sam ball returns with the tenth release on his ever-successful i-fi music with 2 slices of tech house and techno to suit the heads. with consistent support from carl cox, laurent garnier, joris voorn, john digweed, nic fanciulli and paul woolford, sam has proved consistency and an ear to make the dance floor quake. this next instalment compliments the floor with kamikaze aimed directly for the big rooms and floors, a definitive peak record with a building loop reaching a devastating crescendo. the flipside mad dash is a much more tech house affair which grooves from start to finish and is a definite outdoor summer record. both are destined to move all floors nodding heavily at the underground, and as sam has proved as an accomplished producer and dj that there is defiantly groove left in the music.

atlas is sams debut release for the label having predominantly released his music via a series of ep releases on the very credible urban torque label as well as for variance, mono and his own label, i-fi music, sams music has found favour with the likes atlas is his first release laurent garnier, omid 16b, nick warren, dave seaman, danny howells and of course, nic fanciulli.

ultracool phunky & chicago-esque jackin house trip...

atmospheric minimal techno to techhouse remixes by tom pooks and perc and a great detroitish synth-laden original !!

essential proggy 2 tracker by sam ball quality stuff as you would always expect from the eq imprint

limited reissue of their debut album

more understated than previous releases from dave, but carrying the same depth, essence and sentimentality that runs through all of his music. expansive landscapes on this one, a real trip.

original scratch tools from dj woody and beatboxer ball-zee on 7 inch vinyl.

this album has been many years in the making. around 2005 we were gigging, playing hip hop breaks and supporting acts like krs-one and raekwon. we wrote a lot of our own material, but we never properly recorded it in a studio, we did however make lots of -one mic- recordings onto a mini-disk player. tom kept hold of all of these recordings and in 2011 send copies of everything to the rest of the band. a short list of 30 were chosen to record properly. a basic studio was booked, and recording began, initially it was pretty basic, just drums, bass & keys with guitars overdubbed the following day. with these foundation rhythm tracks tom went away and edited them, creating structure, extra layers and demo mixes. these demo mixes were used to send to mcs. it was decided to go with american mcs as the type of thing we listened to when we wrote a lot of our material was classic 90s hip hop. el da sensei & sadat x were the first to respond to our request, and soon features were flying through ever other week. we actually had enough material for 2 albums, but picked what we wanted to represent our first release and continued to develop the material, including adding session musicians for harps, brass, strings and cuts. we chose 4 tracks to create videos for and got the ball rolling with various video makers. the final year was spent mixing, sequencing and deciding on artwork. the title cinder hill is reference to where the band spent many afternoons practicing at john & joe’s parent’s house, their mum maggie passed away in 2016 and the album is dedicated to her for her endless support and love for the music.

modular ball is an experienced duo from japan. sound engineer isao kumano teamed with musician kenichi takagi for their first release on rowtag records. they usually work together with alex from tokyo under the name tokyo black star. they share a same passion for analog old synths but kenichi added his touch on the project using his own modular systems.

this legendary 1994 double-pack on eightball has long been an object of desire for house music fanatics and vinyl junkies worldwide since it s original release. it has never been re-issued in it s entirety... until now... featuring classic tracks -making a living-, -young and free-, -all in the same family- and much more, -the african dream- captures the perfect essence of classic club music where disco and house music collide in the melting pot of nyc. an absolutely essential release from a classic era of nyc dance music that captures the deepness, rawness and soulful edge of the people who made it. timeless house sounds. one for the true connoisseur now made available again. a beautiful thing! -the african dream- has been lovingly re-mastered and re-pressed with the original full sleeve artwork intact in conjunction with eightball records

das debütalbum der belgischen indie pop-band

nice analogue latin house tracks, with mushroom samba even reminding of early derrick may remixes... nice!

sam cooke, inventor and true king of soul, recorded >mr. soul< in the same year as >night beat< (movlp163), and seems to be its more adult counterpart, with soulful ballads taking up most of the album.
and now, for the first time in over thirty years, music on vinyl is re-issuing >mr. soul< on 180 grams audiophile vinyl with remastered audio.

