brand new label from laurence ritchie (inland knights). >the high rise ep< is vintage inland knights. this quality release is old skool fashioned and shows their side of early releases. deep and funky house at its best

yes its another carl craig remix, but yes its still brilliant !! probably the most consistent producer from the motor city comes up trumps again. vocal and dub included. believe the hype. limited edition white label with stamped info

deep energy space booster at its best by taho. he´s known from sub static 31 !!

yre-002 brings you an ep by detroits house legend rick wade (of harmonie park fame), who delivers true deep house cuts in its most authentic form. wade, who has been producing the slickest detroit house tunes for ages, sure knows how to game play. all four tracks on the >night of the living deep ep< bursting with talent to create the sweetest harmonies you can find, mixed with catchy basslines and an overall strong warm groove

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

redshapes profile is still rapidly growing. taken in mind it has been just over one year ago redshapes first ep was released on delsin - a lot of things have happened! nowadays weekly doing performances through europe, and two singles ending up in de:bugs 2006 chart. back to now, this new ep. steam comes in clonky and rough, as the track species on his last ep on redshapes own imprint present. light is a deeply beatless freaked synth excursion. the flip brings more hot stuff - starting with munch, a more detroited redshape as before! sounding as a lost 69 track, with its quircky chopped up breakbeats and whobbling synth bassline. plush at last brings in the otherworldy sounds inline of this ep on styrax. catchy business!!

his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. now its time for his first release called >back< on t:classixx. its a track which is taken from his debut album >mental disorder< and features beside the original mix an amazing sven wittekind remix and an earthshaking robert natus remix. nothing more to say

scan is born like a new bet, towards electrohouse sounds of minimal side. its philosophy is going to be publishing few products but with very high quality, looking for going one step beyond in the new tendencies. on the first release of the label we have luxury artists that from one of the most cosmopolitan cities of the old continent and under the nickname of dual core, they hide their more electronic and avant-garde side. we can assure you that quality is totally guaranteed

beach is the perfect early morning track with dreamlike sounds. an amazing deep techhouse piece for a dancefloor and living room alike. underwater is a shuffle tech track and its sounds go deep underwater where the sun cant be seen anymore.this groovy one is sure to shake many dancefloors in the middle of the night. on the flip fusiphorm strip things down to basics in best minimal tradition

on the a side the bee low remix is a masterpieceof a remix that aims at moving people with hypnotic, repetitive grooves and fierce build ups. flip over for the original timothy l version and chev chelios an intensive track you wont forget as it haunts you with its whirring synths, a driving synthetic beat and an almost melancholic feel

played by adam beyer, shlomi aber,damian lazarus, matthias tanzmann, sebo k, laurent garnier, sian, karotte, gregor tresher, funk dvoid, jussi-pekka, martin eyerer, toni rios, oliver klein, tom clark, phonogenic... also licensed to next get physical compilation mixed by damian lazarus !! after the promising label premiere with random plays >just like that (incl. alex under remix)<, we proudly present this 3-track-monster-ep-package by patrick zigon! hailing from germanys beautiful city konstanz, patrick zigon currently gains attention with his remixes for guy gerber & shlomi aber >sea of sand< on cocoon, extrawelt >doch doch< on traum and the martin eyerer & gui boratto collaboration >supersnack< on trapez. after such hot remix action, he has put all his skills into this e.p., offering 3 soulful dancefloor tools for almost every moment of the night. whether its the trippy, hypnotic >mental draining<, the sexy bass beast >third destination< or the deep house touched >soultray<, each of them actually deserves to be the a-side

massive support by josh wink, laurent garnier, funk d void, oxia, carl craig, audiofly, djinxx… after the massive djs support , inc air play and worldwide reviews of the first release, be as one is back to put the highlights on another producer coming out of israel, the freshest new talent to be signed by shlomi aber to his imprint: itamar sagi. itamar debuts on be as one with two cuts of tech-house at its best, two big room anthems with an underground feel that perfectly match what all the djs need in their bags these days. both sides going to stay on top playlists for long time and spend the upcoming summer with

the spencer & hill guys are back on the block with their new single get it on. more quality funky house with an electro edge, from german producers, spencer & hill. think seamus haji meets freemasons. massive crossover potential. this tune is already on the run since a few weeks but its even getting stronger and stronger. reactions are massive and this tune is already in the box of several global players like gardeweg, sunloverz, steve patron etc

