the title track is a sharp, dance floor effective electro track, on the funky bassline, with a mysterious vocal line on top. raining night driving , the second track goes more along the musical lines of model 500 and drexciya. more again into concepts, as the first release on this label, can be found on side b: audition me - is the theme, which is explored in two parts, bot with a more rough industrial sound, but both still close to the sharp sounds of dynarec

cool tribal groover with a cool 303 acid line in i miss you plus a funky key driven sono na

the heavyweight drops the paranoid vibes of glow stix on title fight with twisted synth and strange arp taking you on a bizarre journey around a club flip for a more euphoric breakbeat with a huge synth line

20 year old swede john dahlbÄck has been one of the most respected scandinavian eclectronic impresarios and his glasshouse ep is another proof for that. on the a side dahlbäck shows his ability to think different and delivered a a fine slice of quirky minimal techno slammer without his usual synth-riffs but reduced storming bass-line and a melodic rave signal on top! oliver koletzki: 'this ep is the bomb! a real shure shot'

ilija is based in zagreb and well known within the house community, running his own label red musicand releasing stuff for grab records. this is a very nice deep and versatile production, with lush vocals on the a side and a more electronic b-line track on the flip. actually we think its a summer tune! usual exun quality!!

exercise one's track easy things is surprisingly melodic, impressing by its hypnotic bass line it takes the listener away into a bittersweet world where we can follow the easy way of life and forget about time.easy things was remixed by duplex 100 a.k.a. phil stumpf and reynold who exactly hit the pulse of time and deliver the new definition of minimalism weve all been waiting for, delighting us to the point we cheer.with steady pulse exercise one take us back to reality and give a conclusion of their musical understanding of straight techno.

deep tribal workout for what is music with spoken monologue dropped over a tribal cut flavoured with a warm spanish guitar flipside another tribal workout with an oboe line and heavy analog bass action

huge tribalistic latin based spanish hustle on a side with a huge sax line and spoken female vocals flipside with two funky tracks check out the jazzfunk

originally in 2003 released track by chicago producer and dj mazi funky tune with a cool sax line

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pumping house groover with a superb piano line as the backdrop to donnas diva styled vocal offering on this surefire peaktime filtered house pleaser

back in stock.. for all green velvet fans the answering machine remix session

super summer hit!! groovy latin house beats, a monster piano line and catchy vocals by their let the sun shine-singer lizzy pattinson. let the holiday season begin! the a-side contains the terrace mix and also two tools for creative mixing techniques. the b-side features the club mix and an undergound tribal mix. dj playlist : mad mark, hector romero, mark doyle, huggy burger queen,

fast tech

the stay is based on a vintage drum machine loop a la sun palace peppered with live percussion, an acidic synth line plus some bittersweet melody. flip over for a classic house excursion working some classic bluesy detroit house chords and sporting great twisted drum programming. also comes in new blinding, in-yer-face sleeve design

sog has been sitting on this one for the summer... so here we go! the 4/4 dub rub is a driving monster with a warbling bass line that comes straight from the original.. support from nick warren, sander kleinenberg, john digweed & deepdish

screaking instruments machine sounds freaky woman choirs and disharmonies to the excess making this piece of art exciting until the end

definitely one of his finest production to date, delivering a hypnotic kind of balearic peak time action. a huge b line stumbles through the a side track and makes clear why you get that tripy feeling unless the breakdown pulls you back and kicks you off again. the b side track is even more driving and rides on a great tech house groove with a never ending hook! you like it kicking - get this one!

this track has everything from a dirty fat electro riff to rollin b-line and even a breacks section before it unleashes into a pumping floor monster

give to live is a throbbing big-room builder with some old-school 808 touches and a steadily percolating 303 line - classic material that recalls josh wink's old stuff on nervous. the flip features more acid madness wiith two mixes of 'sydneys groove', a main mix featuring a vintage onionz soulful tribal groove with a driving 303 right on top and a dusty percussive dub. tough dancefloor-minded stuff thatll get em up and on their feet

jacking and driving, the track also features the vocals of filip g whose yeah's have the effect of an additional instrument.'i cant get up' on the b-side is a slightly darker track that smells like old-school techno spirit. the manic synth-line balances on squeaking and clanking rhythm patterns. this one will definitely will find its way into your hips in a second

old skool chicago acid house bomb!!

limited bootleg vocal house & uk garage house remixes

5 track ep with full of hard techno / schranzz madness

funky bumping bassline with soulful vocal snippets and atmospheric synths.the acid dub mix replaces the vocal snippets with a great acid line!

excellent selected tracks by mr ian pooley, minimal deeper funky house cuts...see playlist

'tracks from the lab' contains two freshly crafted electro-tech songs. 'darkroom' is indeed as dark as it sounds, dominated by a super-deep synthie tone embedded in a finger clicking rhythm construction. the spoken word lyrics by clÚ are about musical socialisation in the computer age and not to be mistaken with darkrooms - the sort we are familiar with in some clubs,'joystick' on the flipside is a reduced electro-track with a bubbling bass-line

cool modern & dark electro / techhouse tunes

coolest 4 track ep with hottest dubby minimal shit without any doubt !!!

