electric love is the lead track from the new freshly squeezed compilation eclectrik and the first single to be taken from the forthcoming new album by londons multi instrumental, theremin teaser, dodo. the a side of the single is a left field electro pop gem featuring hooky vocals and a retro vibe described by properlychilled.com as amazing a minimal 80s aesthetic in an old school human league style with vocals that just make this track soar in an altogether disarmingly alluring way. meanwhile the b side weights in with a tripped out dubby instrumental imagine john barrys persuaders remixed by king tubby!

we are have found some amazing tracks to release on the golden number ten of our 10 inch series. the aside track goes under the working name passing and is signed raudive. londons prime techno producer oliver ho is an old favourite of ours and really hits the spot here finding the perfect middleground between dancefloor drive and trippy flow with a solid hypnotic bass, voice elements, distorted instruments, simply great work. for the flipside we are very proud to introduce the debut track release of kroppssprak. we just love this track for its out of this world funkyness and miniscule detailing.

groovements 4th vinyl release introduces one of the finest portuguese djs and one of the labels main activists. shifting destiny is just what we ve all been waiting for a diverse and challenging record ready to be played in different environments. the opening track is a hybrid electronic soul tune with vocals from melo d, the bluest of the afro portuguese singers. then comes the love for hip hop and cosmic music in the shape of a vibrant collaboration mastered by broadcites main man troy.the b side keeps that irresistible dance appeal alive with hausers blues and ends in style with lata dog providing the perfect musical vibration to kaspars programming, turning raindown into a great urban song for radio and club.

the swetalic ep proves that sweden doesnt just produce minimal over compressed base kicks & roxette! this four track ep is a nice blend of epic disco, pop harmonies, arpeggiated poly 6 six leads, juno 106 base lines and warm detroit pads. the perfect marriage between the analogue and digital worlds and a real team effort in true spirit of disco. remixes by fabrizio mammarella & arken

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

the gossip label just launches hit after hits… massive buzzed track and superb catchy vocal disco house with a top standing production. sick package! guaranteed to fill your dance floor! >want you< includes vocals by candy girl choir and >satisfied< is performed by jon thompson. all tracks are written, mixed, and arranged by hot 22 aka chris malinchak & greg bahary

real soon is proud to present the debut release by berlin-based producer hauke freer. hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, effortless, raw-sounding edge. my beat is a dirty, gritty, house work-out featuring deep, filtered chords, lo-fi percussion and roughly chopped vocal pieces. old-fashioned in a good way - just the way we like it! we must face our fears is a smoother, minimal track with a delicate, beautifully measured mesh of percussive knocks, slides & bleeps driven by a pulsing sine wave bass. as the track builds, a classic detroit-flavoured chord wash brings it all together. bliss... biography hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

deep grooving latin inspired percussive house tracks made in chicago. a must have

producer holger behn aka h.o.s.h. is back on stil vor talent with his third release and second 12 inch on oliver koletzkis imprint. his latest two tracks are all about house music, while always keeping a strict eye on the dancefloor. it starts with the tech-house anthem >grünanlage<, the name of a sunday afternoon open air in h.o.s.h.s hometown hamburg that he co-organises. the tune features a great clappy snare and some wonderful balearic guitar melodies, which swing over the fast loop. this tune is going to put a smile on your face wherever you are. on the flip there is >blaupause<, which translates as blueprint and is a dreamy housy pusher that keeps grooving with its synthie-stabs and warm bassline. later in the track h.o.s.h. adds an oldschool piano that pushes the track into another state with its drifting melody. it reminds us of so very many great rave moments. however, h.o.s.h. never gives in to the temptation of drifting off into cheese, stays cool at any given moment and keeps the seal of quality for his music very high. >blaupause< is a wonderful summery teaser that never explodes, but keeps imploding! h.o.s.h. once again does what he does best: delivering two wonderfully melodic tracks that fluctuate perfectly between house and techno. just the way we like it

after the phenomenal success of the strings of live 12 inch this is the second single of our most important album of the year - the upcoming christian prommers drummlesson album. listen to this stunning version of isolee all time classic beau mot plage or just dance! completely written and produced by christian prommer on his own, the track rex drum has an interesting history. christian got the complete drum set from curt cress who did play the drums for boney m, snowball, passport and donna summer, just to name a few, on this set. a piece of drum history. rex drums was created spontaneously when christian prommer played on this set for the first time ever.. this mid-tempo disco track is getting massive supports by djs like alex barck/jazzanova, michael reinboth/compost records and dj kaos to name a few

this is the one and only major of misdemeanor, dropping more violent and criminal beats in his undiluted manner !!

