this cable zip bundles cables together neatly. including pull-in aid, easy to cut with a pair of scissors. bringt klasse ordung bei den vielen kabeln

the first single on esperanza is produced by kiko barba, mimusik records capo in madrid with two releases on stock..his debut e.p. on esperanza >esperan2< is somekind of deep minimal with a weird funky melody coming up on the middle of the track that burns everything up. it comes up in the second cut of the a side with butanes rmx. he is alphahouse recods owner in the u.s. and brings a more deep housey track perfect for a firsthours club set. last but not least there is a troy pierce remix on the whole b side, almost 8 minutes minimal dancefloor bomb with an acid kind bass and a killer base...

risquee kehrt zu den anfängen zurück und beschert uns vier druckvolle cut-up tracks zweier russen aus new york. globalisierung, baby

modernist ep #1 shows just why woolford is currently being hailed as the best producer in his genre right now from the likes of pete tong, francois kevorkian, mr c et al. woolfords current >erotic discourse< is being hailed as one of those tracks that has captured the imagination of both house and techno djs alike. .and so onto modernist #1, and whilst woolford nods to the past on title track 313, the arrangement and structure of the infectious cut is as modern as electronic dance gets right now. on part one, warm and lush pads herald an epic 11 minute production that twists and turns, all the while keeping the solid groove flowing. part two on the flip presents a rawer and heavier take, the driving cowbell rhythm, snaking synth line and sub bass will cause much devastation

morricone visiting the balkan on acid the press was falling backwards hand in hand with the audience when celebrating the groundbreaking album my rocky mountain by hungary based erik sumo this contains 3 different mixes of the real moustache not to be missed

latest offering from mn2s and the handwork of dutch duo hardsoul who get a little vocal help from shaun escoffrey very smooth cut with almost gospel like vocals and th mixes come from dopeheadz as well as nys alix alvarez

this time around another huge rave hit gets a going over from the cnm crew to create a tough dark breaks cut

ghettofunk vs blacksoul start off with a jason hodges style cut gotta feel it tough beats hip hop vox cutups and bouncy bass the a2 cut help me thru a more layered track with vocoded vox fx and lots of quirky feel flip for the debutant tracy coopers 2 tracks uptown is a jackin jazzy groove with live horns big upright bass and well placed sampling definitely a track for the heather/sneak crowd green grass is a really funky slice of hybrid jazz with latin bassline and bluesy piano stabs the horns stabs work well within too

a new vocal cut on sole that gets 2 very uplifting mixes from man of the moment baltimores dj spen & the muthafunkaz a must have

deep atmospheric house cut with jazzy chords and soulful vocals on the a side flip for a funky sh version with a great piano hook

more from planet e s >classics< series, with label boss carl craig alter ego, 69, the artist in question this time out. on the a-side you get a new mix of >sub seducer<, as well as classic 69 cut, >desire<. on the flip, >pungtang< finds it s way to vinyl for the first time, having been available only as a free flexi previously, and then carl shows he s not losing his touch with >pungtang 2<, a chunky variation on the original s driving detroit techno theme

luciano & tobias freund edit of n.s.i. s original track once again, cadenza comes on strong with a powerful and unconventional floor-filler, proving that >minimal< music neednt be a predictable affair of plug-ins, gratuitous reverb, and garish bit reduction. in its first limited-run, one-sided single, cadenza revisits last year s >max binski< ep from nsi (non standard institut)-the duo of tobias freund (pink elln, sieg Über die sonne) and max loderbauer (sun electric)-with a 13minute edit by freund and luciano. the edit takes >clara ghavami<, a sleeper cut off the b-side of the nsi ep, out of the isolation tank and into a crazy, heaving landscape of fluid shapes and odd angles. underpinning it all is an irresistible rhythm that s pure luciano-powered by a stuttering kick drum and some antennae-like, hypersyncopated squiggles, it pumps away like a legion of army ants, carrying exponentially more than its own weight

groove diggerz are back with the second release on even flow hot on the heels of big bad bruiser their original mix is a tuff yet easy going feelgood breaks cut lead by smooth synths and driven by a catchy bassline whilst precision cuts uses a more tech breaks style of percussion on the remix bringing more of a swinging feel to the track

the hottly tipped amazing new talent solid groove ( freerange ) under a new moniker with another energetic, afro-tinged mover as a-side cut. flip over for a driving funk edged tech-house and another percussive, dub infused track

limited 12inch !!!

