musicians who settled in kenya. les mangelepa helped drive the east african evolutionary spur of one of the greatest musical artforms. african rumba. during the 1970s.
invisible city returns with the hotly anticipated reissue of amajovi jovi by durban’s o.g. kwaito giant. sandy b. originally self-released on cassette and a white label 12”. rumour has it sandy had to remake the tracks from memory because even he couldn’t find a copy. . in its original post-apartheid context. amajovi jovi was a sign of youthful subversiveness. rebellious creativity and a neck snapping rejection to the fascist groove of a silenced nation. while the pantsulla hustler nods to house legends like jamie principle and pal joey. its hip hop breaks and interludes show a clear affection for snoop dogg’s doggystyle. at its slowed down tempo however. this low-fi kwaito masterpiece turns away from its american influence and looks towards baldelli and his cosmos. best of all are sandy’s vocals— deep. melodic zulu rap. sung flippantly—the way that only a true gangster could. it now stands as one of the finest glimpses of 90s party music to ever be blasted at the underground parties of the south african townships. a huge fave of jamie tiller. tako and ice. we are proud to present a limited vinyl and cassette reissue from one of the godfathers of kwaito. remastered and restored from the original cassette tape. designed by zeitype.
die neuauflage erscheint als dreifach-lp mit beiliegenden bonus-cds in einer limitierten auflage von 500 exemplaren.
strut present a definitive vinyl edition of the groundbreaking compilation nigeria 70. originally released in 2001. the collection set the benchmark for a new generation of archive labels and releases mining the vaults for rare afro funk and afro jazz fusions and helped to paint the wider picture of the 1970s lagos scene beyond fela kutis catalogue for a legion of soul. funk and dance music enthusiasts.
>afro rock vol. 1< is one of the most important compilations of heavy original 70s afro funk and soul to be released in recent years. originally surfacing on duncan brookers indie kona label in early 2001. the album single-handedly kick-started the thirst among jazz. funk and soul fans and diggers to rediscover lost music from africa made during the 60s and 70s from a time when many countries were gaining independence and celebrating a pan-african identity within their music. the album was one of the first to reach a far different audience to the traditional ?world music? market and spawned many further projects and labels in its wake. a year later. the >nigeria 70< compilation surfaced on strut and labels like soundway and analog africa would continue to unearth amazing lost gems from the motherland.
recorded in the beginning of the 80s and self-produced by itadi in 1983. this obscure album contained deep soul and controversial rare grooves backed by the 5 band members called the afro funk band de lome. itadi s music is unique. in his second album. he kept the same recipe: a mixture of soul. reggae. hi-life and funk. with heavy lyrics which sounds like slogans and caused him big trouble after its release. he was obliged to escape the country to usa.a real definition of a revolutionary musician! this deluxe lp contains also two unreleased tracks. interview. and photos and was fully licensed with his family.
back available as a limited vinyl edition (500 only) for the first time since 1985. featuring key players like bernie worrell. bill laswell. mory kanté and herbie hancock ! manu dibango needs little introduction. born in cameroon in 1933. manu developed a musical style fusing jazz. funk. and traditional cameroonian music. he’s definitely among the best known african artists outside of africa. collaborations were numerous and include top acts like fela kuti. herbie hancock. bill laswell. sly & robbie. don cherry and bernie worrell. in addition to selling hundreds of thousands of copies of the albums he recorded. he played such huge venues as yankee stadium and madison square garden.
the electrifying final album from cameroons legendary los camaroes. available on lp for the first time since 1979. recorded live to two track at the mango bar in yaounde. resurrection los was the last collaboration between bandleader jean gabari and groundbreaking guitarist messi martin. deluxe lp reissue features notes on the history of the band by original keyboardist mbambo johnny cosmos simon. plus all new interviews with producer nicolas mongue and engineer emmanuel guyssot.
