yo! good music for strange places. back from another world, ready to be stared shocked/amazed at. djs like dixon, jackmaster or tale of us will probably never know about it. ask for more information. ask for yo!
zwei soul-klassiker erstmals auf 7” vinyl! expansion veröffentlicht zwei zeitlose highlights des us-soul-stars al johnson aus seinem zweiten album “back for more” wieder, das 1980 auf cbs erschien. “i m back for more” ist ein duett mit der wunderbaren jean carn und erscheint hier erstmals in der full length version.
WHEN THE GOIN GETS ROUGH / I KEEP COMING BACK FOR MORE (7 INCH)
7 Inch 11.08.17
tutti hill’s ‘when the going gets rough’ was listed on the label of her arock single in 1964 but the record actually played ‘whoa whoa, baby take it slow’. at last this gorgeous mid-tempo dancer from ron miller and lee porter makes it to 45. the flip is a piano and voice demo from the same stable but garrett saunders’ magnificent baritone makes the song a must-have. what a pity he did not record more.
transmitting from new york (via toronto), jex aka jex opolis has so far been known as the man behind and in front of the good timin label. infamous for its boogie burner bombs to quote discogs member kutter karlo jex, trades his label for running back and a shifts the gear. up with the tempo and down with the lights, there still is a variety of styles. studio e is named after an after hours spot in edmonton that the record s author partied at in the early 2000s, also sounds like something ivan smagghe would have enjoyed at that point in time. laxmi tool is referencing classic tribal house and a street in pune, where jex wifes grandma bought the drum used in this track. on the flip, harpa brags and boasts with its trampoline bass line, while la casa surfs some timpani waves.
syl johnsons karriere nahm etliche wendungen. zunächst verstand sich sylvester thompson als blues-sänger und tourte mit legenden wie howlin wolf durch die staaten. erst später - durch die entdeckung von hi-records - nahm er sich der soul musik und des pseudonyms syl johnson an, mit dem er weltberühmt werden sollte
danish duo laid back - famous for their irresistible 80s anthems white horse, bakerman and sunshine reggae - return with a double header of quality cuts both aimed squarely at the dance floor.
minority boss hector moralez teams up with life long friend oscar miranda for a belting 3 track ep on minority. >last of an era< has a killer bassline and a hypnotic vocal that will keep the floor moving all night. >for realz< is on the deeper tip and the boys uses spacey keys & trippy vocals to devastating effect. last but not least is >about time<. this sounds like derrick carter style beats meets a mood ii swing style bass line, nuff said. boom!
sindens remix has been featured on his latest mix for fabric and getting support from many big djs! drop the lime does it the way he knows best, bass heavy banger! b-side features vocal and stripped versions by mkl, deep house style. super package!
its all eyes and ears on the red hot production duo deekline & wizard this month as we get set to release their key single back up (love for the music) on limited edition, against the grain buzz saw shaped vinyl.
trg is undoubtedly the hottest grime producer on the circuit right now and has been whipping up a storm with releases on cool & deadly, trouble & bass and is now signed to tempa. two heavyweight smashers on very limited against the grain, buzz saw shaped vinyl make this a real collectors piece.
floor orientated electro tech compilation with huge & well known tracks and remixes by yoshimoto (trentemoeller rmx), marc romboy vs stephan bodzin, l.y.t.z., coburn (jean claude ades rmx), lars sommerfeld, lindstrom (m.a.n.d.y. rmx) and mathew jonson !!!!
floor orientated electro tech compilation with huge & well known tracks and remixes by yoshimoto (trentemoeller rmx), marc romboy vs stephan bodzin, l.y.t.z. and coburn (jean claude ades rmx)
jacking and driving, the track also features the vocals of filip g whose yeah's have the effect of an additional instrument.'i cant get up' on the b-side is a slightly darker track that smells like old-school techno spirit. the manic synth-line balances on squeaking and clanking rhythm patterns. this one will definitely will find its way into your hips in a second
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