new barcelona label they are changing it, first ep comes from barcelona based american dj/producer and label boss dia. the past 12 months were very important for her as she started another succesful label, vinyl did it. this ep truly represents dias sound, very musical, well layered, and with a touch of melancholy, yet strong and driving, with simple yet effective basslines and strong percussion, ready to take on any dancefloor.

the first release for 2009 on universal vibes welcomes new artist keep the secrets. after a long history of musical trial and error, john renfrow and deric jones decided that it was time to take a different direction in their musical vision. it started two years ago with a simple beat and a slow jazz guitar, and soon developed into an eclectic fusion of musical expression. each note ebbs and flows with hints of many different styles and genres. both members of keep the secrets have found level ground in creating a sound that ambitiously exceeds the musical standards of today, and have vowed to honor their dreams by releasing songs that they love. with a definite balearic vibe running throughout, they compliment the uv vibe perfectly while adding a new stylistic angle. label head paddy freeform provides two edits which stretch the tracks out into dancefloor heaven.

animal language is a new label from mason. having burst onto the scene with their groundbreaking ‘exceeder’, a tune that went on to destroying dance floors and tearing it up the charts in 2006, the foundations have been set for the dutch pairing of iason and coen to create a platform for more forward-thinking music. the mason sound follows a simple method. their understanding of melody and a canny ability to fuses it with technological know-how, sheer musicianship and dance floor savvy creates dance music for the thinking man, but not so clever to be alienating and dull

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

dj andy smith has been diggin deep in the archives of bgp and came back up with 24 pearls in funk, all made between 1966 and 1975. enjoy!

new label exclusive at decks.de / only vinyl -> no digital download !! strictly ltd to 300 copies, mastered by tph at schnittstelle / excellent debut by kollektiv ost with quality micro tech mover -> no nonsense, no mainstream, thats pure underground

a huge tech house output!! the a side proposes >welcome to the moon<, a pure underground anthem with his instantly recognisable and wicked drum programming style. then the track drops a huge and energetic bass line with a screaming 90s rave-influenced synth loop. the dark voice rises among random effects giving that spacey atmosphere when the break push it up to the standout climax. are you house heads ready for this? the b side drives us to another planet >mars<.this progressive-tech track stands into dark-prog line. packed with loud bass this is another big room tune that everybody should play. the bass line rolls on a simple drum pattern giving to the synth the main objective to make you shout. then the whole track is served up by a constant acid line creating a sinister feeling to this club monster

fresh after the release of their debut album on simple, the second motorcitysoul ep in quick succession is as accomplished as we have come to expect from the frankfurt deep house duo matthias vogt and c - rock.

tweaked monosynth lines and rich polyphonic pads are featured on most tracks, and single note patterns of various timbre often reinforce the grooves. the title track on the a-side is as simple as effective and the name relates to some of the percussion parts which reminded them of a rodent digging a hole in the ground. first on the b-side is >if i was a man<, a slow-down groover with a dark and funky atmosphere, inspired by barbara alcindor s abstract spoken words, becomes more and more twisted towards the end of the track. last but not least, >zig zag<, which is named after the wobbly monosynth phrase which is being tweaked throughout the tune. all tracks speak of sweet, riding rhythms and nights full of action. pure quality

artizan number four wheels in the big guns from londons clubbing firmament in the shape of faith head honchos terry farley & dave jarvis who deliver a simple yet deadly house groove. if that were not enough, there are some heavy duty remixes from jafar & touch, funky transport & tom blacksoul, this ep adds a touch of class to proceedings

marc antona takes his second release on mobilee to the next level with >simple venus<. supported by karotte, tom clark, 2000 and one

this brand new and long awaited follow up 12-inch single release by off the record is finally here! its been quite a while since their first release >robot gang ep< (sen-003) came out and took the dancefloors by storm. all the wait has been well worth though, as this talented duo is back on track with their trademark rough & raw drum sounds, killer breaks and bridges. such elements can be found directly from the starting track >tel aviv – japan<, which combines nicely minimalist techno / house sound architexture with simple, yet effective groove, and it grows humble and slowly to reach up its peak moment what goes like: splash! in ya face! there you have it! guaranteed to lighten up any dancefloors, it s dangerously explosive and has amazing flavour on the rocks! having said that, on demand producer and remixer ran shani (crosstown rebels, breastfed, cr2 records) was kind enough to contribute his absolutely fabulous and fantastic remix work of >in your mind< track. he pushed the track to the next level and came up with a truly club oriented pulsating dance track with extra crispy and tasty beats. rotating 360 degrees panorama effect on female vocals coming in as the track rolls further right after the break is surely enough to explode some minds on the dancefloors. watch this man out! perfect end to an extended play here is the only track offering a mini lovestory: >shes lost her mind> is a true and cold hearted, crucial story about a tech savvy clubgirl falling in love in a binary world full of zeros and ones, finding computers and turin machines sexually more attractive companions to better have fun with rather than getting accustomed to that old fashioned missionary position carried out by her human boyfriend. floating, dubby and rather melancholic, but definitely not a sad song! but one thing is for sure regarding that twisted story after all: someone has truly lost her mind somewhere along the way …