in 1973. emi records nigeria released the 45 rpm disc fuel for love b/w soundway. credited to a mysterious band called wrinkar experience. the record was a finely-crafted gem of pop-rock and funky soul as had never before been heard coming out of the countryÆs nascent rock scene. and it ended up being the biggest selling nigerian single up until that point. the success of wrinkar experience effectively demonstrated that was a market for homegrown pop and rock. and sent record labels scrambling to sign similar bands. kicking off the nigerian rock revolution that is still being celebrated and discovered by new generations today. but while wrinkar experience launched the movement. the group itself would be short-lived: after another hit single in 1973. the bands frontman danie ian split for a solo career. the remaining principal players in the group cameroonian musicians ginger forcha and edjoo jacques racine tried to keep the wrinkar name going before giving it up and rebranding themselves as rock town express. rock town expresss debut lp funky makossa was recorded in 1974 for arc records. the cutting-edge studio and label established in lagos by english drum legend ginger baker. the album showcased in long format the qualities that had only been hinted at on the wrinkar experience singles: bright. confident pop melodies. articulate lyrics. and darkly potent funk-rock. comb & razor sound is proud to present a new. fully-authorized reissue of funky makossa. featuring the seven tracks from the original release. plus i am a natural man and i dont want to know. from wrinkar experiences seldom-heard third and final single.
1977’s fire woman is perhaps the finest (and rarest) of foundars 15’s albums. offering a spicy buffet of groovy pop. reggae. native rock and dense. off-kilter funk. long sought after by aficionados. fire woman has been an lp that is more often heard about than actually heard.
that is about to change.
comb & razor sound is proud to present a new. fully-authorized reissue of fire woman. featuring eight crucial cuts representing the gold standard of the golden age of nigerian pop music. here’s your chance to catch the fire!
for over forty years. the apostles of aba have stood as the jewel in the crown of the music scene in eastern nigeria. since their formation in 1973. the band has turned out memorable performances in a variety of styles including rock. soul. funk. pop and reggae. even today. the apostles continue to thrill audiences in their hometown of aba with dazzling shows. cultures of soul is proud to present one of the apostlesã more obscure¨yet relentlessly funky recordings in a full-color custom reverse board jacket. banko woman. originally released on the eponymous lp on love day records in 1977. straddling the world realms of afro-funk and disco. the track has long been a coveted dance floor filler amongst djs. and for the first time is available for a wider audience. on the b-side is faith. luck & music. also from the original banko woman album.
including 2 remixes by osunlade under the collective name of yoruba soul! since their first acclaimed album apiafo. vaudou game turned down the heat over 160 stages across the world. peter solo has displayed his vaudou chants and charisma around the globe. on the road he and osunlade met and shared their musical visions. kidayu is the name of the 2nd opus and means “sharing”: it’s exactly what those versions of “on se pousse” are about. ! limited press.
reissue of the highly sought after nigerian funk-rock album. moving effortlessly between reggae. jazzy afrobeat and psych rock. soundway fans first got a taste of jay-u’s infectious beats with the track ‘some more’. featured on the soundway compilation “nigeria disco funk special: the sound of the underground lagos dancefloor 1974-79”. originally released by emi nigeria in 1977. this now-rare album was written by jay-u and engineered by disco-boogie artist goddy oku. opening with the up-tempo reggae number “reggae deluxe”. the album descends into mind-blowing jazz-funk featuring several killer saxophone solos. the journey ends with a trip into psych-prog rock. with a sound not dissimilar to that coming out of the early 70s british rock scene.
a collection of long out of print recordings by artists from tanzania (biashara jazz band). democratic republic of congo (baba ilunga wa ilunga. orch. bana ekanga and orch. moja one band) and western kenya (victoria chomeka and international de nelly) recorded in nairobi between 1976 and 1996.
previously released on labels such as doromy. jojo. ochimbo ja-yon go and editions dokan. with the exception of “nakuomba”. which is seeing the light of day here for the first time.
no wahala sounds take great pleasure in bringing you this second volume of lost gems from east africa.
