indie excl. transparent

the new album from canadian singer / songwriter leslie feist as double vinyl with etching on side d, housed in a gatefold sleeve with download code included.

very limited pressing of 500 copies only. this is a spacial one sided release. tiedye remix the all girl indie group rubies. guest vocals is fiest). its an absolute balearic disco workout that is rather reminiscent of their fellow swedes studio...

incl boys noize mix!! deep & cool electronic techhouse tune! brill female vocal

excellent electrofied ewan pearson rmx

vier jahre nach ihrem gefeierten hit-album the reminder meldet sich feist mit ihrem neuen werk zurueck: metals , das vierte studioealbum der kanadierin, erscheint am 30. september. bei den aufnahmen an der kalifoernischen kueste wurde die 35-jaehrige soewoehl voen langjaehrigen weggefaehrten chilly goenzales und moecky als auch voen neuen verbuendeten wie valgeir sigurdssoen (boenne, prince, billy, bjork) unterstuetzt. die stuecke, die auf metals versammelt sind, rangieren voen sachte poelternden, stimmungsvoellen klangteppichen bis hin zu extrem intensiven tracks, die wie ein musikalisches pendant den aufziehenden nebel und das darauf foelgende gewitter widerspiegeln. feist ist zurueck - und besser denn je. deluxe editioen koemmt in einer schonen digipack ausstattung.

limited white vinyl in gatefold sleeve, download code included.

high class compilation with underworld, faithless, dhs .... must have

audiophile reissue on black 180 gram double vinyl, housed in a gatefold sleeve.

part 6 of this cool vinyl series .. selected with love! tip!

a collection of traditional and modern christmas songs, arranged and performed by chilly gonzales. reissue

released on 180g vinyl w/ tip-on sleeve.

drumcode starts 2020 with a sterling ep from genre hero thomas schumacher

long-serving us house champ dj dan dropped an absolute bombshell when his slammin trax vol.1 ep landed earlier this year, and now the veteran big room party starter is back with another clutch of tracks on his peerless instereo label. alongside fleetwood smack he drops the crazily funky vocal jam do 2 u, while his remix of conga squads live at k-market- brings a little fidget-esque hype into the mix. the b-side kicks off with jarred gallos feisty roller peep the technique, and then it s back over to dan in partnership with mike balance for the raw, jacking overworked.

consistently vibrating at a frequency beyond the conventional realms of house and techno, untilmyheartstops returns with a particularly captivating transmission from furtive jazz-peddling beatsmith tom ellis. this release serves as an opportunity for the freerotation regular to move into a techno-inflected space without losing his handle on delicate, evocative pathways through the minimal milieu. the subtle throb of -solastalgia- sounds especially at home on umhs, hinging around snaking machine rhythms and a buttery bassline that could easily go on for days without growing tiresome. watch out for the unavoidable consequence of you though a feisty party heater that finds ellis dipping his toe into the sample / edit snakepit and pulling out a python

at long last, mr. jacob korn gets drafted into team lph! technically,hes been in our orbit since 2015, when he remixed a leo wölfel track for lph white, but it s only now that we re presenting an ep of originals by him. about time! my business is classic korn a little nerdy (intricate arrangements twisty, turny top-line melodies), a little ravey, a little goofy, a little feisty, and a lotta fun. four sure-shot firebombs that ll slip into any set, hand in glove, real nice. try em out. wield em well.

another 1960s 7inch soul gem, unearthed and held up to the light courtesy of rocafort records. the heroine of this story is atlanta born delia dee dee gartrell, schooled in the art of gospel and jazz, but banned by her mother to sing any r n b that is until delia met the mighty hannibal, a powerhouse bluesy soul producer and future husband who put her up where she belonged and got her singing about stuff that her mother wouldn t have approved of. mid-tempo stomper, i must be doing something right, is an irresistible sassy classic, originally the b side of the single if you got what it takes (they can t take what you got) released on maverick records. the horns and drums tease the toe-tapping rhythm along while delia belts out with raw fire about not being a great looker, cook or housecleaner for her man, but when its time for sleeping, he thinks i m something outtasight. i must be doing something right. cheeky in spirit, chunky in swing. full of all the urgency and feistiness you d expect from a repressed southern soul vocalist. written by delia and hannibal, fight fire with fire boasts a similar production style but this time with a prominent electric guitar riff, emotive strings and heavenly backing vocals. describing the cheating man who s gonna get exactly what he dishes out, delia reads out the riot act with more punchy promise than threat. a must for all 7inch soul collectors, a thing of rare beauty.

