awesome berghain dub detroit whatever techno coming your way!

hot on the heels of the recent greg wilson/ray mang edits paper recordings have enlisted the remixes talents of two further hot acts in the form of faze action and brennan green.
first up we have faze actions re-edit of >drop your weapon<, a rolling and bouncing slice of funk laden modern disco that uses the distinctive guitar licks from the original and drops layers of bass, pads and drums to create an instant anthem!
on the flip we have the superb brennan green who takes >3 play it cool< and develops it into a loopy and percussive deep house masterclass, using subtle melodies and taut yet organic sounding drums. this is perfect late night tackle and provides a perfect counterpart to the upbeat disco stylings of the a side, wonderful stuff.

with 2009s magnificiently deep >cone ep< raudive aka oliver ho became an integral part of the ever brilliant macro family. the man is in there for a reason. now he drops one of macros most dancefloor-centered, yet distinctively future forward outings so far. >paper< - the chord, the bass, the strings! all deepness ingredients are there and it would be just classic if it wasnt raudive in control, whose chord is rather acoustic than synthetic, whose strings are rather xenakis than detroit - and whose bassline is just pumping genius blasting any reference system. but its a double pack of excessive excellence. >brittle< is papers evil sister and a giant step in groove design, throwing the thrills of the unknown right at your dancefloor. its repetitious, maniacal vexation patterns put any record to shame that has ever been called hypnotic. 2010 is right here. the ep is rounded off with the shimmering >sienna< - a no-beat melodic variaton set against the warmth of grainy crackle. one of the most thrilling releases by one of the most thrilling labels

dj support by radioslave, derrick may, slam, robert dietz, heidi, konrad black, simon baker, matt tolfrey and many more..

an alltime classic from touche !! comes with original label from 1994

supported by jeremy p. caulfield, lars sommerfeld, mike shannon, shinnedoe, florian meindl and 3 channels

na, wollt ihr einen hit? hier, bitte schoen! aber nicht direkt durchnudeln, dann haben andere auch noch was davon

"elio riso makes his come back following up the much acclaimed &#147;to be or not to be&#148; on the paradise label.the south american producer delivers a daft inspired robotic electro with human spoken vocals under a solid electro groove & a cool synth ibiza based producer pat the cat remix uses also this catchy synth line but with a more british approach think 20/20 vision or nrk.original mix sounds like the original with a cool sunny vibe in it"

rare live recordings ! 3x 180g virgin vinyl

standard weight, black double vinyl

black vinyl

2xlp gatefold 180 gram audiophile vinyl

part of be with x tommy guerrero reissue campaign, 2024 first time vinyl reissue, 140g vinyl

exklusive red indie edition

180 gram green vinyl lp in fold-out sleeve

seoul duo salamanda arrive on wisdom teeth with their latest and most focused lp yet: in parallel.

3rd solo album

deep singer / songwriter music

limited edition lp on silver coloured vinyl in printed innersleeve

black with white splatter vinyl

das fünfte studioalbum des post-hardcore-quartetts aus kalifornien auf dusty pink vinyl in limitierter auflage

15th anniversary ! incl huge lady gaga dance hyms like just dance, paparazzi & pokerface ! 2008 no.1 bangers now on white opaque double vinyl incl poster !

pressing on blue splatter vinyl. includes a full-colour fold-out poster.

indie edition

limited edition silver coloured double vinyl.

limited edition red coloured double vinyl.

classic black double vinyl edition.

limited edition green coloured double vinyl.

limited edition blue coloured double vinyl.

congrats to 10 years... vol 1

steve gunn and david moore s let the moon be a planet is a volume of improvisatory exchanges between classical guitar and piano, and a meeting place where two artists become acquainted through instrumental dialogue without a single expectation distracting them from the joy and open field possibility of collaboration.