zander vt are fritz zander and sven vt... their debut ep on memo is the distillation of their mutual love for deep techhouse and classic techno.. 13.03.2006

within the 9th collaboration, labelboss michael burkat welcomes belgian stephane signore. following on from the hugely succesfull releases on planet rhythm, rotaion and bound, stephane delivers with >seven sins< a grinding techno cut filled with sexy synth lines.. burkat himself delivers two tracks in his wont quality !!

title cut is already getting massive play from the likes of väth and aquaviva. resonant electrofied rhythms roll together as the melody snaps back and stabs at the mix. peak is heavy before the groove funk backs it up. electro house at it s finest. flip side is >mondo dingo<. making use of 3am timespot it is a sparse electronic house groove that blends techno like synthesizers from out of space with the solid back beat. trapez style track

this cut of quality glitchy house from lot 49 and underwater star metric (aka alex drury) in collaboration with bob standard (nick webb). …earning plays from dylan rhymes, adam freeland, meat katie, pmt, lee coombes, evil nine, elite force and hyper…

the man who along with long-time partner alan braxe has risen through the ranks to become one of the pivotal masterminds in the gallic house movement steps out alone for his debut release (albeit aptly assisted by fellow defender partner savage on the double-a side cut). the midtempo >omega man< opens proceedings and is clearly cut from the same cloth that linus loves used to fashion >the terrace< - a stevie nicks parody that will similarly be used as a musical bed for tv shows all year long. >wait for love< meanwhile is rich in parisian charm - filters set to maximum and compression on extra high - warm, melodic, simple and yet highly complex and distinctly french-sounding making this another bass throbbing must-have purchase

nice price deal !!! got to get away ep comes with 3 different mixes : the original house mix is a floor filler that will please the most difficult of crowds with its tough beats and ragga-influenced vocal thanks to the uplifting features of the young and talented californian reilly and london s big shotta.on the b-side, jam block s very own dj porky delivers an electro influenced, big room mix whereas play mo bitch crew serves an adam freeland-style remix, with groovy ragga break and beats. a dancefloor filling cut for sure, in the vain of bob sinclar s «zookey»

second outing by 3-chairs member marcellus pittman on omar s fxhe imprint with two more rough detroit gems: >obsession< is a midtempo paced cut in best detroit beatdown tradition with a minimal, bass-led groove, chirping sounds and jazz keys in the back while the flip boast a more energetic, sizzling riddim that builds and builds

nice price deal !!! w.a.n.a. is a fresh sounding electro-house cut which refers a lot to the sound of producers like dj t, marco passarani, francisco or even the hacker, cool electro spheres put on solid house beats. the b-side features a wicked mike monday remix, who has gained growing support over the last year with his great productions on freerange and his own label playtime with hits like which day is it?, tooting warrior or buttfunk. this remix has a mega dirty pumping bassline that leaves the floor in a devistated state especially after the climaxing break when the strings come in. a great rocker this one

another mighty step for unified sees chicago s mr. a.l.i. s latest single >imagine freedom< remixed by nyc heavyweight dj spinna. the results are a deep shelteresque house cut with spoken word vocals. also on the remix tip is chicagos glenn underground. 12inch includes instrumental on the spinna mix

nice release here from spains boa vista imprint and 3 high quality tracks on this one first up sonar 2000 is a haunting almost dark progger that builds up sweetly bright lights big titties is a jackin moody house cut and finally its jazz in da house which is just that

wicked electro breaks tune

massive filtered funky house anthem with a nice male vocal this will set the floors alight

dozzy turns life is wondersin a reduced techno anthem ,simply the perfect groove.. on the flip side agnes goes wild & dirty on it is cut.. endless spaced out house for the party freaks !

with this mad new 4 tracker by sound searcher james gibson aka (a)pendics shuffle (orac) mo’s ferry carry their highly individual artistic formula of putting a maximum of eccentric abstraction into a cut while keeping the floor pressure to the most extreme level. ruff cut-up 4/4 funk with brimming with uncounted itsy-bitsy sound particels, spooky mutilated voice cut-ups, butchered basslines sand blasted with gnarly bleeps and blops and a pinch of dark humor. unbending, unassimilated, uncorruptible and proud of it: mo s ferry are insistently carving their own niche in electronic music

huge akufen styled cut up tech track, plus a harder gene le fosse (cocoon recordings) remix !!!

