catchy commercial vocal crossover track that is allegedly one of the big tunes in french radios & dance charts based around a moroder-esque electro tip bassline with a vocal laid down over the top, & right in the middle of actual tendancies. great stuff

bassline driven minimal electronic house/ techhouse with great 80th & ebm synth stabs. sound of cocoon. plays: sven väth, dominik eulberg / incl ingo boss remix (cocoon)

the first single from formula 1, darren pearce s paradox 3000 partner helen faringday teams up with andreas from mos music to bring us a very powerful bassline lead track that has had support from timo mass, jds, james zabiela, krafty kuts

techhouse von ty tek..irgendwie schön dreckig..minimaler remix mit sehr dubbiger gerader bassline von nathan cole..cool three tracker!!

the popular house remixer matt schartz aka the drill releases his own euro-phoric-electro-disco-house crossover anthem. a bouncy electro bassline is complemented by escalating tear-jerking synths, the kind of blissful little thing you might listen to when speeding in a ferrari through palm tree-lined boulevards in the south of france. massive support by boris dlugosch, markus gardeweg, tom novy, martin heyder, da hool

lost my brain in brackstedt is starting with a reese-inspired bassline to turn into a dark masterpiece of detroitish chords and drums that sound like an invasion of ants running through your sound-system…..spooky mayhem! on the flipside theres 'my room', a maximal minimal stomper! layer for layer the dry drums build up on intensity until the bassline cut up and vocals get thrown in……climax

thick, dubby bassline groove with tight beats, pulsing synths, and a soulful female vocal for some deep tech-house vibes!!great inch..

ultraphat black strobe infected new wave elektro monster with a phaat bassline!!

minimal pushing techno dub action on top of a pulsating warm bassline..hypnotizing and uplifting!! minimaltip..

another massive track from mr. salto! , ragga vocals mixed with excelent bassline and groovy rythm guitars..

combining peaktime house beats, a grooving bassline, and good use of filters with a great rock guitar riff, a bluesy vocal sample-turned-riff and killer vocal drops (everybody looks better with a suntan) for some chunky big room house on the reverse, joey youngman gives us one of his trademark bumping yet deep house reworks

a moody tech-houser with metallic synths, tech beats, and a brooding bassline all playing a part. the 'z8 mix' gives the track a little added toughness via chunkier, fuller beats and a bit more beef to the bassline. on the flip, 'meta bora' has more of a progressive approach, with a brooding bassline, dark sweeping synth lines, haunting vocals, and crisp peaktime beats

catchy bassline, boogie down drums and those very special stabs, we all missed for so long. masterpiece! on the flip men of the moment dirt crew aka james flavour and break 3000 take the chance and rub down the original into one of their most floor-friendly outings to date

here's the next bomb! keeping the oldschool rave sound, john 'cousin of jesper' dahlbäck gets slighty harder and presents two monster techno trax! 'devon' is a bleepy clubber with an ace vocoder voice, wheras 'asia' is a green velvet like snare and bassline driven anthem! probably the hardest track ever released on morris audio! yes mate, your p*** stars are a real hot piece of wax

six pianos is reminiscent of early detroit techno and somehow of derrick mays strings of life, it has a very unique powerfull hypnotic groove. fiestais a latin stomper with its amazing rythm and latin guitars! light the worldwill please all kerri chandler fans ! , deep chords , amazing house drums and bassline with some positive deep vocals. it was played in miami. support by: danny krivit, dj spinna, kenny dope,franck roger, dj gregory

come on come on blends chunky beats, a meaty bassline, great spoken male vocals, and riffing synth chords into a driving peaktime houser. on the reverse, dj prom reworks the track into a an even bigger groove, with a beefed up bassline, solid primetime beats, and more of the vocal involved for another surefire big room floor pleaser

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

missing lovedrops rough thumping 4/4 beats to a backdrop of schizophrenic atmospherics - no, those arent voices in your head! class of paradiseoffers momentary sonic relief, its acidic bassline and funky percussion. slave of the darkness is more schaffel. played by andre galuzzi

flying high combines great synth chords and shuffling beats with superb vibes and a wandering bassline for some quality late night house for the floor crowds. on the flip, 'nj track' blends strong chords with drifting synth lines, bumping beats, and a deep and funky bassline for deep house grooves. 'escovados city' with more latin touch

dusty moves' sees the boys combining techy beats with a dubby bassline and some subtly filtered synth lines. on the flip, 'sometimes i feel' is aimed more at the late night crowds, with deep chords, warm bass, jazzy horns. 'jays acid dub' completes this solid trio with subtle dubs and acid tweaks

deep keyboard with acid bassline based !house with some power to it.if you dig school of acid (which so many people come to us for this records) so this is a record for you

a dynamite three-tracker. you'd swear the a-side cut is a vintage wicked crew houser from 1995, as its packed with sweatypercussion, dubby drum echoes and a nasty acid bassline thatwill move the most stubborn dancefloor

soulmagic serve up some chunky, funky house with come on, come on, letting a great bassline underpin stabbing synths, shuffling beats, and a stellar male vocal, second side with more deeper house licks

hard phunk 135bpm club techno alter ego style by pogals & sleazy & nasty bassline driven techno by andreas krämer!

excellent groovin filtered disco house !! giorgio moroder styled bassline

heavy bassline styled minimal / bangin techno with fresh sounds !!

