blu has collaborated with renowned artists like the roots, logic, miguel, mf doom, anderson .paak, freddie gibbs, aloe blacc, roc marciano, slum village, evidence, and more.

collaborative ep

sons of alpha centauri are back with their 4th studio album. the vinyl lp comes with cd.

metal

rock

coloured reissue

half-speed remastered audio on 180 gram double vinyl, housed in a gatefold sleeve.

limited 180 gram / vinyl only release.

double vinyl in gatefold sleeve.

standout tape from the modern institute aka golden teachers richard mcmaster and laurie pitt originally released digitally back in 2016 and now available physically on pro dubbed c70 cassette with risographed artwork & encased in coalesced molten candy floss blue and pink expandable foam.

fresh on francis harris kingdoms imprint comes adamo golans seven track lp, exile and the new. golán is the alter ego of british-german artist laurens a. schmidt, who has been pursuing a more club-focused techno project, while developing an ever deeper fascination with experimental music, ambient and film scores. drawing influence from his adopted homes berlin and currently london, the 26-year-old has been uncompromisingly trying to develop his own musical voice

10 years after blu and exile released their magnum opus below the heavens, the california duo have reunited to release 14 tracks from the original 2007 sessions. in the beginning: before the heavens contains previously heard songs and unreleased gems – the best of the best chosen from over 40 songs in the vault. their third collaboration follows 2012s give me my flowers while i can still smell them, and is slated for an october release. in the beginning: before the heavens is made of up songs that are raw and untouched, keeping the authenticity of blu and exile’s creativity at the time. the album has guest appearances from familiar names like dr. oop, donel smokes, aloe blacc, and blame one. while soul provider, another day, and party of two appeared on blus lifted ep, the majority of these songs showcase blu rapping at his peak, maintaining his underground attitude as he dishes on reaching star status (constellations), getting radio play (on the radio), or opposing views in a problem-ridden world (youre gonna die someday). exile, meanwhile, builds a golden hip-hop era feel with head-nodding samples and dj scratches.

due to confusion, martianman 004 will follow martianman 002. martianman 003 will be released after martianman 004. exile dub is an amen monster. the mind is a soul pride tune, spaced out and deep. support from rumbleton, double o, mantra.

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. ‘black light’ sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

four tracks of back-to-basics, no-nonsense techno from derek plaslaiko.

sold out! what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. <black light> sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story: >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

three track 12 inch appendix from the big brontosaurus legacy. featuring the sought after vinyl must haves from arto mwambe >noh ngamebo< and >btwo< plus the slow disco chugger and prins thomas favourite >ray rider< by the exile missile

classic rolling stones album from 1972, 2010 rereleased on double 12 inch vinyl in gatefold sleeve.

the super sharp exile missile boys are back. chris beisswenger (cb funk, arto mwambe) & his former roommate philipp lange deliver their second ep called rayrider after the groundbreaking sidewinder 12” in 2006 which only sold 300 units. exile missile take their time and release 100% bullet-proof material only. so you really don’thave to worry that this could be a shitty record. …ahh and of course: ...massive breakdown in the middle and a cool hihat phrase-shift around 15:27 with super satellitesquesynth workouts and and and... oh yeah, heavy support from all the big jocks around loving the a side and droppingthis at peaktime in the big room... you know the deal

supported by prins thomas, ata, pete herbert, radioslave, stevie kotey !! the proto dance mayham continues. next up on the young and promising frankfurt based label brontosaurus are the exile missile consisting of christian beisswenger aka cb funk and his roommate philipp lange, both residing in the beautiful city of compton / düsseldorf. their sidewinder ep is a tribute to the black klaus kinski: bobby brown – one of the most irritating and glamorous figures in r&b – a wolf amongst sheep. raw and snotty dance tunes from the chalk-faced rough neck version of the new edition. to complete this mega-hit 12inch no other than bear entertainments italian boy wonder & nephew of adriano celentano: fabrizio mammarella plays the guitar and delivers an insane laser-cosmo journey through the outskirts of dancemuzak

“it’s like a part of my body”, says dutch lute player and composer jozef van wissem of the relationship he has to his chosen instrument, the lute.

dark bangin industrial / techno

30th anniversary edition on purple coloured double vinyl.

straight percussive techno

includes riso printed booklet and printed sleeves

soul jazz presents a collection of early uk punk.

b-stock! obi-strip has minor damage. vinyl unaffected & mint. hot on the heels of his stunning album as dip friso, murray collier brings back his grim lusk project for our good friends domestic exile. stunning stuff from one of glasgows finest, 300 copies only

hot on the heels of his stunning album as dip friso, murray collier brings back his grim lusk project for our good friends domestic exile. stunning stuff from one of glasgows finest, 300 copies only

includes printed folded insert and sleeves

black vinyl