nice and chunky, keep up doing what you do so wellintroducing deadset: an act that crafts house music in some of its many disguises. the two man team used to do a lot of that, and a little bit of this. before deadset1 and deadset2 came into being, they played in the sandpit with the likes of muse, miss kittin, royksopp, tiefschwarz, justin timberlake, scissor sisters and with labels such as fine, blue fin, souvenir, made to play, wall of sound and tsuba. now they do a lot of this and only a little bit of that. disregarding this, that and the other, their tipping point has arrived… they have also been allowed to play around at the likes of weekend (berlin), panoramabar (berlin), fabric (london), the end (london) and countless other joints. lovingly nurtured, their forthcoming album, keys open doors, is about to be released into the wild from the arms of jesse rose and his front room label. music for now, with an eye on tomorrow, made with sounds of then. deadset 1 is tom mangan. deadset 2 is cass. cass + mangan is dead. long live deadset

>sos< combines the classic stonebridge club sound with some new, fresh elements that all together thrown into the melting pot lead to serious mass hysteria on the dancefloors. vocalist erire, who has been alongside the swedish house don for many years provides a classy female vocal that stays in the clubbers mind and keeps flowing perfectly with a huge bassline and some genuine synth riff. on the flip ortega & gold deliver a mix that at first listen might sound a little too heavy but try this in the club and youll see what happens! additional mixes still to come from wawa, chris kaeser, playmaker and man of the moment mischa daniels will add their magic to and already outstanding record in its original versions. sos-stonebridge is back with a blast

this is the return of the demon hardtechno label slaughter. the sublabel was set up as a sister/sub label of braindamage and presented itself with the very first release as a new outing of colassal hard-techno that will mash up your brain and leave you shaking with uncontrollable fear. it is time for a good old fashioned, messy massacre... these boys come blazin´ !!

big tune !! once more, adam proll is impressing the audience with his latest release. especially >adamantido< persuades with its reflection of current moods and reminds of productions by martin landsky, booka shade or cocoon recordings producer guy gerber. a great emotional tech house tune with enough space for big feelings and open air mood. coming to >elevator<, adam proll is himself again and serves a buzzing and shuffled minimal techno track that rocks like hell. the track lives up to its name and definitely takes us one level higher on the dance floor. a nice forecast for the upcoming summer and a guaranteed floorfiller

big with magda, ricardo villalobos, vera, luciano, dorian paic !! kreiskollaps is the track which starts the new oslo label,having proofed its ability to rock dancefloors nationwide. christian burkhardt presents a slice of contemporary minimalism, adding lush atmorspheres and rounding it up with a deep pumping bassline. think thats enough? wait till you here federico molinaris remix, hes already showcased his remixing skills on raummusik and 8bit and takes the whole thing to another level. its more on the housy and hypnotic tip but still maintains the whole context of the track and is sure as hell going to move your butt. also dressless by christian burkhardt is more of a housy affair, groovy as hell complementing perfectly the ep

massive hard-techno lp !! during the last years the labelhead of frown records called not only massive attention to himself by producing acts like felix kröcher or sven wittekind but also by his own records, which were released on reputable and well-known labels like bitshift, abstract or inflicted. his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. you will find his vinyls in the cases of robert natus, arkus p., pet duo or dj rush. today boris s. is a class of its own in the techno scene and since two years it is not imaginable to experience any techno event in europe or brasil without boris s.

you may know alberto lodde alias dusty kid from his productions under the name duoteque. with five e.p.s under the boxer imprint alberto and his partner andrea ferlin have caused a massive stir in techno land and the latest edition of their hit record <amarcord< has been successfully remixed by nobody else than >my my<. however now it is time for alberto to walk solo paths and after an impressing release on kling klong he does his debut on systematic. >tsunamy< has to be handled with care as this can damage any dancefloor in the world as it is explosive sawtooth bassline peak time action at its best (sorry, cant write anything else). >milk< is the opposite to the flip side, a very sensitive and atmospheric groover in the tradition of border community

csm is excited to present >dream stealer<, the ambitious new release by john selway and vincenzo ragone. >dream stealer< is techno at its most modern. its deep, involving, and expanding with a steady undercurrent of persuasive energy. joel mull taking a more concise route to the dance floor with his great remix work

ultraphat driven debut lp/ minim.expression at its rawest!

