pnuma picks up with its fourth release by introducing let s go outside. after releases by established artists such as lee van dowski & quenum, dan curtin and scape one, the label ventures out further into unchartered territory to bring the sleazefest that is i ll lick your spine . the remix comes at the hands of parent label soma s repeat repeat

ascii disco, who is now living in madrid, put his latest track mdma into pale music s hands in terms of a 12 release with remixes by the scandals and punx soundcheck

rogue djs with their hands on these 2 classic songs to work and twist it into 2007 electrohouse mayhem

a slightly steppy intro will get the crowd going. but when that bass drops you d better be holding on to something (or someone). this is minimal understated breaks at its best, stripped down beats and rolling bass complemented by hi end riffs and a little bit of pad to add warmth. anti science comes up with a remix that toughens, embellishes and shines an already dazzling gem into a thing of rare beauty and bass

most people need drawers to put names on styles, to define music to a short range of elements. those will have a hard time describing this new masterpiece by uk based dino lenny & simon duffy. combining units of minimal, techno, noise structures and a certain rave attitude at the peaktimes they really make ya feel lost in a positive way. who cares about styles when the result is working, and this combination sure does wether youre at a club or even looking for the perfect track to rock the open air season this year. yellow tail scores big time again with this underground peaktime burner! andrea doria twists the original into a more >electroish< direction. distorted leadsynths with strong mellos leave no choice but to raise the hands and celebrate electronic music the way it should be done, wild, obsessive and free from the daily worries. this is huge

americhords 2004 enter ep get a double reworking by two of our favourite producers: dan curtin and mark broom. ohios dan curtin metamorphic records delivers two diverse interpretations of >tighter my grip<. his first >track mix< is more in keeping with his recent stripped down productions on tuning spork, with a sharply produced linear reworking which focuses in on the original tracks vocals and shimmering synth riff. his second >string< mix sees him turn in another of his signature techno-funk classics, as only dan curtin knows how. long standing d1 collaborator mark broom, effortless as always, rearranges >phoenix< into two pulsating 4/4 grooves, with the originals haunting string line riding on top throughout both. again, as with recent d1 releases, this is strictly limited vinyl run of 300 copies

tayos distinctive dub breaks style has forged its way forwards onto a worldwide platform with impressive dj sets and radio shows on kiss and bbc radio one. his fusion of other genres into breakbeat can clearly be heard on his fabric live 32 mix cd, which is an absolute corker! this time around he is not alone and teams up with the dynamic duo ctrl z. they also have an impressive repertoire with releases and remixes under their belts on respected labels such as 777, hardcore beats and rat records. its no surprise then that we have a heavy dub influenced groover everytime, which makes a perfect summer time party tune. on the flip lovers rock teases it way from a slower reggae groove to a full force bassline that will tear any dancefloor apart.

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

disc two continues the foray into deep, electronic territory. the devastating and downright dirty radio slave remix of peace divisions blacklight sleaze heads up the a side, and has been out of print on vinyl for many months until now. on the second side, san frans dano serves up a deliciously dubby remix of mood ii swings classic slippery track and chicken lips get all italo inspired on their acid mix of nick holders player 1

chrysanthemum ep is the first new recording from kelley polar since his hugely successful debut album released in 2005, love songs of the hanging gardens. the seeds of chrysanthemum are described by mr. polar himself as a confluence of the apocalyptic fear that permeated all cold war childhoods, comic book illustrations of blood and violence abstracted into flora and a b grade science fiction novels portraying two teens in the final throes of lovemaking as the world is destroyed in nuclear apocalypse. yet despite this decidedly dark and unique approach, the song is nevertheless pure pop catchy and indelible once heard. rosenband is lighter in subject matter yet just as deep musically, filled with synthetic layers and rhythms that reveal themselves slowly on subsequent listens. despite the immediacy of the melodies, there is a detail that permeates all of kelley polars work and rewards the attentive listener. a completely reworked instrumental version of rosenband is stretched across the b side and is dare we say it a dancefloor killer, with a long, mix friendly intro building to an incredible crescendo. the track is arranged and mixed by morgan geist and was done so with djs in mind!