huge with: david duriez, ziel 100, paul hazendonk, tomaz, slok, alex flatner, dave lambert … big in raveline, freshguide & on radio fritz after some years of silence and only occasional releases,now since summer 2006 mijk van dijk is paving his way back into the second term of his career. his releases on labels such as international deejay gigolo recordings, big & dirty, kling klong and blufin are again landmarks in electronic music and yet breathe the spirit of his best works in the 90s. mijk created new alter egos like >plato<, whose >bass erstaunt-ep< won fans worldwide. the new plato >wanderlust-ep< has just been released on big & dirty records. this >motherwomb< ep is definetely part of the new trend, as techno and trance are finally cellebrating their comeback after years of minimal and tech-house...

supported by richie hawtin, tiefschwarz, loco dice, miss kittin , jussi pekka & many others!! again providing you with two new high quality techno tunes. on the a side we present you the tune: >tuna belly< , which is taken from the forthcoming full lenght, >martinez< album on re:connected, due for release later this year. the track starts off with a pounding deep kick-drum and a heavey roland sh-101 baseline. quickly after some heavey snares, claps and some underwaterish bubble sounds enter onto the groove and the track is steady rolling towards its peak break down. the baseline is filtered and tweaked through layers of efx into just a high pitched noise that is just on the edge of getting too much and right at that time it sweeps back into the full groove with a slaming hihat to lift the track even more. >tuna belly< is one of those track that definitely will make you go crazy on the dance floor in the late hours

alessandro crimi comes here with an incredible dub techno monster. one of these timeless tracks that youll find yourself spinning in 30 years. huge drums, classic dance appealing analogue sounds along with the rattling bulldozerfeeling bassline. get your backpack and prepare for a deep journey! chaton on the other side is drying things out, keeping all the elements and thus delighting us with a stunning beat as well as hes ever mid 90s techno synths stabs that just drives anyone shaking. a deep reinterpretation aimed for the capital t for techno enthusiasts out there

nice price deal !!! the rumour is true, gregor salto returns with the follow up of his massive hit from last year bouncing harbour. erasmus is a true follow up with the most catchy melody that will not leave your mind. remixes by sidney samson and talent bart b more whos just signed to tool room.

killer set of remixes from mr west london himself phil asher.... pure house stylee of highest order. with headphone drones intoxicating organic funk (may2007), blackjoy offered us a delicious bite of his forthcoming first lp, time. well, its time for another one, with metalbossa. a true dancefloor smasher with an amazing three versions remix by phil asher. the restless soul vocal mix on a side will keep you dancing all summer long: some heavy production lifted by sandra nkakés incredible energy, plus heavy trippy funk elements. on side b, with the dub mix and the beat version, restless soul makes a clear statement: the party just never stops. guaranteed to fill your dance floor.

stunning electrotechno incl christopher just remix

its just amazing how serial recordings have been back at the top of european dance charts this year with hits of ben macklin, didier sinclair, arno cost, mathieu bouthier, arias. these are the guys to follow, this is the team on the case! here is another dancefloor bomb think bodyrox, mason, samim.