ugly papas were one of the leading acts in the belgian rock scene in the early part of the 90s. 23 years after their final release, they are back with their third full-length album. feisty indie rock, jazzy loops, zappa-esque episodes and fela kuti rhythms. with luc dufourmont (two russian cowboys, id!ots, bevergem) on vocals.
the vinyl release includes a download code.

amoon andrews is one of those cult producers from the mid 90s that could have easily remained under the radar were it not for passionate, tuned in labels like knoe tracking down their wares and finding out what didnt get released the first time around. the sir lord comixx material packs all the hallmarks of great 90s deep house, and so it goes on this next round of dat-sourced goodness.new world is a swirling gem that would sound right at home on guidance, while danceteria gets a twitchy spring in its step that should set the party alight.dance on the ceiling is equally feisty in its make-up, working some choice midi sax tones into the melee before physical oceans sets off into adventurous electro territory

step up house running, a label making its first steps with this release, welcoming some new talent into the fold and making a strong first impression in the process. tell keeps things deep with the undulating warmth of floating lands, while meemo has a fractured soul mood hovering over therez. baltra s paris la nuit is a more feisty affair with its gnarly, acid lead line but it s balanced out by a fun and funky disco flair, and then kianis virunga rounds the record off with a lovely arpeggio-powered remix of deceds sound curiosit-.

das zweite album der britisch-norwegischen pop-singer/songwriterin sasha siem wurde von valgeir sigurdsson (sigur ros, feist, björk) in seinen legendären green house studios in island produziert und folgt ihrem letztjährigen debütalbum most of the boys, für das sie von der musikpresse mit acts wie fiona apple, joanna newsom oder andrew bird verglichen wurde. die cd enthält 10 tracks. die lp enthält 5 key-tracks plus 5 exklusive remixes des texanischen elektronikproduzenten rabit.

zehn songs mit einer mischung aus old-school club-musik, west-coast hip hop und portishead beeinflusst. experimentelle sounds treffen auf geschmeidige, catchy melodien. für fans von björk, st. vincent, feist, sharon van etten, chairlift!
die deluxe lp erscheint auf schwerem 180 gramm vinyl, inklusive art-orints und downloadcode.

his music spoke to you in some way, and now we want you to speak to us. the language is up to you - do whatever you feel like! some of you will paint, some of you will print, some of you will do things we couldnt even think of. all of you will be a part of the movement. a movement against the one-sidedness of the producer-consumer relationship. a movement against the hurried zeitgeist. a movement against the grain. we are the swedish electronic liberation front. we dont have customers. we dont have followers. we only have members. and youre invited to join us.

last year anton feist and fabian fenk of the/das debuted on life and death with their fresh water ep, a collaboration with tale of us that functioned as a milestone release for the label. now the duo is back with three new songs that move mysteriously around the edges of the club.

uk don james johnston and german champ alex agore once again come together on their hot-to-trot no matter what imprint to lay down the law on their righteous tributes to vintage house music. johnston delivers some dreamy garage swing on >think about u everyday<, and takes things deeper on >do u understand?< by drawing you in with an alluring chord line that purrs at the heart of the track. agore is in equally feisty mood with some textbook vocal turns over his >in my soul< workout, and then switches up for a breezy, carefree wriggler in the form of >in your arms<

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bjørk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bjørk, mum, sigur rós etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

very welcome remastered reissue of the ultra-rare 1982 cut >you cant have it from cult nyc boogie label tnt unlimited inc. mixed by the legendary tony humphries, this excellent cut is hugely dancefloor-friendly featuring a massive feisty vocal performance along with some top bongo action and a killer groove. backed with a superb dubbed-out instrumental version, this is a stone-cold killer and deserves a place in any serious boogie or funk collection. essential!