incl an experimental electro track with a german vocal by mascha hengstermann

great freaky detroitish techno

phat techno 4 track by mark verbos, a techno producer and dj since the early 1990s

the man behind some infamously amazing and joyful live sets, a successful first album for musique risqué, a great ep for oslo, and a brilliant debut on circus company with petit djinns-including the underground hit >sous l arbre<, guillaume & the coutu dumonts is now back on cc with >i was on my way to hell<. a delicious two-tracker for different moments, covering two distinct vibes perfectly. on the a side >i was on my way to hell< is a jam that bubbles over like a volcano with a marvelous synth pad melody building along with a gospel preacher sample. all the while a heavy groove powers away underneath- he’s got the secret! on the b side, we are taken to a more quiet but still melodic environment. >can’t argue with silence< opens up with a rolling bass line, a simple refined groove, and then gradually sprinkles tasteful acoustic hits and ethno-styled synth stabs on top. close your eyes and feel the heat of an >arabian night< inna guillaume & the coutu dumonts house sylee!

cool microfon logo shirt ...

cool microfon logo shirt ...

cool microfon logo shirt ...

jerome sydenhams mighty dub remix of hideo kobayashis >the puzzle< is simple energetic and very efficient track. ablaze with stabs and a funky beat it does nothing less than thrown you into a state of tech-house frenzy. jerome sydenham dons his techno hat to express his interpretation of the heart of darkness in >congo<. big kicks, punchy bass lines and a deep house hook make >congo< not only fresh in sydenhams production approach but also very accessible to all those who are tech inclined

played by sebo k, karotte... layo and bushwacka! are equally at home turning out summery housey affairs as they are peak time stormers, and >now is the time / the time was then definitely fits into the latter category. a double header, the loose concept behind the release is to represent the sound of the dancefloor now versus the sound from a few years ago. >now is the time< has its feet placed firmly in 2008 - a crisp, clean techno bassline, topped by hand claps, snatches of breathy female vocal, and full of an irresistible array rattles, whooshes and other indefinable sounds that the duo seem to pull from the depths of their imaginations. it breaks with some simple electronic sounding chords and a stirring martin luther king sample that makes this record so memorable. >the time was then< is based around that same sample, but gives a cheeky nod to a few years back, with a bassline and keys that wouldnt have sounded out of place on their seminal ‘night works’ album. it never goes too far towards nostalgia, though, and either would rip up a late night dancefloor

ultraphat jackin killer techno !!!

dennis ferrer gets remixed by charles webster & jihad muhammad. nj house producer/dj jihad muhammad takes us on a bonafide rhythmic journey with his rendition of the change the world. you can’t help but feel a funky sensation run through your body as you dance to his groove. also, previously unreleased is charles webster’s ruff mix of ferrer’s soon to be classic >how do i let go<. a simple, yet classic, house montage which compliments k.t.s melodic vocals.

dj support by : 2000 and one, karotte, james flavour, tobi neumann.... after already four strong 12inches on audiomatique we proudly welcome back robert babicz with his fifth audiomatique release: >dark flower< is a shiny groover accompanied y a beautiful remix from rotterdam based techno-veteran joris voorn. the a-side features two new tracks by robert, >dark flower< & >spiralboogie<. >dark flower< showcases roberts typical handwriting: a dry, but funky groove construct with melancolic and deep synths while some highly seductive bass slaps create this very special babicz feeling. >spiralboogie< spreads its magic on a2. slowly building, having the funk in the trunk and fully focussed on simple, but reliable qualities. forward ever, backwards never. the flipside holds our chefs suggestion: an extraordinary joris voorn remix of >dark flower< which already stirred a huge buzz when steve bug tested it on his recent japan-tour or robert played it out in brasil last month. joris voorns mix perfectly combines floating harmonies with a thrilling drive. simply irresistible

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

for the final of the simple sounds ep, we bring in the disco courtesy of two of wills favourite fellow artists. putsch 79 take wills album cut >speak & spell< deeper and darker but maintain wills original chord progression. the undulating dark disco mix slowly evolves into a fabulous euphoric crescendo that’s already proving to be irresistible to our feet. on the flip, northern lads 2020 soundsystem, led by ralph lawson and dubble d, re-interpret wills underground classic pause in their signature live style.

on this ep is will and tam coopers exclusive new track >out there< and the gui boratto remix of their >sequential circus<. support comes from adam freeland, ewan pearson, jesse rose, pete tong, audiofly, claude von stroke, dirt crew, karotte, konrad black, motorcitysoul..

