ultraphat kickin phunked up minimalistic techno (magic space)... and soooo effetive ! 2nd track, horror base, is a spooky acid infected tribal techno stormer. flipside combines percussive techno with the hypnotic minimal flavour

bad mofo is a powerfull houser with catchy, crowd working, stab sounds in the build up. during the track a huge bassline that causes the dancefloor damage! caprice is filled up with percussive effects. the combination of the chords and crispy beats makes this track a huge club anthem! with massive support by sander kleinenberg, ali dubfire (deep dish) and max graham this release is one you cant miss

up and coming dallas duo ill castle have a penchant for smoothed out house jams with just a touch of jazz. this 12inch sees two originals from ill castle and a smokin remix from demarkus lewis. >its a shame< mixes freestyle sax with dark organs for a moody dancefloor mover while >latina< is straight up percussive fire. demarkus keeps the heat up bringing a new york maw kind of vibe to >its a shame<. deep synth lines and smokey percussion keep your body movin

twisted tech house and percussive disco grooves fused together by new yorks hottet new producer talent!! this is part 1 of 2

tube tech s latest release features a cooperation with gayle san, who enriched their style with the funky grooves and elements for which she is known for. the result are 2 club bangers with percussive grooves and forward beats, flavoured with funky guitar sounds, which have been treated thtough several effects..

maschine starts the sub-label >maschine ltd< for darker, deeper and more weired sounds. the first release is by oliver lieb aka solieb and he delivers two percussive atmospheric tunes

return of one of the most prominent characters in house music elbee bad has been around for ever and with a discography that reaches from nu groove to gigolo has had his fair share in the developement of house music. now he stands in the limelight again with a versatile four tracker that gets already thumps up and plays by sven vaeth. victorious is offered in two mixes and if you like some beauty within your house the video mix is for you beautiful layers of strings, classic piano. a crowd favourite the epic build ups and drop ins over a stomping beat. the blazin brooklyn mix hits you from a tribal point of view it holds on to the beauty of orchestrated music with all the string backings in the mix but strikes with a harder, more percussive beat. the tribe vibe on the flip has elbee yelling on the mic asking over & over again do ya ll want this party started” accompanied by a stripped down, devasting beat the answer can only be yes. bonus track is conny, elbees tribute to fingers inc. the classic donnie sung by robert owens is reshaped from a mr. bad point of view and layed straight up over a famous dj falcon instrumental rough and rugged, just real house music

great mixture of funky percussive rollin techno and disco tech for fans of marco carola and his question series

second ep on this new german label comes from france man sebasian prado and he delivers detroit influenced techno with early support by rob boskamp, dj vitamin d, nova radio, carl cox,monika kruse, chris liebing, claude young !!

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

phat driven and powerfull percussive techno bangers incl remixes by dj link, maximus and loudon kleer

funky, bumpin,percussive, tribal mover with monster bass, chanting vocals and some wicked acid touches on the a side. b side is a down and dirty jazz house thang with trumpet and smooth narration

new series of edits featuring some handy club tools a surprise rework of a sweet disco nugget with a cheeky snatch of west london running underneath, a supremely club friendly edit of the o jays and b boy style rip up of a nite liters percussive latin bomb on the b side

we are happy to welcome on this 5th release one of the most important argentinian producers, franco cinelli, well known for his recent album on alphahouse, played by the most important minimal das around the the globe.he is finally back on the young spanish label esperanza with a couple of tracks, accompanied by a mikael stavostrand remix.on the a side we have a funky course track, >antenna<, characterized by his typical fat and vibrating bassline, thin and cleverly placed hi-hat patterns and unexpected bubbling delayed bleeps.this is the perfect to change the gear of the dj set from a warmup session to a serious rockin party, thanx its energetic restart after a mid breaking pause.>oscilator one< on a 2 goes more hypnotic though mantaining a funk rate, thanks to a huge variety of cycling loops featuring a dubby bassline and an appreciable rhythmic pattern.on b side we have >antenna 2< wich is remixed with knowledge by the swedish artist mikael stravostrand, bringing it much percussive on start and effective in every kind dancefloor, all that enriched by an exceptinal vocal performance by big bully that definte lyx make it a true bomb to detonate in the right moment of the night

ultrastomping hardgroovin percussive techno...(alex bau = member of basic implant ...known from audio ) limited backstock !!

phat percussive filtered tribal techno / limited backstock !!

funky percussive techno with remixes by axel karakasis and spiros kaloumenos !!

great compilation ep with some beautiful techno tracks. including as one, ian pooley, sean deason and arne weinberg. deep driving percussive techno tracks with nice warm and emotional strings. amazing tracks for the mind and soul... but without forgetting your ass and feet! check...

ultraphat hardstuff !! harder percussive wonky techno monster

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde

this new detroit label starts with a wonderful 3 tracker of atmospheric house music by label head keith worthy himself. thumpin, percussive detroit house with an early morning touch a must have

energetic and percussive peaktime techno

ultraphat harder minimal percussive techno bomnb

limited coloured vinyl, harder percussive peak time techno

montreal-based duo luci strikes with a great new single on titbit music, dwarfzilla starts the ep with a luscious kick loop followed by quirky and trippy synthscapes, next is fantex that continues their sophisticated sound architecture built on 4-4 rhythms with scuttling percussive bleeps and subliminal vocal samples. on the flipside load >*<, 8.1 slashes ipnotic bass lines mixed with sinister synth line and spacey feelings, followed up by a brilliant remix from our supervillain quiroga... support from mike shannon, karotte ...

