cooler minimal mit detroit-flair, der eine sexy, elektrisch aufgeladene intimität ausstrahlt. tip top... already played by anja schneider

repress, black vinyl

andy stott back on vinyl

4th album from andy stott, a follow-­up to 2014s faith in strangers, once again featuring vocal contributions from alison skidmore, fourth world pop variants joining the dots between haruomi hosono & ryuichi sakamoto, newworldaquarium, ruff sqwad and theo parrish. mastered by matt colton at alchemy

the album straddles analogue club music and vocal pop songs - rough, dark, extraordinary.

earlier on this year andy stott found himself playing on the same bill as new york heavy metal hoarders batillus. despite operating in completely different spheres, batillus had been playing luxury problems, stotts most recent album, on their tourbus and suggested a remix. the result is pressed up on this one-sided 12inch, a deadly reduction that pitches the original down into the abyss. andy stott will be back in 2014 with new material.

it doesnt get much bigger than this andy stott gets called into to transform trickys redendtion of valentine into a murderous dungeon lullaby. get it fast its a super limited edition 12inch on splatter colored vinyl!

following on from a pair of extended players released in 2011 (passed me by / we stay together), andy stott returns to modern love with luxury problems, an 8 track album of new material recorded over the last 12 months. five of the tracks on the album feature the voice of alison skidmore, andys onetime piano teacher whom he hadnt seen since he was a teenager back in 1996. there was no grand gesture in mind, it just sort of happened – but after almost a year of studio work the result is really quite unlike anything you will have heard from him before.

for its second kiss, stolen kisses reached out to bnjmn, one of 2011s most promising artists. with nimble synth melodies that leap over burbling sub-bass with the grace and poise of ballet dancers, >nightvision< quickly distinguishes itself as more accessible but equally detailed as the tracks on the uk producers breakthrough album, >plastic world<. it is paired with a remix by fellow uk producer andy stott, a core member of the modern love family. fresh off his revelatory >passed me by< 2x12, stott drags >nightvision< into his lair to refashion it as a gritty, slo-mo beatdown. his sonic gremlins gnaw new textures into familiar progressions and set off sub-bass clusterbombs, daring djs to unleash the remix on a sizable sound system.

recorded in the immediate aftermath of his last ep >passed me by<, this new doublepack from andy stott features six new productions that are more desolate and exposed than anything on its predecessor. the opening >submission< tumbles into being with layers of washed-out digital revolutions, creating an artificial landscape thats quite at odds with the analogue machinations that follow - yet somehow rendering the alienated feel of this material perfectly. >posers< nudges its way into being abruptly and embeds another squashed funk variant thas all low-lit neon and growling textures, awkwardly shuffling into a more robust 4/4 template suffused with sparkling percussion and disembodied vocals. >bad wires< is the centrepiece of the ep, a relentless percussive cluster*ck that belies its slow tempo with a fearless rhythmic attitude. its as immersive and narcotic as anything ever produced by stott - peeling away one layer after another with each repeated listen. >we stay together< (part one) was the first track written for the ep and offers a more spacious narrative and a more sparkling, hazy palette - culminating in a beautifully frayed central hook thats somehow in keeping with the vhs aesthetic of both jamal moss and ferris bueller. >cherry eye< tumbles deep into a darkened hole before ep closer >cracked< turns up, fuelled by an odd mixture of adrenalin and sorrow to send you on your way.... buzzing and forlorn

produced slowly and meticulously over the last 12 months, these seven tracks are the closet thing we have had to a new album from andy stott since the release of his debut full-length merciless five years ago. taking influence from an array of seemingly incoherent noises, from the indefinable and unforgettable mind- tricks of arthur russell to the slowhouse of kassem mosse, from the alternate vhs realities of james ferraro and jamal moss to the linn drum classics of the vintage prince era - these seven tracks create their own pace and agenda, largely shying away from the dancefloor in favour of something more complex and hard to define.