2007 jacok carrison house edit of the 80s classic

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

brilliant deep house tune. incl mixes by raul moros and groove rebels !! support by: marshall jefferson. dj franco martinelli, christian alvarez, layabouts

simple classic miami bass productions with some nu school flavor

finest groovy and moody techno remix by will saul (aus music, simple rec) on the aside and a wonderfull bc like remix by young and promising talent producer julian jeweil based in the south of france

excellent new album by james yorkston full of finest warm folk music.

who is dj swap? after his first introduction on smallville01, swap now starts with a first full 12inch of real minimal music. simple deeptech grooves, deepkickin basslines plus superb soundwise hooklines makes this three little tracks glimmering perls of technomusic. “the walk” comes up with that kind of double minus rythm ending with a dubby chordish groove to make it an awesome debut a side. on b1 swap features the african kalimba on the sametitled piece of switzerland related minimal endless loop, and the last track consequence features a trippy sequence on simple bassy beats- this one goes out to daniel bell, we may call him the mental father of swapmusic.this is 100 % advanced dancefloor shit for all you ibiza underground afterhour junkies! we stay to dance

mousse t. remixes

florent is considered as one of the rising french artists in the electro/minimal scene. after his famous releases on kompakts k2 and style rockets florent strikes again with this minimal and groovy 3 tracker with a subtle detroit feeling

the djs steel and smith alias andor van reeven and marco pronk earlier did the club encounters project. they have scored various club hits with that one. turn helds two mixes, both with great and catchy vocals from myran.the original mix is an optimistic dance floor oriented electro house tune, with a standout sound riding along on a bouncy beat. the mix by kurtis johnson is a more tech/electro twisted, with the ever so infectious fat sub retro bass line already supported and played by fedde le grand, anthony pappa

strong powerful dark tribal just as we love it!

this is a classic release recorded in 2003 mastered by c rock 3 percussion driven deep house gems

after the collaboration of baby ford and mark broom on pure plastic 64 here comes the next 3 big dancefloor bombs by mark broom. here he teamed up with the mysterious shubaka (reputedly a man of french origin)

superfunctional floor fillers based on simple ideas and created with that special charme not being new to the game mr leger is quite a luminary when it comes to extasy in the club

christian martin joins the production ranks of dirtybird along-side his well established brother, justin martin. on the a-side, >stoopit< conjures up images of princess jasmine stripping f or lil jon in a lush arabian tent. on the b-side, >venus fly trap< tackles more serious issues, f ollowing the f inal journey of a simple house fly. these two tracks hav e a rare f lav or that will cross ov er into dj sets of all kinds. the martin brothers have taken elements from latin krunk and techno swing to make something fresh and wild

remember the infamous scene from the movie deliverance? the one with the retarded kid and the grown man going all out in a play off, an acoustic guitar vs a banjo… anyway, lindstrom finally got around to play & record the banjo he bought in nyc last summer. it takes time to practise & learn to play the banjo. lindstrom needed a year to make the simple banjo-lick used on >the contemporary fix<, the 9th feedelity release. you might think the use of banjo, autoharp & clavinet together with acid squiggles on top of live disco-drums is a most unusual combination? well, here s the soundtrack to deliverance 2006

special nice price action...
>fascination< incorporates synthetic rave lines, driving drums and super effective arrangements. >in the sound< works with a very simple bassclick which develops into pure dancefloor dynamite with acidish toppings and mean vocals..

bristol s deepgroove have been creating a real good name for themselves over the last couple of years & this release will only add to that reputation. dj play from: pete tong, d.ramirez, james talk, dylan rhymes, mike monday

freedom sounds are back with colonel red on vocal! a dope jazzy bouncy broken tune for the co-op massive and for the party people. already a classic in the box of ig culture, orin and all the hot djs, this tune is simple but effective. alex attias production is tight and the man is back with some freedom soundz flavour , low sub bass and simple key hook .for your dancing pleasure of course

the consumer seems to bring up some 'advisory' with a wide range of styles going from the simple and raw oldschool side of electro to the more fine and digital sound combined with a lot of mad and dark lyrics that brings each track a little higher. 6 very different tracks with a lot of surrealism and 3rd dimension and still you find some tracks with a simple structure - keeping it all down to earth. the consumer-sound can be described as a unique atmospheric, but yet very dry and sharp sound that includes alot of small crazy elements

mit eleganz, groove & den passenden ravesignalen machen die trenton betreiber auf sich aufmerksam