following on from their last ep, the worldwide renowned mn2s quickly drop their next 12inch release – again allowing a sneaky peek into all the forthcoming goodies the label is planning over the next couple of months! big vocal numbers are definitely order of the day here, with tracks from soul avengerz, sofia rubina, danism & justin michael all once again proving just why the label is rightly regarded as one of the leading players in house music.

in order to the re-release of the classic deusexmachina exp:001 re-release the enzyme crew decided to offer us this special enzyme release: deusexmachina exp:001.5!
this wicked hardcore/industrial hardcore 12 inch kicks off on the a-side with two brand new remixes of the classic tracks >throes of injection< and >facerocker<. >throes of injection< gets a massive 2010 treatment by enzyme superstars nosferatu & endymion, the boys did a perfect job in their particular style which makes this remix a huge floorfiller. >facerocker< receives a vip remix by immobilizers, a terrific industrial remix which will be highly appreciated by the lovers of darker sounds.and on top of this all the flip side offers 3 brand new tracks by mindustries, rough & experimental stuff full of originality, just what youd expect from these masterminds.
slammin vinyl which is a true must have for each & every hardcore lover worldwide, have it large!

2003 tribal tech journey!

in 2010 desolat continues its one year old x series with m.in: >sing and blow at the same time<. m.in is an young artist from frankfurt area developing his individual music taste by being open-minded towards other genres. his interpretation of house / tech-house is spiced up with jazz, soul and afrobeat elements in order to present a varied and sophisticated blend to his audience and led to numerous well received solo releases and remixes for radio slave and italoboyz amongst others. m.ins house and his versatile beat programming caught our attention a long time ago - and the title track here simply seemed to be tailor-made for loco dice and his sets. >sing and blow at the same time< was probably one of the best kept secrets since last summer and now it’s time to reveal it. this new desolat x will be the first in the series to be available as a digital file as well. its coloured vinyl, with artwork by florian pohl and mastering by enrico mercaldi, will remain a collectors item - great sounding and good looking.

limited edition, no repress ever! please place your order asap! after the wonderful hivern by john talabot (remember the fantastic luke abott rmx of >sunshine<???) the label comes around with a new brilliant 4-track ep by pional featuring remixes by basic soul unit and comeme artist rebolledo

zernell and goodking are back with the second volume of their grimy edits series! this ones a monster with a ferocious double action edit that we challenge any disco head to id! a little motown, a little funk, another essential release from grimy.

the waiting is finally over! after all the ups and downs of the past year, we can happily report that joshua eustis now firmly intends to continue telefon tel aviv as a solo project. in order to mark his decision with a bang, thewonderful title track >immolate yourself< is being released as the second single from the current lp. the song has been entrusted to highly acclaimed and diverse remix artists who have skilfully stripped down the epic album track to more club-friendly formats.
the a side is delivered by label-mate thomas muller, whose finely detailed techno soundscapes can now be enjoyed on five bpc 12 inch releases. his >immolate< remix takes a much more direct approach. he reduces the lush arrangement of the original to a powerful basic framework, leaves out the vocals almost entirely, and creates a surprise when the track crumbles into sonic chaos towards the end.
miss fitz aka maayan nidam has had singles released on labels including raum musik and freak n chic, and these have been remixed by renowned artists such as ricardo villalobos. her version of >immolate< also makes a clear break from the album track and serves up her very own brand of abstract, dancefloor-friendly house. once again, all the opulence of the original is thrown overboard, a dry beat is placed at the centre of the arrangement and enriched with sinuous vocals.
ben klock needs no further introduction - he is the epitome of the bleak, hard minimal sound. his album >one< is currently available on ostgut ton, and as a remixer he has earned the highest acclaim for his version of depeche modes >peace<. bens >jack mix< is fittingly titled and lives up to all the expectations of the name. the track is stripped back to a resounding, hammer-like beat framework - minimised for maximum effect.
bpitch legend sascha funke delivers a surprise with another astoundingly reduced remix, at least by his standards. he turns away from the melodic richness of his current album >mango< in favour of repetitive fragments and an extended arc of tension which will surely make his >immolate< remix a massive after-hour hit.

