the third release on true to form recordings comes from parisian producer mikael weill. here mikael starts off with the title track >silmarions<, which glitches and grooves with a warm kick, plenty of inviting keys and stabs programmed into mix

just need music is an uplifting production with a dark and dirty groove with an overall fresh sound. kemist has used weird sound effects and elements very creatively.the message equals the title of the track and one can say that it comes from his heart. jaimys remix on the flip starts off with a tribal rhythm and builds up to a very energetic uplifting tribal progressive tune with some old skool house flavors.kemist has released tracks on labels such as hooj choons, low pressings, tommy boy, j records, jellybean, lajja recordings, fatal music and tweekd.

the fifth 12 is the best of his seven days album, wich was released in 1997. paranoid as the title sugests is haunting while - the bar- still will cause mayhem on the dancefloor as it has done for years. - eclectic- takes you on a trip to wherever you want to go

new label on the map comes with an efficient club house title using the famous in my house vocal sample from the early 90s.already huge reactions from the promos.

michoacan is fernando miranda rios, a young and very talented producer from the states. he already has releases on labels such as grayhound, headinghome, lo rise and bear entertainment. his track 2 bullets was on the lektroluv elektrik planet compilation and the title track from this ep here got a spot on the new lektroluv 007. now the dr decided to offer michoacan a full vinyl release on the lektroluv label and we honnestly think it rocks! both basshead and d.s.s.g. can and will get radio airplay for sure. this is a top notch crossover production that sounds catchy without being commercial at all.situated somewhere between house, rock, disco and electro, michoacan has his own particular sound and is an artist you will certainly hear more from in the future

the title track is a peculiar sound collage composed of playful percussion quaint synth pads and over swung patterns of jorges unique sound collection remix comes from apendics who injects a hefty doze of energy into the original

>who are fake< is the second release on john henry - the brandnew label by zoo brasil. the title track is based on a rhythmically complex bass figure which builds uo into a monstrous killer application for sweety club nights.. >show me more< explores deeper grounds with modulating killer basslines and a keen arrangement..

the i want my mtv mix takes the original straight to the dancefloor with a tough and techy outing that re contextualizes the vocal and injects a robo funk vibe thats guaranteed to get the crowd moving. on the flip, as the title suggests, the lightly touched dub moves closer with the original,staking a deeper vibe and more hypnotic approach, while emphasizing the elements and drawing out the groove. already a west coast favorite on white label doc martin needed two copies! the we are not mixes of rivers are poised to make their international bow with a club approved boom dj support from doc martin, chris fortier, chris duckenfield g pal, jon sinclair, solar, kostas michalis, reticent, deko ze, andy hughes, and shylock

as a producer d julz released his tracks since 2000 on labels like ovum, serial, 20/20 vision, paper, music for freaks, end recordings. now he is back with a fresh 12inch on dessous recordings.the title-track >berlingo< is a breezy and funky beatdriven mixture of reduced house music and technoid influences which seem to escalate from bar to bar until some hypnotic chords come in and set the roof on fire!moon harbour s finest matthias tanzmann & daniel stefanik created a fantastic remix of >berlingo< recomposing the original ingredients into a dark hypnotic techno house hybrid. deep and drifty >sulo< on b2 rounds up the single with a flashy bassline and nice sythnie and sound gimmicks

dub-tech >> 09.10.2006 >> klang & spallek, labelowner of paso music, with three tracks of smooth timeless minimal dub techhouse and one more forward going title track..

shake that booty is an ultra minimal and not incredibly mastered jacker with a fairly distorted tom sound and some sporadic delayed laughs and giggles throughout. soul train is, as the title suggests, based around sampled strings from an old disco track the b side is stronger, with crazy edits hyperactive tom patterns and noodling organ riffs

title cut is hot. maximal house laced with abe s acid and deep grooves. the twists and turns are dynamic. resonating basslines and chords cut between the latin beats as abe s vocals highlight his >sound<. brother to brother. sister to sister. when the fever breaks. flip the scrip for >ghost dance< featuring tijana t, an up-and-coming performer and vocalist. long building space before the synth explosion. think miss kitten/jade4u dubbed out on acid. reaching for the stars. a hauntingly psychedelic adventure