somedaysblends chunky peaktime beats, great percussion, stellar string arrangements, and a wandering bassline behind another sublime vocal performance from ann saunderson. 3 mixes to choose from here, and every one is a winner, so better stock up on this before it gets as huge as blackwater

nice, quirky spanish house with a dubbed out disco feeling backed with sratching wah-wah guitar, dope bassline and hot sax stabs - in the vein of early paper recordings. the b-side features two dub versions: one heavy percussive roller and a more stripped down tech-housy take. cool versatile package!

another peak time winner coming from climatic. keeping the magic of the original with the powerfull vocals from b. beresford 'melody' hits us with a big synth line riding high over a bassline geared to make some booty s do some serious shakin

slamming speed garage styled funkin house with heavy bassline

limited edition...phat slamming filtered electro disco track...giorgio moroder influenced bassline

limited upfront promo !! monster electro-funky houser with a phat groovy bassline

the superbly-titled 'pimp doggy woo woo' is a pulsing acid house winner, blending chunky house beats with some killer acid lines and a rumbling bassline in fine style, think classic period plastikman as a point of reference. the flip goes for a deeper, more tech-house groover

the 3 tracks are all diverse in style with the a side being a superb moroder influenced dance floor killer with a funky bassline, subtle string edits and clinical production. the 2 b side tracks are more minimal in nature but no less effective with the b2 track having a haunting string melody that's truly awesome

the crumpster yet again takes his very own hump recordings imprint to another level with the stunningly produced 'la la'. awsome beats lay behind a sintilising string pounded along by a typical crump booming bassline. both sides deliver a driving force and hypnotic groove making serious waves across dancefloors worldwide

solaphonics behind solaphonics are the german djs/producers jca and jerome isma-ae. 'give me some love' is doing its business with a pumping bassline, funky guitars and last but not least with the wonderful voice of colee royce it is a perfect record for a house orientated dj-set. big with roger sanchez, tim deluxe, tom novy...

these guys really know how to transport the spirit of early chicago to the present! on the flip we got the remix from jackmate and nik reiff, stripping the original to the bones.. straight jackin beats and a huge bassline…shake!

sweat dirty and exstacy in its purest form. no nonsense slamming beetz with kick-ass bassline drives the track with the vocal samples lifting the spirits to the next level. on the flip our rave-hero klaus wunderbaum m packs his adrenalin induced, dusty 303s out of the box and fires up a heavy acid slaughterhouse of no-nonsense ill house music. dark yet uplifting, this driving monster breaks the speedometer on the first lap!

aaron dipping into the seedy world of ghetto tech, with a typical naughty female vocal backed by deep bassline and clapping beats on a minimal floor mover on the flip, 'south side 734' goes more for a techno feel, with stabbing dubby synths the main players

a stunning floor smasher. dry pounding bassline, clicking retro effects , sampled snares , present airy sound. mono on mono more reduced . chorgs on b offers some pitched chord so beautiful it will be a sure alltime jt classic. 2 tracks of the highest calibre

great remixes to mr.negative s eccentric clubsmash: freaks hit hard with sparse, stripped down mix mashing up analogue bassline, random string sounds and some 80 s sounding key chords here and there - the result is abstract, wiggling disco-funk delight. sassse aka freestyle man takes a techier approach with a robotic effect on the voice sample, pushing oldschool bassline, scratches and sparse percussion build up in classic wild pitch style to some irresistible floor frenzy

midnight' is a minimal dubbed out techno gem, with it’s bubbling bassline and stellar minimal synths. on the flip, 'invader' features percolating synths, a driving bassline, and spacey effects a la red planet or purposemaker on a superbly atmospheric techno winner.

>u got me< centers on a superb vocal sample, surrounding it with a wickedly deep bassline, riffing guitar, choppy vocal edits, and chunky poppin beats on a tracky peaktime slice of jackin house

classic longplayer from the 90ties with acid trancy tech, breaky and techno feeling

2 more tracks of dancefloor mayhem. give your body starts with a funky acid bassline and snapping drums, building a deep but rockin solid groove of psychedelic keys and spooky vocals for a ultimate 10 minute journey which sounds perfect at 7 in the morningÓ on the flip freestyle man remixes >its a dawgs life< to an early 90s murk versus mauriziopeaktime killer with stabs and filtered rolling synths. hot

royal' is some high-class clickety-clack minimalism of the higest order gaining the world-record for the fullest, most powerfull bassdrum ever. joining force with beatzar on 'dormouse' the guys get funky on your ass with a galopping beat and a massive bassline. 'i can' is a footstompin house banger. i could have kept this way shorter by telling you that ricardo villalobos already drops this - now you know this is big!

deep keyboard with acid bassline based !house with some power to it.if you dig school of acid (which so many people come to us for this records) so this is a record for you !.

combines funky stabbing keys, snaking bassline, driving beats, and a risque female vocal on a quality peaktime floor-mover. miguel migs lays down a superb dub take next, utilizing great shuffling beats alongside the original synths and vocal, while the bassline ups the tempo a little and swirling effects are added. b side track “decompression” is more harder action

forever 2 return is a peaktime techno cut, with latin loops pitting wits with a bumping bassline, chunky beats, and some great filtering. 'escape' is a crackling electro track that bristles with analog goodies, backed by a dubbed out bassline. 'technochet', a pumping big room cut that blends jackin’ beats with superb filtered synths, a funky analog bassline