weapon x strikes back with 4 brand new high quality hardcore tracks on the mighty enzyme records imprint!!where my party people at is mainstream hardcore at its best and will definitely get the party started with its uplifting melody and slammin kicks.for the haterz uses the same ingredients as where my party people at, so no further explanation needed.the flipside starts off with i come for blood which is bit rougher than the tracks on the a-side.distorted kicks, cool arrangement, spooky vocals and it s non-stop energetic drive make this track one off the highlights on this release.finally bad boy, another mainstream bomb which already receives full dj-support by all the hardcore jocks in the scene. enzyme records does it again!!

the needle-drop fuzz that cues sam amidons fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians. stylus magazine raved that amidons sophomore solo album, but this chicken proved falsehearted, was >the most interesting folk album of 2007<. in 2008, bedroom community debuted his third album, all is well, which garnered mediaenthusiasm as a >a goose-bump-manufacturing sonic piece de resistance< (cmj new music monthly).

there’s a good reason new age music has been soaring back to the forefront of the media’s cultural agenda and the population’s consciousness: this planet is a stressful ball of confusion at the best of times, and seeking refuge from reality’s shitstorm has become mandatory for us to regain a semblance of sanity. new age music is an effective coping mechanism in this regard. st. louis-based heavy breathing is one of america’s foremost proponents for the cause, proven here through his meditative “escalators in space” mixtape.

heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.

first complete limited edition

the samosa label gets its re-funk head on once again with part 2 of the exciting sonic laboratory project.

indie edition

the needle-drop fuzz that cues sam amidon s fourth solo album of songs, i see the sign, raises the curtain on a world of little theatres, foretelling of an aural gut-grip that is fully human and wholly natural. amidons intuitive and often radical reworkings of age-old secular ballads, gospel, folk songs, and hymns render familiar characters new through his direction, vision, vocals, banjo, guitar, and stellar contributions from fellow musicians.

50 years after ....2023 rsd reissue

the 3rd longplayer from silverchair

clear double vinyl in gatefold sleeve.

the third album from german brass’n’beats orchestra footprint project. pressed on black double vinyl, housed in a gatefold sleeve.

massive bravo hits birthday sampler - the best of 30 years on 4x12 inch vinyl, housed in a gatefold sleeve with a1 poster included!

second release for italian duo i ragazzi bruciati following their debut with a long punk- disco track on side a, funky bass, studio played guitar and organ pad to create sort of a new disco sounding track but without sampling any disco records, pure nonconformity. on b side we have two more 90ish sounding tracks, b1 has a classic house vibe and features gbabble’s voice, old school organs and 808 house drums. b2 is another house banger with disco bassline and crisp vocals and keys to set the dance floor on fire. great follow up!

expanded and remastered reissue of the soundtrack from 1988 martial arts classic “bloodsport”, featuring jean-claude van damme. deluxe release on kumite coloured 180 gram double vinyl (red & black / gold & black marbled) in gatefold sleeve with art print included.

akribisch kuratiert vom belgischen klang-globetrotter sofa, präsentiert elsewhere xx ein dutzend herausragender stücke, die alle in ihrem eigenen persönlichen raum zwischen den imaginären welten von post-kraut, diy-synth-punk und odd-pop-balladen angesiedelt sind.

the best soul tracks used for the movies on a double vinyl lp.

the best of christmas - 24 festive classics on double vinyl.

dirtyelements & drunkdrivers on samosa records - you know it’s gonna get funky!

diese ep enthält eine vielfältige sammlung von remixen, die von leftfield-techno über experimentelle elektronik bis hin zu ambient reicht.

afro-caribbean music

in 1996 the schwerin hardcore-posse started their party series arounddoomsday in the busch club in schwerin, germany. a few years later the djs and producers milo, andi & lonely freek lived their techno-gabber parties in the most famous clubs of the republic and released 6 vinyl releases internationally under their label of the same name doomsday records from 2002 to 2008. untergrund ist untergrund is the last vinyl pressing of the guys with a clear message beyond the mainstream.

famous rock songs from movie scores on double vinyl, compiled by cinezik.