billy dalessandro and brian ffar on 180 gram vinyl.

uk garage wo alle anforderungen an die basslines erfüllt werden.

twelve of alice cooper’s greatest hits on one vinyl.

mono junks label dum records is back! in 1994 an untitled 12” ep emerged from helsinki, finland. it was produced by an unknown duo called coopers and released by dum records. that particular squelchy sounding piece of wax helped to establish the sound that was later to be known as finnish minimal techno. alongside sähkö recordings, dum was one of the mainstays of gloomy northern electronics until its death in 2007. after an extremely long hiatus both dum records and coopers have now resurrected and instead of their trademark minimalism they offer now a 3-piece ep full of techno maximality! * indian acid* is a wonky excursion in repetition topped with roland corporations classical tr-727 congas, * ixam* takes you back to the soundscapes of 90s dreary finnish acid and * maximal fun* is a 12-minute trip to the electronic kraut techno madness of the coopers. play loud and preferably in dark. coopers are back with a vengeance!

brill dark slammin techno/tony rohr rmx

new on max coopers mesh imprint from indian wells. coloured vinyl, this was pressed using recycled pellets so each colour is different.

classic rock anthems on coloured vinyl incl europes final countdown, toto, the clash. alice coopers poison and more !

respected producer, dj and sound designer alex banks presents his third studio album projections, returning to max coopers mesh imprint.

deutsche grammophon veröffentlicht max richters soundtrack zu scott coopers neuem beeindruckendem western “hostiles”. der mehrfach für seine filmmusik ausgezeichnete komponist liefert damit erstmals einen soundtrack im western-genre. erscheint als 180 gramm doppel-vinyl im klappcover, downloadcode inklusive.

kenny dope is behind this smashing unofficial new version of tyree coopers >acid crash<. the other side is more like vintage maw stuff: wrecking instrumental old-school house.

bereits 2010 gaben shobaleader one featuring tom jenkinson aka squarepusher am e-bass mit dem album d demonstrator ein erstes lebenszeichen von sich. mit elektrac meldet sich die band nun 2017 zurück und liefert live eingespielte interpretationen von 11 squarepusher tracks aus dessen reichhaltiger diskografie ab. shobaleader ones sound ist retrofuturistische, organische space-fusion aus funk, jazz und electro. diese präsentieren sie im markanten outfit aus mönchskutten mit led-masken auch live. das prägnante artwork stammt übrigens von iron maiden-designer mark wilkinson aka the masque.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

the hip house boom was in full effect, thanks to tyree coopers efforts, and trax responded with this double-header. power move is straight up hip hop, but its the flip, producer by trax regular lidell townsell, i ll make you dance that does the business here. kool rock steady, also known as edward rudolph, had serious credentials for an mc, being cousin of one africa bambaataa. this release is also notable for yet another misspelling of lidell townsell s christian name (lydell, since you ask).

after one new ep from coopers kim rapattis dum records is re-releasing some of his biggest classics on this douple a-side release. mono junk’s channel b was first time on vinyl on trope records 1995 and melody boys monotone fantastique on dum records 1994 (dum-014). never ending grooves for you pleasure.

the second of two remix eps for max coopers debut album human - this one bringing one of the albums most talked about tracks impacts for the first time, with an acid rework by pitchfork favourites factory floor and percs insane, obtuse and uncompromising abstract version. this is also the first release of harvey mckays version of an earlier max track, von der klippe fallen - one long grinding techno beat that opens to the dramatic piano of frequent maxs collaborator tom hodge.

the first of two remix eps for max coopers debut album human - this one with maxs own extended version of sunset track supine, rodriguez jrs deeper house take on the same track, lusines incredible rough rework of woven ancestry, and jack dixons abrasive uk bass version of automaton.