dj oji hits us right in the face with a couple of atypical jazzy afro funkified productions on this double a side! sax you features vocalist kolai & gets eclectic with its slappy percussion & really catchy plucky rhythm string. this only serves to warm up the epic intro of the jazzy sax that comes in as strong as a freight train. doing one of his very special edits is master musical editor & dance legend, dj danny krivit. continuing on his path of afro funkdom, this next oji offering is another quality piece featuring esteban & tettris entitled non believers. a rhythmic hodge podge of sounds in the same vein as the aforementioned style including sax, trumpet, hammond organ, wood clavs, and interjected by a psychotic transistor noise thats sure to drive the listener into a modern day ritualistic frenz

this is the second part of the religio.audio 005 compilation. therefore the tasty smoked ham is ready to be at the table and is by the way divided into four wonderful pieces. in thin delicate slices serve four well-hanging acts their >musical< excellent examples at the sprightly slaughters plate 005z

artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

forteba was born and raised in hungary where he chooses the occupation of an electronic music producer at the age of eighteen. his early compositions were settled near breakbeat and chill-out area but he soon found his passion in straight rhythms and arrangements inspired by german deep-house stuff. he likes to embed various elements of dub and ambient into straight clear rhythms, so his borders of style are hard to define. he produced some successful singles in his home country as >the garage< together with gábor pasztoriális and got released at hungary-based underground labels……

ever think you d be listening to a gorgeous house tune called piece of meat? pardon the pun but this is one tune you can really sink your ears into. ex ten city member & legendary house music vocalist, byron stingily, takes the notion of a broken or stolen heart literally, so often such is the feeling of lost love. four different remixes bring different flavas of house, from the revered remixing super soulful skills of quentin harris, to the more classic sounding production of byrons original mix, to the dubbier & more bass heavy style of ron carolls bmc emotional remix. vegetarians & carnivores alike will learn to put their differences aside & dance blissfully to this top tune

next sure-shot from the berlin boys plasmik – the success that these two brothers have already had with their first release >eight to nine< and their remix for ripperton is impressing. licensings for steve bugs fuse sampler, loco dices time warp mix and jamie jones get lost mix are just a selection of their current achievements. furthermore, they will release an exclusive track on crosstown rebels. the crowd and the djs love their style. inspired by us-techno cuts from the middle of the 90ies, they transfer and interpretation of this sound into today. with their newest release, they raised their understanding of dance music to a new level. pitch it is a dubby house track with pitched piano elements and a catchy hookline. this outstanding tune, which is already in heavy rotation, was licensed for claude vonstroke s mixmag mix.

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

the original track is a strong progger with cool female vocal snippets dj fist turns the track into a huge absolutely slamming tribal house bomb a must have

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

after two recent releases on robsoul and brique rouge, here is the much respected french producer chris carrier´s last ep, >new phase< on his own label adult only !! powerfull three track ep made for sweaty dancfloors

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

tjr continues to fold his own unique style of house, acid and techno. fresh, funky and exciting best describe his newest productions. archipels pheeklends his hands+ears on the remix. puckmouth is the main cut found. chicago influenced rhythms blend with analog bass as jack beats flow. synth effects float with the snare attack. tweaked. slowly pushes hands into the air. funky ho medina sounds like classic dance mania on modern pills. snappy percussion builds with quick edits. detuning madness arrives via keyboard runs.pheek (archipel/leftroom) reworks puckmouth with an energy boost. a slowly growing dimension of sound that is constantly trying to climb higher. this remix is a deadly, twisting your brain and eardrums

eddie thoneicks magic hands work this into 2 excellent peaktime bombs this is a must have record

shlomi aber has delivered his debut release on ovum. coming off his successful releases on cocoon and renaissance. shlomi is one of the hottest producers of the moment and he has delivered a twelve inch that is totally ovum. the original mix is is an absolute roller. shlomi knows how to deliver the groove. he manipulates the percussion to creat a very cool rhythm that builds to a prime time climax that drops back into that infectious groove. on the b side gel abril brings in the 303 to give the track a twisted approach. the acid mix is an absolute stormer ready to devistate any main room set! gel abril tweaks the acid line into perculating climax that drops back in to devistate any dance floor. this record is big!!

new kanada is excited to present two deep advanced house cuts from the mood edit group. >santa domingo< is a peak-time monster house cut - seamlessy blurring the line between minimal and maximal. seriously jackin and bumpin beats collide head-on with haunting sirens and swirling textures. fast enough for the big room - but with a depth and rumble that screams >lock the doors and bring out the good stuff!<. >broken< begins as a tight minimal beat with gritty breakbeats dropping into the mix. slowly it expands into a frenzied piece of surgical funk that fits somewhere between nicolette s >dove song< and carl craig s >bug in a bassbin<. a long extended 8-minute journey into deepest water

