rock

limited to 300 copies

ltd 300

gear used: roland tr-808, tr-626, jx3p, alphajuno2, sh101, sh09, re-150. korg vc10, ms10. yamaha sy85. octave the cat, crumar bit99, tt-303, sequential tom mastered by rude66 artwork by zeevaarder

hand stamped, limited vinyl

a rough guide to cape town jazz on limited vinyl lp.

slowly and deep and spaced out

the 1987 debut album by cape verdean singer cesária Évora back on vinyl.

inc. okain & cape remixes

this project was inspired by my trip to home to my root land. cape verde island, after 54 years of being on this earth, music and fans of my music actually brought me home.

sven atterton‘s much anticipated follow up to ‘the cove’, thematically named ‘the cape’, drops on his newly formed cruise club records. anyone that’s experienced the wonder of sven live, is well aware of the prowess and apparent effortlessness he possesses on stage. as at home laying it down on a synth, as he is tearing it up on the bass, ‘the cape’ showcases modern synth boogie as good as anyone at present.
‘taboo’, one of many highlights, demonstrates both sven’s skills as a multi-instrumentalist and as an accomplished producer. flexing those 80’s linndrum hits, getting spiritual on the keys, whilst layering that full frontal bass and dreamy pads – it’s a nod to the past, whilst re-imagining it for the modern age. and considering the cost sven’s debut album now goes for on discogs, ‘the cape’ is one to snap up on sight.

sexy deep house various artists ep on bon vivant... tipp. apoena, miguel puente, brandub and cape on board.

140 gram white vinyl lp limited to 100 copies
building a formidable reputation as an artist with a diverse set of approaches in the field of electronic music, ukranian producer cape cod delivers his debut album on kiev house in a fine display of musicianship. from the opening track -among the stars- (which features constantine on vocal) it s clear that this will be more than a straight up collection of dancefloor tracks. there are indeed some upbeat house tracks to be enjoyed, not least on the razor sharp garage bumper -we don t have to-, but there s also equal space given over to more introspective jams such as -put u down-.

real name fernando cappelletti, the rosario native’s early releases arrived on airdrop records, followed by appearances on esperanza before launching savor music alongside jorge savoretti in 2011. since then the label has hosted the likes of felipe valenzuela, martinez, kastil, marcman and franco cinelli whilst garnering a reputation as one of argentina’s key purveyors of house and techno. the album’s subterranean aesthetics are present from the beginning, with mesmerising tape echoes in ‘the real’, deep pads in ‘trb’ and the rhythmic energy of ‘rainforest’. ‘geibi’ then demonstrates intricate pops and glitches before ‘in amour’ settles for a compelling groove. ‘flavor’ is then a percussive number with a hypnotizing appeal until ‘faiser’ concludes the album with a punchy, dancefloor driven workout.

fresh doubleheader with hypnotic tracks from dub techno to more tech house

vinyl debut of kiev based producer cape cod in partnership with godzilla kebabs head chief sames.

following his track on the frutas sueltas compilation ep, cape readies himself to release an astonishing first vinyl ep. our co-label boss delivers a 3 track ep with a high dose of old school beats and a delightful futuristic touch.
limited to 200 copies, supported by: d julz, jimpster, ralph lawson, sasse, raresh, eats everything, pezzner, davide squillace and more.

sakadat records second vinyl come with a romanian name : mariin ! no words need ! with early support from raresh & piticu ... also supported by: rhadoo, shlomi aber , oshana , ody , dan noel , ittetsu , faster , vid , dan farserelli , nima gorji , fabio ferro , tulbure , negru...

musical collisions in the atlantic! sofrito kicks off the new island series with a a celebration of the vital dancefloor sounds of cape verde - a mixture of local funana rhythms, batuque percussion and psychedelic disco synths. originally released in the early 80s, dionisio maios anthemic corpim sabe is stretched into a 12 inch mix by the alma negra collective - bringing the thumping bassline to the fore and tweaking the piano-led groove into a slice of cosmic island perfection. on the flip the dynamic hide & smile duo splice an early track from trailblazing group bulimundo into a percussive workout - a sure fire winner that bridges the gap between traditional styles and the sounds of kuduro and coupe decal�e. os kings complete the ep with an ode to struggling youth, anchored by sweet guitars and a slick bassline

andres zacco & cape, two old friends and part of the esperanza family come back to the label to deliver a two track ep full of deepness and dubby yet summerish feeling. melodies, pads. chords, strings... just perfect to watch the sun rise from the sea on the beach.

