jensen interceptor & assembler code team up for dance trax vol.19 - 4 tracks of high octane electro nuttiness!

recorded durning the super-sonic jazz festival

reggae / dub reggae

the danish national symphony orchestra, conducted by antony hermus, plays hits from movie soundtracks. comes on double vinyl, housed in a gatefold sleeve.

deep sonic journey through dub, downtempo and reggae to the oddball, tribal and dream state mutations of house music

dancefloor anthems from tafkamp.

vol.2 of 2

incl jensen interceptor rmx

feat dj haus & jensen interceptor.

here is volume 2 featuring tried and tested club hits from new zealand s vanessa worm, scotland s brain dancing, portugal s internal n.y. rhythms and mexico s theus mago.

incl remix from tolouse low trax (salon des amateurs, düsseldorf) and wolf müller (aka jan schulte, bufiman - themes for great cities, düsseldorf).

having started out throwing diy raves in toronto canada, the forth collective became influenced by the citys hunger for self-expression. various artists vol. 2 is the second instalment in a series of compilations that gives toronto artists a chance to realise their ideas on the local and international stage.

„spectral decay” is a collection of musical reflections about the paradoxical contemporary state of humankind, whereas its own technological, social, cultural and economical development seems to entrench the possible points of a structura downfall. the narrative of „spectral decay” starts with heavy, mesmerizing industrial vibes. due to the notable sound design techniques of japanese artist tetsumasa, his hefty piece „nex” evolves into a harsh but still amazingly cinematical music sculpture. subsequent mid-tempo composition „onzour shayatini” by meer dynamically follows the dark, experimental path of drone and noisy structures. violent accents smoothly lead to the deconstruction of drum & bass patterns and turn into strident 90s metal riffs. the track progressively penetrates obscure subterranean abysses and becomes a perfect introduction to the next theme by yuji kondo – „hades”. in greek mythology hades was the ancient god of the underground kingdoms, darkness, death and metals. therefore, kondo’s music piece turns into an infernal portrayal of the underworld where tenebrous layers of bass frequencies, raw textures and drexciyan sounds build up an enormous and lasting tension. side b begins with the track „anthropocene” produced by arboretum co-founder – mogano. the whole composition refers to the present geological epoch we live in, characterized by environmental pollutions, depletion of fossil fuels and accelerated urbaniza- tion of the world. it is a deeply conceptual soundscape of a powerful system, that incorporates both – the destructive forces of technology and the infinite energy of the whole universe, that interweave in a devilish dance of post-techno, breakbeat and dub tones. thereafter, ~raw in his piece „poly bios” pictures the interference of human structures in the nature. creating a mosaic from indus- trial and tribal, organic sounds, he tells a mystical story of fear, hope, escape and primeval instincts. the narration concludes with an atmospheric composition of nwrmntc – solo project of ana quiroga from experimental ambient duet lcc. „beyond” is a boundless, spectral reflection on collective human consciousness, where haunting vocals evoke a recon- dite, ineffable pain, leaving the listeners in a profoundly meditative state. laura polan&#769,ska

vinyl only! international man of mystery todh teri is back on his mission of sneaking in acid tinged bollywood cuts at clubs & festivals globally (by sneaking into the record bags of unsuspecting djs & selectors worldwide). with volume 4 of deep in india, he presents 4 new flavours with which he further cements these intentions. first up, a big slice of caribbean sunshine thats straight out of the silver screen, which guarantees to energise dance floors of all sizes. next up - an updated classic disco anthem, for the spanish hustlin / bell bottom peddlin disco freak inside of you. followed by oodles of dance floor intrigue & mystery, with a rolling acid stomper thats best suited for dark warehouses & basements. and finally, a slow burning slice of acid funk, chugging away on a bed of layered 303 basslines & suspense. with 4 new edits of various contrasts, deep in india volume 4 aims to be ‘that freaky record in your record bag this season.

