sebastian davidson as a dj is a diverse mix of deep house across to more techier, tougher sounds, breaks and downtempo grooves, but each mix has its roots firmly planted in the deeper end of the house music spectrum&#133, resulting in deep sexy underground house music shaken over the funk cubes and perfectly served with a soul garnish.

rudolf has been on fire for the past few months, most notably with a solo album and a collaboration ep with partner in crime cesare vs disorder on pheeks acclaimed archipel label. this time he delivers the goods with delicacy, solid grooves and bouncy club music on his mind. the productions on this 4 tracker (one available only digital) all have a common feature: structured with beautiful, refined sounds. guitar improvisations here and there, soulful vocals in and out and deep basslines. the whole ep is decorated with an ongoing tribal feel, sexy, percussive rhythms and rubbery noises that tease the listener all the way through. this jackin and funky ep splits in the border between techno and house, and will instantly seduce clubbers all around the world.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

getting massive support from mark farina, johnny fiasco, hardsoul, raul campos from kcrw, richard earnshaw, audio whores and groove junkies. salted music welcomes back the one and only lisa shaw with the 3rd single off her upcoming album free (march 10th, 2009). music in you is yet another solid and diverse dance music package with a little something for everyone out there. so whether you are a deep, techy, funky or soulful kinda music fan, there should be something of quality you can appreciate here.

brand new berlin label from mike vamp (martini brös) and patrick gräser (liebe detail). excellent soulful deep & dubby techhouse to techno music !! limited to 300 copies

minimal clicky techhouse with a maximum load of groove and soul - great album!

united by a simple question as what is electro?, the two young english producers of joe and will ask? have spent the last two years creating dirty, cutting edge productions and taking over the london club scene. with an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, theyve won over fans from the band / indie scene, as well as diehard clubbers. they inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to justice, soulwax, dim and popof. after several eps, acclaimed by the likes of brodinski kris menace, vicarious bliss, casper c and autokratz to name a few, here comes their first release on kitsuné. claymore, delivers a tensed and breathtaking swoop with obsessive rhythms, while take me away with its strong rock energy and vocal hook, will set all the dancefloors on fire

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.

excellent neotrance infected techtracks

an ep the compliments the finer house elements, each cut displaying separate elements that serves it up for house essential mix grooves. a1, state and griswold is funky with a jazzy vibe that expresses a smooth vibe that’s complimented with soul. the elements pair up for a jamming instrumental accented with detroit style keys, kris wadsworth shows his home-style techniques with class for >state and griswold<. b1, keep pushin track, turns out with a squared bass line, coupled with the chords, and some fx that walks this cut to a swingy deep house groove. b2, keep pushin remix by chris carrier hits with a quick released thick beat, that pumps the original jam into a smooth tone of deep chords that slowly warp out with a kind dissonance towards the break down. programmed tracky, the original is pushy enough to keep the floor consistently on the move

features nrk favourite miguel migs on the a side, with his super smooth disco funk licked house favourite >the jam< from 2001 (originally featured on the long out of print >soul selcta ep<) whilst another san francisco house specialist joshua gets to grips with his bottom end on >watch da bass<, a dub infused, skanking tech house

groovebox ep is filled with some class a material for the raunchy dancefloor. first up there is into the club. this track is typical for channel x: it will blow off the roof in the club! as the title of the track already suggests, this is another one of channel xs lengthy journeys into nightlife extravaganzas. a wonderful fidgety bassline and a loop filled with loads of soulful vocal samples from strong male leads to sensitive female souls, this tune is both deep, touchful and destroying. the chainsaw effect session in the middle paves the way for more stomping tech-house business. no time to recover from this, because on the flip its straight onto the floor with wake up: a loop thats made of trillions of little cut-up effects, vocal bits and some straight four to the floor business. after a playful beginning the tune moves into an hypnotic piece of trippy techno only to be converted into a restless party anthem for the Überpeak-time. sick! perhaps there is some time to chill with the last of the three tracks that is against the wall. here it becomes clear what channel x are best at: to create dark, hard and moving electronic music with that special ingredient that is soul. this track is a perfect example: some frightening effects, lots of reverb on the creepy samples, but such a wonderfully harmonic sample that seems to shed light at the end of the never-ending afterhour. if there is a message to this music, it would be: you need to look hard, but there is always love. once again label boss oliver koletzki has picked up these two very talented producers very early upon their career and it has paid off: in one release being better than the one before

first release on top billins nightrunners (nr001) series, which is dedicated to original production, not only remixes. sharkslayer is the side project for sir nenis & dj pushups of the top billin establishment. dedicated for the more tech and house -sounds of club music, their productions will slay dancefloors anywhere. as being high on dubstep, ghettohouse and tech-house, not to mention the love for soul, boogie & dancehall, they create a unique blend of club music thats the sound of now. already picked up for remix duties for such labels as mad decent, trouble & bass and plant music (run by the legendary strecth armstrong) and causing a stir at blogs and playlisting and club play from such top djs diplo, sinden and fake blood, theyre set to release their debut 12 on top billin...