chymera, originally from ireland and temporarily based in costa rica, has been making various forms of techno, electro and electronica since 2002. he has had several low key releases in ireland to local support. in june 2006 he remixed titaniums paloozah on austrian label titanium which marked his first international release. in september 2006 the descent ep was released on an affiliate label, supreme entertainment, which was subsequently charted by carl cox at number 1. xcela from that ep was also featured in funk d voids year end top 10. also in september, a side project under the alias i am an exit was released on esteemed uk house label urban torque. the numbling ep drew great acclaim and comparisons to mathew jonson, carl craig and new order. january 2007 saw the release of midnight at the aquarium on french label mezzotinto. this received major support from the likes of laurent garnier, chris udoh, james talk, spiritcatcher and many others. upcoming in early 2007 is an ep on barcelona label tishomingo and also one on josh winks label ovum. chymeras mix of deep and melodic techno is already beginning to cause a stir on dancefloors around the world and its only the start.

up and coming dallas duo ill castle have a penchant for smoothed out house jams with just a touch of jazz. this 12inch sees two originals from ill castle and a smokin remix from demarkus lewis. >its a shame< mixes freestyle sax with dark organs for a moody dancefloor mover while >latina< is straight up percussive fire. demarkus keeps the heat up bringing a new york maw kind of vibe to >its a shame<. deep synth lines and smokey percussion keep your body movin

unique and strong well rounded ep from one of the leaders of canada’s electronic music community, adam marshall. the title track has been running through the dj circuit for some time now and has been causing some serious damage amongst some of the biggest names. with its sexy metallic cords and infectious rounded crescendo, it builds up to release a true form of energy that will leave any being hungry for more. reminiscent of works released on labels such as get physical, wagon repair, or mobilee. three more tracks between minimal and house packed with heavy funk.

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

bumping und pumping percussion driven house track with this huge bassline and cool aradic sounding samples in its breakdowns not to be missed

master kev david vibes tobon team up with john crockett for this huge electro flavoured house funker with its huge synth riffs, layers of strings an eleastic bassline and this steamed organ solo by mr crockett this gem is produced by tony humphries

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

ep starts out with chuck daniels remix of sexy samba. a driving, hypnotic groove that builds with a touch of acid and female latin vocal stabs. flip for juice joint, a primetime party track with tight jackin beats and jazzy keys. its simplicity is what makes it work so well. last up is slater hogans original of sexy samba with a big summer feel, looped brazilian female vocals that provide the hook and subtle keys laid on top

dj fex is an accomplished produced and dj. having released tracks on such labels as serial, brique rouge, hypnotic, dessous, visitor, gourmet or systematic, his reputation is not to be done. as a dj, fex is a resident at mix club in paris and resident of the famous parties kings.fex gives us one of his best work so far, totally in the vein of what he does on his own label robotronic. acid forever is a moody yet obsessive track with a strong melody. its not particulary acid sounding but the vibe is here and it stays forever! on the remix tip, man of the moment tommy four seven, always on top form when it comes to make people dance and mark o’sullivan, half of dk7 with jesper dahlbäck and half of mark & john with his cousin john, member of the swedish mafia, who has recently remixed mike monday and had a release on plastic city lately. overall a strong package of mixes again

roman salzger evolved into one of the most requested house remixers, providing mixes for steve angello, lifelike, dave armstrong, muttonheads,tube & berger, to name just a few. in addition to his production career, roman is also recognized as an enthusiastic dj with a dj style on his own. his well-thought-out and meticulously mixed sets have been heard in various international clubs. now its time that he delivers us three different mixes of an outstanding floorfilla called >sunday night shuffle<.

i guess , its one of the biggest remix ever from ricardo!! its minimal , its dark and mystic, its dubby and still hypnotic for the best moments for your party / afterhour. its amazing!

after a simply sublime 3 years with the success of his labels pryda, pryda friends and mouseville and the phenomenal recent success of prydz vs floyd - proper education which was a smash hit worldwide, eric prydz firmly establishes his position as the market leader with this new double a side release on pryda. eric has been busy in the studio recently making a wealth of exciting new material. as with all the pryda releases there is a firm emphasis on making devastating dancefloor tracks with key hooklines and melodies. the a side rymd has been the biggest track in recent eric prydz, john digweed and nic fanciulli sets for some time now starting with its cool drum intro and building effortlessly with cool synths, clever edits and crashes until the intense siren twists up in the break and hits back hard and simply blows the dancefloor to pieces! on the flip side armed is a more laidback classy affair that jon digweed has been opening all of his recent dj sets with. it starts with a nice swirling intro and then the filtered drums and chords arrive and it drops into a fat bassline driven groove. the strings later on add a sublime atmospheric to this already crisp track. this is yet another perfectly balanced release from without a doubt the most consistent dance producer around right now. expect universal dj support! a must purchase