pumpin percussive techno mit tribal einschlag

stunning percussive hardtechno !!! limited 10 inch release

ultrahart percussive schranz tracks!!! nix für zarte gemüter

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

audiomatique welcomes uros umek! his reputation as slovenias hottest dj & producer didn t remain unnoticed, as he is receiving glowing praise from djs all over the world. amongst a growing following of international admirers, his excellent and beautiful rocking tracks can be heard on nearly every dancefloor.>akul< kicks off with a percussive rhythm before a dark synth and a charismatic chord are driving the piece along. > complikator< is a relentless and dramatic backing of severe synths, rising pads and swirling noise. the bass is similarly intense, throbbing away before developing for a melodic break. it s quite a head-turner and will create a buzz in the clubs. welcome to audiomatique, umek

beautiful soothing stuff from jus ed’s fantastic imprint. the original cut is a inspired floating mix of rhodes, strings and a bouncy percussive beat. additionaly theres a more driving mix by jus ed, a oldschool house take by bu mako and a more laid back broken offering from black jazz consortium. quality stuff all around

on >pause< a rich, analogue lead line underpins the whole groove, slowly evolving, flitting between octaves and driving the track forward. at only 122bpm there is real feeling of space, allowing the carefully balanced drums and highly detailed percussive loops to add urgency and detail. soulful yet haunting chords are worked into the arrangement, intertwining with the lead line to reach a sweaty, euphoric peak. isolée deconstructs wills chords, initially only using two from the full sequence, allowing him the musical freedom to switch effortlessly from lush melodic pads to acid laced stabs. isolees unparalleled attention to detail creates a slow burning and truly hypnotic deep house groove that is as much for the head as it is for the feet

excellent pumping & rolling hard percussive/tribal beats. incl dj preach & marco g remix!!

another percussive minimal techno bomb!!

two finest driven percussive faster techno monster with detroit influence on the flip

a ground breaking 3 tracks ep that we re not less then proud to present you. kemistrycian is a wonder tune,based on twistery and magically well balanced clever programming that as an obvious goal, to make you move. back 2 basics has a shaking and grooving start, percussive elements from beyond our universe, panned along sounds for your modern listening experience. patch for dogs is a dubbed out track that just never stops. and it sure grooves, like the whole ep.

la place au soliel returns with a stunning minimal techno adventure. >leave me alone< is a deep bass n beats driver with a vocal from jorg bruckschen (eintakt04). the a2 track >simple< is a totally chilling downbeat track with warm atmosheres and a cheeky 303 sound. msq on ob the b-side represents the darker percussive side of frank hellmond and dieter krause. last but not least, >pussy cat< puts a fat smile on your face while listening and moving your ass to the dubby, easy house beat!

super percussive minimal tech kracher!! played by anja schneider, karotte, tobi neumann, miss kittin, james flavour

the excellent aesoteric imprint continues its crusade for deep, unique, techy house. thankful is build around a soaring, soulful vocal line that gets looped and twisted over a sharp, swinging beat with abstract percussive sounds and relentlessly pushing chords. this funky tune comes with a remix from brett johnson already hailed by the press and househeads alike as the new house messiah after his releases on classic and seasons

phat percussive rollin techno mover by axel karakasis and adrenaline !!!

kickin harder percussive techno

as the first 3 maxi releases were focused on a hypnotic and percussive style, this one is an amazing new variation of his sound. >cant get enough< is an ingenious produced dub track as its best. it works up to the middle and unloads irresistibly in a percussive bass. >sunset< seems to be one of those detroit influenced rays, as theyre well-known being played at the end of pascals famous after hour sets..

brill hypnotising and percussive infected detroit tracks by justin berkovi

new and remixed tracks by this spiritual, cosmic jazz group. comes with a cool percussive 10 minutes long (tech) house remix on the flipside by matthew dear (aka audion from spectral / ghostly) for the minimal fans of villalobos & luciano.... anthem, includes bonus locked groove

delano and selway present an updated and intensified version of >nowhere< (2003) by combining the originals creeping hypnotic elements with fresh and commanding percussive energy.. incl remixes by labelheads john selway and dave turov !!!

this anticipated clink release is produced by new yorks long time minimal techno connoisseur, ambivalent aka kevin mchugh. this ep, titled >roomies<, shows the diversity of this fast rising minimal label by adding stripped down, dynamically percussive yet funky tracks to their archive of releases. this ep is a crate essential for minimal techno lovers this fall

the synkope ep ushers in a new sound for mathias, one that is more full and less percussive than before yet also one that will not leave previous fans in the dark. taking his cue from his keen knowledge of the worlds dance floors, kaden translates this awareness straight on to vinyl without losing sight of todays complex sequences and sound structures. with the flood of faceless releases that threaten to sink even the most discerning record buyer theses days. there is a growing sense of urgency to make records that will remain classic and listenable even 10 years into the future. if you dont mind us saying we think this might just be one

classic percussive loop techno by codebase !!

new righteous offering by label boss ron trent himself under his new rude boy science moniker: heavy skanking organ and percussive riddims, a massive bassline taking over the melody part, nuff dub stylings and a voice of thunder transport the essence of true roots music into deephouse. the flip holds a sparser dub with even more emphasis on the bassline. stomp down babylon