the voice of the people has spoken. italys independent outlet archive records and french distributor discograph have teamed up in order to deliver deep electronic sound – a sonic eccentric house affair now on vinyl, previously only available on cd.

charity compilation part 2 with tracks by martin eyerer, ds (daniel steinberg), tube & berger, format b! the dance music scene frequently uses african influenced music and rhythm. sampling vocals and percussions of african origin often help djs to achieve huge success with their tracks. meanwhile the political situation throughout the world is reaching an ever-growing imbalance from which the poorest are made to suffer. especially in africa, children have it very hard. they are growing up in an environment that offers poor resources and are exposed to a life of inhuman circumstances. no education, no medical care and worst of all, not enough to eat. in order to support these children and to aid their fight against poverty, the charity project >it began in africa< was set up by juliet sikora and tube & berger. together with other artists from the dance music scene they want to help raise money for the organization the african childrens choir. in cooperation with the african childrens choir, 18 artists made their own interpretations of the original songs from the african childrens choir. all profits made from the sale of this compilation will be donated to the choir and their further projects, i.e. building schemes, the founding of nurseries, and schools to help children get away from a life on the streets. >with this project we sincerely hope to be able to support the children of africa and empower them so that one day they will be able to help themselves.<

charity compilation part 1 with tracks by timo mass & santos, kean sandreas and namito! the dance music scene frequently uses african influenced music and rhythm. sampling vocals and percussions of african origin often help djs to achieve huge success with their tracks. meanwhile the political situation throughout the world is reaching an ever-growing imbalance from which the poorest are made to suffer. especially in africa, children have it very hard. they are growing up in an environment that offers poor resources and are exposed to a life of inhuman circumstances. no education, no medical care and worst of all, not enough to eat. in order to support these children and to aid their fight against poverty, the charity project >it began in africa< was set up by juliet sikora and tube & berger. together with other artists from the dance music scene they want to help raise money for the organization the african childrens choir. in cooperation with the african childrens choir, 18 artists made their own interpretations of the original songs from the african childrens choir. all profits made from the sale of this compilation will be donated to the choir and their further projects, i.e. building schemes, the founding of nurseries, and schools to help children get away from a life on the streets. >with this project we sincerely hope to be able to support the children of africa and empower them so that one day they will be able to help themselves>.

limited edition 2 x 12 inch double album vinyl!
nu electro vol. 2 features 12 specially mixed full length versions of the freshest, biggest and latest electro tracks, of which many are exclusive to the album and not available to buy anywhere else at this time. the double-vinyl also feature 2 incredible and exclusive bonus mastermixes.
nu electro vol.1 vinyl sold out in a matter of weeks - so get your copy quick!

re edits inspired by the legendary all ages chicago night club medusas by mathematics head jamal moss. theres an extended re edit of ultraviolence by new order, an obscure skinny puppy b side re edit of the choke, and an re edit of schizofrenic freddy by neon judgement.

>cancel< is duesseldorf based producer antonelli electr. 3rd ep for level records. while most producers arrange their tracks on laptops, using the latest software synthesizers and sequencers, antonelli choose to ban computers from his studio in order to concentrate on a production method which hasn’t change much since the early days of house music. all tree tracks are arranged and recorded live without any edits resulting in very pure record which a magical flow.