flash atkins aka ben davis. he lends a techy big room flavour to 3am's house label in 'photoshoot'. pitched down vocals hover over a bright acid line and bursting bass line. 'wishpole' more ligher sound, where jazz licks and double bass stabs sit amongst a laid back, shuffling drum pattern and light vocals give a summery fee

both sides are typical balearic sounding with long building arrangements and floating synth works. the original is pumpin up a heavy b line with several drop ins and outs as the b side is remixed by another big spanish producer mr. dj grobas - giving the whole track a more deep and spacey approach to it. big plays by dave mothersole

booth tracks which reflect linuss unique interpretation of techy house music. 1st track = heavy prime time tune with sub tile vocals and a hypnotizing organ type of groove, which floats endlessly into a flawless breakdown. b side = a huge, electronic b line, which changes constantly and underlines those freaky vocal samples, played by mathias tanzmann, david duriez, einmusik, eddie richards ...

two new clubby house/ techhouse album tracks. deep & atmospheric, a bit in the same line as border community

another peak time winner coming from climatic. keeping the magic of the original with the powerfull vocals from b. beresford 'melody' hits us with a big synth line riding high over a bassline geared to make some booty s do some serious shakin

der digital underground klassiker in behutsam aufgemotzter version für houseköppe. mixhowyalike

in 1983 public image ltd. (pil) scored its biggest u.k. hit with'this is not a love song'. here comes a up-tempo pop/rock song electro house cover version of one of johnny lydon's finest moments yep the pil classic. very well done indeed with some heavily fx d vox,a cool retro synth line and even some les pauls and marshall stacks making a guest appearanc

eric prydz teams up with steve angello for another slice of pop-dance. woz not woztakes a simple 4/4 house formula, and while not being as instantly recognisable or as big-room sounding as call on me, its stretched out disco chords and guitar bass line to give it a summer anthem vibe

when you thought you heard it all... this drops down as a bomb! this is part 2, and the last in the sway-10-series. this white-colored vinyl brings you some fantastic stuff. cave starts the record with a true bomb! next in line is tim track, an upcoming swede, that youll here more of after this remix! truly amazing. v. kanzyani brings on the full force and energy in this mix

mit minimalem equipment und maximalem willen ist daheim bei geiger ein hitverdächtiger knaller entstanden, die labelmates schaeben&voss sowie firm-wortautomat schadprivat sind auch dabei

sehr überzeugende fortsetzung der rebel one limited reihe. Ähnlich verstrahlt wie die erste!!! craig richards – its big & bouncyde:bug - surprisingly dark, technoid and grimyewan pearson - im a big fan of the growling reese bass-line. grrrrr!also supported by ivan smagghe & rob mello.

theme music 6 is a midtempo sexy groover, laced with a seducing female vocal sample, heavy bass & a swanky sax. pulsating deepness very moodyman-like, with a dash of basic channel-ish style. ‘i cried for you’ is a more uptempo banger with a pulsating, panning bassline & a sad sax line that says it all. ‘i do it’ is a deep, dark, down & dirty groover ...

ultraphat minimal techn track…on the flip mathew jonson strips the guitar from 'slide' and the pads from 'buttaface' and adds hi sown bouncy ananlogue bass-line, dubby hi-hats and crunchy snares, and re-builds a lush, throbbing and distinctly hypnotic techno groove

a tight 3 track ep ! keep bustin starts off with crisp minimal beats, deep soulful bassline and catchy horns and guitar licks. 'wante'” has a swirl people vibe to it, ass shakin b-line and clever little vox samples, getting charted by dizzy, then 'some of this' gets all jackin. much trackier with tough stabs and bass and plays from farina, mello and the drop music boys.

repress!! excellent techno club tracks with detroit flavours

louis benedetti serves up his usual soulful reinterpretation, with the original vocal from intense kept intact, while louis benedetti lays down a pretty funky late night groove, with a killer bassline pitting wits with some superb percussion and a subtle piano line 3 mixes to choose from here, all of which are variations on a stellar deep house theme

a detroit esq tech house monster sure to set the dance floors alight especially when the bass line kicks in. deep chords and fx all the way plays from all the usual suspects?

its peaktime floor action all the way on this tracky houser. on the reverse, happy feet is another bass-driven cut, with more great percussion, a stabbing male vocal snippet, and warbling synths. last up is drive straight, completing this set of tracky peaktime numbers with a hooky synth line and pumping bassline, while an abstract vocal stab duels it out with tight crisp beats for second billing.

straight up rocking mainroom house rework of 80s electro pop hit with a dirty bumpin b-line and rocking tech beats

2 tracks from the classic house music vaults of dallas! the flips of fpr013 lemon drops >tuaca mix< is a soulful deep house groove, complete with some swinging nyc drums, vocal bits and an infectious organ line. flip for jt donaldsons >blue magic<,a hypnotic steady builder that was huge back in the day. this is the sounds that influenced heads like brett johnson anddemarkus lewis, so have this fresh slab of history for your bag