vor zwei jahren hatte credit 00 das glück, inmitten der konkreten weite der stadt eine wohnung mit wintergarten zu finden. dort sein atelier einzurichten, umgeben von pflanzen, gegenüber der hinterhofoase mit ihren bäumen, büschen und vögeln, die den ganzen tag sangen, war das gegenteil von seiner üblichen arbeitsumgebung. der kontrast, in der natur zu sein und gleichzeitig von einem städtischen viertel umgeben zu sein, wird auf dem neuesten ausflug von credit 00 im uncanny valley untersucht.

abwechslung ist programm!! great

east coast and west cost

beats for the streets from credit 00. repress is here!

limited edition of 300 copies.

und hier kommt das vinyl zur exzellenten, dritten ausgabe von greg wilsons edit-serie -credit to the edit-. mit 8 ausgespielten highlights und raritäten aus 70s disco (space, chaz jankel), indie-dance (psychemagik) und weiteren teils exotischen fundstücken (mike pickering’s t-coy, chakachas, red rack’em).

from conrad schnitzler in the 1960s to the pioneers of detroit techno in the 1980s, experimental sonic artists were often inspired by the metallic noises of industrial factories. schnitzler wanted to recreate the sounds he heard in his apprenticeship as a locksmith with musical instruments, and the sons and daughters of the midwestern automobile-industry generation programmed the motown soul into japanese electronic music equipment. with his new piece the metal beat ep, credit 00 wants to get in line with this tradition of transforming factory sounds into music. each of the three tracks reflects on the role of the human being in an industrial environment. the never-ending movement of the machine becomes the rhythm, while the melody embodies our forlorn voices in the vastness of the factory site. the blues played by machines--modern work songs for a post-industrial society!

introducing some new signings, poverty is violence return with a killer 5 track v/a ep limited to 300 hand-stamped white labels poverty is violence is the surface offshoot co-owned by nick dunton and charlton
lovingly mastered with an all analogue signal straight to vinyl at the exchange in the uk.

chicago-rooted, disco influenced tracks from john camps excellent solo debut, out on the hakt label, are reinvented by some of dance musics industry captains. once again, the hakt label offers a collection of songs that pulse through the night and bring life to the dance floor.

uncanny valley continues to introduce more artists from the valley with their own solo ep.with uv008 its credit 00 whos put on the map. the dresden resident delivers four ice cold chicago inspired cuts, with hints of acid and electro,straight out of his machines which will make every synth aficionados mouth water.another me is, by credits standards,an almost intimate jam, which shows that house can be a decent funky affair.in the cave problem youll get an extensive bassline before synths that seem to come directly out of a hurdy-gurdy from hell add the right dose of gloom.the b-side is started off with the living room, a hard rocking track that comes like an acoustic exploration of sophisticated sound and drum ideas. the final brios theme is a weird and slightly menacing sci-fi work that only needs a proper movie.and again a new cover artist, credits longtime buddy geprg hpfmann.

amazing post electro-disco-/ punk filter house, ltd one sided, last copies

classics..incl tracks from kool & the gang, mike t and raw dmx..

wow longplayer from credit 00 ... ich bin von den socken! decks tipp!

credit 00 kommt auf dem höhepunkt der festival-saison mit einem traurigen singalong, der die langen sommerabende untermalt, auf die wir uns das ganze jahr über freuen. achten sie auf die gefährlich eingängige hook, die sie so schnell nicht mehr loslässt, wenn sie einmal in ihrem kopf ist!

credit 00 is back on mechatronica with a new ep.

red vinyl

credit 00 is back once again

4 tunes, die die elektro-Ära mit der grundlegenden herausforderung zwischen old school und new school verbinden, dunkle atmosphären und killer-beats, um dein gehirn zu füttern.

sound track

2022 repress is here!

limited edition of 500 hand-numbered and hand-stamped copies, no repress.

limited edition 2 x lp vinyl with 13 remixes and more than 78 minutes of music, comes in gatefold double colour sleeve with exclusive photographs from the film, extensive liner notes and japanese style obi strip

electronix

pressed on heavyweight vinyl

credit 00 returns to pinkman.

we welcome fm label to the clone distribution family. kickstart with credit 00 and egyptian lover!!

fantastice split vinyl on interdimensional transmissions

freaky wired sample music

happy birthday uncanny valley

great melodic deep house

johannes liefert uns eine mischung aus italo disco, house music und cosmic trance

the 2nd album from gang starr, originally released in 1990, back as limited edition double vinyl.