for our third release apple pips is proud to present a relative newcomer from san francisco ? jus wan. out of the countless demos and mp3s we get sent, jus wan instantly stood out with his blend of 2 step rhythms, techno soul and deep subs?appleblim cut both tracks and got a great reception to them, so much that he included action potential on his dubstep allstars vol.6 mix cd for scene-leaders tempa? action potential ? deep as you like?relentless rolling riddim, berlin techno style delayed stabs and a solid foundation of bass make this a fresh take on the sound? affletic ? switching the tempo to 140bpm and twisting the same sounds into ever more entrancing shapes t++ shows his love of drumfunk producers such as paradox in a new exciting context

one of the finest deepest tearjearking jams ever to come from the brains of the legendary american producer stinkworx! coelacanth is a piece-de-resistance of soulfull technoblues where moody synth riffs play over an irresistable funk baseline. on the other side we find the track amira another huge deep detroit techno jam where basic channel-esque chords evaporate over a sauce of delicate electronics. two beautifull tracks with which stinkworx continues the great american techno legacy. to finish everything off there is a syncom data remix of the track coelacanth where the baseline is squeezed out to the max!

limited edition vinyl sampler to the forthcoming album movido dubs on our new label straight outta san francisco loveslap! recordings. movido dubs is a warm and dubby deep house odyssey that resulted from the collaboration between san francisco dance music pioneers charles spencer and mauricio aviles. a head nodding, hip swaying vibe experience drenched with minor chords, intricate percussion and lush atmospherics, movido dubs will resonate with deep house, tech house and minimal house/techno audiences. fans of artists and deejays like mark farina, tiefschwarz, jimpster, chez n trent, restless soul and labels like prescription, freerange, paper, nrk, fresh fruit, naked should give this one a listen.

shokh is back with dipolter ! a-side is vinyl only ! >deep, down, below – but tekno, tekno, tekno.< this is mr. shokhs first release on his own label. he delivers two detroit and house influenced technotunes that fully exhaust the lower frequencies. so be sure you play that on a good sound system! sometimes you just gotta let your soul glow. yo.

supported by: dj hell, jonathan ulysses, da fresh, sebbo, tom pooks , flash brothers & moonbeam... silence with it s breathtaking vocal and unbelievable beautiful strings arrangement is a tech house symphony with all the dynamism of an 21st-century-underworld hit. in a more club context are the remixes by j-soul, saint martinique & stereofunk. so enjoy the silence

a solid three tracker of dubbed out, disco driven underground grooves pulling some sweet sounds out of their record collection, broken home bust out a nice mix of tech house grooves with dusty soul samples main cut two fancy mixes throbbing clicky y drums with slow building guitar licks and filtered samples, working a hot hypnotic dancefloor groove flip for some more funky flavors on flack track and the ultra deep afterhours cut on the low!! solid ep for the inland knights and swirl people fans

finest deep soulful techhouse

great techno/techhouse album by sean colt, made in 2003. rare copy of the first edition, 1st vinyl is yellow, 2nd is red.

classic detroit electro techno genre by combining beats and melodies with a unique groove to create a burst of colour and rhythmic energy.. this brings us the soulful and funk filled ways of agorias vision of music..

funky tribal techno 4 tracker

joey puts us under pressure with 5 filtered techhouse-disco-tunes that are strictly made to make anybody sweat.

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

supported by m-nus crew, onur ozer, marco carola, karotte, nick curly, anthony collins, x-pansul, matt star, sebastian roya, alexy delano, dave ellesmere… if the original ‘burning the midnight oil’ was already a blast in all minimal tech dance floors, the remix records arrives with a new twist to keep the discos moving. soulrack & mikel_e present a fresh groovy track full of voice lines that’ll go directly to a packed dance floor. seph moves around darker and more hypnotic territories with a continuous loop while fabrizio maurizi dives deep into old school, with some broken beats, distorted voices and numerous bleeps & clicks. a collection of hits that’ll make the night vibrate. long life martinez!

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.

excellent stomping detroit techno with soul... against all da new hypes in these days... very special and very unique d1 recordings style... pure classic in the making

dj support by florian meindl, mason (essential mix radio 1), james zabiela, stephan bodzin, smokin jo, technasia, danny howells, audio soul project, kiki, fex, dave seaman, dider sinclair,.

following the great remix package of semitone shuffle, martin brodin now invites 2 of his friends for this remix package.sasse, the main man of berlins moodmusic and known for his uber cool deep-techy house for more than a decade.

myself recordings is proud to present the 1st release. >sense of our life ep< will be feature new materials from label owner himself, erell ranson. his music can be easily describe as deep detroit techno and electro. erell expresses his personnal vision of deepness and soul. and myself recordings is very happy to present you a remix by arne weinberg, courtesy of aw-recordings, styrax and matrix detroit.you can expect melodies, soul and melancholy

deep grooving, techy edged detroit house tracks by mastermind eddie flashing fowlkes!!!