the particular view on a musical future might have been considerably different when olaf hilgenfeld (berlin) met iftah gabbai (jerusalem) for first sessions in 2004. the piano player hilgenfeld used the accordion that time mainly, whilst gabbai was using all instruments available, a computer was among those more by chance. only one year later the duo skinnerbox played regularly on such uplifting, innovative off-partys that came up in the new techno generation again.
that was just the beginning. skinnerbox have developed a purely electronically composed and performed music (partly featuring vocals by elle_p) – that is not based on loops but improvised techno inspired house and minimal house. the roles in the duo are clearly settled: olaf hilgenfeld – moog synthesizer, iftah gabbai – hardware drum machines, max/msp und ableton live.
all these distinct impacts and effects can be heard on their various releases from the last two years, but far better in their live sets. skinnerbox are an experience, taking you on expedition with paralyzing minimal, breaking house, hard-edged techno-jazz, and ambient electronica futurism.
it was a desire to eternalize this play- & colorful diversity, often just caused by the moment, as entire homogeneity. thus, they needed to leave temporarily their environmental techno and minimal house scapes. >king of spades and marmalades< – the result – is a jazz opus wrapped into a disco suitcase. it is a reminiscence as well as going far ahead of daily musical habits, shown not at least by the order of tracks, do not starting with a stunning hit of the album, but with 20 minutes of challenge.

bodo elsel has only done a handful of records and the two that i have known and loved since 1998 were put out on playhouse, the excellent housey sister-label of mighty klang elektronik. one track in particular, discount baby, has always stood out in my mind as a high water mark in the sacred art of groove (you may have heard of it). punchy accents and resonant bass layered with trippy vocal loops, its dubby acid house of the highest order, made by a mysterious german lego-master, who the a&r team of mike mind and thomas st shindig managed to coax back into activity.
it only took bodo a year to answer mr. minds email, but he eventually delivered three amazing tracks... >haustier< revitalizes piano house. >mai< is incredible, and >mein haus< is one of the top few all-time expressions of the greatness/meaning of germany, putting it in the fine company of the autobahn, sven väth and christmas-market schwein. nice wibes!!
the icing on the cake was that bodo made it very clear he wanted no part in royalties or any of that business crap... he just wanted 42 copies of the record. yes. 42.
we were so inspired by all of this that we decided to put this record out in a different way for us that just feels right this time.... if you want to find out just how good the >mein haus ep< is, you will have no choice but to buy a copy of the 12 inch because this one is a vinyl exclusive!

love from montreal,
thomas von party

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

the title track is a dreamy balearic disco number with perky female vocals (comes with a beatless alternate version). all out of order is a quirky throwback to eclectic 80s pop ballads, think laurie anderson on autotune (comes with a version sung in spanish)

restoration records highly awaited eighth release is the most powerful sonic weapon to face up this hard times. captain power and the soldiers of the future will lead the riot of the machines in order to restore the analogue kingdom. humans and machines, blood and fire, souls and transistors are operating together to fight the conformism and the loss of values imposed by the mass communication of this post-industrial era.
third side is the new operative group of restoration, formed by marieu, lucretio and by resident dj of panorama bar steffi (klakson/ostgut ton). >ready to dance< is a dancefloor disco-bomb, funky and sexy but minimalistic at the same time. very essential in its build-up, its bass line is addicting and relentless and its bass drum is powerful. we are ready to dance, its time to jack!
analogue cops >chamber< is a strong dark track in which a massive 808 drum explosion runs together with an ultra-pitched down voice sample. rushing percussions, piercy hi-hats, a breathless progression. an experiment which turns into a solid club tack.
on side b, >still me< represents lucretios vocation to neoclassicism. the time disappears and a gospel organ full of motown reminiscences reminds the most soulful works appeared on planet earth. dramatic and sweet, its evocative and hopeful. lucretios track on rst006 appears on tama sumos >panorama bar – mix cd<.
>mauzy< is marieus deepest track on restoration. beat-down smashing 909 drums, punchy snares, delightful piano chords, sharp cymbals, a praising voice. a track for a spiritual elevation, a track to dance until the last second. a track to listen to a million of times.

