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little dragon return with a spectacular second album offering in august, a pulsating electro pop epic that prince would be proud of (only fronted by a beautiful swedish lady with a sultry voice). a bold and surprising side/two step onwards from their self titled debut, released two years ago to great acclaim especially among specialist circles. machine dreams, with its nagging hooks and gloriously infectious tunes, should finally see the band break out into the mainstream.

nys underground celebrity, electronic obscurity and rare disco specialist william burnett (aka grackle, aka speculator) delivers an ep that truly defies any categorization and therefore will have a harder time to find its way into the stores usually packed with easily digestible pre-masticated dancefloor stew that comes with filing recommandations. the music on this record evokes images of mad peyote sessions held amidst dry and sandy landscapes. the original desert acid sounds like a jam machines and instruments would do when left on their own, unsupervised by humans. a wobbly and acidey synthline goes on a psychedelic journey with fuzzy guitar riffs, backed by a stompy almost tribal discobeat. düsseldorfs currently most interesting band musiccargo rework the piece into a cinematic krautdisco gem that floats on a loopy vibraphone drone, sprinkled with german and english lyrics. sombrero galaxy (aka cbs/intergalactic fm regular dj tako reyenga and his mysterious uk buddy jonny nash) take the track into cosmic realms (rare occasion where the term really fits) and their version could easily be interpreted as a vangelis tribute. the last track on the ep we are it is a slow 808 jam with druggy and spaced out fuzzy vocals, paired with equally druggy and fuzzy guitars. if you are a filmmaker and you need a song for a weird desert scene youd be an idiot not to consider this one the perfect choice.

apm 001, resident of the name festival inaugurates family name with the well-named 001, a single stiring between techno, house and minimal. a pure bass line, a running groove and hypnotic waves are all here in this single which crystallizes brilliantly the multiples influences of its author. unclassifiable, jennifer cardini surprises us once more with this remix. keeping the waves from the original single, jennifer installs a dark and personal dimension where the sounds intertwine with grace for a single on the edge of strangeness. specialist in knowingly constructed atmospheres where each element takes time to install itself, chloe ...

basti grub is a specialist for xtraordinary and outstanding productions.. loving music from his early childhood on and he seems to have a different approach to electronic dance music. these 2 tunes here are wonderful rhythm driven latino techno tracks with spanish guitars and wonderful auto tune vocals,... sommertag is the perfect open air tech house tune and hihihihahaaa could be the next number one in the brazilian baile pop charts even though it perfectely works on any european dancefloor too.... additionally we have a tech housey dancefloor tool rework by dj emerson

the third 12 inch in this essential edit series sees greg wilson reference his past as a disco dj in the late 70s and, subsequently, electro-funk pioneer of the early 80s. going way back to his golden guinea days, ruff wrap revitalizes a hidden gem from 1977 by lady love. this version of casey & finchs infectious miami groover, wrap your arms around me, was a record that, although never issued in the uk, was a particular club favourite on merseyside - its local popularity very much down to one of wilsons influences, terry lennaine, who championed the track on his weekly specialist soul show, keep on truckin. moving on 6 years to 1983, ruff rapp re-arranges the seminal west coast rap cut bad times (i cant stand it) by captain rapp, which was a monster tune on the black scene during the electro-funk era, having initially featured at wilsons club nights back then, legend and the hacienda in manchester, plus wigan pier. focusing on the social problems of the time, the subject matter of the lyric certainly translates to the current credit crunch climate. the crew behind >bad times< included jam & lewis and rich cason, whilst kimberly balls excellent vocal sets the whole thing off

h.o.s.h. the specialist for extraordinary releases on diynamic is back with two wonderful tracks, which groove like hell and bristle with ideas. just like we know this hamburg boy and just like he develops his level always a step more. and we are very happy that >audiofly< are on board, too! these two sympathic boys don t just rock anywhere they appear, but their productions are also an essential part of any good party. h.o.s.h. and audiofly, i think i turn crazy! a1: h.o.s.h. – better and sweet b1: h.o.s.h. – better and sweet (audiofly remix) b2: h.o.s.h. feat. markus homm – funk king

supporty by secret cinema, gregor tresher, tim green (dirtybird), joseph capriati, brendon moeller, alex bau. incase takes off in the new year with an amazing release from german based martin woerner with his track zit, an electroid techmonster. weird breaks, rolling grooves. the flipside comes with a remix from italian specialist joseph capriati, so in case you don t like the original which seems to be unlikely however, you surely will dig the remix from joseph with it s detailed structure and floor-ability. again a must have on incase recordings!