played by adam beyer, shlomi aber,damian lazarus, matthias tanzmann, sebo k, laurent garnier, sian, karotte, gregor tresher, funk dvoid, jussi-pekka, martin eyerer, toni rios, oliver klein, tom clark, phonogenic... also licensed to next get physical compilation mixed by damian lazarus !! after the promising label premiere with random plays >just like that (incl. alex under remix)<, we proudly present this 3-track-monster-ep-package by patrick zigon! hailing from germanys beautiful city konstanz, patrick zigon currently gains attention with his remixes for guy gerber & shlomi aber >sea of sand< on cocoon, extrawelt >doch doch< on traum and the martin eyerer & gui boratto collaboration >supersnack< on trapez. after such hot remix action, he has put all his skills into this e.p., offering 3 soulful dancefloor tools for almost every moment of the night. whether its the trippy, hypnotic >mental draining<, the sexy bass beast >third destination< or the deep house touched >soultray<, each of them actually deserves to be the a-side

nice and chunky, keep up doing what you do so wellintroducing deadset: an act that crafts house music in some of its many disguises. the two man team used to do a lot of that, and a little bit of this. before deadset1 and deadset2 came into being, they played in the sandpit with the likes of muse, miss kittin, royksopp, tiefschwarz, justin timberlake, scissor sisters and with labels such as fine, blue fin, souvenir, made to play, wall of sound and tsuba. now they do a lot of this and only a little bit of that. disregarding this, that and the other, their tipping point has arrived… they have also been allowed to play around at the likes of weekend (berlin), panoramabar (berlin), fabric (london), the end (london) and countless other joints. lovingly nurtured, their forthcoming album, keys open doors, is about to be released into the wild from the arms of jesse rose and his front room label. music for now, with an eye on tomorrow, made with sounds of then. deadset 1 is tom mangan. deadset 2 is cass. cass + mangan is dead. long live deadset

and so we have, >irst_te?< the word is bay area fillmore slang for >thirsty?< worthy saw it painted on a fence somewhere and made a track about it. this could be a breakout year for worthy who has already had multiple plays on radio one of his >whistler< remix and >that funkin noise< from his digital label, katabatic. >irst_te?< is bouncy and fun and it sounds kind of like it was inspired by the band in the original star wars with the alien clarinet players and the blue elephant on keys. claude vonstroke takes it darker and more techno, with an epic sounding build that could fit into almost any set

stand up is a stormin track featuring an emotional vocal performance by brent st. clair over a deeply pounding groove that is enriched with a funked-up, bubblin bassline and harmonic keys, featuring cleverly inserted breaks and build-ups. central avenue s reworking turns the track into a funk drenched feel-good thumper with catchy keys that together with the vocals create an uplifting feeling. dario dattis comes up with an uplifting dub full of funky flavors guaranteed to rock any dancefloor

daniel spielt mit umwegen, tiefen und horizonten elektronischer tanzmusik. seine tracks für kalk pets sind euphorisch, verspielt und verweisen nicht selten auf andere, befreundete stilarten. feiner melodiereigen

>sos< combines the classic stonebridge club sound with some new, fresh elements that all together thrown into the melting pot lead to serious mass hysteria on the dancefloors. vocalist erire, who has been alongside the swedish house don for many years provides a classy female vocal that stays in the clubbers mind and keeps flowing perfectly with a huge bassline and some genuine synth riff. on the flip ortega & gold deliver a mix that at first listen might sound a little too heavy but try this in the club and youll see what happens! additional mixes still to come from wawa, chris kaeser, playmaker and man of the moment mischa daniels will add their magic to and already outstanding record in its original versions. sos-stonebridge is back with a blast

zidan style, chaim & k 300– hailing from tel aviv, one of the countrys most vibrant cities, zidan style has turned into one of isreals most sought-after producers in the last few years. teaming up with chaim aka dj h, also one of the best-known djs and producers in tel aviv as he has cultivated a border community style, a mixture of chicago house, dirty and minimal techno and party electro, the two set out to let their worlds collide in the studio... their two hypnotic yet driving tracks will strike a chord with those who like it pumping with a little touch of magic sprinkled in

another solid ep from the greenhouse crew with groove federation. with three tracks for your listening and ancing pleasure the federation kick things off with scrubs, a skippy bouncy bass driven affair a la inland knights. next up is electric gums, a deep slice into the head nodding space. pass the music rounds things off with a straight jackin chunchy deep house jam packed full off fx, vocal elements and action oriented percussion.

