limited pressing on orange coloured vinyl.

12 inch hand stamped label

jazzy soul music , pressed on beloved 7 inch .... 400 copies only

nice price deal !!! sub static wird fuenzig und zur feier des tages gibt s zwei uebernachtungen im hotel mandatory mit dem zweiten release von golden red !!

there’s a good reason new age music has been soaring back to the forefront of the media’s cultural agenda and the population’s consciousness: this planet is a stressful ball of confusion at the best of times, and seeking refuge from reality’s shitstorm has become mandatory for us to regain a semblance of sanity. new age music is an effective coping mechanism in this regard. st. louis-based heavy breathing is one of america’s foremost proponents for the cause, proven here through his meditative “escalators in space” mixtape.

limited edition reissue on crystal clear with black & white splatter double vinyl in gatefold sleeve.

incl the magnificent tape band, the sorcerers, the mandatory eight, ivan von engleberger s asteroid and long time collaborator chris dawkins

part 2! if you got part i, this is mandatory, another tasting in the downtempo cosmic domaine - no regrets guaranteed.

life is like a mirror ball! the first one in a hopefully long-lived series of disco and pop influenced super sound singles on running back, comes courtesy of the unmistakeable gibson brothers. leaving their biggest wedding hits -cuba- and -que sera mi vida- to the side, the philanthropic and smile-forcing -ooh, what a life- gets an extended edit service by shan & gerd janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. the flip side sees them remixing and sandpapering -heaven- into a disco-house interbred (filters and looping mandatory). to quote john lyndon: -disco sucks? you never heard that from me.-

early works on ata

the 3rd album from david allred comes again via erased tapes. the vinyl lp includes a download code.

unkles 1998 debut masterpiece back on double vinyl.

pepe continues on the regular atavisme catalogue number order. and again two classique straight up, longue and burning 4 to the floor house tracks as only bradock can do. is this really a party? yes you bet or in pepes unfiltered words: the legal age of majority and the right to vote. chronology and timing is mandatory to make things happen supposedly. after the terrible plague of awful doppelgaengers, it is time to smoke out the disgusting trolls, using the best ingredients possible, is this really a party? yes you bet! is hunger healthy or unhealthy? moderation is key, oui guess. but a table!

favorite recordings proudly presents combattant, first ep by pat kalla produced by bruno patchworks hovart. pat kalla is a musician, singer and storyteller. patrice of his birth name, in tribute to the great lumumba! lover of words, french language, and music of course. born in lyon, from a cameroonian father, musician and political activist, and a french and literary mother, he explores from his childhood the soul, the slam, the funk and the art of telling stories, life being a great one. after years of touring alongside many bands (conte & soul, legend of eboa king, mento cloub, voilaaa sound system), and several acclaimed titles on the two albums by voilaaa, he comes back with this project to put a bit of primordial lightness in a rainy world: a tribute to the african culture in honor of a father with sawa origins, the tribe from the people of makossa. jojo ngallé, moni bilé, pain, manu dibango, franco, rochereau, kabasele, fela, françois nkotti & the black style, all these legends vinyls have turned on the family turntable and the collection has whetted the child s appetite. through this new trip, he revisits styles that are sometimes little known to western audiences, such as high-life, makossa, angolan music, afrobeat, afro-disco and others. we could talk about franc cfa, we could talk about jacques foccart, but we will rather dance, because -the dancer seems naive, but his feet must be connected with earth to understand history backed by the super mojo disco, a hyperactive band from lyon with deep groove and positive energy, pat kalla offers us an anti-crisis project, where swaying and feel-good humor is mandatory! an album soon in the crates, beware cest medicament

polos contribution to kann in 2017 is another mandatory ep that aligns his productions to his noteworthy dj skills once again. he offers 4 deep detroit influenced techno banger that still feels homely inside label’s vibe. its always a journey.

another smasher from nous, this time courtesy of cofaxx, aka joseph magee and his boundlessly breathtaking pico vu ep, a seven tracker that manages to cover immense ground and knowledge within a compact narrative. and each track is a mandatory component of this cleverly assembled story with startling standouts such as dicey a deep detroity piece, layering into a sound signaturey space, while la s seasoned producer brown irvin closes side 1 with a bolshier bash at opening track tide pool s ambient, semi-conscious swirlings. over on the flip velvet is all golden era electronica stylings, early days warp and planet e on a lingering dinner date, while shape to fade in s smoky textures straddle irridescent sounds for a not-out-of-place jazzy backroom style builder.

at the third new interplanetary melodies astral journey stopover, it was mandatory to catch an italian project deeply inspired by the sun ra visionary realm, expressing contemporary trials of hybridising jazz with artful electronica. so ra toth and the brigantes orchestra landed on vinyl grooves for the label, after having previously appeared on the likes of mathematics and berceuse heroique. behind the sound, we find the elusive and unpredictable genius of the well-respected producer marcello napoletano.
nim received the distorted sound signal from napoletano taken over by the egyptian deity born from the lips of ra. who knows if those noises were coming from a parallel dimension, outer space, or some otherworldly sphere...? submerged in dark bottom waters, the stormy waves of the acid sea are made of convulsive afro-flavoured percussion with sharp synths looming out like the ivories of some freakish abyssal creatures.