die vierte ausgabe der modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große namen der internationalen clubszene und eine ganze reihe aufstrebender künstler: actress, rødhâd, peder mannerfelt, rroxymore, sarah farina und all die anderen setzen zwischen roughem und clever gebautem techno, kosmischen breakbeats und dub- und-bass-eskapaden die unterschiedlichsten akzente und erzeugen trotzdem einen starken, stringenten vibe. die als doppel-cd und vierteilige 12--serie erhältliche compilation enthält 17 tracks von künstlern, die zur aktuellen speerspitze in sachen anspruchsvoller dance music zählen – so sehen es zumindest modeselektor, aber wann hat uns ihr gespür je enttäuscht? wie jede modeselektion ist die vierte ausgabe kein schnödes mixtape: alle künstler wurden eigens um passende, unveröffentlichte musik gebeten, und das ergebnis kann sich sehen lassen. -wir sind stolz und fühlen uns geehrt, dass wir die compilation genau so zusammenstellen konnten-, schwärmen die selektoren. -volume 04 ist wahrscheinlich die funktionalste und eingängigste modeselektion, die wir bis dato gemacht haben.-

die vierte ausgabe der modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große namen der internationalen clubszene und eine ganze reihe aufstrebender künstler: actress, rødhâd, peder mannerfelt, rroxymore, sarah farina und all die anderen setzen zwischen roughem und clever gebautem techno, kosmischen breakbeats und dub- und-bass-eskapaden die unterschiedlichsten akzente und erzeugen trotzdem einen starken, stringenten vibe. die als doppel-cd und vierteilige 12--serie erhältliche compilation enthält 17 tracks von künstlern, die zur aktuellen speerspitze in sachen anspruchsvoller dance music zählen – so sehen es zumindest modeselektor, aber wann hat uns ihr gespür je enttäuscht? wie jede modeselektion ist die vierte ausgabe kein schnödes mixtape: alle künstler wurden eigens um passende, unveröffentlichte musik gebeten, und das ergebnis kann sich sehen lassen. -wir sind stolz und fühlen uns geehrt, dass wir die compilation genau so zusammenstellen konnten-, schwärmen die selektoren. -volume 04 ist wahrscheinlich die funktionalste und eingängigste modeselektion, die wir bis dato gemacht haben.-

die vierte ausgabe der modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große namen der internationalen clubszene und eine ganze reihe aufstrebender künstler: actress, rødhâd, peder mannerfelt, rroxymore, sarah farina und all die anderen setzen zwischen roughem und clever gebautem techno, kosmischen breakbeats und dub- und-bass-eskapaden die unterschiedlichsten akzente und erzeugen trotzdem einen starken, stringenten vibe. die als doppel-cd und vierteilige 12--serie erhältliche compilation enthält 17 tracks von künstlern, die zur aktuellen speerspitze in sachen anspruchsvoller dance music zählen – so sehen es zumindest modeselektor, aber wann hat uns ihr gespür je enttäuscht? wie jede modeselektion ist die vierte ausgabe kein schnödes mixtape: alle künstler wurden eigens um passende, unveröffentlichte musik gebeten, und das ergebnis kann sich sehen lassen. -wir sind stolz und fühlen uns geehrt, dass wir die compilation genau so zusammenstellen konnten-, schwärmen die selektoren. -volume 04 ist wahrscheinlich die funktionalste und eingängigste modeselektion, die wir bis dato gemacht haben.-

die vierte ausgabe der modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große namen der internationalen clubszene und eine ganze reihe aufstrebender künstler: actress, rødhâd, peder mannerfelt, rroxymore, sarah farina und all die anderen setzen zwischen roughem und clever gebautem techno, kosmischen breakbeats und dub und-bass-eskapaden die unterschiedlichsten akzente und erzeugen trotzdem einen starken, stringenten vibe. die als doppel-cd und vierteilige 12inch serie erhältliche compilation enthält 17 tracks von künstlern, die zur aktuellen speerspitze in sachen anspruchsvoller dance music zählen so sehen es zumindest modeselektor, aber wann hat uns ihr gespür je enttäuscht? wie jede modeselektion ist die vierte ausgabe kein schnödes mixtape: alle künstler wurden eigens um passende, unveröffentlichte musik gebeten, und das ergebnis kann sich sehen lassen. wir sind stolz und fühlen uns geehrt, dass wir die compilation genau so zusammenstellen konnten, schwärmen die selektoren. volume 04 ist wahrscheinlich die funktionalste und eingängigste modeselektion, die wir bis dato gemacht haben.-

manchester based dansu discs are back with their second vinyl release of the series! dsd010 - club culture vol.1 is a 4 track various artist compilation infused with dance floor ready cuts filtered across the spectrum of electronic music. from disco to chicago house, breakbeat to 303 acid lines, you can be sure that every taste is tailored to throughout this ep.

