high ends recordings freut sich, zendid aus toulouse in der familie begrüßen zu dürfen!

from ambient to techno, s/t 35 duo signs his first release on high ends with a 30 min jam cut in 2 tracks.

thomas romain is back on high ends after the label s 3rd opus with christine wodrascka. we knew him in experimental style, we have here his club version. limited to 300 copies. no repress

cez comes back after a while for his second release on high ends! he hasn t lose anything of his style...

after releases by cez and ashac, high ends returns with an ep by thomas romain and his mother, famed free jazz pianist christine wodrascka. christine’s style is wholly unique: there are no barriers for her sonic exploration. sound matter, energy, forms, architecture and emotion all play a part in shaping the style of one the most unique musicians out there. with influences such as cecile taylor, terry riley or thelonious monk, no two wodrascka performances are the same. in his own irregular style, thomas adds a sense of swing to his mother’s improvisations. this fusion of acoustic and electronic creates wholly original experimental journeys which will delight the auditory senses of those listening.

already support by margaret dygas (perlon), jan krueger, pedro (arpiar), lamache, lowris, zendid, mr roussos ...
high ends recordings comes back with his second ep produced by the young and talented ashac, who makes his debut on aeternum music with an impressive 8 tracks lp. influenced by producers such as aphex twin, christian morgenstern or dimbiman, he offers three minimal mystery and obscure tracks full of machine grooves, modular glitch textures and hypnotic atmosphere.

‘high ends’ is a new label based in paris, following the footsteps of institutions like non standrad productions, backgrounds or perlon. cez, originally from toulouse but now living in the french capital, signs the first ep – a square, gritting electronic piece, brewed from acoustic and modular tones, swaying between enigmatic and spellbinding rythms to minimal style perfectly fitted for dancefloors. inspired by artist such as terrence dixon, margaret dygas or efdemin, cez imposes himself already as a composer with a strong artistic personality.

remastered and pressed on audiophile virgin vinyl for your listening pleasure.

pop

disco/funk

disco/funk

urban/soul/blues/r&b/gospel

ltd numbered, insert 30*30 cm, one sided vinyl / title text etched on side b, die cut on front cover

great deep house tracks!!

house reissue, tip

why can t we live together ist ein song, der 1972 von timmy thomas geschrieben und aufgenommen wurde. im darauffolgenden jahr war er ein chart-hit und wurde auf dem album why can t we live together veröffentlicht. es war einer der ersten großen hits, bei dem eine rhythmusmaschine zum einsatz kam!

incl. ben liebrand reworks

nach seiner veröffentlichung im jahr 1997 wurde remember me als internationaler dance-hit gefestigt und erreichte platz 8 in den britischen single-charts sowie platz 2 in der american dance chart. remember me ist sofort bekannt für die legendären marlena shaw-vokal-samples und die tuckernde bassline im down-tempo und hat weltweit kultstatus als dancefloor-klassiker erlangt.

first pressing in blue transparent vinyl!

incl. ben liebrand funk mixes
coloured gold vinyl!

m-high delivers 4 great groovy tracks

jazz album

reissue gatefold 2lp, blue transparent colored vinyl

high llamas present hey panda - a modern pop music/deep listening experience that could only issue forth from their personal quadrant of the galaxy.

watch out! here comes the third strike from bremen’s noise post-punkers defektdefekt.

limited double vinyl plus cd.

rock

reissue ...

limited pressing on sky blue vinyl.