one-sided 12inch limited to 500 copies, mastered by dubplates and mastering, night jewel has been brewing in andy stotts laboratory for the last year, a real peak-time killer. info: >night jewel< is the first one-sided twelve on modern love for over a year and is andy stotts biggest club track since the release of his overnight sellout >hostile< 12 inch back in 2009. revolving around reverberating chords reminiscent of move d at his deadliest, its a track that just builds into a heaving mass of feelgood vibes, honed and primed for the floor.

pablo bolivar is a well known and respected producer with an extensive discography that includes productions and remixes for labels like regular, galaktika, blurred vision, bay street, justified cause. >into the televerse< is a 10 minute deep tech-house joy, full of melodic elements and a moody groove, the catchy bass-line will keep everyones minds busy while some subtle elements join the ride. >in my hand< is a 3 minute beautiful soundscape that will find its place close to brian enos ambient explorations and the static caravan idm. modern loves enfant terrible andy stott gives his very personal touch to >into the televerse<

neue woche, neue love. mit dub im herzen, und detroit in den beinen, bleibt andy lieber auf den boden des understatements !! ich sage : ganz grosse klasse !!

das aufstrebende modern love label macht ordentlich eindruck mit ihrem bisher straightesten release. tip für alle basic channel / maurizio fans

streng limitierte 10inch vom manchester mann. nix mit detroit, die platte fühlt sich in kingston zuhause

die volle >modern love< packung für alle die es immer noch nicht begriffen haben. die jungs sind heiss..

streng limitiert & ganz schön dubbig. andy stott steht seinen mann auch im dubsektor...

fantastic two tracker by andy scott

das aufstrebende modern love label macht ordentlich eindruck mit ihrem bisher straightesten release. tipp!!

melodischer >alte schule< minimal gepaart mit kraftvollem knusper elektro. gut geclasht ist halb gewonnen

k.o. ist die blaupause für einen futuristischen neuen dancehall-style, der miss red in ein gemeinsames outernationales beat-continuum mit seelenverwandten acts wie equiknoxx (jamaika) und seekersinternational (kanada) setzt. ihr debütalbum erscheint auf dem neuen label pressure ihres produzenten kevin martin aka the bug, der schon auf ihrem ersten mixtape -murder- (2015) neben mark pritchard, mumdance und andy stott zugegen war. die zwischen london und berlin pendelnde mc aus israel tourte als teil von the bugs line-up mit mc-kollegen wie flowdan, daddy freddy, warrior queen und riko dan und arbeitete erfolgreich mit dem warp-künstler gaika zusammen.

following the release of synkro aka joe mcbride collection of his formative early works earlier this year, apollo recordings is proud to present a brand new ep that draws on the rich heritage of library music. despite having come up during the dubstep era mcbrides music has always resisted easy classification - hand in hand sees him shift his musical focus in a yet more cinematic direction. mcbride explains: the record was inspired and influenced by my love of electronic 80s uk library records like the chappell av series, bruton, soundstage & de wolfe music library. theres a lot of synth work that carries on from my album using my trusted juno-6 / sh101 / jx8p combo with the addition of drum samples via an old akai s2800 i purchased recently. most sounds ive made from scratch on hardware based on sounds used in the library records i mentioned above along with a few cheeky samples.- synkro s signature expansive atmospherics are still very much present, but now they have been burnished by soaring synth pads and pulsing drum tracks that call to mind the haunted melancholy of john carpenter or contemporary such as legowelt or andy stott. rhythmically hand in hand sees mcbride moving somewhat away from his usual off kilter programming inspired by 2-step and garage, embracing the steady pulse of 4:4 which turns out to be an effortless fit.

a necklace of seven leftfield landscapes, oscillating between frustrated techno and dawning ambience. for fans of andy stott, oake, shxcxchxcsh, abdullah rashim, demdike stare, kangding ray, lucretia dalt, varg.