available now soul jazz records’ record store exclusive limited-edition soul 7” box set comprising five heavyweight 70s afro-funk. afro-disco & afro-rock seven-inch singles all with unique bespoke label artwork and all digitally re-mastered. seriously rare. killer and classic nigerian 70s afro-funk. afro-disco & afro-rock tunes bought together here in this unique one-off record store day box-set edition. this unique box-set edition is only available as a one-off pressing especially for record store day 2017.
triple lp and bonus 7 inch with 8 page booklet. includes free mp3 download with 8 extra tracks.
soundway records present kenya special: selected east african recordings from the 1970s & 80s - a treasure-trove of rare and unusual recordings from east africa. kenya special is accompanied by detailed liner notes. original artwork and photographs. it follows on from soundways much acclaimed african special series that to date has focused on the highlife and afrobeat output from 1970s nigeria and ghana.
collection of recordings from one of tanzania’s most revered but short-lived bands of the 1970s. sunburst. covering their entire output from 1973 to 1976. this first retrospective features music from their 45 rpm singles on moto moto and tfc label. as well as their sole album. “ave africa”. and an unreleased radio session recorded in tanzania in 1973.
this release comprises of the double vinyl and a copy of the cd version. which contains extra tracks.
last volume of this compilation series. again a great one... holding amazing tunes from across the globe that you probably already have been looking for.... tip!! . over the last five years and as many volumes of their beach diggin’ compilations. guts and mambo have explored the reefs of five continents. dredged the sea beds of countless seas and oceans. examined every single seashell with the aim of making sure that no vinyl pearl should escape their notice.
the independent. south african record label mushroom hour half hour presents open letter to adoniah. the moving albums by talented guitarist and songwriter sibusile xaba. who improvises the musical legacy of kwazulu-natal into an exciting. genreless future!
a fantastic afro-beat album from a fela anikulapo kuti disciple and kalakuta republic member. a sublime spiritual and political session recorded in 1979 at the emi studio in lagos (nigeria). arranged and self-produced. this second kingsley bucknor‘s album. hopelessly obscure and impossible to find ranks alongside the best afro-beat album in history!
• all female outfit with a heavy dance floor version of nina simone’s “see line woman”. done in afrobeat style • co-written by tom brenneck (of the dapkings. the budos band and the menahan street band) • engineered by sydney mills of steel pulse • unreleased music from the vaults
der nigerianische musiker fela kuti gilt als begründer des afrobeat. das label knitting factory legt nun verschiedene werke aus dem backcatalogue als neue vinyl-edition vor. diese entstammen ursprünglich dem von brian eno zusammengestellten set -vinyl box 3/compiled by brian eno- und waren einzeln nicht erhältlich. schwarzes vinyl / 180g. das 1971 aufgenommene album -shakara- begründet das genre des afrobeat und experimentiert mit dem einsatz musikalischer mittel: erstmals mit zwei gitarristen. die ihre riffs parallel anlegen. werden Überlagerungseffekte geschaffen. die der musik einen starken drive und eine hypnotische wirkung verleihen
official mr bongo reissue. licensed from george prah. founder of gapophone records.
marijata was a group made up of three members – kofi electric addison on drums. bob fischlan on organ and nat osmanu on guitar. hailing from ghana. ‘this is marijata’ is the groups first lp. released originally on the gapophone label – it is pure. rootsy. raw. driving african funk music of the highest order. now highly sought-after in both its original and previously reissued forms.
we’re excited to announce the first in a series of rare nigerian releases we’re putting out with the help of uchenna ikonne. sjob movement’s friendship train was the second lp by the group and one which saw the group rise to new heights. it’s a masterpiece of african music with it’s fluid afro beat grooves and spaced out moog synthesizer sounds.
quite scarce and demanded record from os apolos recorded in the netherlands. featured an off the hook afro beat song time of war . limited warehouse find. these records have been remaining for years in original boxes straight from the press plant. never played mint condition.