neon finger strikes back! release number four starring midnight runners is here! a full time ultra delicate piece of disco-funk and boogie where the indonesian band, headlined by munir, will take our minds away. a mandatory release for all weird funk lovers.

life is like a mirror ball! the first one in a hopefully long-lived series of disco and pop influenced super sound singles on running back, comes courtesy of the unmistakeable gibson brothers. leaving their biggest wedding hits -cuba- and -que sera mi vida- to the side, the philanthropic and smile-forcing -ooh, what a life- gets an extended edit service by shan & gerd janson, who cut away some of the fat and make it fit for fun on contemporary dance-floors. the flip side sees them remixing and sandpapering -heaven- into a disco-house interbred (filters and looping mandatory). to quote john lyndon: -disco sucks? you never heard that from me.-

cristi cons and vlad caia are household names that really need no further introduction. their dj sets are techno stories well told and their live act is already making waves worldwide. amphia is first and foremost the platform they use to broadcast their finest works. such is the case of sideways, their latest lp, containing more than a dozen tracks coming your way trilogy style.
the first part reveals six tracks on two heavyweight discs. although most of the tracks fit the usual sit musical approach, the listener is greeted with a wide pallete of rhythms. assemble is an atmospheric dub infused with violins and orchestral echoes. permissive starts things up with a playful bass progression and continues with lush pads and cryptic voices. brooklyn’s deep moody synths and monster groove render it broken poetry at it’s best. for sure it will resemble those early danceable mornings. on a more joyful manner we are presented next with bootcamp s sturdy baseline and playful modulated vocals.
mandatory claims a whole side of the second disc and so does come around. while the first is almost experimental but danceable and warm due to the occasional driving percussions and 303 sounds the latter is the star of the show. come around is 15 minutes long and comes with a story too. a great collection of tracks, a great story that backs each one of them makes the first part of the sideways lp trilogy a treat to listen and dance to.

after 15 years of full time dedication to the deejing art, kristina launches out herself with her own label amsafe records. the idea of the label was born at the beginning of kristinas career as a mandatory necessity, and her vision to create her own productions. traxx1 will be composed of three cuts that taken as a whole is 12 inch, solid and with retro reminiscences.

js is the half of the rks project and one of the minds behind earth mothern. for the fifth work of the label he produced a thick ep transfiguration of the dark side of the earth (mothern) which points out all his talent. the first track, when i met mary, heavily influenced by the early sound of berlin and detroit, is a dancefloorkiller. ocp rework the track with their bare gross minimalistic blueprint, mixing and recording on physical electronics as it is mandatory at the restoration headquarters. king korgs hypnotic synths and strong beats, pushing on melancholic pads. roll a groove for a savage ride… the last track, thinkin of you is a sweet late night house tune, evocating the skyline of chicago and detroit

>die faser< is starting. the 1st 12inch part of cio d or album appears to our senses. this release is all about >goldbrokat<. starting with a wonderful ambient intro track called >zellulose< this one forecast the arrival of an marvelous prologue release – cios work is the musical interpretation of her personal sound pasion: deepest and bass enriched synth structures build a phantastic world of liquid and transparent sound relives. the b-side fulfils the promise with additional explanations from donato dozzy, dawdling and rapid. donatos picture follows the spirit of cios music and deliever a awesome ambient and techno remixe of >goldbrokat<. this release opens a series of 3 individual eps with great remixers. consume in club environment mandatory!

with his new maxi on cocoon, guy gerber, our man for the big emotional moments on the dancefloor, will make our eyes shine bright in christmas anticipation. after releases for his own label supplement facts, the club hits >sea of sand<, >belly dancing< and not to forget, his album debut >late bloomers<, the tel-aviv-based gerber could be found rightly in top positions in many newcomer listings in the past year. 2008 was a little more calm for him, but with >timing<, being just in time for the final, he again sets new standards in linking harmony with a hedonistic state of emergency. while >timing< pleases us like a nocturnal-hypnotic romance in between a disco bassline, >age of love< flair and winterly sleigh bells, >guilty pleasures< takes back this playful love of details to the benefit of a tropical-dense percussive dub, however without appearing less mandatory on the dancefloor. consequently, gerber will be playing together with sven väth at christmas eve in the cocoonclub frankfurt

he soul mechanik brothers operating under their creative use name have taken a pair of stone cold underground club classics and extended and amended them for modern use. cat stevens >was dog a doughnut< has appeared several times over the years in many shapes and sizes, this definitive extended version has to be up there with the best of them though, allowing the dislocated funk of the original to simmer away before reaching boiling point. similarly riuchi sakamoto’s timeless classic >riot in lagos< should be mandatory listening for anyone with an interest in electronic music, an absolute masterpiece in it’s original form, this version takes the meat of the track straight to the dancefloor where it’s turned into a juicy electrofunk sandwich of tastily huge proportions

straight from san francisco come little death with a magnificent cover version of we are back originally by sheffields bleepy techno originators lfo this new version takes us straight to modern day with live drums and bass layered up with thick synths and mandatory vocoders on the flip we find a more straight ahead dub for the dancefloors