medea tells its story within a deep but powerful ambient soundscape that will make you dive into dark hypnotic psychedelia. don’t forget to wake up… inflict is a futuristic sub-bass heavy broken techno roller. driving but refined, full of subtle variations and intricate sound design where idm, jungle and electro unite. both tracks have been magnificently mastered by pole at scape mastering in berlin. from 2008-12 pierre serafini ran airflex labs, one of the first french labels to release uk inspired bass music, and since 2012 he has been producing and djing under his more techno and electro inspired moniker peev. throughout the varied steps of his career, his musicality and meticulous attention to detail have seen him forge multiple connections and alliances: notably through his work promoting his residency haste at lyon’s iconic le transbordeur. haste lasted over half a decade and brought multiple international artists from the post-dubstep and uk continuum to lyon, where they shared the stage with local artists, helping develop the environment that has seen lyon blossom as a scene in recent years. pierre has now been active as a dj and producer for over 15 years, sharing stages with the likes of autechre, blawan, mount kimbie, shackleton, umwelt, andy stott, plaid, hodge, lee gamble, pearson sound, objekt, call super, joy o, beneath, leif, and many more. in 2016, serafini released the highly anticipated “delia” ep, which was the first title on french stalwart oxyd’s new label intramuros. the fine blend of idm, industrial, techno and ambient music, refined over decades in his precise productions has made peev one of the most exciting contemporary artists in the renascent french scene.

2017 repress ... john talabot reiht sich in den erlesenen kreis der dj kicks compilations ein. oriol riverola aka john talabot gehoert aktuell zu den gefeiertsten djs und produzenten. eine feine house selektion , von raw chicago to deep house.... gatefold cover , 2x 12 inch vinyl incl cd

from the disputed border somewhere between lancashire and yorkshire, g..h. claims a no mans land where he is free to decimate distinctions between black metal, grime and concre&#768,te techno by drawing upon an elusive, metaphysical force that’s exclusively common to music rooted in that region, from muslimgauze and autechre thru shackleton and demdike stare. the inarguably mongrel housebound demigod is g.h.’s debut solo album, following the ground ep (2011) and his involvement with the hexed pendle coven project & hate, alongside miles whittaker and andy stott, respectively, between 2003 - 2009.

nice price deal !!! depeche modes martin gore veröffentlicht eine exklusive remix ep auf doppel-12-inch inklusive zwei bisher unveröffentlichter songs! nach veröffentlichung seines elektronischen instrumental-albums -mg- kündigt martin gore heute die mg remixes ep an. auf der ep, die anfang oktober auf doppel-12-inch erscheinen wird, sind remixe von andy stott, virgil enzinger und christoffer berg sowie zwei bisher unveröffentlichte tracks enthalten. das doppel-vinyl erscheint inklusive downloadcode.

180g vinyl with printed sleeve.
federsen returns to fifth interval for another sublime instalment of dance floor friendly dub-techno. dewpoint is an altogether tighter affair when compared to the label s first release, point reyes. the drums are taut and razor-sharp, propelling the listener effortlessly through a dense fog of ferric clouds, swelling to fill the outer-reaches of the echo chamber. a highly polished metallic production style that can be compared to some of andy stott s early and classic works. tomas rubek remixes dewpoint for the b-side, remaining faithful to the original track s structure but viewing it through a tinted lens. dewpoint s chords become iridescent, kick drums fall into a straighter pattern and are backed by further dusty percussion, shifting the original into spheres inhabited by the likes of rod modell and fluxion.

millie & andrea are miles whittaker and andy stott, fellow labelmates at modern love who collaborated on an occasional series of 12inch releases between 2008 and 2010. its been four years since we last heard from them but they now return with drop the vowels, their debut album.