the title track - one of the best tunes from the album - comes in an alternative version, whereas >sykkelsesong< was recorded live at goa club in rome, italy. >tempo tempo< is a new track, in true l&pt style: spaced out disco

limted one sided promo special release. 30% of profit from this record will be donated to the >united way for desaster relief< in america. actually >major moments of instant insanity< is the real title. theo s answer to whats been happening in the world lately … an absolute must have piece with beginning monologues talking about the state of america at the moment and an absolut chilling marving gaye >bad breaks< rhyhtm

the track loud minority is dedicated to alex dallas loud minority residency in zurichs great club dachkantine, which closed down and was a home for great guests such as carl craig, pepe bradock, juan atkins, metro area, herbert and maurice fulton to name just a few. they all inspired us to create music which incorporates all our beloved music and combine different style elements to a fresh and maybe even a typical zurich sounding way. with dessert you can fade away and feel the ability of foster to take you into his simple but at the same time very sophisticated form of musical expression. kanona does what the title suggests. all tracks are flavoured with a great detroit feeling there are many things to say about this record but theres nothing better than listening to it.

the sixth sequel in the traffic signs series convinces once again with its special signature sound. dry, acid-driven, stripped down but featuring enthusiastic structures and well-chosen sounds, this is what traffic sounds is all about.>coming down< on the a-side is a lively acid-packed track. opening and closing filters, delays and loads of nice effects make this a more than useful peak time weapon! >back on crack< on the flip brings a heavy dose of pushing chords, fizzing open hi-hats and cracking snares all around. don t take the track s title too seriously!

originally planned as a double lp, the >bootstrapping< project ended up as two separate ep s, sharing the same title. this compilation offers nine tracks that were made by a network of friends who all played a role in the underground of dutch electronic music.

the legendary pcp producer hypnoitzer now completes his move to the new direction. the title song >electronic erotic< is a gorgeous and haunting masterpiece. >never come back< sounds like tom waits lyrics over a heckmann track. >in the cold< is a minimal vocal story of loneliness..

following their big succes with last btk release alex gopher >i need a change<, the btk label is back with yet another buzzed release.features outstanding remixes from young blood (phoenix), & monsieur jo. succes insured for the btk label this year anouncing releases from bill pritchard, phoenix, air, m, cassius, cosmo vitelli …..and of course btk home producers alex gopher, de crecy, julien delfaud, monsieur jo…already causing quite a stir in the electro scene, this title has been receiving huge feed backs from specialists such as lewis dene, axwell, benny benassi, crispin dior, jojo de freq, justin robertson, marcus fink, funk d void, alex kidd, steve angello, erol alkan, erick morillo, fabrice lig, kiki (bpitch control), justus konchke (kompakt), lottie, mylo, mike monday to name a few. big one, do not pass on this

big with hulkkonen, sasse, tiga & ata!! the title track >tru colours< is a groovy affair that builds its groove on a memorable melodic hook that ll stay in your head for days. phonogenic audio is proud to have the swedish legend jesper dahlbäck (dk7,hugg & pepp etc.)on remix duties on b1.turning up the sleaze-knobs, jesper provides us with a snare-heavy electro mix with energetic basslines and inventive use of the original theme. chock full of tweaks and edits, its a track that has a master s fingerprint..

this four track 12 inch is the 5th release from the album and includes the title track from the artists debut album blue eye blak feat. rasiyah, the acclaimed flowriders remix, an acoustic rendition from the blue eye blak live tour and delgui?s 4lux remix of save a prayer

part two of the limited 7inch series by franz ferdinand with the title song and the extra track >ghost in a ditch<..

the londoner billy nasty occasionally describes himself in jest as being the >dennis hopper of techno<…. as early as this january, the first collaboration between nasty and gregor tresher, the >black sorcery ep< was released on the electrix label, which is set to be followed up on datapunk with the >imperfection ep<. the ep opens with >iconic warfare< a high energy fusion of classic techno with the kind of saw tooth attack so typical of tresher s productions, and with his incantation of medial sound-warfare, nasty s vocoder voice provides a highgrade identity inducing message on the dance floor. the title song of the ep, >imperfection<, further refines this formula again in a 4:4 tempo with melancholy strings to a hedonistic anthem…

