the second release from swiss beatmaker andy kas is here.

brian tennessee claflin, aka prix, was a radical and fiery figure who worked on the intersecting fringes of berlins art and nightlife scenes since he moved there in 2006 up until his tragic death in 2014 at the age of 33. he ran the notorious sunday soirée pork at ficken3000, and left behind a small but very powerful body of art, developing a cult following of friends, family, and fans in a brief but intense period of frenetic activity. between 2009 and 2013, brian and his friend, the american cum berlin musician and producer snax, produced music and sound collages. all these productions met somewhere at the intersection of dance, voodoo, bitchiness and punk and several were used for brians performance pieces. the brian tennessee claflin foundation and snaxs random records are very proud to finally release two tracks from these sessions, as well as remixes, digital and as vinyl ep, in a limited edition of 500 hand-numbered copies.

one shot limited series (vinyl only), additional mix dub & bonus by fabrizio mammarella

radioblues take me home on fenou no.16 is the sweetest piece of minimalish housy electronica in a long time on this label. as a mere mortal you cannot resist the dreamy voice of sylwia van der wonderland. you just want to fulfil her wish to take her home and get caught up in her world. solely the music itself makes it impossible to leave the dance floor and thats thanks to robert - the rocket scientist - who is the other half of this organic duo. with remixes by umami, arjuna schiks and le prix you can choose from various styles, but when the last beats fade youre almost forced to flip to b side and back to the a and so on and so forth

welcome reissue for this super-rare space funk album from 1983, one of the holy grails of the cosmic scene. extremely expensive and hard-to-find in the original, this lp was created by legendary french producers jean-pierre massiera and bernard torelli (listed here as areisam and bernie) and released on french label savoir faire. it is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. stand-out tracks are the italo classic >challenger< - heady synths, tough bass and astronaut vocals combine in a strange space odyssey, >cruisin<, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic >on the border<, a tight funky percussive workout whipped by wild space-rock guitars. but as you would expect from the massiera/torelli trademark, all tracks are great and the lp a worthy addition to any self-respecting italo / cosmic collection.

limited coloured vinyl pressing. one of my big favourite instra tunes is vicodin (released with lets talk – a dark, foreboding dubstep classic) and it gets a makeover by skudge who are getting mentions everywhere right now. check this track, even the waveform looks f***in dark! skudge warp it into something between dubstep and house but with all the downer-rhythm that really makes this track. along with the remix theres more from boddika in grand prix. short and sweet little hypnotic bounce track with serious dancability.

mike humphries strikes back on his own imprint mastertraxx with two essential cuts of classic proportions !! supported by dj rolando 29.08.2006

ultraphat neo pop / electropop monster lp !!

knarzin technostuff, rockt heute wie damals mit 95 octan auf der rennstrecke

der soundtrack des achten teils der yakuza-reihe, yakuza: like a dragon (2020) wurde speziell für 180g vinyl gemastert und erscheint als 72-track-komplettversion in einem 5lp-boxset auf schwarzem 180g fünffachvinyl...

der soundtrack des achten teils der yakuza-reihe, yakuza: like a dragon (2020) wurde speziell für 180g vinyl gemastert und erscheint als best-of-version mit 27 tracks auf grünem und kastanienbraunem 180g doppelvinyl

double vinyl compilation of the most emblematic tracks from the french electronic music scene, compiled by radio fg.

mogwai s seventh studio album was recorded with paul savage, with whom they last worked on 1997 s -mogwai young team- debut.

a double vinyl collection of timeless house classics, compiled by renowned parisian rex club.

double vinyl reissue of the 1996 french house classic from etienne de crecy.

limited edition white label!
for full description see below: sales information

coloured vinyl - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

double vinyl compilation of the most emblematic tracks from the french electronic music scene, compiled by radio fg.

vladimir cosma’s film soundtracks of french cult classics back on 180 gram vinyl. (le pére noèl est une ordure / da graust sich ja der weihnachtsmann)

repress - already a well-established presence on the outlandish fringes of experimental, alternative and dance music, celebrated israeli duo red axes make a surprise left-turn onto phantasy with a three-track 12inch, sipoor. unsurprisingly, the results are as pleasingly out-there as the occasion requires. following on from last year’s self-released lp, the beach goths, sipoor immediately announces the axes’ uncompromising return to the front and centre of the dancefloor with the raw, provocative bad time story. brazen, brash acid triggers this particular tale, as red axes briskly modulate their way through a ruff, tuff but never less than musical landscape of 303s and 808s. sipoor takes a more gradual approach to building offbeat rave tension, featuring an unknown male using his native tongue to request some kind of house, some kind of techno and some sort of release. his wish (and we hope, yours) is the axes command, as the music goes deep before seamlessly unfolds around a throbbing bassline and a playful, familiar keyboard sample, beckoning feet to the dancefloor and perhaps tongues ever so slightly to cheeks. concluding the 12inch, teroof takes each of red axes signature ingredients - deeply rhythmic ebm-inspired drums, spiralling electronics, unapologetically odd vocal distortions and reconstructs them amid what sounds like the monaco grand prix, as high-velocity motors speed past the soundscape, kicking up some serious dust.

