fonda rae (80ths) big room house remake incl rico bass remix

this cheeky one sider arrives just in time for christmas yet another bomb from the massive plump djs compilation saturday night lotion red shift is an ominous creeper that twists its way into your mind and stays there sinister synths and a growling bass ensure that this is yet another plumps killer (sb)

these 3 new cuts are inspired by the imagery of artist/counter culture icon b.d.r, craft by steve stoll into a litling barrage of snare hits, pounding bass, swirling synth lines, full on charging drums in a hard minimalist style !!

ibiza/paris super sexy female dj miss sin new single & a strong ny/morillo subliminal styled house banger. richard grey is the man behind the mixing board on this version, with his remix. a bass-driven groover that adds some new soaring synths and great new percussion elements alongside that ouh la la repetitive vocal in a more straight-up big room take on

two enigmatic and timeless tracks carving the thin line between minimal electro house and neo techno in the vain of m. jonson or john tejada. but that was definitely not the first time you heard of the fabulous mr. bodzin cause he has been producing tracks with artists like thomas schumacher or electrochemie .caligula, dedicated to the super cult classic horror movie, is a hot piece of rather atmospheric and driving peak time butter, with an energetic synth-lick, that will heat up every club in a minute! marathon manis nothing but a true builder! smooth bass arps and pumping beats float into dancefloor madness and back again. essential music

junior boys own present the serious sounds of joshua the shift remix of do it will induce seriously deep dancing turn over your quality twelve for make me feel joshua busts an addictive bass groove and a mellow soundscape to die for (sb)

delightful winter night party tunes .. exiting, laced with dry, dirty electronic bass driven tech grooves mixed with bubblegum sleazy vocals while always groovy in the lower frequencies, dapayk will surely take over the dancefloors !!

latest release from the vega label comes from selan. using that oh-so-popular nordlead preset #59 that seesm to be doing the rounds at the moment, 'gravity' is a deep, grooving peaktime houser, with clapping beats, rich bass, and grooving synth lines. louie vega serves up the 'roots mix', taking the track deeper for the later crowds with dubby bass and warm chords the new key players

the global crew is back with there 4th installment of electro/funky breaks this time they feature dj tripnotic vs dj rock electro is the titled song and the name fits the tune hard synths deep bass and tight edits fill this tune right up (sb)

brill phunkified minimal burner / hot … heavy plays by richie hawtin

this stuf is mad. a mixture of drum & bass, minimal, techno and house. a fout to thefloor bass drum with a deep drum and bass hook synth. brazil bagn rocks with the samba like off beat and filter action

hip hop tunes meeting techfunk.. big bass originals on each side and well done mixes for the real jouisseur.. enjoy the phat & deep remixes by the master himself and his labelmates oliver s and harry axt!!

strong electrohouse funker by the dutch house mastermind olav basoski including a nice tool to work flipside with the great wait & see and the broken beat sunblock with !!! (sb)

fat bass driven house chugger with a nice iberican flavour and a nice female vocal (sb)

amazing oldskool sounding disco track with a dark male vocal funky guitars superbly grooving bass guitar funky keys and disco strings a must have (sb)

>effective< on the a-side is one of those tracks with a very special groove. simple, but strongly effective. dry twittering sounds on top, keep with the clicks and all is well. the b-side >been in glue<, is another 100% sureshot. you can hear the classic traffic signs sounds from the release. it is this very unique formula, the mixture of jackin beats, dry bass and short melodies what makes you groove on and on and on and on…

a full-on electro excursion from cajmere, with a great vocoder vocal the centerpiece, surrounded by driving beats and a steady bassline. mark grant takes it to the main floor crowds with a stellar rework, retooling the drums and bass for the peaktime hours and throwing some well-placed filters into the mix, while the vocal stays present. on the reverse, the 'praise mix' is a classic slice of gv action, with thumping drums, wailing synths, swirling effects, and no vocal, all very much in the style of 'flash' et al

big bass, big drums, big breaks, big everything! huge melodies growing and running through the tracks..

an-2 returns with the long awaited official follow up to his 2004 deep house classic nu boogie. again its the spine shivering cristalline deep house meltdown with heavy bass sounds and incredibly smashing break that rocks the cradle to its very excellence. the whole thing is contered by an elegantly slamming discofied comon factor version, just check out his recent playhouse compilation to know who's talking here. last not least an-2s 'way to the stars' is such a peak time bumpty killer by itself it normally deserves all the play on its own. 'back to house' un-official version part 1. to be continued folks

excellent phunky discoid filter house monster ep

ultraphat harder percussive schranzz techno

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

vocal house track with a great rolling bass guitar funky guitar nice drums and percussions and a great soulful male vocal check out the dub mix (sb)

chasing the buzz is a real peak time monster with wobbly bass and a hypnotic vocal loop backed up with pure 303 madness (sb)

i am happy to introduce the modern deep left quartet. we have danuel tate on keys, tyger dhula and the mole programming, and myself on sh-101. straight whiskey features frank on bass guitar. i hope you enjoy our first published live recording. - mathew jonson

underground darling mathew jonson with another extra-large three track stunner: right from the start swirling synth over a pinching beat suck you into a vortex before a rubbery bassline takes the lead and an electrical storm of dark, haunting sounds wrap you in. well, words dont do this truly symphonic oeuvre no justice - this has to be experienced in the dark and in earsplitting volume. on the flip mj gives free reign to his unlimited creativity with an impressive soundtrack-style tableau of electronic jazz, sounding like late bass-revolutionary jaco pastorius descending form the outerworld to interveave some of his crazy warbled, bend notes into a messianic david axelrod arrangement, mixed at lee scratch perrys echo chamber. miles above your typical pain-by-numbers club fare - simply huge!