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

this 12inch on cache marks sebastian kramer s departure from a close-range sound that was defined by the labels he was assigned to until now, pure plastic and coda records. tracks on this 12inch cover different flavours of 4/4 beat dance music, with a strong reference to detroit techno. the single kicks off with >m-51<,a dark and deep techno monster track which could be taken as an alternate >matrix< soundtrack, followed by >blue cell<, a chord driven floorburner. on the flip the title track >sunwarriors< – a nice blend of analog shuffle and basslines, think of kms and f-com in the best sense. closing with >rain< a gem with haunting keyboard action

this is the second outing for jamie anderson on his new fixia label, and is the follow-up to his highly acclaimed >short stories< which kick-started the label in december last year. the a-side title track >counter strike< explores a post-apocalyptic sound scape with an edge of minimal electro and futuristic acid house

despite the title >never coming back< they are back! back with the >stamina< and this time here to stay! stereo 8 hail from bristol, the town once described as the >graveyard of ambition< a corner of the united kingdom oozing with so much talent but overshadowed by so much lack of motivation. finger lickin are very proud to present this aa sided anthem >never comin back< – it is the official soundtrack to the summer festivals 2006

"this is an exclusive traxsource release. available for the first time is the title song taken from the dj oji album "spiritual journey". this is the full length vocal version (originally edited for cd). vocals delivered to you by sheila ford. percussion brought to you by dj oji. guaranteed to errupt any dance floor from start to finish"

the mirage ep is a perfect example of the hybrid blend of jersey soul and chicago house that large music has exposed over the last 12 years the title track is a deep techy spoken word tribute to the first perfect underground experience umba dae follows with filtered beats and a dirty driving bass line born in aruba completes the set with lush keys and tropical rhythms

the dutch techno label found it was time to revive one of his biggest smashers called >birds on e< the title gives us quite a good idea of what this stuff is all about… this time there are two brandnu remixers in this new djax-pack including the original version! please give these men a warm welcome: sandy warez & the edge of motion crew fire away two mind-blowing nukes and show that the heart of acid music still has a pulse… and it s getting stronger

techno for whirrled peas, simple and serious message, is in perfect harmony with the solemn butane s music but also with the records artwork, the wheel on the a side is a symbol of peace. this new record is simply >bewitching<, it should rock the crowd with his exhilarating rhythms, hypnotic basslines and disturbing atmospheres, sometimes reminiscent of minus. the a side >world peace< is an overpowering dancefloor anthem, while on the b side >black rob s acid< and >working title< add a deeper vibe to make this a more than solid 12inch. butane therefore enriches the roman,photo family with his emotional techno… already support from luciano (cadenza), troy pierce (minus rec)...

here we go with another wicked release of eric sneo on his label beatdisaster records. to continue the style of his famous hit record >ciao bella<, he chose another well known sample from the 80s, which is processed through several filters and effects. stephen hawking delivers the voice and title >black hole<, explaining some conclusions of his theory...

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

no order is the title track and first single to be taken from 2020 soundsystem s debut album. the a side 2020soundsystem remix is a brilliant, epic mix in two parts - starting out mid paced electrofunk before morphing halfway into a berlin meets detroit meets new york techno disco odyssey. the discoteque dub is the first of two superb dub mixes, it takes the electro disco bassline and danny s rock solid beats to form the basis of an exceptional modern, italo influenced electro dub. the basics dub , as the name suggests, has been seriously road tested at the leeds underground institution back to basics and tips its hat to the sounds of classic chicago and new york house

release number three on oliver liebs monofleur features himself under new alias every. the title track is a minimal futuristic electrohouse smasher.. <civilized> on the b side gives a kind of breaky electro-acid feeling and with the massive bassline in there just gives a killer groove.. 04.05.2006

modernist ep #1 shows just why woolford is currently being hailed as the best producer in his genre right now from the likes of pete tong, francois kevorkian, mr c et al. woolfords current >erotic discourse< is being hailed as one of those tracks that has captured the imagination of both house and techno djs alike. .and so onto modernist #1, and whilst woolford nods to the past on title track 313, the arrangement and structure of the infectious cut is as modern as electronic dance gets right now. on part one, warm and lush pads herald an epic 11 minute production that twists and turns, all the while keeping the solid groove flowing. part two on the flip presents a rawer and heavier take, the driving cowbell rhythm, snaking synth line and sub bass will cause much devastation