tyree coopers all you need is house ep is a proud celebration of the genre, done chicago style and rammed home by marco’s wailing vocals. through solid drums and strong vocal hooks, coopers original beats down hard justifying the need for a 180g pressing. it rattles and hums until dropping into a tom-drum and snare solo similar to runaways *brooklyn club jam*. bobby starrs mix brings marcos teddy pendergrass-sung vocals to the fore, while milty evans gets a little techier with a cut up approach, adding white noise flashes and lots of filterwerk. cooper second take comes via a classic dub which draws a link between squelchy baile funk and a masters at work drum track.

da soul revival classics vol 1 presents two gems from the tyree cooper canon and ensures the newly established chicago vinyl records operation launches in fine style. brandishing one of house musics most distinctive voices as well as an enviable discography and endlessly energetic style, coopers contribution to chicago house cannot be disputed. the label delve into coopers dancemania contributions on the a side, plucking out the b side bump of *kan i get high* which originally saw release on his 19997 future recooped 12 inch for the iconic imprint. flip over and coopers dedication to all the stars of chicago *tyz n da middle* gets a much needed airing having first appeared back in 1995 on quick release records.

high quality reissue of alice coopers 1971 classic >killer<. cut from the original analog master tapes, packaging replicated to the finest detail, pressed with more care than ever on heavyweight 180 gram vinyl.

it has been half a year since we released the last max cooper ep on traum, so his new finished ep comes in handy for all of his fans and people interested in the grey zone of techno vs. electronica. max coopers new release the >egomodal ep< comes as a 4 tracks ep and adds up to a great piece of music. once again it focuses on dynamics and tangents, along with the concept of complexity and simplicity. the >egomodal ep< stays true to max coopers approach to link a mathematical structure with a simple one. we are happy to say he has succeeded to fuse complexity with variations by still finding time to focus on details and keeping up that nice randomness which makes his music so appealing also for clubbers and djs.
this release is extremely diverse in styles and offers in its vinyl version everything from the dark detroit electro styled techno piece >epitaphy< that evokes old detroit days… to the melodically trembling >autumn haze< that is a huge track because its flow is superbly programmed ... to rippertons mighty house hymn of a remix, ending in the basseline monster >raw< which looses its teeth towards the end.

played by: secret cinema, laurent garnier, martin eyerer, hot chip, ryan davis, orde meikle/ slam, gui boratto, paco osuna, mauro picotto, steve parry, joseph capriati, phil kieran, microtrauma, ripperton, mihalis safras, florian meindl, maxime dangles, davide squillace, lanny may, taster peter, sql, scott byrne, king unique, zidan, angel alanis, nick bugayev ...
max coopers returns to traum with his brand new >empirisch< ep. he opens his ep with >echoes reality< and we realise right away this might be another cornerstone of max coopers musical carrier. inspiring and beautifully crafted as it moves from wonderful lush sounds to a sequences of screeching tones and back to heavenly sounds, >echoes reality< shows all signs of an etamorphosis deluxe realised on the highest possible level of production. from roaring basslines to cadillac squeaking tires to ambrosial vocals ... this is max cooper at his best and a true tour de force.

a1: >i want to love you< €rix big screen mix. – only available on vinyl – well… it is moody to say the least, it could/should remind you of a detective movie or perfume advertisement: perhaps both?
a2: tyree coopers extended dub reemix ( – only available on vinyl – ) takes a spin on his chicago/berlin base, pushing the periphery theory, >who cares as long as its jackin!< which tyrees reemix is doing right down to the summer vibe piano ho-down in the middle!
b1: royal mix by dirk leyers. dirk submits a striking take on the title disregarding structure entirely, turning it into a submarinal practical knowledge, stadium ready!
b2: reedo mix by the maertini brothers. the mix they rendered is pure love! laid back, with a variation on the vocal neither angie nor €ric were prepared for, listen closely to the bassline!

