inc. juan maclean remix

veteran nyc producer and dfa regular juan maclean hops on the rnt wagon for a rolling ep of drum-machine driven grooves for the reserve sub-imprint. the record starts with the peak-time stomper fine time, building exquisite tension and release through looped and filtered samples, and then moves on to the boogie-infused swing of dont stop for nothing. everybody clap leads off side b with a soulful and string-laden vocal over a bouncing hi-hat-focused house arrangement, and the ep closes out on the dubbier tip with the eponymous panic in fort greene park, a synthy and smooth slow burner. all around beautifully produced and eminently playable, señor maclean has made himself a most welcome addition to the razor-n-tape family with this dynamic ep

re issue of the first kms release by juan atkins & kevin saunderson under their kreem production alias. originally first penned in 1986 this is one of the first detroit classics of the time. remastered in 2014 and pressed in original 1987 artwork. a must have for your record collection.

the juan maclean returns with get down (with my love) - part 3 in an alleged dance-floor trilogy that also includes the 2 singles released in 2013. you are my destiny & feel like movin were both instant classics and both were awarded best new track from pitchfork. both are still in heavy rotation

world music, cuban jazz, latin funk, afro cuban

nice mixture of funk, brazil, latin and world music

2024 repress

two superrare & heavy funk cuts from donnie sanders. shing a ling baby can be found on the incredible feeling nice vol.4 compilation album. -naptown usa is completely unknown and waits to be discovered.

vibraphone records presents 49th floor - zamani. incl. magic k aka juan atkins rmx! its the first new release for 49th floor after 1992 - highy recommended!

ltd to 700 , rsd 2023

2023 rsd pressing

juan pablo torres war einer der besten posaunisten des latin-jazz in der zweiten hälfte des 20. jahrhunderts.

cuba disco- war das einzige album, das unter seinem namen in europa veröffentlicht wurde, es wurde 1984 in mailand aufgenommen und von aldo pagani produziert. in italien wirkte er im selben jahr an zwei platten von pino daniele und einer von astor piazzolla mit.

incl kobato mix

strut present “mabanzo” - the debut solo album by congolese vocalist, juanita euka.

electronica

eclectic journey thru giovannis deep mind and thru his huge collection of synths and instruments.

classy 4 track vinyl compilation

brilliant album of soul, hip hop, electronics and jazz

the 2009 album from the juan maclean is back on limited clear double vinyl.

fresh from canada / usa

juan ramos presents his debut album changing hands

full original album composed, recorded and produced by nico laa and juan cristiani at aline brooklyn studio. 500 copies, hand stamped, no repress, with a piece of art for the cover picture as usual.

eclectic journey thru giovannis deep mind and thru his huge collection of synths and instruments.

cin cins fourteenth release sees the dfa label mainstay, the juan maclean, paired up with zombies in miami

detroits legend juan aktins !!

juan atkins infiniti project combines raw tactility and puristic elegance with skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure. alongside fellow detroit legend terrence dixon who appears on several tracks, atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul. the ongoing importance of this album is indisputable, essential both to techno and to tresor.

given his prolific, decades long-career, it’s little surprise that kirk degiorgio has more than a few lost musical surprises in his back-catalogue. ‘sphere’, his new ep on garage hermétique, finds degiorgio in his as one guise, delivering a lost classic on vinyl for the first time alongside a pair of rarities and a brand new mix by detroit pioneer juan atkins

kalabrese sagt: hört sich wie ein versteckter talking heads track an! ja, irgendwie schon. 80er leftfield pop mit der nuance einer modernen disco-produktion und einer dafür großartigen auswahl an remixern: the juan maclean, daniele baldelli & dj rocca, michael reinboth die wissen, wie man so einen track schmooven lässt.

having reached double digits on its release roster, amsterdam-based techno label format presents its 11th release. and it’s a three-piece ensemble by label honcho juan sanchez himself.
fr011 delivers three techno bombs that perfectly reflect the format sound. things kick off with despite the..., which combines deep grooves to staccato bass pulses designed for peak-time moments. spanish dj/producer aiken delivers a superb remix that is propelled by a nasty industrial groove and coated in dark atmospheres. closing the release is the sinister in the dark, which is as deep as it is trippy...
format second 2017 release is another prime example of the label’s coveted sound.

(juan sanchez remix) get ready for a very special release: this is the first time both sanchez brothers can be found on one amazing record!having daniel sanchez as ambient noise level was a personal goal here in our basement, but who couldve imagined his one and only brother juan sanchez joining in for a massive remix.

one day back in end of the eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘mind merge lp’ is a beautiful quintessence of detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

(juan atkins and tresillo remixes) epm are thrilled to announce their next release, which not only invites back esteban adame with a new track to follow his beautiful day labor album but its also backed by remixes from the legendary juan atkins and recent newcomers tresillo.

juan ramos lives on planet earth but channels voices from the aether. this is his first offering for the esp institute. on side a, last of the natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in juan’s demented world, we find ourselves willfully under his control. on side b, enemy of enemy is friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. once settled into his sophisticated rhythm, juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. we at the esp institute are enamored by juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color speedotm should she wear this summer?