pumping quality good time bass and cool funky vibes on the a side flip for the electrotech beats and acid touched prankster this will rock every floor around (sb)

high powered dose of bass laden breaks with a crisp funky flavour includes a drumattic twins mix (sb)

theo parrish imprint comes downtempo funk, combing great guitar, lazy bass, and super-laidback beats.. feat umar bin hassan

excellent 'back to the future' album by soletech with very great jackin' detroit stuff !!

nice epic tribal house track with nice percussions great bass guitar epic female vocals and atmospheric synth and key lines (sb)

based on a groovy bee gees sample! incl. brandnew excl. azzido da bass remix and phonicfood mix

already supported by laurent garnier, dj karotte, desyn masiello, peter dildo aka rozzo delivers a techhouse anthem that will cause devastation wherever it is dropped. on the flip: stomping bass minimalism.

break 3000 and adam kroll take quite some chances in naming their first collaboration 'get down' cause in the golden era of funk and disco every second track that was produced to 'just' get people on the went by this title ( a quick namecheck on allmusic.com confirms close to 300 entries ). well, our two protagonists surely had a few of those blueprints in mind as they clearly quote some of the main characterisitcs - handclaps, pulsating moroder style bassline, extra thick slap bass, robotic voice - mix them up with a few drops of acid, a rough guitar riff plus majestic paino chords and distill everything to a luiquid, sleek state-of-the-art house funker. the flip is more introspective and very atmospheric with darker, moody chords, yet the galloping square bassline and the omnipresent sharp highlight make sure that 'tonite' theres no parking on the dancefloor. when the players arrivea the club...beware

breathtakingly ahead-of-its-time electronic disco from 1979 produced by one third of telex, transvolta's disco computer features one the most amazing combinations of synthesized bass and vocoded vocals ever committed to vinyl!!! an lp only cut, east walls privacy is a stunning italo / industrial number with incredible strings that give it an almost classic detroit techno feel

berlin minimal house hero dave dk (highgrade, television, mÜller, tresor, raum...musik and many more) delivers 2 tracks of utter funkiness with his trademark digitised yet warm ultra funk sound. 'jus suckas' starts with bouncy bass joining forces with squirts of cut-up style percussion rumbling its way before the chord stylee strings attack with added sample-vox. great groover we say. 'this is not a problem' goes more sinister and dark afterhours with rolling bass and machine style groove and which makes you wanna drop that **** before dominating synth lines hits the g-spot and you are already teleported to another level. hott

andre walter aka stigmata produced a hard techno killer type, with a hughe impulsive bass line and a filter style on all the bass instrument and percussions..the b side is dedicated to the lovers and fans of pump killer track like rush, wjh or robert natus..

new label for blasting techno, some refer to as schranz.. dirty releases with cutting edge beats and bass are what the label will be firing at you..

fast drum n bass cut for grand master flashs the message plus a soulful blue cantral vs ashanti cut(sb)

fat release by the hungarian artist psure on the klaus hill label the bass on tech nasty esromeron is heavy enough to cause dancefloor earthquakes flip for the dark and moody blue light

quality late night house winner with shuffling beats deep grooving bass and some superb late arriving guitar play plus the strong voicals of carolyn victorian

einmal boards of canada angelehnter schwebesound und einmal drum n bass

very old school sounding acid influenced funker with a cool spoken male voice ala dj pierre flip for an incredible bass and sax monster with a strong female vocal

amazing compilation of finest detroit techno music from the head into the stand with terry brookes, vince watson, peel seamus, shed, speakwave, starfighterz, nubian mindz, dj yoav b. and newworldaquarium..

zoo brazil are back with their 2nd release on cartridge. the a-side wasp not wasp, fonts a relentless nasty bassline that keeps on and on... and on. face the music is a more dubby affair with echoing voices, raw stab synths and a fat bass providing the back bone for a fat track. key dj support: funk dvoid, murray richardson rob mello, to name but a few...

20 year old swede john dahlbÄck has been one of the most respected scandinavian eclectronic impresarios and his glasshouse ep is another proof for that. on the a side dahlbäck shows his ability to think different and delivered a a fine slice of quirky minimal techno slammer without his usual synth-riffs but reduced storming bass-line and a melodic rave signal on top! oliver koletzki: 'this ep is the bomb! a real shure shot'

two remixes by afx.. straight and freaky electro breaks / drum'n'bass !!

superb house stomper with pumping bass groovy bassline and excellent funky rocking guitar riffs big floor shaker

4/4 acid variations and bass heavy cuts that you ll all know and love these sounds like they could have been recorded 15 years ago just what we were hoping for