»heaven« ist nach »virile« und »territory«, die beide schon mit kunstvollen und emotionalen videos unterlegt waren, der dritte vorbote zum debüt von the blaze, das im juni 2018 erscheinen soll. vor allem »territory«, aufgemacht wie ein ansprechender kurzfilm, führte die pariser auf erste erfolgspfade. die süddeutsche zeitung sah darin ein »wunderbares beispiel für die neue arabische pop-Ästhetik«, the guardian schlicht »stunning work«. zudem räumte der clip zuletzt sogar bei den cannes lions awards (»grand prix«) und den berlin music video awards (»best directors) ab.

nous voulons tous être aimés, à défaut, être admirés,à défaut, être hais ou méprisés. nous voulons éveiller une émotion chez autrui quelle qu elle soit. l âme frissonne devant le vide et recherche le contact à n importe quel prix.

this double lp set is ensconced in a thick tip-on gatefold jacket splashed with a colorful spread of vivid archival imagery accumulated over a decade of research into the columbus, ohio culture. the liner notes serve as an in-depth history of columbus soul music, linking the capsoul label with the prix label and norman whiteside s wee project (recently sampled by kanye west).

boulderball is a whole new, fully stretched world, inspired by everything from the bomberman hero ost and cesar camargo marianos prisma lp, to going on youtube and playing tracks at 1.25 speed. the lp is made of fizzing brazilian fusion, video game music, virtuoso keyboard playing, funk, and the type of glorious, hook-driven pop energy known to fans of ymo, new order, and mario 64 alike. dope. period.future times is very happy to announce that we re putting out boulderball, the first lp from repetentes 2008 (aka gabriel guerra of rios 40% foda/maneiríssimo crew), this september!

rawax proudly presents neil landstrumms 1997 album * bedrooms and cities* back on vinyl! this re-mastered beauty will hit the stores late october incl. bonus track * george shoulders is alive*

standard edition black double vinyl in gatefold sleeve including cd.

limited deluxe edition black double vinyl in gatefold sleeve, including cd and booklet.

limited deluxe edition splattered double vinyl in gatefold sleeve, including cd and booklet.

this record won the 1964 french prize grand prix du disque. this is an absolutely amazing recording, done in one non stop only time in simone signorets own parisian flat. simone signoret, cult french actor, reads la voix humaine by jean cocteau. according to jacques canetti himself, this performance was one of the very best and most intense he ever recorded. even if you dont understand french, you will feel simone signorets incredible poignancy.

this record won the famous 2015 french prize grand prix charles cros. pierre arditi, famous french actor, reads * histoire d une jeunesse (story of my youth)* by elias cantti (who won nobel prize of literature), with musical background by eric slabiak.

the der dritte raum label presents the second 12inch ep from its latest album release morgenland. andreas krüger once again steps up to deliver the goods. and with his cutting-edge collection of little dirty machines, he certainly proves to have his finger on the pulse of contemporary dance music.

limitierte und liebevoll aufgemachte deluxe-vinylausgabe des aktuellen sally shapiro albums als doppel-lp auf klarem vinyl inklusive textbeilage und cd im handbedruckten cover. sold out

nach zwei bejubelten vorgängern erweitern sally shapiro und ihr produzent johan agebjoern aus schweden auf somewhere else ihr spektrum aus 80er italo-disco und melancholischen melodien um elemente aus indiepop (der marke belle & sebastian), funk, electronica und jazz. am neuen album wirkten ebenfalls befreundete acts wie electric youth, anoraak und le prix mit

nach zwei bejubelten vorgaengern erweitern sally shapiro und ihr produzent johan agebjoern aus schweden auf somewhere else ihr spektrum aus 80er italo-disco und melancholischen melodien um elemente aus indiepop (der marke belle & sebastian), funk, electronica und jazz. am neuen album wirkten ebenfalls befreundete acts wie electric youth, anoraak und le prix mit.

mogwai melden sich mit dem grandiosen neuen remix-album >a wrenched virile lore< zurück!

after selling out all previous releases to elite djs and collectors worldwide, the highly mysterius artifact imprint is back to its original aim, that is crafting obscure sonic weapons for disco ninjas! a side 15 minutes is credited to milanese crew love supreme and it is a mesmerizing disco rock rework that builds up to a climax that takes no prisoners. bottin has been playing this to massive dancefloor slaughter and has finally decided to share the blame. on the flipside speed is an enthralling car chase or grand prix if you wish, with throbbing bass, lasers and cowley-esque synth stabs, while frisbee is a rare italo groove, a funk gimmick topped by acid synth patterns, a latin lover voiceover and packs of sultry italian girls chanting >disco! disco!< and definity getting what they are craving for.

ultimate french house / deep house monster from the glorious french house 90s

x.l.r.8.r., the new label from marc o’tool, sends its second release into the race. as a label pendant to mauritius, which can look back on diverse successful releases such as criss source >hugs’n’kisses<, marc o’tool >the sinner in me< and productions from björn mandry, ballroom and marc vision, the team on x.l.r.8.r. approaches things more technoid, rougher and dirty. after the label premiere >showtime< already secured the label a place among the front starting positions of the techno grand prix and according the motto >never change a winning team<, the second release again counts on the dream-team criss source & marc o’tool

a furthermore his talents have been requested at events as varied as glastonbury, creamfields, the malaysian grand prix, and naomi campbells b-day jam... radio support from: pete tong, fergie, annie nightingale, and xfm. video playlisted: mtv dance, mtv uk, the box, hitsà

nach zwei bejubelten vorgaengern erweitern sally shapiro und ihr produzent johan agebjoern aus schweden auf somewhere else ihr spektrum aus 80er italo-disco und melancholischen melodien um elemente aus indiepop (der marke belle & sebastian), funk, electronica und jazz. am neuen album wirkten ebenfalls befreundete acts wie electric youth, anoraak und le prix mit.