heavily 313 influenced tracks from mattia trani for honorary detroiter orlando voorns nighttripper records. comes with excellent remixes by juan atkins and dj stingray. dont miss!

nice price deal !!! moff begins its first vinyl with the release named unique from bodeler & juan zolbaran. on the remix duties we welcome kindisch native ben hoo who brings exceptional 8 minute remix into this amazing ep.

london/venezuela production duo juan laya & jorge montiel aka los charlys orchestra take influences from salsoul, fania, donna summer, cerrone, herbie hancock and even jamiroquay and blend them with their very unique style of production in order to deliver their latest anthem of neo latin disco. after a few months of experimentation across different sounds los charlys are back into their main arena with an outstanding new single entitle everlasting love. los charlys orchestra were first known by their initial disco/funk period and more recently by their infectious latin/funk sound, which has been buzzing all around the place for the past couple of years. this new single expresses a cross road in between the two periods of lco bringing up a new perspective for the future of this outfit.

two absolute masters going over to the dark side with serious results. trademark elements from both artists combining into gorgeous vox laced dubbed out electronics, recorded in berlin. the force is strong in these two... on the flip ricardo villalobos and max loderbauers vilod collaboration takes the whole other side, twisting out the original parts and arriving on a planet all of his own. metroplex returns! tip!

imotion music presents its 33rd release by way of two of chiles finest producers - marcelo rosselot & francisco allendes. dj support from loco dice, raresh, slam, stacey pullen, okain & more.

beautiful, shimmering rhodes and pads pillow jazzy piano, french female vox and a vibe that should go down great with solu music, rogue element and franck roger fans. trent pumps up the beats keeping the dreamy vibe as you would expect him to do and delivering a deleriously, hypnotic trentastic journey that his fans will eat up.

groovin techhouse stuff, incl juan sanchez remix

after the last release for ec and paul ritchs quartz label, michel de hey and m.i.r.k.o. are back on hey! joining the forces are none less than rodriguez jr and juan sanchez. after a great summer for michel with his hey! events in clubs, beaches and festivals, it was time to deliver that vibe to the label again. with this new ep that mission is easily accomplished. the original tracks are typical for michel, tough but funky and made for the dancefloor. all tracks have proven their value at numerous nights, with >give me a light< as an anthem for (the now closed) catwalk in rotterdam, whilst the original version of >waiting and waiting< has proven to be a great closer to his festival sets.

juan mc clean (dfa) & argy (these days) remixes

>6th & broadway< in 2 soulful vocal remixes by johnny dangerous aka foremost poets.

2005 album by the juan maclean. funky electro with lots of soul.

that juan maclean is just a bundle of contradictions. here hes created one of the years best mix cds and not just a proper party mix, which it certainly is, but even what you might call an >important< mix, a timely lesson in the enduring spirit of house musicÑand how does he choose to describe the process of putting it together? as an >existential tailspin<!

despite dfas disco pedigree, the juan macleans dj-kicks mix is a love letter to straight-up house music. its a driving, sweaty session thick with pumping keys, chunky drum-machine beats and chopped vocals, and it cuts confidently through the sweetest hour of dancefloor communion with filters billowing like sails. recorded specifically for the mix, the juan macleans new single >feel so good< is a perfect distillation of that vibe.

aniligital music is back at it with anthony mansfield and tal m. klein and their evil ways! building upon the successes of their previous collaborations, the villainous duo raises the stakes and take things deeper with this enigmatically titled three tracker. ciento ocho is spanish for 108, the tempo of the first track on the ep. a creepy crawly builder with 8-bit roots that culminate in a huge funk breakdown with an insidious bass hook (if you have any doubt,just fast forward 3 minutes into the track) next up is desayuno en timpanis which we think means breakfast at timpanis in spanish. needless to say this ones heavy on the percussive elements, including of course lots and lots of timpani drums. desayuno en timpanis gets going pretty quickly and doesnt let up. check the flanged upright bass breakdown for extra bigness! purely non-stop huge sound system busting dancefloor action. speaking of floor fillers, have we shown you our tiger bomb? bomba de tigre is the definitely the deepest track on the ep, but lest anthony and tal rest on the laurels of their 808 kicks and 303 basslines, this tigre is a stalking beast that explodes in a vicious classic house attack!

juan sanchez, the amsterdam based producer with spanish background, makes his wolfskuil debut with an impressive 2 track single. the freakshow ep is an examplary showcase of what juan is capable of. two peaktime tracks, but both with different angles. the title track delivers exactly what you expect from a song with that particular title. freaky, out of control basslines and over the top rhythmic exersises, with loads of subtle hints, clever programming and detailed edits form the freaked out basis for juans vocals. no 4 bars are the same, but the track is coherent from beginning untill the end. prepare to rip up floors with this one!23 positions shows a different side of juan. its carrying his trademark production style, but 23 positions takes a more melodic approach. beautifully arranged strings sweep in and out througout the track, accompanied by a non stop rolling groove. again there is a remarkable eye for detail, clever programming and spot on sound engineering, wich makes this tune explode from any pa.