voorn & oosterwals green imprint is probably best known for its modern classics >blank< and >mpx309<. now they return with the labelÆs sixth release: dosems beach kisses. powerful synths are the order of the day on this euphoric masterpiece. with voorn being such a huge fan of the track, it made sense for him to pick it up for green. so today, we bring beach kisses the joris voorn edit. powerful synths are the order of the day on this euphoric masterpiece. on the flip, marc dosem has provided us with his own new edit under his sendo guise. an atmospheric delight.

the mfa return in style with synth-pop spectacular throw it back - a timeless squelchy acid, crunchy guitar and vocal blend worthy of classic new order

high on the heels of their brand new album >24/7< gus gus serve us the second single outtake. >thin ice< is undeniably the key song on the album and therfore screamed for being revisited for dancefloor purposes. the a-side belongs entirely to the hamburg based trio wareika, which is not only sharing the tourbus as support act with our icelandic heroes on their extensive >tanz mit mir< tour but also raised some eyebrows with excellent releases onlabels like tartelet, connaisseur, liebe/detail or eskimo. their take on >thin ice< is a wonderful, epic journey into contemporary deephouse - approaching the original from its intimate, emotional side before taking a total different turn in the last third of the track. we have no clue where this angelic voice transcended from but for sure it gives us gigantic goosebumps. on the flip, matteo esse and sant aka analog people in a digital world deliver proof that their brilliant remake of st germain, >rose rouge< was not just a one-hit-wonder. it was and still is hammered by the top league djs like pete tong, luciano, michael mayer and many more. they know exactly which buttons to push in order to make this worlds dancefloors happy.

as the european summer draws to a close, the next rekluse release takes a brief change in direction and offers up something a little lighter to accompany the last of the hazy rays. after the previous electronic madness from simon stokes, mr copy, loco & jam and kiko we are joined for this release by la based artist erphun.
erphun has had a pretty hectic summer himself, appearing on steve lawler s viva , dave seaman s audio therapy , oliver huntemann s ideal audio and stephen bodzin s hertzblut . not a bad run at all. with previous releases and remixes on mutekki , saw recordings , excentric muzik and forthcoming releases on bedrock (+ john digweed s new comp) as well as 8 sided dice , this guy has had a busy couple of years...
to complete the package mr henry von (joint label owner of rekluse with fergie) has reworked tu sueno, giving it some of his trademark bite and re-marrying the vocal to the breakdown, keeping things shaking until there is no where left to go but to bring that beat straight back in...

electronic music of the highest order here, think kraftwerk / early ur etc, this debut release from elekridas on the universal human underground label is a beautiful, deep, spacy 4-track journey that is well worth taking!

reflections is an anthem of the highest order. from the sizzling opening bars and the lush hypnotic techno sensibilities of the gorgeous original version, to the sheer melodic beauty of the reprise, it is patently obvious that alan fitzpatrick has created something very special indeed

stealing thunder so you move that ass, the duo dubbed thunderheist unleashes serious electrocrunk boom bap. ribcage-rattling bass breaks laced with proper rhyming are flipped with digital booty bass, 80s-inspired electronic pop and slowed down southern bounce, all fresh-dipped in serious swagger. mc and singer isis and producer grahmzilla know how to bring it. and once they ve brought it, it stays brung. >torontos shit-hot electro duo< (nme.com) are already a huge online phenomenon, but this first full taste of their forthcoming album comes courtesy of nasty mix records in canada. catchy, propulsive, ecstatic and uncompromising, it s party music of the highest order, utterly unique but sounding like its been in your head all along.

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

mumakils behold the failure detonates 27 lightning fast firebombs of grinding metal with all the subtlety and remorse of a suicide bomber. this is grind as fuck!

voorn & oosterwals green imprint is probably best known for its modern classics >blank< and >mpx309<. now they return with the labelÆs sixth release: dosems beach kisses. powerful synths are the order of the day on this euphoric masterpiece. with voorn being such a huge fan of the track, it made sense for him to pick it up for green. so today, we bring beach kisses the joris voorn edit. powerful synths are the order of the day on this euphoric masterpiece. on the flip, marc dosem has provided us with his own new edit under his sendo guise. an atmospheric delight.