the title of max coopers stochastisch serie ep, refers to his use of stochastic methods, also known as non-deterministic, or random methods of sound generation. stochastic elements referring here mainly to real sounds including vocal experiments and sampled sounds which create a complexity and richness which has been a trademark of many well known traum releases in the past. the london based artist max cooper sees his new 12 inch as a construction of different moods going beyond club music, as witnessed in the past through tracks such as i and end of reason. it is no surprise that dischordance is another one of these timeless pearls alongside these mentioned tracks that have created a fan base worldwide for him. the friction max generates is created by two sides colliding, the synthesised drums and melodies and the random experiments with voice. his dance floor rockers stochastisch serie and mnemonic work in a much more functional way but do include bits of this randomness and therefore are part of the superstructure stochastisch serie. the remix of uk producer leeks is very hip in style and sound and will please a lot of younger djs who love the cool swing and groovyness with music and will find the functionlism here going very strong.

traum is proud to welcome the new wunderkind from the uk, max cooper. max is a great uk dj who is also involved in mathematical modelling research on the evolution of networks of genes at university college london, a sci-art project combining evolutionary and music production algorithms. max cooper has many lives and he is a true wizard in his category. born originally in belfast he has been resident at the rumour as well as playing his 9th year at clubnight >firefly<. max can be heard regularly djing in the key - london, stealth - nottingham and the cross - london. he was quickly recognised by the media, receiving the label of mixmag future hero . max has joined traum with a 3 tracker involving top english producer kanio for a remix of the a-side track >harmonisch serie<. max coopers innovative programming positions him music-wise alongside artists such as dominik eulberg, minilogue and extrawelt. his epic structure has a unique narrative character to it which distinguishes him from others and sometimes dares to become almost soundtrack like, full of ambience. maybe this is best expressed by his b2 track >i< . his debut on traum is a unique sound sensation of incredible details and big sound layouts, as if made for traum. melodic and gentle but at the same time energetic and full of colours with a sci fi edge to it! max has also remixed extrawelts >im garten von eben<

support so far from: steve bug, loco dice, konrad black, dubfire, sasha, ewan pearson, audiofly, martin landsky, sander kleinenberg, danny howells,… part 1 – the first 12inch serves up the killer remixes for the tsuba faithful. will saul & tam coopers mix is deep, sexy & driving house music and one of their best mixes to date. following his own >jaguar shoes< single label boss kevin griffiths steps up with a deeper, tripped out mix with a killer groove for the afterhours

heres the latest release from >the awesome supa dupa troopa< .... if by now you dont know who he is by now ,then youve been in a comatose state for the last 20 somethin years.this is a new release from tyree coopers label entitled supa dupa. the track is called >take me away< it features matt flores. its a four track 12inch with mixes from eddie fowlkes, b.n.m , goosebumpz ,and tyree himself, it is sure to be a dancefloor filler at anytime of the night

on this ep is will and tam coopers exclusive new track >out there< and the gui boratto remix of their >sequential circus<. support comes from adam freeland, ewan pearson, jesse rose, pete tong, audiofly, claude von stroke, dirt crew, karotte, konrad black, motorcitysoul..

ghettofunk vs blacksoul start off with a jason hodges style cut gotta feel it tough beats hip hop vox cutups and bouncy bass the a2 cut help me thru a more layered track with vocoded vox fx and lots of quirky feel flip for the debutant tracy coopers 2 tracks uptown is a jackin jazzy groove with live horns big upright bass and well placed sampling definitely a track for the heather/sneak crowd green grass is a really funky slice of hybrid jazz with latin bassline and bluesy piano stabs the horns stabs work well within too

this 2cd package contains a handpicked selection of coopers favourite tracks from the balance 030 compilation. incl. nils frahm, donato dozzy, burnski and more

bereits 2010 gaben shobaleader one featuring tom jenkinson aka squarepusher am e-bass mit dem album d demonstrator ein erstes lebenszeichen von sich. mit elektrac meldet sich die band nun 2017 zurŸck und liefert live eingespielte interpretationen von 11 squarepusher tracks aus dessen reichhaltiger diskografie ab. shobaleader ones sound ist retrofuturistische, organische space-fusion aus funk, jazz und electro. diese prŠsentieren sie im markanten outfit aus mšnchskutten mit led-masken auch live. das prŠgnante artwork stammt Ÿbrigens von iron maiden-designer mark wilkinson aka the masque.