killer release !!! minz is simply introducing himself by a few words… influenced by techno, house, acid & dub, minz creates deep electronic dance music with attention to detail. on the a-side, minz gifted us with the unbelievable chinese drip. a pure mix of modern minimal music and the too long left asleep « deep » side of things. this track is indeed a delightful journey trough the minz world. groovy, sexy, deep and incredibly dance appealing. oceanic oscillations starting from below the sea level and reaching the sky to dive again! clap your hands, shake your booty ! get the crowd on their knees with the tool of 2007 ! the b-side host an even deeper cut, >we are the new me< sports a basic channel inspired groovy beat, sparkling spacey sound designs and that ultra deep bassline that just get you on the floor. minz is clever enough not to follow its predecessors and develop again a very personal groovy and delightful track. finally, >none.of the mill< is a wonderful piece of the minz ambient world enlightening us with a different point of view, a different perspectiv..

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

welcome to the new blufin imprint : yellow tail records. first release comes by the belgium based producer ramon tapia aka el carlitto with uhu + der alte, nightvision, while the kolombo remix reduces the idea to its core basic. pumping, groovy and with a raving attitude, that will for sure bring every dancefloor to the max. nightvision is the perfect addition to offer a broad sound spectrum on one ep. minimal, dark and hypnotic with similar sounds to landsky or late romboy productions. the cat likes it, and so will you. miaow !!

the light has finally shone on this spoken word treat after laying in the vaults at defected for nearly 3 years.based on an mjb single this heavyweight club track is a major refreshment from the overblown bellowing preacher tracks that are no longer hitting the mark. its all about free range recordings boss jimpster though as he rolls out a remix of stunning proportions, the production that surrounds the sublime voice is instant, epic in fact without clouding the track with too much studio trickery. a driving analogue bassline and pulsing chords all ensure main room devastation is simply inevitable

in the last year freestyle man aka sasse has been busy remixing, producing (under his numerous aliases) and running moodmusic among other things. so its with some surprise and happiness we present a new freestyle man release on sunday music. the a-side >this side< chugs along with a monster deep bassline, quirky keys and some low key effects, keeping the tension on hi-alert on this 10 minute journey of afro-funk. the b-side >vortex< builds up with effected percussion and live bass, its growing with neat synth stabs and atmospheric strings til the break drops and lifts the track to another dimension.

the green men are sasse and nick chacona and their debut production for the label is nothing less than spellbinding. its deep and its very definitely dubby, but most of all >blink< rocks so hard it hurts. featured on the forthcoming buzzin fly volume 4

after the succesfull introduction of the oldskool sounds by rootz masters basoski & romano, its time to let the real new generation be heard. on this second ep from this ongoing concept, olav basoski introduces remaniax and disfunktion. these 2 new talented duos bring you the oldskool filter flava we all love so much. the third track and finishing touch is by master basoski himself, and has the mysterious title george

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

nice building techno track (one sided) on this obscure release.. no additional info on the label or artists but its strictly limited to 300 copies. a different version of this 9 minute anthem will have an official release on another label soon. cool record that will kill it on the dance floor and even tho that logo rip-off is very much 90 style its still kind of funny

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

support by oliver koletzki, inaqui marin, angel molina… marc marzenit is without a doubt one of the covered ones of the electronic scene of dance for this 2007. spheere is track 100% marzenit, great melodies and arpeggios, explosive hit, crescendo continuous and hipnótic to the maximum. today is yesterday - claustrophobia-rmx is governed more by similar patterns but less serious than spheere, and with a definitive attack to the jugular one in its culminating point. today is yesterday - original rmx- adopts melancholic forms with a minimalistic suit in the less contemptuous tone of the word. this does not sound like a regular record? then in the cover and the label it puts it well clear r-e-g-u-l-a-r

deep grooving atmospheric breaks track flip over for a wicked 30hz mix with its noisy synth loop the track is featured on y4k mixed by general midi a must have

the loop is a funky chunky breaks affair using an oldschool vocal loop to top off flip over for break the world out with its tasty bassline and smooth synth lines not to be missed

the 4th installment of defected acapellas here feat cuts from junior jack, kings of tomorrow, jocelyn brown, jamie lewis, ron hall, olav basoski and many others a must have