the notorious guillaume & the coutu dumonts makes a triumphant return to circus company after last year’s critically acclaimed album, breaking the fourth wall, with 3 deeper than deep (s)explosions sure to become omnipresent fixtures in the sets of damn near any dj with even a shred of good sense in the months to come. >ubiquitous gaze< gets the ball rolling in classic coutu dumont style with a rollicking sea of percussion thankfully populated with a few desert islands of respite in the form of a gorgeously lush string and piano arrangement and the soft meandering monologue of a certain well known musician discussing his craft. b side leader >youre the one< comes on strong with a bouncing d-town bassline and soft stabbing chords that would make kenny larkin proud before rolling out a high stepping lead organ and swinging vocal chops before tying the whole funky mess together with one of his trademark charging conga lines. known for his unbound generosity and proving it here once again, a beatless stringapella of >ubiquitous gaze< closes out the flip in fine style for those inclined to ride this one into a full epic journey territory. yet more proof, as if any were needed, of guillaumes place at the very top of the mountain called house

excellent 3 track groovin / hypnotic tech house action

nicolas jaar... yeahhh (black, 100% cotton)

nicolas jaar... yeahhh (black, 100% cotton)

after the roaring success of nicolas jaars space is only noise album the fine curatorial heads at circus company hq have enlisted 2 of their nearest, dearest and most talent co-conspirators for the first round of remix duties. having built a cult following and peerless reputation for his remixes of everyone from roy ayers to cassius, pépé bradock turns in no less than 3 versions of too many kids finding rain in the dust. the proceedings begin with his blind pig mix, an echoing tunnel of balkan strings and dusty samples connecting the lands of disco and hip hop to blinding effect. the train fantôme poke follows and is certain to find its way into many a discerning dj bag in the weeks and months to come, with its mathew herbert-esque syncopations and grinding industrial scrapes and psychedelic whispers. dave aju takes up the baton on the flip turning the albums title track into the kind of late 80s dance floor work out martin hannet would have been proud of, certain to appeal to fans of recent work by matias aguayo, rebolledo and the comeme camp.

damian and clement of dop fame return to circus company with a new project of dubbed out late night madness featuring vocalist brian brewster. far more sinister then dops recent output, 7 days features 4 tracks which explore am acidic realm of dark ruminations and swamp dredged rhythms. >introduction< aquarius starts things off with a basic channel-esque wash of chords, noise and spoken word sure to appeal to fans of berlins longstanding dub techno tradition. >so low< comes off like a chopped and screwed take on italo heard only through the mixers effect sends, where modulating analog sequences and a thundering motorik back beat desperately swim to the surface of a blackened ocean gasping for air. >before u go< lightens the proceedings ever so slightly, upping the tempo and allowing the undulating synths lines to sparkle in the periphery, while the incessant vocal encourages all self-respecting punters to stay on the floor until the last track has passed ! its final groove. finally >universe< comes off like a lost out take from kool keiths dr octagon project with its classic jacking electro beat and sultry effected vocals.

in each song seuils personal experience completely merges into the club music experience. leaving no rest or residue, he becomes a real clubber and played aready at rex club, nouveau casino or la scene bastille...

on this the final 12 inch installment from dops critically acclaimed debut album greatest hits, everyones favorite trio of merry pranksters bring their carnival cabaret to a dark and twisted end.

having released leftfield dance tracks as skat on labels like karat or sthlmaudio, his records on circus company established oleg poliakov as an internationally renowned house producer. continuing this string of releases, the >comet ep< introduces another view on his musical approach.

the dop boys show no signs of letting up on this second single from their brilliant greatest hits album, this time enlisting the services of one of the most deadly hired guns on in the game for remixes duties, the infamous dj koze

this is the first single from dops rollicking greatest hits album is your personal teleportation device into their unique musical universe located in a parallel dimension somewhere between the disco and the drunk tank.

