funkyjaws music presents funky disoc vibes

soundtrack

jonny greenwood’s original motion picture soundtrack for “spencer” on vinyl lp.

supported by: nick warren (way out west), rayko (rare wiri) and yam who? (midnight riot)

the 2nd collab from mr key and greenwood sharps.

slamming disco edits, huge dj support: dimitri from paris, late nite tuff guy, leftside wobble, ashley beedle, get down edits ...
cutting his teeth on the uk bar dj circuit with gigs six nights a week, as well as being a member of production duo casio social club, henry greenwood has nurtured an understanding of the vital ingredients required for a killer dance floor groove. from the early days of breaking both the pause buttons on his family stereo system (whilst crafting his first reworks) to spinning alongside derrick carter at londons disco-flavoured club night slide, henry is carving a razor-sharp niche in the ever-evolving re-edits movement.

new edits label from up & coming henry greenwood

new album from thom yorke, jonny greenwood and tom skinner aka the smile. limited edition sky blue coloured vinyl.

new album from thom yorke, jonny greenwood and tom skinner aka the smile. classic black vinyl edition.

ltd to 1000

the eagerly awaited debut album from thom yorke, jonny greenwood and tom skinner as the smile. regular pressing on black double vinyl.

the eagerly awaited debut album from thom yorke, jonny greenwood and tom skinner as the smile. limited pressing on yellow coloured double vinyl.

limited reissue on yellow double vinyl - no repress.

famous music from alfred hitchcock movies on double vinyl, compiled by cinezik.

james greenwood of manchester dj collective, supernature disco, follows up the instant sell-out debut on semi-skimmed edits with a glorious second ep! a label dedicated to the traditional style of re-editing. nothing added, just precision sliced disco for modern day dance floors. edits for the underground.

industrial of the early ages

to pick up where >i am the walrus< left off, that was the goal when electric light orchestra formed in the early seventies.
they wanted to steep different music styles in a rock tradition and mix in some beatlesque pop, but it took jeff lynne & co until their third album eldorado to get on the right track. their most ambitious album to date, they decided to hire a 30 piece orchestra and choir to fill out their sound, and the investment paid off.
with the unforgettable >cant get it out of my head< as the lead single, >eldorado< was a commercial as well as a critical success, and it would achieve gold status in the us. the english guys with the big fiddles had arrived!
audiophile pressing on heavyweight 180 grams vinyl.

after a highly-regarded debut single on names you can trust back in 2014, combo chimbita returns, expanded and transformed into one of the most original and wild ensembles currently cutting their teeth in the new york city live arena. their latest 4-track studio effort, el corredor del jaguar, co-produced by nyct s greenwood rhythm coalition and featuring the powerhouse carolina oliveros on lead vocals, is an explosive tour de force of unbridled psychedelic energy and futuristic fire with firm roots in the ritmo of the african diaspora. with connections and inspiration drawn from the vast sea of caribbean music - specifically the band s native colombia - these transplanted first-generation new yorkers have carved a unique corridor in the thriving underground jungle of the big bad city.

newly reprinted on vinyl, this collab between jneiro jarel and the elusive mc features remixes from thom yorke, beck, and more. it remains one of the best releases to feature doom’s name this decade.

rare perlen aus der goldenen Ära der hawaiianischen popmusik: kompiliert von roger bong. das 180 gramm doppel-vinyl erscheint im klappcover inklusive album-cd.

am 23. juli feiert der film -becks letzter sommer- mit christian ulmen in der hauptrolle seine leinwandpremiere. ein intensives kinoerlebnis mit einem intensiven soundtrack. der stammt von dem schweizer tobias jundt alias bonaparte. vom ersten ton an wird klar: kaum ein musiker lebt seine fantasien mit einer vergleichbaren intensität aus wie der wahl-berliner. zudem ist die paarung ulmen-jundt perfekt, da die beiden bereits während der vergangenheit in der band cashpunk künstlerisch zusammengearbeitet haben.
das limitierte orange-transparente doppel-vinyl erscheint im klappcover, inklusive downloadcode.

parisian producer rocked downtempo beats for yellow productions, dj-kicks in the late 90s. 2 tracks from his latest lp lean more to the latin side + remixes from ezequiel lodeiro (aka dr. stereo), italian producer suonho, greenwood rhythm coalition.

jesse rose, >..my favourite record of the month!< hit!!! the new - spiced up, pumping masterpiece by mr. driver! oriental stylez meeting train alike grooves, blasting the speakers everywhere! aart greenwood: >trains - killer!!< , andreas kauffelt: >...das ist ein brett track !!!!< (kardamoon). oliver$: >playing this all time!!!< hoosier: >...big one!!!<

new album from thom yorke, jonny greenwood and tom skinner aka the smile.

the eagerly awaited debut album from thom yorke, jonny greenwood and tom skinner as the smile.

¥ exclusive collaboration between henrik schwarz & metropole orkest ¥ conducted by jules buckley ¥ scripted orkestra showcases henrik schwarzÕs orchestral talent and the incomparable thrill of acoustic performance seamlessly blending with computer generated music. ¥ ben westbeech & bugge wesseltoft feature on Òcounter cultureÓ
for fans of ryuichi sakamoto, max richter, jonny greenwood

am 23. juli feiert der film -becks letzter sommer- mit christian ulmen in der hauptrolle seine leinwandpremiere. ein intensives kinoerlebnis mit einem intensiven soundtrack. der stammt von dem schweizer tobias jundt alias bonaparte. vom ersten ton an wird klar: kaum ein musiker lebt seine fantasien mit einer vergleichbaren intensitŠt aus wie der wahl-berliner. zudem ist die paarung ulmen-jundt perfekt, da die beiden bereits wŠhrend der vergangenheit in der band cashpunk kŸnstlerisch zusammengearbeitet haben.

it was 1975 and a mere 24 years since ike turner lit the blue touch paper on rock n roll with the incendiary rocket 88 , when a small independent record company emerged from a couple of second-hand record stores in london. it was just before the fuse was lit on another stage in the rock n roll story with the emergence of punk rock and chiswick records helped strike the match - commencing with the release of the count bishops speedball ep. with the same people at its head, the label evolved into ace records and they are proud to be celebrating their 30th anniversary in 2005. ace has become the leading in-depth catalogue company in the world and has issued a vast amount of the best and most important music released in the us from the time of that first ike turner recording to the launch of their own company. that crucial period forms the core of the extensive ace catalogue. they have often wandered off this central path, with excursions into world music, some home-made recordings of local acts and have investigated beat music from belfast to tokyo. but it is at the heart and soul of rock n roll that you will find ace putting out that wild and frantic, deep and romantic, funky and punky music that will sure nuff turn you on!

brimming with fall-esque attitude, guided by voices pop-sensibilities, and drive like jehu / fugazi / hŸsker dŸ style riffing, warm widow channel , the spirit of their influences into one totally kick-ass, brutally lo-fi rock sound - meticulously mastered by bob weston (shellac, mission of burma) at chicago mastering service - warm widow is the project of ex-tsuji giri frontman martin greenwood, and features zak hane of stranger son of wb on bass and lianne steinberg of breaking colts on drums ... info: manchester s warm widow never really intended to make this album Ð well, not in the way that widower presents itself anyway. this was supposed to be the scratchy blueprint for the actual warm widow album, recorded, you know, like proper albums are recorded: in a recording studio perhaps, with an array of appropriate microphones, with an actual producer (or certainly an engineer), and time to allow the band the breathing space to nail it , with additional options to try multiple takes and overdubs - in general, recording with a certain amount of control and ease.