combines many styles and is a true crossover record that will work on any floor, techno, house or minimal. the track has the same kind of hypnotizing feeling like a john tejada record but it developes more towards a strong electro cut with its hitting snare and open structure. on the flip >man of the moment< andré kraml tears it up and puts down a solid groover. with his typical dense production and use of crazy samples and sounds it gets its own style we know from his great records he released last year on >crosstownrebels< and >firm<

as with typical of voltmusik releases the old man sorrow idea began in 2002, and was finally cut in 2005 ! old man sorrow is a trip back in time , deep, soulful music for the head ! a tribute to the old disco style coming in at unhurried 120 bpm with bluesy vocals, warm, sweeping grand piano chords and melancholic string-filled breakdowns this was drawn right from the foundation of dance music by brun ( swayzak ) with the help roger 23 and kenny paterson. forget minimal house its boring

drain is build around a thick skankin, percussive riddim joined by a phletora of exotic chirping sounds, haunting chorus bits and dirty laughter resulting in a mystic, slightly scary atmosphere: a true voodoo funker. flip over for a deeper ride with hypnotizing cut-up vocals and thick chords that will push you along up to the grand finale were the beat picks up and intensifies. comatizing dope on wax for ya dj box

moderner cut up electro styled tech house

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

with this twelve alex really explores the parameters of his unique sound and delivers three club killers. the ep begins with the anthemic titti , here he builds a relentless, driving groove with a penetrating bassline and scuzzy melody. next is tv is pish a demented discoid cut-up that freaks irresistably. the pulsing slippers & slappers growls this superb ep to its conclusion

the a side is an epic hard techno journey with its long snarling intro before dropping into a sledgehammer like driving track before breaking again into what can only be described as a riff straight from hell. if you have enough energy left turn to the flip where you have a very clinical deeper, groovier cut with swirling synths and lots of atmosphere. its not that often that a super fresh piece of techno like this comes along so dont miss out. massive support from adam beyer, chris liebing and christian smith

strong new electro house release by majestic on palace recordings moving straight to the dancefloor with some big synth riffs fdlip for a deeper dark chocolate cut (sb)

house funky vocal house cut backed with a great broken beat flip for a dark greg churchill remix (sb)

huge slice of dirty twisted house music with a striking vocal hook. the flip flashbackis a meaty beat led house cut with twisted loops and plenty of attitude

nice deep and funky cut with great synth lines plus a drum track !!!

after driving floors insane with 'rumble punk' (orson005), orson delivers this monster as a follow up. enlisting the remix talents of espion, swayzak and bangkok impact, transparent sound have ensured you receive a four-track ep of tech diversity à club play: craig richards, tiga, andrew weatherall, geoffrey aka mugwump, radioactive man, hyper, miss kittin, billy nasty.

excellent selected advanced techhouse electro minimal tracks! incl elektrochemie, motion 040, tomas barford, afrilounge, claude van stroke (dirtybird), einzelkind, tying tiffany, voltique...

peaktime funky electro house tracks very scratchy and very ass kickin a side plus a deeper atmospheric cut by dj erdmann tip (sb)

super schöne melodische funky minimal platte !! magda: nice cut up funk! , tobi neumann: ganz schöne minimale verspielte deepe platte. a2 ist super!

first 'love': a killer deep minimal groovy tune with a poppy synth line that just stays into your head forever… followed by reynold's remix (half of duplex100 and trenton’s owner). on b side 'sex' is just this outstanding electro tech house track, definitely the dance-floor treat of that record! it is fat. it grooves and drives… finally 'psychic kids' could actually be a dance remix of a boards of canadas tune… a very strange and atmospheric cut to end a set… or to start it ?

'voyager' perfectly takes you through different phases of tension and release starting with a irresistible build-up where just the distortion of a simple chord raises the electricity topped for even more intensity by frantic hi-hat action in jazz-drumming style. for 'sucre' he teams up once again with qzen who already refined 'sweat' on pokerflat and 'paranoia' (palette034) and gives another alluring performance with understated, teasing spoken words over this gliding, liquid cut. whos the sugar daddy now?

classic steve stoll three track ep

three new cuts on this second release by siskid. a dancefloor trasher, a minimal fairytale and a dry and acid cut make for siskids blasting return to initial cuts! , already played by chloé & michael mayer