limited edition orange coloured triple vinyl.

1987 album incl englshmen in new york !

recorded live on sting’s “my songs” tour in 2019. the double vinyl lp comes in a gatefold sleeve.

the life of sting in his songs - reconstructed, refitted and reframed. the 180 gram double vinyl is housed in a gatefold sleeve with poster included.

following a superb remix of hakimonus æinsular realms in 2015, ed davenports inland alias returns to deepa & biris black crow recordings with a brand new ep for the labels tenth release. having played a key role in the relaunch of functions infrastructure new york imprint, in addition to operating his own widley admired counterchange label, davenports techno project has brought the englishman to wider recognition as one of the genres most talented producers. the new eps three original tracks finds inland exploring all facets of his diverse sound: a1, æmetatlantic is driving, acid-laced techno, æcosinaxis, employs electro beat patterns and idm aesthetics, b-side opener, ælagoon9, is a melodic detroit-indebted big room weapon. closing out the ep is a remix of from 3kz aka italian duo z.i.p.p.o & kaelan, the latter of whom provided one of black crows standout releases so far under his 2030 alias with last years timeworm ep. their remix of æcosinaxis follows hot on the heels of their debut album æparallel reflections, released earlier this year on z.i.p.p.o.s fides imprint.

a second release for londons future primitive records brings to the fore a new hand-picked selection of hard to find if not overlooked tracks from wolfgang voigt, dj guy and fernando corona, aka murcof. all of the music to feature on this four-track recast ep was previously subject to tape or cd only release. lifted from his only album as love inc., wolfgang voigt s income sits primo as the a1, holding firm 22 years after its original release. predating voigt s work as gas, its caustic chords, shimmering melodies and chilled 90bpm vibe render it a production borne from the classic dub techno blueprint of the early-to-mid 90s. an early take on slo-mo techno. the dat tapes of dj guy have again been raided, with future primitive joining a select cast of followers to rejuvenate the englishman s productions with an edit that appeared on his tape for crisis urbana. both b-side tracks botas de oro and secondary inspection theme come from murcof s one time terrestre alias, a project from the earl 2000s which fuses textural, slow-motion and minimal house sensibilities with mexican banda and norteno music aka nortec, a micro-sub-genre to come out of tijuana. loose percussion, swung drums and winding rhythms are made all the more esoteric through the subversively climactic nature of terrestre s music.

sting gelingt mit dem in den londoner abbey road studios aufgenommenen -symphonicities--programm ein echtes kunststück. denn sowohl seine neuen und lyrischen komposition als auch ein new-wave-klassiker wie -next to you- - einst das erste stück auf dem police-debüt-album – fügen sich wie selbstverständlich in die soundsphäre der aufnahme. hier passt alles zusammen, persönlichkeit und idee, klang und ambiente, konzept und umsetzung, so dass -symphonicities- trotz des großen künstlerischen aufwands nichts von seiner authentizität verliert. das ist weit mehr als crossover und liegt nicht zuletzt auch an dem eingespielten team, das sting zur seite steht. denn sowohl das royal philharmonic concert orchestra unter der leitung von steven mercurio als auch die sängerin jo lawry als gast haben mit ihrer kompetenz dazu beigetragen, dass dem star des erwachsenen pops ein weiterer schritt in richtung stilistischer individualität gelungen ist.

chances are you ve already danced to one of his sets at panorama bar – matthew styles has been a regular guest dj at the club for several years –, but you ve probably also come across at least one record with music that went through the englishman s meticulous hands. while matthew has released great but small numbers of 12-es on various labels since 2007, his credits in mixing, engineering and mastering exceed his solo discography by far. with the metro ep we re finally offering a full solo release by matthew styles on ostgut ton

stamp s back in business with two surefire disco edits from the mighty man power! after releasing some great original material on correspondent, hivern discs, throne of blood and voyeurhythm, the englishman-in-mexico shifts his focus to reinterpreting an early 80 s r&b hit and some hypnotising funk from the sultan of seduction. thnk u on the a side is all about building tension and teasing the crowd while ablett on the flip pushes up the tempo to create a break-heavy and hypnotic roller destined for peak time euphoria. unmistakable keys and excellent drum programming. keep em coming man powe

30 year old inland aka ed davenport is an englishman currently residing in berlin. his release history dates back to 2006 with a steady output of house and techno and he spawned his inland alias in 2012, kicking off his own counterchange imprint with the solstice ep. he also co-manages the infrastructure label alongside function, the pair having produced the odeon/rhyl ep together as function/inland for the label s comeback release after a 9 year hiatus. talking about his ep for nonplus he explains

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

berlin based englishman matthew styles make his second appearance on tamed musiq with a wonderful four tracks ep called communique. recommended!

early support from coyote, idjut boys, pete herbert, leo mas. deeply rooted psychedelic disco. remix by tokyo-based englishman max essa. 180g vinyl deluxe packaging.support from coyote, idjut boys, pete herbert, leo mas, dj cosmo

the music of tokyo-based englishman max essa is like a fine wine, it can be only stored in the finest oak barrels, it can only be aged correctly and it can only be drunk when completely ready. maxs approach is far from conventional, emotional content plays a major part in his works and now we find him on his third bearfunk long player won ton sunrise.

producer oliver ho aka raudive is not a dark horse. two years after his acclaimed abc ep he returns to rrygular with his new release >love is the devil<. straight and facing forward but also back to the roots somehow. that doesnt need to be a compromise. it is a symbiosis that works absolutely fine in case of this particular 2-tracker. like always the englishman knows how to use percussion elements without getting cheesy. a certain reference to electro is obvious but it underlines the typical dirty raudive sound rather than trying to be referential. but who needs genres anyway? club-disco-techno-house-funk-electro - some kind of monster!

englishman matthew styles is a special one. firmly schooled in the history of dance music as a dj, his productions usually carry a uniqueness that cannot be located in time and space - a little bit like what courtney melody tried to put into words with his >modern girl<. styles debut for running back is his first solo release in a long while and ticks all the niceness boxes: straight up house with >dont call me again< that works itself up in a frenzy, the rough and ready >scale< performance without a ruffle, >polee< and its irresistible melody and last but not least the percussive and bass-heavy lunacy of >galaxy 21<. yee-haw! styles for days !!

minus yogis is the brainchild of the japanese motoyoshi donkey shimazaki, ex- tokyo policewoman, kimiko kawabe and englishman abroad, max essa.
>all tied up is propelled by a proper bass line, repetitive chord vamp and otherworldly percussion, minus yogis create a tracky groove before dropping a synth and strings combination. the remix comes courtesy of juju & jordash! the juju & jordash gospel mix of >all tied up< is the soundtrack to a very disorientating sermon at the church of deep house psychedelic drama. heavy, dubbed out music for heads.

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

dogs on crack are one of the newest to the uk punk core techno scene but they come with more of a bite than most. formed out of the mould and ill feelings of an old rundown flat in wandsworth housing estate dogs on crack started putting there grubby little fingers on to the much loved german sound schranz. with there first release supported by the shranz demon himself frank kvitta mad dogs & englishman is set to tare up all the dirty hell holes near you

hot 2 cd compilation incl. dj jesus luz, klaas, nalin & kane, ian carey and many more