boys noize – the remixes 2004-2011’ shows ridha’s electro stylings applied to the best and brightest in the industry. spanning over 6 years of work, this album showcases boys noize’s ability to rework source material into his own unique and inspiring compositions. from the stunning beauty of his remix of feist’s ‘my moon my man’ to the emotive synth work on daft punk’s recent ‘end of line’, alex’s touch never fails to impress. when we say ‘the best and the brightest’, we truly mean it, from critically acclaimed legends like david lynch to the cooler than cool n*e*r*d, this release truly has ‘a lot’ for everyone. be curious on the remixes boys noize did for depeche mode, snoop dogg and justice.

terpsiton are proud to welcome to the gang the new faces of the scene and old friends of the label called themselves the scene. this strongly and catchy headline is wisely chosen and named after the legendary detroit based tv-show that turned usual men into celebrities over night. it absurdly and hilariously demonstrates how to get a name and how to get fame just by being marked as a celebrity. so, these well talented guys that are totally into the deep and underground house stuff vault themselves into the scene by releasing this ass-kicking and groundbreaking record that is full of catchy and lovely hook lines, forcing kick drums, intense arrangements and a true passion for the house movement as it was back in the days. on two songs (feist movement & lab) the scene is supported by two other new gang members soon to be well known namely as niki and franz b. werner who add their feel and taste of sounds. a unique blend of individuals, great sounds and real emotions that will make history. never mind the celebrities - here comes the scene!

after the great success of solomuns love recycled ep, 2diy4 is back with the second installment of the series. the various artists ep showcases work by fresh talents as well as proven producers. a1 >deep in the three’ by thyladomid & adriatique is a groovy beast with a chunky bass-line, playful organic percussion and feists irresistible vocal. the track has already been receiving great response on the dancefloor. on the flip >young girl< a rework by peter kruder, member of the legendary kruder&dorfmeister, has a more mysterious vibe. the haunting, stretched vocal is counter-parted by a catchy groove that maintains the drive to the song. b2 >no giggity< by the young australian producer gary todd gets the groove on. giving a r&b ultra-classic a fresh polish he creates a catchy tool for the dancefloor.

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

knight moves - the last single from ivory tower after the locarno film festival prize-winning feature film ivory tower, the soundtrack chosen by apple for their ipad ad, the singles never stop on phantasy records (erol alkan), i am europe on boysnoize records and the inter-planetary hit you can dance with its near 1 million youtube views, here the last single from ivory tower. starring the exclusive chilly gonzales solo piano version as well as the original album version, the tracklist ist completed by 2 remixes: dj koze - the master of the abstract and romantic productions turns knight moves into a sweet hiphop soul version, using feists vocals only. lone - newcomers from london with releases of r&s and boysnoize rec, takes the original idea of the song and gives it a more electronic-house feeling. from his own words his best remix to date

underground-enterprise sub bubble offer up this first and very promising release from new signings matt williams & bahar canca. the writing/ production duo behind the original instrumental >latek< have re-worked and re-named this underground monster into the diamond encrusted house-crossover (we hope) is now pounding your subs. by bringing in the vocal talents of one mrs. graciela rodriguez whos fans include bjork and adrian sherwood, canca & williams have harnessed the spanish fire of rodriguez and taken the track to the next levelà now with a feisty latino twist we are certain the mainstream is next to fall to the floor. dr kucho! the >indisputable king of spanish house< (dj mag) with over 200 releases under his belt brings a twisted vocal and dub slant on the tracks solid house credentials. funkin with the original and delivering a slab for the jocks n jock-etes to get their needles and dials round.