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 digitally and on vinyl. australias reigning champion of tasteful electronic music, cc:disco! has procured exclusive tracks from emerging and undiscovered artists across genres such as boogie, balearic, funk, disco and house with each sound piquing her interest, culminating in a finished product that would undeniably slot into a cc:disco! set. her mission statement? less chin stroking, more dancing. it captures what cc:disco! is all about: the dancefloor. the very first taste of first light comes in the form of a salty and sweet track called really want that by jace xl. premiered via resident advisor, cc:disco! explains: i remember the first time i heard jace sing in a bar, at first i thought a dj was playing then i looked up see jace singing his guts out. he blew me away! jaces voice is amazing and to me, a huge part of whats going on in australian music, so its with open arms we welcome him to first light. staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

drumcode returns with its 6th installment of the internationally celebrated a-sides series. renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why beyer s brand continues to go from strength to strength. techno titan adam beyer has grown drumcode into a force to be reckoned with, the label has become synonymous with forward-thinking, functional techno and even after 20 years, drumcode continues to find new boundaries to push, and ways to solidify its legacy as the world s number one techno label. 2017 is no exception, with beyer s imprint hosting it s first stage at tomorrowland, not to mention the expansion of the critically acclaimed junction 2 where the drumcode stage is the centrepiece and adam plays the key role of festival director. the drumcode phenomenon continues to grow each week, chiefly fuelled by drumcode radio, adam s radio show thats broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. the a-sides series acts as a perfect vignette of drumcode s cutting-edge sound, functional yet inspired techno, all tracks tried and tested by beyer himself. vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. the heart-throbbing bass in amelie lens electrifying piece in silence sets the tone for the dark and dance-floor-ready energy that vol.6 carries the whole way through. other standouts include mars bill s rough n ready mohave. pulsating and precise, mohave has highlighted many of beyer s sets recently as has wehbba s monster track fake , which fans have been anticipating the release of all year. label-favourites dense & pika also feature on a-sides vol. 6 with their hard-hitting just a beat and a huge track from beyer himself who has joined forces with enrico sangiuliano to bring us their undeniably infectious preset heaven. with many more notable selections from the likes of julian jewell, timmo, tiger stripes and pig&dan, a-sides vol. 6 is another impressive addition to the label s prolific release roster and a testament to why drumcode remains at the forefront of the electronic world.

drumcode returns with its 6th installment of the internationally celebrated a-sides series. renowned for fostering a shared space between industry tastemakers and rising talent alike, the careful curation that goes into each volume is a fine example of why beyer s brand continues to go from strength to strength. techno titan adam beyer has grown drumcode into a force to be reckoned with, the label has become synonymous with forward-thinking, functional techno and even after 20 years, drumcode continues to find new boundaries to push, and ways to solidify its legacy as the worlds number one techno label. 2017 is no exception, with beyers imprint hosting it s first stage at tomorrowland, not to mention the expansion of the critically acclaimed junction 2 where the drumcode stage is the centrepiece and adam plays the key role of festival director. the drumcode phenomenon continues to grow each week, chiefly fuelled by drumcode radio, adam s radio show that s broadcast in 57 countries via 86 stations and to a global audience of 16 million techno fans per week. the a-sides series acts as a perfect vignette of drumcode s cutting-edge sound, functional yet inspired techno, all tracks tried and tested by beyer himself. vol. 6 continues this tradition with a collection of 16 multi-faceted cuts from a mixture of both emerging artists and experienced label friends. the heart-throbbing bass in amelie lens electrifying piece in silence sets the tone for the dark and dance-floor-ready energy that vol.6 carries the whole way through. other standouts include mars bill s rough n ready mohave. pulsating and precise, mohave has highlighted many of beyer s sets recently as has wehbba s monster track fake, which fans have been anticipating the release of all year. label-favourites dense & pika also feature on a-sides vol. 6 with their hard-hitting just a beat and a huge track from beyer himself who has joined forces with enrico sangiuliano to bring us their undeniably infectious preset heaven . with many more notable selections from the likes of julian jewell, timmo, tiger stripes and pig&dan, a-sides vol. 6 is another impressive addition to the label s prolific release roster and a testament to why drumcode remains at the forefront of the electronic world.