the new, first time ever on vinyl 2lp reissue of a long way around to a shortcut is somehow a greatest hits of the golden not quite decade of sic alps. well, not quite golden, either. can gold be tarnished? can it be done on purpose? if so, sic alps are artisans of the highest order - for their music is the bright, surging sound of ye olde rock & roll radio (and the garages that tuned in) heard through air darkened with specks of nameless obstruction. in and amongst their ingrown sounds, sic alps take on classic tunes from strapping field hands, throbbing gristle and the zipps on a long way around to a shortcut. it is to their credit that they completely absorb their estimated predecessors and create the only sound left to them: the sound of the sic alps. a long way around to a shortcut was issued as a cd in 2008. it collected songs that were first issued throughout the epic years of 2006 and 2007 on two 12inch eps, three 7inch singles and a cassette, plus a song from a compilation cd r and a song exclusive to this compilation. the records were originally given titles like united, strawberry guillotine, semi streets, hip hop sweepers vol 1, teenage alps, and the soft tour in rough form, but all these original releases are long gone.

yep, thats right. synth pop sensations heartbreak remixed by the horrors. tom furse from the horrors has a fearsome collection of analogue synths and used them to rebuild this track from heartbreaks debut album from the ground up, and a killer job hes done too. as ali and sebastian from heartbreak both release on dissident their label lex thought it would be a good idea if dissident did the 12 inch release. obviously due to the nature of this release and the addition of the combined horrors / heartbreak fanbase its pretty much an instant collectors item and will fly out of the door at a fair old rate of knots so please make sure you order enough to keep everyone happy, i doubt well have any of these left by the end of the week. the clip is taken from the second half of the track as it turns into a glorious cosmic synthesizer orgy, theres plenty of arpeggiated trackiness before it gets to this bit

stone cold classic funky disco floor filler thats stood the test of time. first time ever on 12inch!!! taken from the hard to find self titled lp by tommy stewart, bump & hustle music is the definitive disco funk party anthem. it was recorded in 1976 in atlanta, georgia, and since then the lp has found itself in the play boxes of soul, funk and jazz djs alike. however, its not until now that this amazing song has finally made it onto the preferred format of dance djs the world over û the 45rpm 12inch single. in 1976 tommy stewart was a busy man, working as an arranger, producer, performer and writer for a host of soul and rnb artists. the lp made for abraxas records was the first to go directly under his name, and although it failed to take off locally, the lp soon became known by djs across the world primarily for the club smash bump & hustle music. as it happens that song in particular almost didnt exist but for tommy needing to come up with something quick in order to fill in a gap in the album. conceived and recorded on the spur of the moment, and with backing vocals by isaac hayes singers hot buttered soul overdubbed later, its a superb example of rhythmic simplicity blended with soulful, catchy harmonies. its just impossible to listen to bump & hustle music without a broad smile coming to your face, and when played loud in a club, its impossible not to dance!

after their last production faith christian pass and johannes team up again for sungod to continue their creative work. on the flip side johannes heil is celebrating life with his track true love. what else needs to be said!? supported by heiko mso, gregor tresher: excellent start for johannes heils new labeb!, toni rios, frank lorber. the same way volcanoes have eruptions, dicks have erections and bloody rivers flow: shit happens naturally! even when im on the toilet, i will not use force to squeeze it out because i know it will flow out anyway. its a state of mind, a way to live and the best description of how the creative process and the decisions of this new playground will take place. we will let it flow and get rid of the shit before it happens! we are not willing to take control, but we love to let things grow naturally.we love music, to play and to live a free life of passion, friendship and harmony.you can expect everything besides a concept label with corporate people creating corporate music. because the concept is to have none, but the heart will release the tunes we really love. no matter which genre you might order them to, of course, we are focused on club music, but still there will be music fit in perfectly to a sunny day on which you are sitting on the balcony having a barbecue with friends and drinking a cool beverage. there also might be a tune you can get laid to for the first time in your life. we dont create images, we dont believe in heroes - but we believe in you and ourselves. the most important place for us is the soul - the spot where it all is happening. so let us start with our two favourite tracks for the summertime.