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

big with: shinedoe, ripperton, sian, martin eyerer & many others !!! this summer will be huge, because the guys of 8bit signed up the well known get physical, connaisseur and pokerflat artist afrilounge, for an ep which will hit the open air crowd like an hurricane. on a you ll find the track >wasser und sonne<, a combination of groovy pushing beats with an unforgettable melody, which forces you to move and stomp your feets into the ground and crying a river like justin did. on aa you ll find the track >cruisen< , a wonderful deep house track with an easy chilling character

this release is a mixture between minimal techno and sweet trancy melodies in the typical david keno style. the stupid, dirty mr. oizo bassline and some kind of rave atmosphere make this track very special and unique. less is not always more. it is time for melodies again... krikor (crack&speed, karat, ark rec) turned the track into a slow and dirty acid groovemonster in his own typical sound.

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

"on his first release for karmarouge daniel mehlhart seduces us with his emotional 12&#8243; vinyl ‘am anfang war es minimal’ to dream, dance and love. daniel mehlhart takes us with his impulsive groove on his trip into the darkness of the night, he introduces us to his personal labyrinth of sounds and styles and finally presents us a glance into the bright light of the beginning day"

tyree cooper, the house music legend teaming up with rising dutch stars born to funk well, roog and greg hooked it up, and the results are explosive the born to funk boys have revamped an old skool hip hop classic and skilfully turned it into a dance floor monster, entitled sodb

boogie army are really on a roll this year, and the level of their productions just keep getting better, and this is no exception.huge, track which again, is going to be heard in full effect at this years festivals.frances maelstrom delivers a storming remix, making for a very tidy package indeed. if you ve been into the ibreaks funk sound so far, this is definitely one for you.

dj skull with classical driven acid techno

after the success with abyss 15, comes here the next killer track from christian fischer !! the bside is a remix from brazilian andre dazzo, who takes the lead track >payload< from abyss 15 into an even bigger anthem this time..

all tracks written and produced by jallokin at deaf zone terminal 2. a1 decomposed by pink elln at null prod. studios, miami. b2 decomposed by narcotic syntax (james dean brown / frank ford sinatra) and recorded at perpendicular sound, san narciso. b3 repiled by jallokin at deaf zone terminal 2... inlc the legendary >epic< ep by pile from 1996 !!

bobmo is a young (17) producer hailing from the hyperactive city of paris via the even more hyper city of bordeaux. bordeaux is a pretty cool place and, hanging out with the right crowd, going to the right club, and listening to the right radio show, bobmo got into detroit techno, miami bass, electro and, most importantly, chicago house

roman salzger evolved into one of the most requested house remixers, providing mixes for steve angello, lifelike, dave armstrong, muttonheads,tube & berger, to name just a few. in addition to his production career, roman is also recognized as an enthusiastic dj with a dj style on his own. his well-thought-out and meticulously mixed sets have been heard in various international clubs. now its time that he delivers us three different mixes of an outstanding floorfilla called >sunday night shuffle<.

after a simply sublime 3 years with the success of his labels pryda, pryda friends and mouseville and the phenomenal recent success of prydz vs floyd - proper education which was a smash hit worldwide, eric prydz firmly establishes his position as the market leader with this new double a side release on pryda. eric has been busy in the studio recently making a wealth of exciting new material. as with all the pryda releases there is a firm emphasis on making devastating dancefloor tracks with key hooklines and melodies. the a side rymd has been the biggest track in recent eric prydz, john digweed and nic fanciulli sets for some time now starting with its cool drum intro and building effortlessly with cool synths, clever edits and crashes until the intense siren twists up in the break and hits back hard and simply blows the dancefloor to pieces! on the flip side armed is a more laidback classy affair that jon digweed has been opening all of his recent dj sets with. it starts with a nice swirling intro and then the filtered drums and chords arrive and it drops into a fat bassline driven groove. the strings later on add a sublime atmospheric to this already crisp track. this is yet another perfectly balanced release from without a doubt the most consistent dance producer around right now. expect universal dj support! a must purchase

here comes the first split-12inch on phil e records, shared by jackmate and the dutch newcomer pitto. pitto is already famous in holland for his energetic livesets and his >moodengineering<-parties….this is his vinyl-debut! his track >aphex< is a timeless piece of techno with charming piano-licks and a decent build-up-arrangement, perfect at dawn! jackmate comes up with >nomads< , a 303 driven journey into the heart of his machine. this is a livetrack, raw and on point

tensnake remix reverie of spring-like chords melts the atmosphere of a cold dark room in successive thrusts crackles into a light shining in carefree abandon. in the original mix of “oscuro claro” the laden groove - lightfootedly noisy - rolls staccato into furious compulsive sounds, majestically muted into a thought that - spoken after a short hesitation - moves the action away turning it into mere play

wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.