the 3 musketeers are back, pouring new life into two more obscure, italian techno tracks from early 90s. roby j s track -charming the cobra,- also from the -where am i?- ep, originally released on interactive test records, in 1991. a real trip between psychic percussions and trancey synths. the flip hosts model citizen, aka gabry fasano, another legend from the 90s italian progressive and techno scene. -the right to dance and learn- is a perfect after-hour house track, with a trippy arpeggio and deep, somnolent chords. both tracks have been extended by lom, assuring maximum joy and mixing pleasure.

todh teri announces the launch of its debut release,with a limited vinyl only edition. todh teri is the revival of the golden era in indian cinema. its the resurgence of indian disco, funk & cabaret from the 70s , 80s & 90s. deep in india vol.1 goes back to its homegrown roots and gives us three classic gems. each edit retaining its original flavor & a little something more to take to the dance floor.todh teri polishes off each track with a signature groove if its own. ten seconds into an edit and you are deep in india! in the past, todh teri has brought this style of music to berlin’s clubs like rummelsbucht & wilde renate. the act is scheduled to showcase in july at sispyhos, berlin & set for a very special live debut at wilde renate, this august. in an interview with todh teri, red bull said - indian artists have been loath to touch anything bollywood and understandably so… step in todh teri who wants to connect the lost world of indian disco with western club sounds. teri understands that most indian artists are (or were) not sure about edits, because without proper execution, they can be easily clubbed as mainstream bollywood remixes.

various is a good word to describe this escales vol.2 from croisière musique crew, the second various e.p. from the label, which seems so diverse that it almost could seem inconsistent to someone not familiar with the label. at the same time this e.p. summarizes perfectly a collection of different styles and aspects of croisière musique, from some heavy dancefloor-friendly house and techno to more abstract acid grooves, going through breaky minimalism. a1 – the e.p. starts with battle of wits from sebastian eduardo which is a direct uncompromising floor-oriented piece of house, setting a filtered atmosphere, bouncy bassline and a filtered synth which reminds us of a dubby atmosphere. a thick and compact atmospheric part progressively takes on the middle of the track and suddenly fades to let the main dancing pattern return. a2 – lowlifequalitys is a spatious acid piece which contains elements that are close to the aesthetic of video games. all synths coming together give a sense of confusion yet ordered by the repetitiveness of the loop. the sensation of something nerd and muddle rise from this experience, a expression of weirdness by the member of les points.b1 – programming behavior sets a step back in the ep, evolving around an hypnothic vocal piece which is extracted from an old interview of george clinton, heavily chopped and processed. on top of the simple breaky drum pattern which recenters the experience, gets added an arpeggio and a modular synth sounding sequence which progressively dramatizes the track. rx delivers here a mysterious piece of minimalism, bitter yet swingy. b2 – the e.p. ends with catan, the first appearance from françois, who co-founded croisière musique with rx. starting with an ambiant and breaky atmosphere, catan quickly evolves to a drivy four step techno piece. on top of the leading synth comes different glitchy elements, aerial pads and a disturbing shamanistic glitch in the middle of the track that announces a break which confuses the listener. the track follows-up on this contradiction between the hypnotic grooves and the solid drivy techno.