starting with the first note of >abc< mr. ho s warm beats are melting into our erdrums, down our spine, sending shots of musical temptation into our legs that give one clear order: dance!

played by: baby ford, trickski, julius steinhoff, anthony collins, philip bader, dirty doering, lil tony, kotelett & zadak, karotte,.. _ very special one sided 12 inch_ once again the latest white release is a reinvention of the label itself and pre-announces its early ending years in advance. this release is a very special one... it is from oliver ton and can be understood as the >very last number of the night<, that is why it is catalogued as the white- 999. oliver ton invited many musicians for jamming sessions into the studio of his production partner >ronald christoph<, in order to create a unique sounding. the final results are >hasta el fin< a song, which will turn every afterhour upside down, especially during summer! the song simply has it all. we love its humor and see it as an ironic statement of the minimalhouse hype.... thats why it matches so beautiful to white... or not.... and thats what we love about it, say the creators of white.

varianz is a new label founded in berlin in order to release finest techno in cooperation with international artists. support by: alexi delano (plus 8 / spectral), cesare vs disorder (dumb unit / resopal), franco cinelli (esperanza / hello? repeat / mupa) ...

the debut 12inch from finnish duo hannulelauri! first up is glittering night, conjuring visions of 8 bit videogame soundtracks applied to the dancefloor, or an alternative theme to the movie robocop (which lauri seems to have a strong affinity for), with shimmering electric synth chords washing over a commodore 64 groove before a peter hook soundalike drops a lovely bassline, making new order comparisons inevitable (a good thing!). perfect late night machine funk. next is sally 2000, a more introspective piece with insistent digital strings providing the foundation for a childlike toy chime melody, pulsating bass and more as layer upon layer builds to a fuzzed out, pixelated yet beatless climax. finally, the late night vibe continues as sally 2000 gets a version from finlands techno/house master jori hulkkonen who works the tracks pleading strings into a more dancefloor friendly mix, adding perfectly tuned drums and a nice, fat kick but keeping the synth melodies intact and the tempo slower than your normal electrohouse jam. adventurous djs looking for alternative moods need look no further! another strong flexx release.

after six years exploring music production in an extended meaning, oscarfly decides to go into the professional field and starts a new project with his friend and colleague zippitcher.they ve been working in projects like www.colorsopenlabel.com a netlabel website designed to promote young promises in the music business. as well in the www.putocolectivo.com a group of musicians, sound designers and video artist who played for a couple of years in barcelona and around. soon after that, they decide to create their own record label >poco< (powered by colorsopenlabel.com) in order to release their best tracks, col s artist tracks and even well know artist tracks. first release of this new label born in barcelona emanate freshness, sexy grooves and these beautiful colors that people love so much at the dance floor. this first work includes a great remix of mihalis safras.

apendics.shuffle’s elegance & malice ep has been reworked by two great talent’s the master of minimalism thomas melchior & ransom note’s adultnapper, both artists have expressed there interpretations to the highest order. adultnapper has taken a darker path, raw & steady drums keep you grounded whilst disassembled voices and eary strings make you realize things are going to get weird. there is a constant hook in the background that sounds like the noise of a sleeping monster but as it gets louder you know it’s about to wake and it does, throwing you backwards in a totally different direction. melchior’s remix takes you on a different journey one that you never want to end. lush melodic sound’s and stunning percussion with deep soulful vocals keep growing and growing drawing you ever nearer all the time never letting you go.