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

innercity records is the new label from mark horsfall (horsey brothers/amenti music/kaluki) and danny stott (aka roland nights - amenti music/lost my dog). the label, based in manchester and launching in early april, will release a series of various artist eps. volume 1 features 6 artists that represent the very best of what the deep house scene has to offer right now - the well established giom features on the vinyl release with dale howard , leigh d oliver and roland nights, while young brazilian star gutto serta and welshman casey lee jones complete the digital release which will follow a month later. mark and danny state, innercity is born out of a raw passion for proper house music. remaining true to the spirit of house music is our primary aim, which does not involve trying to strictly emulate the music of days gone by but finding house music made out of love for the dance floor.

french-native and barcelona-inhabitant, shade, makes his rvs debut with this lush and authentic slab of deep house. whilst his name may be fresh on rvs, he is no stranger to house music, having been an active member of the parisian house community for over 15 years. as well as running the much-lauded polyphonics records since 2004, julien shade has made appearances as an artist on illustrious labels such as silver network and pschent.
early dj support from: moodymanc, brett johnson, giom, olivier desmet, werner niedermeier, danny stott, elmar schubert, harold heath, murray richardson, evren ulusoy, harri, miami ice, julian sanza, ki creighton, andy toka (inland knights), robert owens, adam collins, al bradley, aldrin, matt prehn, carlo gambino, da funk, daniel poli, gareth sommerville, jesus gonsev, joey silvero, kirby, kirsten sees, tom lown, uglh and more.

miles whittaker has been an integral part of the modern love label since its inception in 2002 - as one half of both pendle coven and demdike stare, as well as his own productions under the mlz and millie monikers. after almost 15 years writing music, this is the first release miles is putting out under his own name and marks a turning point of sorts in his production style, or rather, in its sequencing. the facets ep brings together different ends of his production style, unifying elements of the house and techno he s most commonly released as mlz together with the more broken production signatures usually reserved for millie and the darkened tribalism of demdike stare. flawed opens the set with a linn loop from the archives, stretched and slowed down with an intoxicated aesthetic that s somewhere between house and dub, before lustre re-configures source material originally keyed in by labelmate andy stott with a nice line in squashed percussion. primer on the flip extends from a demdike stare outtake and veers off into an analogue drum machine workout, before on the fly ends the set with a recording made straight to mixing desk from an array of mis-wired and malfunctioning drum boxes, contact microphones and samplers, over at his studio the mill earlier this year.

berghain techno a la marcel dettmann trifft hier auf deep techno a la andy stott. >casual care< varriiert in seinem arrangment, dass man sich in den tiefen der clubseele verliert! wirklich eine tolle & gelungene scheibe

berghain techno a la marcel dettmann trifft hier auf deep techno a la andy stott. >casual care< varriiert in seinem arrangment, dass man sich in den tiefen der clubseele verliert! wirklich eine tolle & gelungene scheibe

ltd edtion , comes with free dvd !!!spanish electronica label semantica brings part two of this limited release by vladislav delay, and this time its the turn of the remixers. andy stott (modern love) stretches the original out into a typically deep and tweaked out dub-tronica version, while fibla (spa.rk, expanding, quatermass) makes a somewhat gentler and more melodic piece. very nice

spanish electronica label semantica brings part two of this limited release by vladislav delay, and this time its the turn of the remixers. andy stott (modern love) stretches the original out into a typically deep and tweaked out dub-tronica version, while fibla (spa.rk, expanding, quatermass) makes a somewhat gentler and more melodic piece. very nice

ein wenig basic channel, ein wenig hardwax schule & viel modern love einfluss. fertig ist ein tolles deepes techno stück das auch von andy stott sein könnte. umseitig wird es einmal rabiat und ein anderes mal skurril

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

2017 re-issuejohn talabot reiht sich in den erlesenen kreis der dj kicks compilations ein. sein dj kicks mix wird im oktober auf !k7 veroeffentlicht. oriol riverola aka john talabot gehoert aktuell zu den gefeiertsten djs und produzenten