alex ridha aka boys noize is, along peers erol alkan and justice, part of a new mongrel breed of techno / electronica artist with a maverick bent and solid vision, beaming a myriad of influences from the past through a prism to create something fresh, new and exciting. founding his own imprint boysnoize records (bnr) in 2005 he achieved to establish his very own sound. alex released the first boys noize album “oi oi oi” in 2007 on bnr which featured febrile club favourites like “& down and “lava lava” and also more soulful techno tracks like “shine shine” or what many regard as one of his finest works, his remix of feist’s “my moon, my man”. official remixes for the likes of depeche mode, snoop dogg, justice, late of the pier, his latest work for royksopp, highly regarded dj mix compilations (bugged out! / i love techno) as well as productions for black eyed peas and canadian genius gonzales proved how versatile he could be. now boys noize presents his second longplayer as a lim.ed on vinyl instead of following the commercial path after the unexpected success of “oi oi oi”, boys noize passed on any big name featuring, the great pop approach or feeding trends. keeping it real, “power” starts where “oi oi oi” has ended and shows the freshest of electronica and techno music.

the wait is over... !k7 is very proud to present the next instalment in the dj-kicks series and we couldnt think of a better pairing.
chromeo is canadians p-thugg & dave 1: best friends, virtuoso musicians, walking hip hop encyclopedias, and the only successful arab/jew partnership since ... well, ever.
after releasing 2 albums (she s in control and fancy footwork), hitting the dancefloors / attacking the charts with you re so gangsta and needy girl, remixing the likes of cut copy and lenny kravitz, feist and vampire weekend, and years of jet setting and globetrotting ... the time is right for them doing their take on dj kicks. a match made in...
teenage lovers, 20 something bloggers, 30 something burned out ex ravers and 40 something sistas can all finally party under one roof with this slick, sleek, smoothed out mix. a tribute to canada of sorts, as it includes so many maple leaf underground classics and obscurities. obviously there some unreleased versions (chateau marmont most notably) and of course the dj-kicks exclusive track, with chromeo fucking around with the eagles classic >i cant tell why< which comes in 2 versions and will get a separate 7 inch release also.

ein neues duo gesellt sich zu den bereits auf mbf tätigen bukaddor & fishbeck sowie piemont und reiht sich ganz hervorragend ein. feiste funktionalitäts-schübe mit tollen melodien

limited as always! includes the beautiful re-edit song >peanut dreams< by grand national and >feelin good< ft vocals of the >high priestress of soul<: nina simone. the third track is a remake of the bee gees hit >inside & out< by feist

limited booty release. house versions of feists sea lion woman. not to be missed

9th edition of the la musique fait la force sampler series. includes feists my moon my man, james talks the remote and claude van strokes the whistler

dont be fooled by the plural >boys.< alexander ridha, 24, is just one man and he can do it all on his own. nobody, however, would argue about the >noize< part. as a kid he taught himself to play the drums and piano, started to write his first songs when he was 12, and at the age of 16, discovered his love for programming and producing. his music and productions have excited massive interest from artists like soulwax, justice, erol alkan and the rapture and labels such as kitsuné, ed banger, fatboy slim s skint, dj hells intl gigolo and tigas turbo rec - to name a few. daft punk have sent him their love via myspace and his remixes of depeche mode, feist, british indie anthems >banquet< by bloc party and >everyday i love you less and less< by kaiser chiefs have thrilled global djs and crowds all over the world.

im original ein strahlender schaffel & in den drei remixen toller deep-dubbiger techhouse mit feisten schub

ultrahot compilation from the kitsume crew. here are unpublished gems, rarities, exclusives and even stars, featuring the whip, feist, boys noize, hadouken !, whitey, dragonette, thieves like us and many more

nice price deal !!! side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. a1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot.

side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. b1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot. b2 closes the ep with a big laid back bass and chubby drums provide the foundation for smoky pads, nostalgic keys and a hook you ll be whistling for days

katerine releases his seventh album, his first on bungalow. it is a collaboration with gonzales and renaud letang from feist. a highly entertaining and yet depressing electronic-songbased-concept-album on a man fighting against the growing power of the machines

songs from serge gainsbourng.

ein jahr nach seinem fulminanten blattschussist senor branco wieder da. den blick eiskalt auf die brodelnde & kochende tanzfläche gerichtet