in the beginning of 2017, nightmare factory records will put out their first vinyl release. for this special occasion, the label s owner electrorites put together a unique va record called interweavings vol.1 comprised of smashing techno tunes which will shatter the dance floor into pieces. arween s hurry indeed doesn t take its time and rushes forward like blood through one s tempels when trying to make it in time - or when raving fast and hard, which is exactly what the track encourages you to do. the synth doesn t have time to unfold in a melody and stays on one spot, driven by a harsh beat which doesn t go under 137 bpm. the sour sweat doesn t drop any slower when state of mind by electrorites hits the speakers. incisive synth erupts through the dense wall of iron and steel which crushes and shatters under the surge of the drum kick. the hungarian techno warlock gabeen returns to nightmare factory with disappearance , a guaranteed dancefloor banger for those who prefer to feel the beat deeply in their viscera. the enigmatic duo vertical spectrum rounds up the release with andromeda collision course . this tune is weirdly soothing thanks to the sweeping, high-pitch rustling sounds and swirling trickles, but is still turbid by the sediment of neurotic, angry beat

nice price deal !!! finally the time has come for this special edition from >the room<, a 12inch masterpiece created by >el cartel<. probably you may want to know, who >el cartel< are? well, no more and no less than the 5 best producers from colombia: jose m & tacoman, figueroa & obando, and matheo velez. during the last 2 years this guys have been developing and amazing identity and this was the perfect occasion to joining forces and drop this marvelous ep that sets colombia house and techno essence as a one you wouldnt want to miss from now on. at the same time >the room< established itself as a solid platform for this upcoming wave of fresh sounds and artists that blends the native rhythms of south america with the electronic music vanguard. medellin is known as the >electronic< capital from colombia, and has become a reference for all the international artists who visited the country. this ep reveals the essence of how they party over there, diving from funky techouse to darky tech, passing through classic house sounds always keeping the high vibe >el cartel< guarantee you a full >body moving<. the 3 tracks has been designed for the dance floor and as you go through them you will find it gets better a better.

legendary nyc dj / editor danny krivits story in contemporary dance music is a long and storied one. dannys got to be one of the hardest working men behind the decks right now with an international rep and dj schedule truly befitting of his time spent making us dance over the last 45 (!) years. it makes perfect sense then, that one of the most seminal disco labels of all time would call upon mr. ks sharp editing skills when reappraising some of the jams from their extensive catalogue. tk disco is the label in question here and they ve let danny loose on a pair of dance-floor burners that all disco heads will be familiar with.

side a: of love mystery taken from the da soul revival ep released on dancemania records in 1995.heres another one of tyrees most sought after tracks. it has that classic four to floor bodyjacking dancemania ghetto house sound, with a touch of that chicago innocence to it. side b kan u feel it originally released in 1998 on nepenta records uk. well,if you like phat beats and thick basslines, then this track is for you. it reminds of those early releases in the 80s on dj international records or trax records, where the groove was the most important factor.

this is the second episode of our various artists serie. the fallen (a collaboration between plural (james johnson) and fbk (kevin kennedy)) opens the e.p. with interference, a fast paced killer hypnotic dance floor friendly dub track: they create a sound that is unique, fluid and extremely danceable. philippe petit follows with exposed, a stripped down, bleepy bass-heavy rhythmic piece of techno. julixo brings us own structure, an aggressive jackin techno track leading to a warm synth line that will leave nobody indifferent. terrence dixon closes the e.p. with odd numbers, a track that only him can do. sub bass melodic techno reduced to the max: ace!

disdat is the new brainchild of new york s infamous underground party, resolute. for their first release, they showcase three different sonic interpretations of their iconic warehouse mornings that stretch out far into the afternoon. leading the release is s.a.m. (of oscillat and delpahine notoriety) with the aptly named brooklyn nights a driving track made for the dancefloor, with its acid-tinged bassline complimented by s.a.m.s trademark emotionality. french duo zendid provide the pulsating ws3, whose scattered kick drum underlines euphoric and fluttering elements. matthew burton & bangladesign, together as mikisderek, bring the release to a close with the subtle and introspective-sump1, as equally suited for the beginning of a night as the early morning after

kevin saunderson s kms imprint is a label that should require no introduction. the motor city label has been a techno mainstay since it s inception in 1987. numerous detroit luminaries have released classic after classic on the labels hallowed grooves over the last 25+ years and its influence is still felt in contemporary dance music today. the idea behind the kms origins series is to shine a light on the lesser known cuts in the kms vaults as well as the classics that have given the label it s legendary status during its lifetime.