jim abbiss radio remix b jeuce rework. remixed radio friendly new single added to 6music b list, nme radio record of the week and receiving strong specialist support at radio 2 and xfm. their 2008 world tour continues into 2009, including an eastern european tour with depeche mode in may, which is preceded by a south american headlining tour and a co-headlining us tour with the faint. june will then see them play shows with brian eno in australia at the sydney opera house. further shows and festivals tba. their recent uk tour included a london date at shepherds bush empire. they are currently warming up for all this activity by writing songs with christina aguilera for her new album.

argentinas funk master jay west from the candy dealers serves up his specialist stew of disco and funk influenced beats that have gained him the respect of the globes most prog djs and his latest set has already been road tested to much acclaim, this shit rocks.

features nrk favourite miguel migs on the a side, with his super smooth disco funk licked house favourite >the jam< from 2001 (originally featured on the long out of print >soul selcta ep<) whilst another san francisco house specialist joshua gets to grips with his bottom end on >watch da bass<, a dub infused, skanking tech house

charts and big support from: richie hawtin (excellent release), dave clarke (full support), nic fanciulli (big big big), dubfire (this is wicked! rich hot teen tune has been my biggest all weekend), chris liebing, slam (excellent wicked tunes, on top of my charts) xpansul, deetron ( vapors rocks, brings the old days back to mind).... tip !!! even in berlins inexhaustable club scene few musicians developed an operational experience like savas pascalidis: he has been a dj for near twenty years and a producers for about ten years. having released two albums and a series of eps on a couple of a-list-labels, vapor is pascalidis first release on figure. being a specialist in demanding and sepulchral techno sounds, pascalidis tracks fit in seamlessly with the previous records on figure. vapor is a thirteen-minute-long techno epic. an ever-changing acid line coils through the track, keeping the listeners in a firm grip. rich hot teen combines an smart, slim groove with the kind of hook line which ignites excitement and surprise on the faces of the dancers. with its distorted feeling, the online-exclusive low has a rough, provocative attitude

after setting 2007 alight with his award winning debut album a mind of its own karizma returns with the upgrade everyones been waiting for: a mind of its own version 2.0! this first 12inch leads with its what i am, which originally appeared as a bonus track on the japanese version of a mind of its own. now london based future soul specialist simbad has got his hands on it and delivered a beast of a remix to smash up any set with its rolling drum groove and heavy horn stabs. the b side showcases karizma at his very best with a funky as hell groove that builds to a ridiculous climax guaranteed to have the dancefloor going crazy.

reverso 68 are pete herbert and phil mison. after tokyo disco and especial this is already their third outing on eskimo. piece together was released three years ago in a very limited run on their own specialist interest label, but both the guys and eskimo thought it deserved to be heard by a larger audience. as a special bonus theres an amazing slow motion disco remix by norwegian wonderboy todd terje.

dncn comes with specialist lie and tawp and he creates two wonderful, melancholic tracks which are the beautiful counterpart to the more cluborientated chwik and packing. all together 4 nice pieces of modern minimal electronic techno tracks..

samuli kemppi is a well known dj and producer around the gloube, not just for his sam & gigi - house tam (ovum), but also from a.m specialist and so on.. with the second pakka-release, samuli brings us minimal, little bit daniel bell like techno with the finnish attitude..

steve porter& low end specialist u.s. remixes of the 2005 tribal hit and new wally lopez edit

wieder einmal taucht die englische plattenschmiede soul jazz records tief ab in die archive von studio one records, dem wohl beruehmtesten reggae-label. -studio one dub 2- vereint einige der schoensten dub-versionen von songs wie marcia griffiths -feel like jumping-, sound dimensions -real rock- und -declaration of rights- von den abyssinians. in den spaeten 1960er-jahren begann studio-one-labelbetreiber sir clement coxsone dodd die b-seiten seiner singles mit einer instrumentalversion fuer djs zu versehen, damit diese ueber die original-rhythms toasten konnten. versehen mit echo, hall und verstaerktem bass wurden diese dubs bald genauso beliebt wie ihre originale. bald darauf begann dodd mit seinem soundmixer sylvan morris eigene dub-alben mit innovativen dubs und mischtechniken zu veroeffentlichen. auf -studio one dub 2- finden sich jetzt stuecke dieser alben sowie einige klassische versionen der urspruenglichen singles.