reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

russian producer nikolay sunak delivers four tracks of raw, emotive house for toronto based label discrete tapes third release. grainy kicks, whirling keys and lonely vocals come together for a story of deep heartbreak and ecstatic dancefloor release. acidic meltdowns and 90’s rave reminiscences invokes a nostalgia that is both experienced personally and as reflection of dance musics hazy, blissed out history.

tape release

reissue of the 2008 quadro nuevo album on black 180 gram vinyl, download code included.

nikolay sunak launches his own imprint to release lost or previously unreleased music. russian blizzard, orthodoxy and existential torment.

limited to 150 copies on clear vinyl with riso print insert and download code.

limited 30th anniversary of 1500 numbered copies on purple coloured 10 inch vinyl.

vito lalinga reicht vom orthodoxsten afrobeat bis hin zu exquisiten jazzphrasen.

musar is honoured to revive the electronic-synth legend, manasyt, with a new five-track ep as part of a three-ep series. including a pair of remixes by brooklyns wonder girl via app and wax stag, an occasional collaborator with bibio and clark.

d-operation drop is a 6-man crew from cesena, italy with a strong and growing catalog of sound system killers, from orthodox steppers to dubstep abstractions and strange hybrids of the two. recent releases on moonshine, artikal, and lion charge have cemented their position, and we are thrilled to invite them into the zamzam fold with two chunks of 140 weight. “warrior march” opens with a mesmerizing pad that immediately draws the unsuspecting into a unique soundworld and doesn’t let go til the runout groove. a smeared, chopping-block snare, deep subsonic rumblings, swung percussion, massed yet minimal horns make a darkly coiled track, menacing yet full of funk and movement. “sativa team” captivates just as deeply with fewer moving parts, loping drums and leaden percussion, churning bassline, chopped and glitched ja-voices and sound tape, and ominous, clipped horns that wobble with tape delay in a strange airless void. brooding yet cathartic, tripped out but fully physical, with both tunes d-operation drop display their total control over a restrained and powerful palette.

efficient space continues to expose australias esoteric musical history with oz waves - a collection of 80s diy recordings, compiled by odd wave anthropologist steele bonus. definitive proof that inhabitants of the down underground were links in a global network of creative kooks, oz waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. through overseas mail order exchanges, anonymous groups like zerox dreamflesh could find place on belgian compilations, while chris and cosey lullabied their son to sleep with irena xero and her interdisciplinary art collective zip. bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. m squared affiliates prod join the extraterrestrial software seduction, he dark ages minimal wave neglect and the irreverent cut ups of the horse hes sick and mk ultra & the assassins of light. the remaining tracks have been sourced from musicians private archives and are being officially released on oz waves for the first time - andy rantzens industrial dub itch-e & scratch-e precursor, the buoyant vocal-drone of ironing music and moral fibro, sydneys short lived answer to weekend and marine girls. with detailed track by track notes, lines are drawn to severed heads, scattered order and other

the first release on the perth imprint cosi cosi, basic mind’s “grotto” catalyses some of the great innovations of both continental and atlantic analogue techno, 80s formalism, late drexciyan funk, darkroom acid, and indeed is one of australia’s purest sources of that ultra-orthodox, hardware-based sound.

if youre going to launch a label, it pays to hit the ground running with your first release. thats exactly what the people behind falstaff have done with this impressive debut. it features tracks from longtime pals max d and hashman deejay. the formers track, shoegaze, continues the washington d.c producers recent trend of delivering tracks that defy easy categorization. this one is a blend of ghetto-tech, deep house and dreamy chords, with cut-up samples of various descriptions riding an urgent groove. hashman deejays samba is a little more orthodox, sitting somewhere between deep detroit techno and humid samba house. its a thing of rare beauty.

morphine continue to take us there, this time iranian producer, sote, with a full album. studies in techno patterns and aesthetics from a maximalist musical perspective without employing orthodox beats.

oblack, the record label from los pastores, welcomes 2014 according to orthodox code of big sounds, with the release of a great ep internationally signed by the italian duo neverdogs, which also includes a remix from french producer psykoloco.

vampire weekend veröffentlichen mit modern vampires of the city den höhepunkt einer trilogie, die 2008 mit dem selbst betitelten debüt begann und die zwei jahre später mit dem hitalbum contra oben in den charts landete (nummer eins in den usa, platz 15 in deutschland). die tracks auf dem album erzählen von einer belebten city aus stimmen und visionen, vom tod henry hudsons bis zu dem orthodoxen mädchen, das sich in einem falafel-shop verliebt, von hannah hunt, die die new york times an einem entfernten strand zerreißt bis zu dem tödlichen kronleuchter in everlasting arms.
inklusive cd-version des albums.

super strong 2 tracker, perfect dj stuff ! just listen

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

homewreckers - close your eyes til the morning the amazing success of their last release >its about time< challenged the homewreckers to push their sound a little further out. >close your eyes til the morning< is hardcore groove with a great, burning synth bass that funks along until new york singer dennis legree brings some excitement to the proceedings with his tremendous voice. its pure underground deep house - intense, abstract and dramatic. no wonder that felix da housecat and marshall jefferson supported those guys when they were teenagers! a vital alternative to the melodic clichés and rhythmic orthodoxy of the electronic music mainstream. langenbergs remix gets the b-side under way. backed up by a strong beat it rolls steadily ahead with unflagging propulsion. next up is >hot hot hot<, an exciting up-tempo number which gives kemo another opportunity to show his lyrical feeling while >smile< slows down the pace easing into a down-home hip-hop affair. this is the second of four records representing the vinyl collectors edition of the homewreckers forthcoming album >american ruhr<

supported by fabrice lig, funk d void and santiago salazar (ican, planet e). excellent deep spacin detroitish techno music by mario crnkovic and nino shebelic aka subotika. heavily influenced by the sounds of detroit innovators underground resistance and red planet