auf -ennanga vision- begleiten wir den londoner produzenten jesse hacke (owiny sigoma band. elmore judd. gorillaz) auf einer klangreise. die uns von der englischen kapitale nach uganda führt. und damit von der hauptstadt des pop mitten ins herz von afrika. co-steuermann und erster kollaborateur von hacke ist der ugandische sänger und multiinstrumentalist albert ssempeke. bei ihrer eigenwilligen. um nicht zu sagen abenteuerlichen unternehmung erhalten die beiden beistand durch eine reihe von gastsängern aus dem norden ugandas. die unter der dortigen bevölkerung einen legendären ruf genießen. damit setzt sich die formation aus einer runde von experten zusammen. welche die dj-ikone gilles -acid jazz- peterson zu den worten -one of the finest musicians. thinkers and world selectors in the uk- hinriss. sie sorgen für einen hypnotischen sound. der traditionelle ugandische folk-musik mit aktuellem pop der westlichen hemisphäre zu einem organischen ganzen verschmilzt. dabei findet die einsaitige. für afrika so typische geige genauso ihren platz wie eine 200 jahre alte mundharmonika. für das infektiöse klangbild bestimmend sind jedoch in erster linie elektronische instrumente aller art sowie parallel gespielte xylophone.
pop makossa - the invasive dance beat of cameroon 1976–1984 the pop makossa adventure started in 2009. when analog africa founder samy ben redjeb first travelled to cameroon to make an initial assessment of the countrys musical situation. he returned with enough tracks for an explosive compilation highlighting the period when funk and disco sounds began to infiltrate the makossa style popular throughout cameroon.
double vinyl in gatefold sleeve. includes download code. 20 pages lp size booklet and 30x30cm poster.
in 1975. tony allen recorded his debut album. jealousy. the first of three made with afrika 70 and produced by fela kuti. jealousy is according to many still the highlight of his 4 solo-albums. featuring 2 afro-beat gems jealousy and hustler. recorded at decca s 16 track abule-oja studio in lagos. nigeria. originally released on soundworkshop records in 1975
it’s no exaggeration to say that geraldo pino and his band the heartbeats kickstarted the whole soul/funk/afrobeat scene in west africa. mixing highlife. funk and jazz. and using the latest equipment. they laid waste to all before them. in 1966 fela kuti was a jobbing musician. eeking out a living with highlife bands. when gerlado pino came to town. it changed his life.
“pino tore up the scene.” he recalls in an interview with carlos moore. “i knew i had to get my shit together. and fast!”
drummer amir bresler. born in 89. has been established as one of the most sought after israeli drummers. performing in israel and abroad at prominent local and world stage jazz festivals. starting his musical education at the age of 13. amir was first exposed to jazz music at the age of 15 upon his enrollment for the jazz program at the thelma-yellin national high school of the arts from which he graduated with honors. in 2010 amir joined the world renowned bass player. singer and composer avishai cohen. in concerts globally. avishai cohen is considered to be one of the most successful jazz artists in the world today. amir also performed alongside visiting musicians like sam yahel. joel fraham. mark turner. kirk lightsay. dwayne bruno. in addition. amir played with various israeli artists among these are. daniel zamir. omer klein. kutiman. nitai hershkovits. yotam silbrestein. amos hoffman. gilad abro. shai maestro. to name a few. this release is comprised of two tracks. originally composed and recorded for meinl cymbals drummers-videos-series. these tracks were later chosen by amir to be officially released. the first track. afro golden line. is inspired by 70s african high-life music (specially from ghana and nigeria) this is an odd-meter afro-beat track. featuring sefi zislings distinct trumpet melody and uzi ramirez s playful guitar. the second track. fish. is taken from lbts old mixtapes (originally with vocals by kerendun). it was re-recorded at amirs studio while bassist beno hendler & keyboardist nomok composed the third part of the track. both tracks were produced with rejoicer.
double vinyl re-issue of the classic lord echo debut. features the huge single thinking of you. available for the first time on general release outside japan. look out for the brand new album harmonies from lord echo - part 3 in the trilogy.