the allergies new single is 2 much! literally. between mc andy cooper s opening count in, to the memorable end credit shout outs, their latest feel-good hip-hopper crams in more breaks, more funk, and more raps, into a single than the group has ever dared before. built around an earworm double bass lick and some neck-snapping drums, the track forms the perfect backdrop for the la rhyme-slayer let us know that, -on stage i m calm as a decepticon/that transforms from gandhi to genghis khan-, before dropping his fastest verse…ever. yes! and if you ve heard their blistering early sure shot collabo, rock rock , then you know that s no mean feat. sweating as their go-to mic man ups his game, the production duo of rackabeat and moneyshot dutifully raise theirs, digging harder and chopping wilder with the music. they swerve in slick samples and cheeky vocals. spin back cut sections and take breakbeat u-turns. yet the ex-ugly duckling frontman never falters, relishing the challenge. it makes for one wild ride, leaving you panting for more. proving that sometimes 2 much! is never enough. the vinyl release of 2 much! comes with the exclusive b-side, special 45 . here the allergies and andy cooper wax lyrical about the 7- format over a smooth hip-hop beat and the cutting of guest scratcher, dj robert smith. one for the dusty donuts crew and record heads, worldwide.

transmission incoming from mr. incognitos secret lab. rat life presents eight psycho acoustic models made by the low key east german producer. you probably never heard of him, but he is doing this thing since half an eternity. rather than playing a lot of shows he focuses on studying the craft of electronic sound manipulation and what else can be said that: he is on top of his game! he shows us that it is still possible to create sonic structures that are beyond the usual by just using classic devices such as the tr 808 rhythm composer and a tb 303 monophonic synthesizer

mark du mosch, credit 00, william the squid, jared wilson and eluize join on pt. 2 of this year s war child fundraiser from craigie knowes. acid, house, disco-vibes and dreamy electro sounds across this awesome 5 track ep - the second instalment of the two-part series.

lemmy ashton made quite a splash with his first outing on his own tnc label last year, and now hes back to follow up with another salvo of premium heaters geared towards disco friendly dancers. there s a chunky, looped up quality to silver suitcase with its insistent bass lick and slamming drums, but there s equal space for soul thanks to the string-loaded sample hook. by way of contrast lunaire fires up the acid flare and heads straight into a babbling brook of 303-related goodness. amsterdam rounds the ep off on a stomp, whipping up the kind of bombastic disco drama that would get studio 54 moving were it in action today

having established himself through a consistent stream of quality releases for uncanny valley and the immaculate collection of rat life, credit 00 - real name alexander dorn - bring sthe heat on nyh81. these are recordings taken from his old apartment, and feature a heavy dose of reference to classic gertronica. from can to kraftwerk to neu! to (now) munich s dopplereffect, this is some really nifty classic electro.

whether it is hip hop,techno, electro boogie, new beat, italo, jungle, reggae, house or chill out. though, all those different sounds and styles do not tear this album apart. it s a bit of a miracle that it feels so flawless for what happens between the appetizing -level one- and the final track -the last march-.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

necessary mayhem mastermind curtis lynch, in his musical guise as da grynch, lets loose seven slavering dubwise weapon dogs upon an unsuspecting public with this first instalment of the dub chronicles. nm has established itself as one of the best uk labels currently extant, much to curtis credit. this dub set should go a long way to enhancing that hard earned reputation amongst all lovers of dub, appealing to both old and new school adherents. lynch maintains the highest standards possible for his releases, this is reflected in the eye-catching sleeve - a homage to tony mcdermots classic greensleeves scientist sleeves - by ellen g of my lord graphics.

credit 00 strikes back with four cuts between jungle funk and sublime party bombs. -tribal rhythm machine- starts off with subtle but effective drumming that works on the dance floor as much as it could be the soundtrack to your road trip to utopia. then there is -curse of the medusa-, a pretty rumbling track that takes full advantage of its super-funky vocal samples and almost explosive percussion action. -voodoo soup- fishes in muddy waters with credit 00 s distinctive drum work and tribal sounds from outer space. the final track -snake charmer- is building things up nice and steady. but when the hypnotizing synth melody breaks ground neither serpents nor dancers can resist. the artwork was created by alexander dorn a.k.a. credit 00 himsel

next 5 years part.. congrats...

leibniz and credit 00 team up for more basement toolz on rat5. three home made bangers to rock every party like its octoberfest all over again. buy two copies!

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey’s last album prior to this (2013’s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey’s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey’s unusual talent.

three is the number, basement toolz the titel. once again rat life records is taking mickey on a night out to the sewer. here are two tracks made by credit 00 with a borrowed tr 909 drum machine. side a is called korg the groove, as the title already reveals, its inspired by a classic detroit techno cut. can you tell which one it is? on the flip side you will find 909ish, one drum machine and one synthesizer, which is not much but all you need and more, plus there is extra noise on the clap to amplify your face slapping pleasure.