the 3rd part with four delicious housetracks ... vom deep to techhouse

deep soulful techhouse, incl the mole rmx !! support comes from shinedoe, 2000 and one, karotte, mike shannon, sasse and giles smith

itamar sagi from the be as one label really made a name for himself with his black gold track that was released earlier this year. inspired by the warmer and more emotional side of detroit techno he very much captured something real and true in that song which certaintly paid off in the end. here he has done something a bit different. not less good though. actually better. this is a record for those moments when you need to increase the pace but still wants to keep the soul. perfect!

nice price deal !!! receiving major support from the likes of tony humphries, cj mackintosh, danny krivit, johnny fiasco, richard earnshaw, mark grant, colette, nicolas matar and much more...its rare these days that a song can rock the dance floor while maintaining quality and integrity but also leave you inspired by the message in the music. life is the music is a prime example of this combination. londons sonny j mason has done just that and delivers a refreshing uplifting vocal with positive meaning. this song has the right combination of energy and soul to make you move while singing along, because tomorrow aint promised, so dance, cause life is the music. miguel migs salted dub deluxe strips it down and moves into slightly more techy territory with a bouncing bassline and dubbed out cut up vocal snippets. miguel migs bump the tech dub delivers a breakbeat groove with a gritty electro ish bassline filtering in and out while layered sweeping synth pads glide on top. the original version is a midtempo soul stomper with classic hip hop and r&b flavor. accessible to radio and club djs alike this song has definite crossover appeal.

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

played by tim sweeney, only fools & horses, guillaume coutu dumont, sebo k, shit robot, mock & toof, fabrizio mammarella, toby tobias, willie graff dflex is the project from house music aficionado & x-press 2 member diesel & restless soul producer felix hopkins. both have been involved in electronic music long enough to understand the finer points of whats needed to create something of substance and with dflex they have formed a platform to explore their love of house music, techno & jazz. here we have their debut single, waltz, remixed by two very talented producers, switzerlands kawabata (a.k.a. lexx) & us producer dave aju. both offer outstanding offerings for those who like it deep..

here we offer two exclusive remixes preceding the djinji brown album release. sweat shop reworked by label mate and upcoming producer, boddhi satva brings africas tribal beats to the floor. swinging beats, electronic synths and pads saturate and transform into a hypnotic treatment. ancestral black gets blessed by mystery man afefe iku. taking djinjis creation to more dynamic and techno realms. with his signature stabs and heavy rhythms, this one demands you to move.

the munich resident florian senfter aka zombie nation or john starlight is well-known as the creator of tracks like kernkraft 400, souls at zero, space marines and last not least blood angels, which can also be found on the sound of the third season, and is thus a reliable choice for sweaty, energetic eruptions up to the fringe of demolition. this doesnt change significantly on road rage, which was originally released by ukw in a limited number of copies and is now the first sign of life from senfters studio, after three years of abstinence. with timehonoured plus 8 references and acid elements, the original recollects an almost gone quality of techno: to blow away your skullcap with the unashamed joy of telling stories, many breaks, some funky dirtyness and experimental noise playfulness. exclusively made for cocoon was the remix by parisian turbo producer popof who gives the track an even more intense gross-grained feeling. one does not have to be a prophet at all to tell that both versions are facing a great future in club autumn 2008 and beyond

somewhere between techno, experimental and detroit

ultraphat phunky bassheavy techno, for fans of paco osuna, marco nastic, umek, rino cerrone, ryan crosson, davide squillace....

debut album from 2001 by marcin czubala !! >this sound lean on bass-techno, fulfilled with funky elements, great drive and an unique madness. with a special creation of wavetable-synthesis, marcin formed his own brand-mark underlined with this exclusive debut album, which marked off clearly from the rest of all electronic music<

famoser 3 tracker für die technoid-soulige tanzfläche der mit einem live eingespielten marimbaphon aufwartet und bei >steal my heart< einen originell kommentierten sample-diebstahl veranstaltet. support kommt von butane, alex attias, perc, 3 channels, agnes, jeff samuel, kiki.

was für ein einstand ! nicht weniger als drei fulminante techno-bretter sind auf der satellite of love 01 zu finden. wer es nicht glaubt fragt die zahlreichen supporter, als da wären: hell, joakim, glimmer twins, chemical brothers, the rapture, john digweed, switch, marc broom, ewan pearson, michael mayer, tim paris, don rimini, midfield general, ivan smagghe, headman, slam, jojo de freq, simian mobile disco, soulwax, boys noize, erol alkan, riton, optimo, hercules & love affair, klaxons djs .....!! noch fragen

peaktime techno with some detroit influences

amazing soulful masterpiece of deep timeless techhouse music !!

office gossip is the imaginary workday daydream of up-and-coming uk midlands producer nathan brody. nathan just recently offered a stonking remix of schmoov’s >spirits< ( road 004 ) which has been given the stamp of approval by dj’s like tom middleton or miguel migs and many more. >blue on black< is a meaty tech-disco track with a basslline which instantly clicks. on the b-side mantis recordings’ atjazz tunrs the track inside out and gazes at it’s underbelly. the result is a chunky acid house workout with all the trimmings and quality used from atjazz. as an extra treat he also handed in a pure acid house dub. dirty stuff!