>compulsive behaviour< reflects linus addiction to whisky and those bad habits, which derive out of that. it s a peak time b-line stomper with very true lyrics by mr. l himself added by nicely made soundscapes and emphasising synths. >hypnotizm< is exactly what the title implies: 6 minutes of a minimal synth groove, interrupted by awesome little breaks, where the hypnotism gets a good dose of dopeness - again with lyrics by the man him self! the borderline ep reflects a weekend of a dj and those mondays/tuesdays afterwards with that question: >where, how much and why?<

producer who teamed up with hernan cattaeno last year going it alone for this one on sr2 its a damn fine bit of the dark proggy and druggy club fodder all based around a vocal sample that simply repeats the title

lullaby belies its title by blending great analog bass drifting dubby keys shuffling house beats and some stellar percussion elements behind some stellar guitar play for some surefire floor pleasing house on the flipside the dub version takes the original and throws dubby delays liberally throughout the entire track and praise completes this superb trio with a laidback downtempo gem combing a plodding analog bassline lazy beats and gentle guitar into a summery terrace track

super fresh minimal techphunk tracks // collage is the debut for madrid s alex under on plus 8 (his first north american label release), delivering a sound that is complimented exactly by its title. a mastermind in blending a variety of electronic influences, his hybrid version of rhythm and sound is a moody mash up of jazzy yet experimental techno. his productions are based on deconstruction and variation with equal parts of humor and precision

iken returns with his second release - another atmospheric house-influenced journey..this new ep features 3 tracks… the distorted dirty disco workout of the title track aspects, the shimmering filtered funk of in touch, and the mysterious pulsing drone and eno-like moog shapes of december spring.. the first pressing of aspects also includes the bonus 7 single minds eye / close range (real soon, rs-008)!!

title cut is already getting massive play from the likes of väth and aquaviva. resonant electrofied rhythms roll together as the melody snaps back and stabs at the mix. peak is heavy before the groove funk backs it up. electro house at it s finest. flip side is >mondo dingo<. making use of 3am timespot it is a sparse electronic house groove that blends techno like synthesizers from out of space with the solid back beat. trapez style track

you know goldfish & der dulz from their releases on boxer and playhouse, here comes the next strike on dance electric! it seems that goldfish& der dulz have found a new sound as they ve dropped the crossover house-meets-breaks and gone for a more electro sound. the title of this tune is a cheeky reference to a passion in poems. rebelman owns a cool bass, upbuilding elektrobreaks and nice male voice. hands up in da air! bassline wise, the boys drop a bass wich progresses and builds up to a climax in the middle

large tribal fused progger with a heavy helping of ny attitude on intrinsic title track has all the right elements to move any floor and on the flip there is a rolling funk fueled number called 195hz which is just as dark

turku has always been the focal point of finnish electronic music and it is also the home of declassè, the latest signing of stars music. now we are proud to present their debut 12inch, full of edge, angst and rock! title track shadows mixes genres and eras like hell – lyrics from the 15th century lute ballads, drums like early cure or new order and then bass drones from the latest hi-the hardware synth. and the remix if from finnland uncrowned producer king jori hulkkonen…

huggotron is back in form with an other dancefloorslammer on confused. >breath< delivers a floor friendly ,hot dipped, hypnotic track with a slice of acid. >dance< the title really says it all is an uncompromising piece of material, while >live< applies his focus even deeper into the modern techno abysms, frightening and unpredictable but strangely alluring

classy breaks remodelling of a well known hardcore tune the clue is in the title

well deserving of the title 'symphony electrique', the song starts off subtle with a thick 'tick tock' time keeping rhythm and moody science fiction sequence which could have been a lost soundtrack session for the x-files. the broad and melodic themes here are soaring and strong, the painstaking drum programming is intricate with its deceptively 'live' sounding traps. an engaging electronic exercise that spreads out extensively like a warm blanket on a chilly night, and yet offers enough meat on the bone to urge a bump or two in sound systems and home listening headphones alike

on the a side a dub mix of tren by mexican electro band fase has beaten a path into the playlists of numerous top jocks including nick warren b side epic progressive is the order of the day between is a straight 4/4 track that builds slowly before exploding into life with its incessant chords while return to mars the title track is an atmostpheric progressive breaks workout of the highest quality (sb)