cortney tidwell has confirmed details of the first single to be taken from her forthcoming album boys which is – according to tidwell – >about two kids in love, fighting, and they eventually kill themselves. its a modern day romeo and juliet.< undeniably one of the most electronic songs shes written, it calls upon diverse influences like new order and depeche mode and packs a typically impressive melodic punch. the track will be available as a special single edit, and is accompanied by exclusive mixes and an a cappella version. after the success of ewan pearsons remix of the title track to her debut album dont let stars keep us tangled up (a pitchfork track of the year 2007) duties are this time handled by simon baker and daphni. bakers remixes for radioslave and simian mobile disco have confirmed his status as one of the most exciting djsand producers around, and he gives the track a technicolor tech-house workover perfect for summer twilight. daphni – aka dan snaith, aka caribou – has meanwhile turned in a fourteen minute monster, a trippy techno bastard that sneaks up gently, growing relentlessly until it leaves listeners dizzy and euphoric.

new polish label neural network kicks off in fine style with two tracks from dominik muller, already known for his furanum records label and two from label owner stoq, his first vinyl outing and sure to be not his last. the style here is dark, atmospheric industrial techno of the highest order. for fans of bas mooy, grovskopa, gunjack etc.. this is fresh new material and a must have!

sons of the dragon debuted last year on a mysterious white vinyl double out of detroit, they awake again to bring us >the journey of qui niu< and cast their firey wrath. the cv313 rework plays off the original version but adds a low end throb so deep it could shake the heavens, a rhythmic shuffle which begs you to move and a hypnotizing symphony of lo fi sonic destruction, its totally menacing. the new sqx project debuts with a killer, taking a different approach to the original, they use the synthesized textures as warm sonic fragments. its as if they were building a sonic puzzle but changing all the pieces around while assembling, leaving us with a rhythmic synth workout of the highest order, for your mind or the floor. a destined to be classic, do not miss

excentric music have been prolific over the last few months, and they continue their roll with another remix package of mr fergie - this time courtesy of jordan and audio rehab. energetic, percussive techno once again is the order of the day, as jordan kicks us off with complete dancefloor destroyer. huge rising synth-lines and huge rolling percussion. on the flip audio rehab take a slightly deeper but still pumping approach which make another solid release from irelands numero uno!

german tuff house producer tobias lutzenkirchen gives us his second release on baroque, in the form of this 4 track ep. 4 teasingly tasty slices of techno infused house music... slammin basslines and euphoric builds n drops are the order of the day here.

excentric music have been prolific over the last few months, and they continue their roll with another remix package of mr fergie - this time courtesy of jordan and audio rehab. energetic, percussive techno once again is the order of the day, as jordan kicks us off with complete dancefloor destroyer. huge rising synth-lines and huge rolling percussion. on the flip audio rehab take a slightly deeper but still pumping approach which make another solid release from irelands numero uno!

villa nah makes pure electronic pop with plenty of emphasis on catchy melodies and meticulously crafted soundscapes reminiscent of the 1980s. stylewise, villa nah is related to 80s bands like heaven 17 or new order, but that is only the tip of the iceberg. once you ve heard their debut single, you ll know that villa nah is about nothing else but their own style and sound. the single opener ways to be is built around a synth bassline, handclaps and the kind of irresistible melody that you cant shake out of your head once you ve heard it. envelope is a tad more dark with an uplifting synth melody serving as a hook. daytime, in contrast to its title, evokes a strong sense of night time. villa nahs vocalist juho paalosmaa is a very charismatic performer, whose great sense of stage drama brings to mind a young glenn gregory or philip oakey. indeed, villa nah is not merely a production duo but an actual band with a live show that is not to be missed.

isobel sees a welcome return to steves tech house side. soaring synths and a heavy melodic hook are the order of the day here over a tight tech rhythm

ultralimited and ultrahot !! be fast to secure your copy... please pre-order!!

this is larry levans tribute by mr. hornbostel & azzetto delivering a fantastic strongly inspired track. a great package of mixes in order to thank the legendary genius for his true message and unique taste.

under his dj bang alias, here comes the new offering from legendary dj derrick carter... pure chi town house of highest order, a kind of back to the old skool with the modern twist in sound... killer track of this coming summer!!!