immer wieder ein vergnügen. salz für die ohren!

2014 repress! immer wieder ein vergnügen. salz für die ohren!

this new metroline 3-tracker is a true piece of carefully selected art. the boys from rotterdam create a sound that combines the old with the new. detroit flavours meet up with darker, throbbing bass and mysterious melody! supported by patric skoog aka agaric, anderson noise, par grindvik and alexander koning..special backstock

boom bip and gruff rhys present neon neon neon neons debut album stainless style is a highly imaginative slice of conceptual power pop inspired by the incredible life of playboy automobile impresario, john delorean. on stainless style super furry animals front man and solo star gruff rhys and la based producer boom bip unite pop, electro, rock, crunk, hip hop and italo disco, whilst exploring a range of subjects and events relevant to deloreans life. album guests include spank rock, yo majesty, har mar superstar, fab from the strokes, magic numbers, fat lip and more.

the very first part of the clockwork chronicles was received with amazing enthusiasm by many of todays leading techno jocks. in a continuous search for new and improved techno music, metroline mold various elements of techno into propelling dance floor action

phat minimal hardgroovin techphunker

record kicks celebrates its 20th anniversary with a limited edition -rare box set- consisting of ten 45 vinyl with the very best of the label s catalogue.

reissue, crystal red coloured vinyl

4x strong rave techno tracks!

electronic journey by j.walker

second compilation issue from south african electronic music network cbwn.

eine hommage an die böhsen onkelz von verschiedenen coverbands. limitierte pressung auf rotem vinyl.

figure welcomes inland aka ed davenport on their label

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on white vinyl.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on red vinyl.

das album von 2013 jetzt erhältlich als ltd. edition gatefold lp! record kicks präsentiert das neue album der italian soundtrack funkateers calibro 35! es gibt eine sache, die können italiener besser als andere, nämlich funky soundtracks. quentin tarantino weiß das am besten: soundtracks italienischer spielfilme der 60er und 70er sind beliebt. calibro 35 macht mit der musik, was tarantino mit filmen macht sie leihen sich, was sie lieben und machen ihr eigenes ding daraus, oder wie das rolling stone magazine sagen würde calibro 35 sind die faszinierendste retro-maniac und authentischste sache, die italien in den letzten jahren zugestoßen ist. the budos band trifft auf morricone.

der klang records is a disordine sub-label. this album will be available in a couple of months.vinyl only - limited to 200 copies on black vinyl and 75 numbered red vinyl. active on late 70s / early 80s teknospray were formed by andrea costa, mauro tavella (who later formed monuments), andrea lesmo, alberto ramella (who later formed carmody) and lucio lesmo they recorded few demos and an album which they never released until today as *god in land* is now reissued on disordines sub label der klang for the 1st time.

2014 repress !! salz have done another rework for telrae we are really happy with and on the flip side there is a remix from the cologne artists joerg mueller who has remixed salz stainless dub.with very much attention for the sound. joerg develops sounds for cars as a profession.

italian soundtrack funk that sounds like goblin recording at stax! (wax poetics magazine)
record kicks proudly presents the new album by italian soundtrack funkateers calibro 35! there is one thing that italians do better than others, funky soundtracks. quentin tarantino knows best: soundtracks from italian movies of the 60s and the 70s are the thing! calibro 35 does with music what tarantino does with films. they borrow what they love and they make it their own. with rolling stone magazine words *calibro 35 are the most fascinating, retro-maniac and genuine thing, that happened to italy in the last years*, think at the budos band that meets morricone.

imagine snake plissken in the year 2012. each track of this record can be the perfect soundtrack for a movie with a more shady than stainless hero, fighting for

menacing industrial techno from some backwoods laboratory in a hostile environment. part 2 is slightly more accessible for humans and more experimental than the first part. limited to 200 as usual, handstamped. they sell like frankfurters at a german brothel, so best not sleep. you have a bout a week before the curtain closes.

strictly ltd repressed, smooth techno tracks from sven weisemann who seems to be one of the hot german talents. after his great releases on mojuba he comes with more blissful detroit techno. 4 tracks that fit perfectly on the cool styrax label. this blends perfectly with ame, omar s or chateau flight!

jacek sienkiewicz presents another unbelievably complex experiments in beat programming and string arrangement. this time, polands top techno producer known for his storming live sets goes over the edge, stretching minimal techno formula far beyond its limits and comes up with two epic tracks of enormous proportions. >the one< starts immediately with a stainless steel kick, but what seems to be a digital techno groove soon develops into a cosmic fairytale, with layers after layers of strings, bells and unidentified, but strangely organic sounds, executed with breathtaking complexity and almost obsessive attention to every tiny detail. sounds and emotions embraced within its almost 10 minutes are enough to fill a couple of albums.

banging techno smasher by paul mac (platform, ingoma, stainless audio, primate, jericho). incl jeroen liebregts remix

boom bip was one of the canniest underground beat producers around before he hooked up with gruff rhys of super furry animals to create the fascinating neon neon project, which took as its focus automaker john delorean and what his car (and charisma) meant to the 80s. bbs return to the solo realm finally came on 2011s zig zaj, which has more in common with neon neon than with his early solo joints. (features for cate le bon and franz ferdinands alex kapranos, among others, certainly fit in.) as always, its impeccably produced - hollon has only gained in proficiency and maturity as a producer. but compared to seed to sun or blue eyed in the red room, whose fascination with sound was positively contagious, zig zaj sounds like an overly safe record, the type that most producers would avoid if they wanted to keep innovating. heavily influenced by rock and 80s new wave, similar to neon neons stainless style, its impressions are largely textural, and as talented a producer as boom bip has become, zig zaj sounds more like a rehash than the entirely new recipe that music fans are undoubtedly looking for.