the process of artistic creation is fundamentally determined by the environment of the artist. some cities and geographical locations are synonymous with the artistic techniques and crafts in which their populations became specialized. the muted and subtle sunsets of monets paintings are nothing else but a truthful interpretation of the actual nuances of a parisian twilight - along with a great dose of the artistic wizardry.
these cities and their artistic communities, are the legendary ones that remain in history. defending a fantastic track record in electronic music throughout recent times, rosario - the capital city of the santa fe province in argentina - is one of these places.
franco cinelli, nico purman, andres zacco and jorge savoretti are the leading figures who have, over the last decade, turned rosario into the great sound lab that it is. while developing their own sound and story individually, these boys never forget about their common origin, and the vibe that truly unites them together. on this occasion, they all come around remixing their young friend capes >le post< ep.
this record is pure mother of pearl. it is a tribute to rosario and its prolific actors.

amazing sounds from this great accordeon player from cabo verde! lp gatefold with liner notes in 1997, a quiet, unassuming man of 59 years old named victor tavares better know as bitori walks into a studio for the very first time to record a masterpiece which many cabo verdean consider to be the best funan‡ album ever made. bitori s musical adventure had begun long before this point. it was 1954 when he embarked on a journey across the seas to the island of sao tomŽ & principe. the young mans hope was to return to cabo verde with an accordion.

das paar patrick riley & alaina moore aus denver liefern als tennis ein debźtalbum mit 10 gutgelaunten indie-pop-songs mit ohrwurmmelodien im stile der 1990er kultband the sundays ab.

vinyl lp with download code.

me neither is a 29 track double album of instrumental guitar music by james elkington.

black vinyl

debut album from cape town drummer asher gamedze.

analog africa no. 21 „bitori“ - legend of funaná (the forbidden music of the cape verde islands) - in 1997, a quiet, unassuming man of 59 years old named victor tavares - better know as bitori - walks into a studio for the very first time to record a masterpiece which many cabo verdean consider to be the best funaná album ever made.

four essential cuts from ghana & cape verde, compiled by arp frique

memories of in09 is the name of cure musics tenth release, designed by the japanese riku sugimoto. 4 tracks dancefloor oriented, where riku shows his personal aesthetics, giving rise to a sound full of personality.

white coloured vinyl

black vinyl

the latest ep from drab majesty marks the start of a stirring new chapter in the band’s majestic legacy.

afrobeat

auf dem debütalbum von gloved hands mit dem titel empty terminal verlässt der musiker die tanzfläche auf der suche nach etwas amorphem und weniger greifbarem. die acht tracks des albums haben einen ambienten charakter und konzentrieren sich mehr auf textur, raum und menschliche gefühle als auf die notwendigkeit von konstantem antrieb und schwung.

die a-seite, die rhythmischere und perkussivere der beiden seiten, ist von vagen echos und verwischten, sich langsam bewegenden akkorden durchzogen. unterschwellige trommeln schieben sich in und aus dem fokus. die klangquellen sind gleichzeitig weit entfernt und ganz nah. die vorhänge öffnen sich, um den blick auf eine kristalline melodie oder einen bruchteil einer gesangsphrase freizugeben, dann füllt sich der raum mit duftendem rauch und wird dunkel. es ist ein ort jenseits der tanzfläche. vielleicht ist es ein ort, an dem es überhaupt keine tanzfläche gibt.

die b-seite ist noch zerbrechlicher und durchsichtiger. vorder- und hintergrund sind undeutlich, so dass ein unscharfes geflecht zarter, ineinander verwobener formen und rhythmen übrig bleibt, die im warmen, schwach beleuchteten zwischenraum glitzern und sich gegenseitig berühren. mit einer wirbelnden mischung aus höhlenartigen bässen und süßen, aber niemals zuckersüßen melodien werden die details gedehnt und zu etwas neuem und doch vertrautem abstrahiert. die kompositionen kräuseln sich in der luft, tauchen auf und verschwinden, sind nah und doch unerreichbar.