after a string of fresh remixes, including a great one for the homewreckers here on circus, dave aju offers this two-track side project treat while we await his next album. picking up where he and the invisible art trio left off, and adding another member, we are proud to present thèse unique cuts by mr. aju and his new sol percussion ensemble.using a single percussion instrument for each track, aju and the ensemble bring a raw acoustic and upbeat live jam session vibe to the proceedings on “vibra” the scene shifts to day, as an unabashedly sunny feeling builds up into a sort of loose latin jazz/house interpretation of bob james’ “spunky, filled with refreshingly fun instrumentation and vocal accompaniments- it’s that vibe! . “flexa” starts off with a strong rhythm base, then takes off into the night as warm bass tones and vocal scat chants alternate over the course of this future-meets-primitive hypnotic groover. both tracks reintroduce some playful sonic alternatives to today’s more discerning dance floors, and with the diverse background of aju and his fellow sf bay area ensemble members, there’s plenty of soul and sol, just in time for summer.

>angles< stretches guitar strings like taffy through a forest of finger snaps and slow-motion electro shudder, with a cycling chorus teasing out medieval melodies. >materials< is quicker of spirit, with a rippling pulse played out on muted jazz drums, shuttling between blocked piano chords and silvery oscillators and weaving an irresistible groove. its beautiful, unexpected and absorbing music-and theres nothing else out there that sounds like it.

guillaume coutu dumont has been unstoppable over the past three years. since releasing his debut album, face a l est, on montreals musique risquÚe label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquee, oslo, cocoon and many more. he has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of afro-latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. now, with his new album breaking the fourth wall, he takes another big step forward.

guillaume & the coutu dumonts has been unstoppable over the past three years. since his debut album, face a lest, on montreals musique risquee label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquée, oslo, cocoon and many more. cannt have everything feat. dop, the first single taken from the forthcoming album breaking the fourth wall, was recorded in dops studio in paris.

known for his past work on music man, hometown bern label phont music and many others, deetron truly needs no introduction. circus company is proud to present the latest release from the man whose upbeat, melodic take on techno and house music has captured many hearts around the world.

circus company is proud to celebrate its first collaboration with one of the most emblematic and talented actors of the jena scene. for sure you know robag wruhme for is past work on his own imprint musik krause and on freude-am-tanzen alongside monkey mafia as the wighnomy brothers dj duet. this artist always stand out musically. from his past releases till today and across his remixes you cant miss his unique personality in music. this four tracker provides a colorful musical palette of mr wruhme. from the dark and minimal side of blech beulé to the «herbertish» robadella and the magnificent melodical slow mood of 48° 52&#8242,,,,,,,,,,,, n, 2° 21&#8242,,,,,,,,,,,, (in between, thats the location for paris on the map in case you loose yourself…) while he was delivering the tracks robag also requested a remix from ark, another strong character of the paris. ark did a a brilliant work on this blech beulé remix which gives a nice „avant goût“ of his upcoming album on perlon which will be out in april.

since his last release on circus company (fleurette ccs033), djulz add been quite busy in the sutdio. he did a lot of remixes for slam on soma, matthew dear on get physical, 2000 & one on 100%, arnaud le texier on 20:20 vision and spencer parker on rekids. hes now back with a freshly baked 3 tracker called rotondo. thats also the track title of the a side. rotondo is techy and slightly dark. there you feel a constant pressure that will leeds you to euphoric pad which is just a simple saxophone screaming sample. on the b side we are getting into some naïve and housy feeling with on the road. then ideas are fishes is closing down the record on catchy vocal hook. that king of track to keep the party rolling. once again d julz delivers some great cuts that should be soon on rotondo everywhere

circus company welcomes a new artist on the label: the homewreckers. named after a track by southern soul legend sam dees, the production collective from germany has been moving and breaking new ground between detroit techno, abstract funk and melancholic disco music since 1995. their debut album amercian ruhr has been released on unique records in 2008 and creates an absolutely distinctive sound which seems to come straight out of a from a feverish dream populated by the ghostlike figures of larry graham, juan atkins, frank hutter, bernard edwards, erik b or al green. the not my business ep perfectly shows how the homewreckers flow on these two original tracks. you feel the funk, you feel detroit and you feel a deep and unique sense of music. cherry on the cake, you got a remix from san francisco based artist dave aju who is back on the label after his much acclaimed album open wide released in 2008. not my business isnt their first shoot on the label as they were already part of last months snuggle & slap circus company compilation with a brilliant live-version of chicago urban blues.

