break 3000 and adam kroll take quite some chances in naming their first collaboration 'get down' cause in the golden era of funk and disco every second track that was produced to 'just' get people on the went by this title ( a quick namecheck on allmusic.com confirms close to 300 entries ). well, our two protagonists surely had a few of those blueprints in mind as they clearly quote some of the main characterisitcs - handclaps, pulsating moroder style bassline, extra thick slap bass, robotic voice - mix them up with a few drops of acid, a rough guitar riff plus majestic paino chords and distill everything to a luiquid, sleek state-of-the-art house funker. the flip is more introspective and very atmospheric with darker, moody chords, yet the galloping square bassline and the omnipresent sharp highlight make sure that 'tonite' theres no parking on the dancefloor. when the players arrivea the club...beware