after a brief hiatus edit-select are back with a new twelve. on side a there is a remix of surface to air by stroboscopic artefacts boss lucy. the b-side features an edit of surface to air. full support from tommy 4 seven, chris liebing, len faki, speedy j, shifted, pfriter, mark broom, dustin zahn, alan fitzpatrick & luke slater.

time 2 express is on a roll! sqeezing out harsh yet hypnotic techno of the highest order. the 4th instalment in the 61 center returning series is an all belgo-italian affair. as on vol. 3 the a side is taken up by peter van hoesen and donato dozzy. with >dock< they present a dense, psychedelic track: bubbling percussion works its way through swirls of oscillating soundscapes. >dock< envelops the listener in a thick, gentle blanket, slowly increasing the pressure as the track unfolds over 9 minutes. on the b-side stroboscopic artefacts main brain lucy reports for remix duty. >defense against the self> was originally released on peter van hoesens >entropic city< album. lucy provides the track with a solid dose of steroids, injecting cavernous kicks and bleeps. his version widens the impact of the original, while adding his very own personal take on techno. viva italia...

ultraphat slamming prime time minimal techno

pressed on recycled black vinyl

yung dumb records returns to japan for their 20th record. lucy time is a versatile 4-tracker by burgeoning producer house violence

preternity is a vinyl that collects together four of the most dynamic artists in electronic music delving into tracks from dadubs forthcoming album ‘you are eternity. dadubs album positions itself as part of an eternity which is forever recurring and in this context lucy, lakker, rrose and kangding rays remixes emerge as parallel versions of the original tracks. revolving around the axis of ‘you are eternity the artists use analogue machines and digital devices to either encode or decode dadubs vision.

first on decks.de !!!

this is erwan castex & luca mortellaro aka lucy & rones second release for progcity deep trax. after their label debut the great heron they re back with mediocritics (incl. marc poppcke & cosmic cowboys remixes)!

pressed on clear

does spring hide its joy is an immersive piece by composer kali malone featuring stephen o’malley on electric guitar, lucy railton on cello, and malone herself on tuned sine wave oscillators.

cover not mint - vinyl unaffected. lucy is back on clr with another one of his mind-bending, deep and hypnotic techno productions. those who have already appreciated his unique approach to modern techno in previous tracks will surely like the 201 phasing ep by the berlin based, italian dj/producer.

the first two albums from lucy liyou together as one double vinyl releae, housed in a gatefold sleeve.

in 2013 drumcell debut his first full length album sleep complex on clr. around the time of the album release drumcell invited three of his close label mates luis flores and raíz truncate from droid and lucy from stroboscopic artefacts to create their own interpretations of his music. the unreleased tracks were constant dance floor tracks used within the teams dj sets and its about time to release these tracks to the public!

including remixes from chris liebing and lucy. hand-stamped whitelabel release.

lucy and xhin back on clr.

including remixes from chris liebing and lucy. white label release - handwritten label code.

energetic collab from xhin and lucy.

dark 80-ish synths, guitar riffs, dubby basslines and aggressive percussions.

atmosphere’s “lucy ford” double ep / album available on vinyl for the first time. the black double vinyl is housed in a gatefold sleeve with download code included.

classic crossover

lucy aka luca mortellaro

limited 12 inch

pearl white vinyl incl. picture sleeve

original soundtrack

first release on rødhåd’s wsnwg label is a collab with lucy.

ltd to 200 copies

an electro-acoustic collaboration between engineer peter zinovieff and cellist lucy railton. the vinyl lp includes a download code.

10 inch clear vinyl

incl great remixes for donato dozzy and xhin

strong lucy techno tracks

“cliché’s principle” exhibits the two-sided aura of an artist long familiar with the cultivation of diy ethos: an effortless expulsion of playful immediacy and the unfolding of a musician well versed in unpretentious composition. lucy cliché’s five track ep for fleisch records is a jacking romp through 120-125bpm electro/new-beat, swooning through downcast ambience, lobotomised vocal samples and sweat-drenched hardware rhythms.
lucy’s musical oeuvre piles high, as a figure in the sydney underground for the past 15 years she has always explored sounds that playfully antagonize the status-quo, the dysfunctional no-wave approach of her band naked on the vague and the manipulated tape ambience of half high echo throughout cliché’s principle in the form of chorus buzzed synth chords, abstract drones and ethereal evocation. while there is the strong presence of a live veteran at work behind the machines, cliché’s principle holds five tracks produced purely with the intention of paving the dance-floor.

(2lp+dl) lucy and rrose, now coming together as the lotus eaters, have established themselves separately as techno artists who are just as comfortable operating in the uncharted area of experimental music. running their own labels (stroboscopic artefacts and eaux, respectively), they have gained a cult following, both influencing and challenging the direction of techno.

the 3rd release from denise rabe on her own imprint, backed up with remixes from orphx and nur jaber. comes in a screen printed sleeve.

stroboscopic artefacts is releasing its latest addition to the forward leaning edge of electronic music with the totem series. unfurling as a chain of transparent 10 vinyl, each of the totem releases will have a subtly divergent take on the aesthetic space defined by techno and club culture.

astonishing solo debut by acclaimed cellist and composer lucy - a daring, non-conformist and deviant approach to composition and instrumentation. one side of filigree, multi-layered autobiographical collage-work, the other of raw and phased cello glissandi.

rrose and lucy need little introduction as heads of eaux and stroboscopic artefacts (respectively), their influence on the direction of techno in the last five years is undeniable. rather than crafting a style to be imitated, they pursue an approach that welcomes unpredictable results, with the intention of stimulating uncharted areas of the mind through sound and rhythm. the first lotus eaters collaboration appeared on stroboscopic artefacts in 2016. for their follow up on eaux, the pair go deeper into lucy s analog modular forest, searching for those essential elements that will yield alchemical results. inner membrane undulates with ring modulated tones that stretch like liquid metal, patiently building up dancefloor energy with only the barest of percussive elements. on the b side, inverted limb takes a similarly minimal approach, utilizing two tones, a bass drum, and hi-hats to maximum effect. the ep closes with seeds of discontent a swirl of feedback and noise that is both soothing and unsettling, leaving us wondering what will come next

berlin based zehnin keeps up a fine release schedule by asking blawan to remix its inaugural ep from lucy. once again focussing on experimental, ambient and techno sounds, it is another fascinating release. blawan has been in his own sound world for years now. releasing on the likes of hessle audio, hinge finger and his own ternesc, hes made brutalist, heavily textured tracks, big room tools and dark grooves with freaky sound design. its all helped to make him one of the most interesting producers of the day, and here he shows another side to his sound. first up is his version of ‘the hermit, which is seven spacious and mysterious minutes of creeping pads and implicit rhythms. dark but inviting, its stripped back, hollowed out techno that manages to be hugely absorbing and menacing without any clearly defined drums. on the flip is the equally beguiling ‘the high priestess. deep, subliminal kicks set the tone as groaning riffs, train-track percussion and distant, tortured pads all slowly hypnotise. it builds in pressure and creeps you out as it locks you ever further in. this is evocative dead-of-night music that says a lot in impressively economical ways.

strong remix vinyl, with hot mixes from lucy, sigha, twr72