circus company bring us this nice labelshirt (100% cotton)

circus company - great looking logo shirt, white, cotton ... guillaume & the coutu dumonts - petits djinns

circus company - great looking logo shirt, white, cotton ... guillaume & the coutu dumonts - petits djinns

circus company bring us this nice labelshirt (100% cotton)

circus company bring us this nice labelshirt (100% cotton)

circus company bring us this nice labelshirt (100% cotton)

excellent Übercompilation with groovy tech house tracks... a classic in the making..

freaky blues infected techhouse - techno action

new york’s talented cielo resident, ibizian willie graff joins forces with fellow ibizian house activist guiseppe tuccillo in this late-night jam. after numerous quality release on labels like drumpoet community, liebe*detail or jimpster’s freerange the ibizian combo stikes back on circus company. this 3 tracker is quite complete. on a side youll get some >snerata< for your picktime with a housy flavor. power is inside : feel the bass, feel the keys… the b side leads us to some deeper vibes. rucula is a delicious house track to play on build up time. warm athmosphere, five star deep house… then the ep close down with >do it<. here we are still in the deep but in a more tooly direction. perfect one to play. ladys and gentleman, come on and dive into willie graff & tuccillo fantastic flow !!!

cooles samim shirt (weiß - baumwolle)

our home artists are back on the label after a successfull album released on get phisycal music last summer. for this new output on circus company the two hat brothers delivers a unik two tracker based on that recette they got the secret from… first of all encore, the a side, is a dj friendly oriented track that will reminds you one of the early nôze output on circus company called pofamika which was released in 2005. the track is basicly composed by a strong bass line that keeps rollin rollin rollin and rollin over a solid beat and a few significative >nôzy< pads. all these elements are surrounded by a beautifull girl voice which quietly tells you what to do to relax. sexy french voice !!! you wish you could see her charming face between the grooves of the record… on b side, here is the message : meet me in the toilet! whats inside… well sounds like a quite nice groovy party. here comes the nôze with their horn horny sexion and chior duet.

number 1 groove charts july 2009, no need to introduce you to the one & only grand wizard of house music called dj koze. we are really proud to release this wonderfull swahimis samba the man made especialy for circus company. here are two tracks of pure madness and musical intensity. now let the music talk and listen to this record right now.

here comes the volume 2 !!! fifteen numbers later the island of lost children various artists project finaly strikes back. loco dice support !!

funny logo-shirt. white, cotton

funny logo-shirt. white, cotton

funny logo-shirt. white, cotton

after his successfull midnight vultures ep last summer oleg poliakov is now hiting the winter with this new ep of what he called datcha music. for his new output on circus company the mysterious man delivers a beautifull deep house killer plus a bonus high class remix from the one and only portable (aka bodycode aka alan abrahams). rainy dayz (original mix) open up the a side with a sexy vocal loops which leads to a strong kind of old fashion house vibe built on a quite solid groove. welcome to the good nyc house music from oursk. this version is followed up by a superb deep house remix from mister portable. on the other side comes house of the sun. that’s the dancefloor killer of the record. a bit of détroit flavor, a bit of spoken word, strong atmospher. pay attention to that one. try it on the dancefloor on the right time and see what happen.

great girl circus company shirt .. artwork from the sety release sweet & sour

great girl circus company shirt .. artwork from the sety release sweet & sour