john also bennett aka jab with his second longplayer for shelter press. the vinyl release includes a download code.

christina vantzou and john also bennett’s musical interpretation of thoughts of a dot as it travels a surface, a 90m panoramic wall drawing by zin taylor, is a beautiful electro-acoustic meditation on the passage of time. it was recorded live at westfälischer kunstverein in münster, germany, may 6th, 2017, and now finds its way onto vinyl via the supremely keen-eared shelter press.

special limited edition 12 inch, released in conjunction with the forthcoming compilation *bombay disco 2* (cos011). features 2 edits by dj brother cleve.

hypnotic, minimal groovy tracks!!

4 tracker pure electro/minimal ipnotika sublabel!!

finest groovin electro-techno/techhouse/new artist !! always with an eye for staying ahead of the trends, hadshot haheizar unloads its 74th vinyl release to give a glimpse into the hot sounds for evolving for tomorrow s dancefloors. showcasing the talents of the upcoming project jab, this release provides a fresh sound will surely serve as an inspiration to enliven floors for many months to come

disco se aagay is a rediscovered synth-pop masterpiece from 1984

soundway presents a collection of soca and calypso on triple vinyl.

2xlp vinyl in black range bag, gatefold sleeve

the 3rd wu-tang album back on audiophile 180 gram double vinyl.

limited remastered official reissue of a boogie masterclass from 1983, mixed by the legendary morales and muzibai (m & m productions), this grabs you from the off with its super-funky bassline, tight double handclaps and compulsive cowbells before andrea stone’s dreamy falsetto vocals jab funk shaped holes all over the heady groove. flip over for the mind-blowingly tasty full dub mix including full intros and reprise (for some reasons unavailable on the original and promo releases), a big favourite of many in-the-know disco djs and hugely in-demand since being one of the standouts on dimitri from paris nightdubbin compilation.

richy ahmed has been steadily building his four thirty two label over the last 12 months, introducing talented artists such as jansons and senzala to the fold. the imprint is fast becoming a go to label for those who like their house music uncomplicated and hype free, ensuring the chicago and detroit house sound burns bright with new music indebted to the roots of the music. after recent releases on seth troxler’s play it say it label, and remixes for london grammar, richy brings the goods back to home on this latest four thirty two release. on cant stop us, chunky stabs incessantly jab at meaty drums, as a female vocal loop rides on an opening filter. the good vibes build to a classic house piano crescendo that marshall jefferson would certainly approve of, as the soaring strings and evolving drums raise the rapturous mood to dizzying heights. on the flip, the percussive disco drums of dials mavis are bolstered by a booming sub bassline whilst deft keys and deep rhodes chords deliver the infectious melody on this bumping jazz ride.

khalab has arrived onthecorner with ‘zaire’. ‘zaire’ is the beginning of a new narrative for the artist. in this first chapter khalab creates urgent compositions with layers of sound from the past, present and future. ‘zaire’ is underpinned by an intensely pounding heart of other-worldly percussion. the collaged loops frenetically jab in syncopation breaking off when the inherent swing casts its discrete groove to summon the dance. unrelenting waves of synthlines, basslines and rhythm find harmony amongst the melodic chants and distortion.

already a regular studio collaborator with richy ahmed, michael jansons aka jansons strikes it solo on the fourth release for richy’s flourishing four thirty two label. the “mode” ep finds jansons following up from recent chart topping original releases and remixes for knee deep in sound, lower east and his “panic at the disco” single on leftroom, which is their best selling single on beatport to date. it’s a bumper 4 track ep, showcasing and encapsulating the many shades of jansons unique sound, and bolstered with a remix from aforementioned collaborator and label boss, richy ahmed. the original mix of “mode” comes correct with plenty of classic house music chops, frenetic synth keys jab away over a rubbery, percussive groove for a sophisticated and energizing club cut, whilst ahmed plumps for a real old skool flavor on his remix. chugging drums and a tight bassline give more than a whiff of classic windy city house vibes on this killer remix. two versions of “colours” are packed with hypnotizing string riffs and bumpin’ percussion, with the “alternative mix” edging it in the more stripped down techno stakes, whilst “sequential” find jansons in disco mood, with rolling drums, string stabs and a deadly bottom end groove that wraps up a fine release from this burgeoning british talent

nice price deal !!! 50 % deal - new great compilation for electro tech-house & techno freaks !!! ltd restock

zwischen ausgeschlossen-sein und selbst-ausschluss: artefakte praktizierter verweigerungshaltung.