the ever growing international collective of bouq. s friends and family is proud to showcase its latest new talents. old mate matt sassari together with d-deck is joined by szkatulski & kosmalski from poland to demonstrate their very own dancefloor magic

to anyone with even a passing interest in the weirder end of good-time party-ready house music, freaks should need little introduction. luke solomon and justin harris have been keeping our preferred kind of dancefloor vibrating to the cheekiest manifestations of house music since the mid 90s, never letting up and moving in the same oscillations as the good ship circus company.

with a career stretching back to 1998, via releases on dance mania, juke trax, blank mind, and planet mu, everyone should know dj clent by now. crosstalk actually unleashed his first internationally distributed tracks via dj slugo’s subterranean playhouse label, and we are excited to have acquired the rights to distribute all the beatdown house releases, worldwide. dj roc aka the crack capone is another artist who’s first international releases were disseminated via our digital program, we also distributed various juke city mix cds. his break came via his album on planet mu, and has also had a recent ep via duck n’ cover. dj t-rell & c-bit are relatively unknown, internationally, but have been active on the chicago scene for at least a decade. you’ll find their tracks on local mix cds by slugo, deeon, and clent, among others.

repress 2015 ... phil souths now universally celebrated label has continued to evolve and push the boundaries with a claasic and collectable series of cult releases now in their late teens, the label shows no sign of slowing down, or toeing the line! stepping up to the plate once again, the unstoppable vandervolgen generator, with the latest in his try to find me series another duo of obscurities, reworked and rendered in glorious 21st century technicolour the a side houses a fierce, camp and snare pounding mid-party banger, while the flip carries the balearic gem >needs ending< which has been the subject of much interest after a few choice airings from phil another amazing 12!

for centuries, young wild boars have been denied of their right to gather freely and fall in love. their military based rituals were designated to reinforce twisted ethical principles in the minds of the followers and were the only social interaction allowed. a group of young infidels finally stopped fighting the urge and created a new ritual based on dancing, called lambada. this spiritual journey awoke the suppressed spirit of the wild boar and revealed the sincerely beautiful nature of this noble animal. sadly, lambada soon became known as the forbidden dance and all its partakers were persecuted. to this day, lambada remains an underground ritual and the legalize lambada crew is on a quest to revive it by throwing disco parties and pressing undercover vinyl. true infidels in the likes of riccio and mikeburns are sending us the first manifest!

the ever growing international collective of bouq. s friends and family is proud to showcase its latest new talents. old mate spencer k with or without his buddy collective machine from budapest are joined by clif jack from northern italy to demonstrate their very own dancefloor magic

limited nice price blow out ... disconet was created as subscription program service, which professionally selected and mixed disco music for discotheque djs, mobile discos and radio stations. disconet is called as the granddaddy of all remix services and provided mixed/segued dj dance sets, not only to make the djs job a little bit easier, but to expose club goers to new music. the djs spinning at the height of the disco era were given access to a new creative tool - a different interpretation of current dance tunes to wow club goers. originally, the disconet records were to be issued on a monthly basis which were limited to 1000 - 1500 copies of each volume. the first disconet record was released in october 1977. disconet team at that time was: tom savarese, bobby dj guttadaro and kevin guilmet as well as mike wilkinson. tom, bobby and kevin were dj legends, who had already been awarded with the dj of the year title by billboard. these greatest hits volumes contain their finest work, the original licensed disco edits of all the floor fillers of the time that have been re issued for your listening pleasure. expect many more volumes in the near future.

cut copy presents: oceans apart - vol 1, is the first of two vinyl 12 inch eps that compile a selection of un-mixed highlights from the dj mix compilation, for djs, vinyl collectors and home listeners. globetrotting melbourne ambassadors cut copy present oceans apart, a 19-track snapshot of their hometowns thriving underground dance music scene and club culture. this first volume includes michael ozone (esp institute), andras & oscar (mexican summer, dopeness galore), nile delta (cutters), roland tings (internasjonal).

see how well it fits! the classic insidious groove. this is the sound of cocaine, people. the gay marvine interpretation takes the shape that another detroiter found on his political disco classic and allows the full song to reveal itself. a dance floor treasure.

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

pacific horizons once again call on friends & family for interpretations of their catalog. oslos frisvold & lindbaek rework their recent single bandini into a rolling psychedelic techno workout. crue-l mastermind kenji takimi takes 2010s forest electric¯ into bombastic disco territory as being borings. on side b music for dancers co-founder & resident thomas k makes his debut as romeo with an epic remake of beaches of the black sea¯ complete with fresh vocals & acid. finally, another los angeles luminary, top shelf founder j-disko, screws fata morgana¯ into a stony, percussive, promethazine-hazed journey into the night.

hot on the heels of dj deeps inaugural kern mix for tresor comes *kern vol.2*, selected and mixed by gigolos boss dj hell. the first 12 inch vinyl ~ the exclusives ~ comes packed with previously unreleased tracks, specially crafted for kern vol.2 and carefully selected and re-edited by dj hell. argentinean producer extraordinaire jonas kopp offers his own interpretation of the hell sounds with x, an incendiary and wreckless number of instant gritty appeal. on the flip, two reworks operated by hell specially for the occasion. the infamous flashback 86 by capracara receives a raw treatment, for full dancefloor effect. the 1993 classic by halogen (aka zach roberts), bliss gets extended and reconstructed with complete new drums.

its now the turn of shapednoise for features series, and to complete this ep made of pure adrenaline theres the remix of the well known dino sabatini (outis music,sonic groove, prologue). shapednoise, one of the youngest and most promising artists of the techno scene, is based in berlin, fully living the repitch recordings project. his musical background is really wide, and you can notice it listening to his productions, a futuristic vision of the sound, with industrial elements and synthesizers characterizing his sonority. the second act of the series starts with white light white head: an out of ordinary track, an unusual beat, techno futuristic, that flows into a neo-industrial sound, with soundscapes that make it mental, but at the same time a post-apocalyptic dancefloor hit. dino sabatinis version hypnotizes us, manipulates shapednoises sounds las only he can do, with his incomparable personality, rhythmics and drone evolving until the end of a trip to the edge of reality. cosmic landscapes (the tiltle already tells a lot), is a track with very powerful rhythmics, for the lovers of straight-techno. shapednoise, an artist to absolutely keep an eyes on this year. also this time the artwork of pasquale ascione makes its part: surreal, unique, making you wondering where this faces come from, maybe from our dreams.features series is a whole of musicalities where images and imaginary interpenetrate. supported and played by norman nodge, perc, samuli kemppi, jonas kopp, marcel dettmann, adam x, tommy four seven, lucy, dvs1, pfirter and many others!

redux drop the first various artist e.p in their history and pull together some of their favourite track-smiths to deliver a selection of dance floor goodies. spanning the globe from london to new york to down under in melbourne, the music trawled on the first in the series all share the same aim… to make you dance.

welcome aboard (ahem!) titanic ballroom. a new label platform emanating from the same mysterious nether regions as one of our most cherished and in demand imprints km editions. titanic ballroom was set up to showcase tracks and extra special one-off releases which come onto the guys radar via their well read and expertly curated keyboard masher blog. the label title no doubt conjuring images of elegantly wasted patrons making the most of their last waltz!
diving deep for inspiration in our quest to deliver music for your listening pleasure. audio enchantment for the deepest discotheques, ballrooms, sun decks and terraces. we have a truly intercontinental crew who will be steering you on a psychedelic voyage were our dancehall will be echoing to the sounds of , deep disco, afro-tropical drums, spacey archaic electronics, wacked out library sounds and some very lavish soundtracks.
music and dancing for happy people...
as always - very limited - full colour spined sleeves and bespoke deco style artwork.
anchors away!