die offizielle wiederveröffentlichung des dub-klassikers -scientist - heavyweight dub champion- ist als 2lp-edition mit poster (60x60 cm) erhältlich! die aufnahmen des originalalbums von 1980 finden sich auf der ersten lp - sie wurden mit den musikern der roots radics in bestbesetzung im channel one studio eingespielt und im king tubby studio abgemischt, am mischpult saß dabei hopeton overton brown, besser bekannt als scientist. für die produktion zeichnete henry junjo lawes verantwortlich. auf der zweiten lp finden sich die dazugehörigen versionen der sänger, vertreten durch barrington levy. für dieses herausragende re-issue projekt wurde die top-adresse, was audio-mastering in europa angeht, die firma soundmasters in london, engagiert. das dazugehörige artwork von tony mcdermott hat bis heute nichts an seiner faszination verloren.

the inaugural blank mind — a jab jab carnival banger from grenada — revisited by shake shakir, harmonious thelonious and alan johnson. adrian lenz cover me (shake shakir remix), adrian lenz cover me (shake shakir instrumental), sandman no prisoners (alan johnson remix) sandman no prisoners (harmonious thelonious remix)

trinity is ein projekt der beiden rapper sadat x (brand nubian) und ag (ditc / showbiz & ag) mit dem fat beats gr?nder dj jab, der hier zum gr¸ssten teil neben keinem geringeren als j dilla die produktionen ?bernimmt. als g§ste konnten sie rapper wie ill bill, immortal technique, grand puba, slug (atmosphere), everlast (house of pain / la coka nostra), roc marciano und viele andere gewinnen.

italys giovanni damico return to seven after the success of his ep with the label, earlier in 2013

repress !!norwegian offspring-label wania presents a very special, off-schedule and limited wania-us-edition. a-side with a disco-house jab from the usually spaced out trance yo lie. b-side giving full-side-space to dj sotofetts nyc dub mix - an unreleased house remix of madteos >we do…<!

butane continues to push his sound well beyond the frontiers of trendy dance music with >we are all cyborgs now<, his latest tour-de-force on his own alphahouse records imprint. apparently not interested in assimilation for the sake of popularity, he rather blazes his own wide-cut path towards artistry with two future-techno cuts rife with pointed commentary on the nature of todays dance music scene. >everybodys talkin< is a mutant hybrid of styles for the nostalgic types. latin percussion and bin-busting bass mingle with an ethereal voice lamenting the passing of the good old days. throw in one utterly twisted xylophone note that might just send a few partygoers over the edge for good, and you have an open air after-hours anthem in the making. >hey hipster< is a not-so-subtle jab at the newjack hipsters of the dance world who seem content to recycle old ideas, as long as they think they look cool doing it. deceptively simple, but carrying a heavy hook, the track features a grooving bassline, speaker busting synth stabs, and a brooding male voice admonishing these party parasites for their shallow ways. listen up kids, this is the sound of the underground. dont be fooled, this kind of music is best heard in big dark clubs where mirrors arent there for checking out your trendy haircut.

introducing the jab jab of grenada. adrian lenz & sandman deliver exceptional hypnotic dancefloor inflictions. for j ouvert, the jab jab covered in oil take to the streets drinking rum from 2 in the morning. >cover me< is a call to arms. pulsating horns and rampant drums drive adrian lenz s ecstatic vocal cries, causing a riot of impassioned urgency. bells reverberate the dread march of >no prisoners<, sandmans stone-faced premonition commands the percussive undulations of this cavernous riddim.

ooooooh yeeeaaah!!! haasten is here! one of technos fastest rising stars brings his strongest ep to date with two huge tracks you will be hearing lot of this summer! egbert returns to gem… >haasten< (translates into hurrying) has been destroying crowds during egberts live sets around the globe for the past few months. a dark commanding bass line that skips over the beat is accompanied by a retro sounding orchestral jab to create what is looking to become one of this years biggest techno tracks! the b-side >yourself< has also proven to be a crowd pleaser and is paving the way for the future of percussion based techno. the punishing drums, deep basses, narrow mids and rattling hats kick ass throughout the track before taking a break for 30 seconds to introduce some melody and continue on mercilessly afterwards. a mean f*cking package!

great 80ies infected electro synthpop tracks

soundway presents a collection of soca and calypso on double cd.