played by dfa, boris dlugosch, phones, maral salmassi, jerry bouthier, cajuan, freeform five… azzido da bass is certainly a busy boy! this year he has been touring the world playing various shows in bejing, london and singapore. and on top of running his own label >luscious sounds< he has managed to find time to write and produce yet another track for it. and here it is >so wrong< feat adrian holtz on vocals. after the success of his last single >lonely by your side< feat. jonny blake of zoot woman with remixes by booka shade and play paul, >so wrong< is set to be a winner especially with its grinding remix from speaker junk. so wrong starts off with a late 80s-tastic m.a.r.r.s influenced beat, until a pleasing thick and squidgy bass line bounces in…

lauta – that means simply louder. and it connects the german hip-hop queen sabrina setlur (3p) with the electro-dj christian fischer (mayday, nature one). …in fall 2007 sabrina releases her new album >rot<. in collaboration with christian fischer shes back on the dancefloors - and many people wanted to know, what kind of awesome sound is dominating the clubs for weeks. here is the answer: these two outstanding techno mixes comes out on the label defred – and brings brilliant tunes and a unique atmosphere for the partynights. so just buy the stuff – and turn lauta!

alphahouse welcomes kai to the family, with the dazzling 3-track ep >gakuon< his debut release came last year on portables sud electronic label, and put him on our ones-to-watch list. now kai delivers his second ep and its a killer. with so much music in the world following the same patterns, and producers sucked into using the same cheap tricks in the studio, its refreshing to hear that some people out there are still capable of independent and abstract thought. we hope you agree. >ac< is a mutant deep techno piece equally suitable for dark club mayhem as it is for sunday brunch with the in-laws. seriously, try it out at both places and if it doesnt work the next beer is on us. >spacetravel< is exactly that. a micro-sampled ride though the cosmos. tiny vocal spurts and playful melodies surround a throbbing bassline. stripped just to the groove and not over-arranged, theres plenty of room to let your imagination roam free. >gravity< is one of those special inside tracks that we search so long and hard for. delightfully simplistic, yet incredibly groovy. its amazing how much you can do with a few well-placed sounds, isnt it?

detroit underground is proud to present its eighth release featuring berlin-based producer litwinenko aka preed, known from previous releases on the indie-electronic label kitty-yo. through a combination of influences from acid to freaky techno backed up by his signature idm-electro sound, litwinenko shows us he is just as smooth on wax as he was on the ice. also including 8 looked grooves

its with a big smiley grin on our faces that we present this killer soul funk r&b nugget from the almighty mr phil asher (aka restless soul). together with uk vocalist zansika they mash things up with a combination of raw break beats (spot the break) and soulful vocals which will appeal to anyone who ever got down to ameries one thing or beyonces crazy in love. basically, we got a full on floor filler that should go down with both r&b/soul heads just as well as the retro funk community. once again mr asher has joined the dots and delivered the goods...

just amazing detroit techno !!

who needs an obtrusively acting kickdrum, when the decent wobbling bassline of breezin does the job just as good. right nobody. or, at least peter grummich (shitkatapult/ spectral/kompakt) doesnt, whose proverbial deepness constantly gets the floors into rapturous body rolling. thus it was just a question of time to welcome this man to karloff, the label for everything thats different. here, all medium dated orientation to felt (rather than experienced) standards is gladly left to other persons of great hope, whilst enjoying the border crossing between dorky monkeyshine and serious spirit of adventure. consequently, quick thinking misbehaviour is also the attitude of the (for formal reasons called) b side, where the horizon gets canvassed for both weird and life affirming sounds, in grasp of the groove. summarizing dance music to breathe deeply.

tishomingo music welcomes after his massive success with boul_de_nerf and >mayann< french man dj/producer david k who has proved to be the rising star on the french minimal house and techno scene. in the last years, he has accumulated signings to cutting-edge labels, such as cocoon, freak n chic, just to name afew , tight n sexy ep is his first release on tishomingo, which can be described as a minimal percussion epic ep. with deep cuts and magical melodies. which can be droped on any dance floor anytime day or night, reaching wide genres. tight n sexy is one of those eps which difently feels like timeless grooves which will stay in everyones record bags for a very long time.

they say patience is a virtue, and neil has certainly bided his time well, but this exquisite release indicates that as neil wisely chooses his production partners and collaborators, we can expect plenty more where this has come from. neils always been one to favour quality over quantity, but just hold on and there will be more superbly crafted slices of electronic soul around the corner, we promise.

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

extremely limited up front copies of control voltage track 1 and 2. raw analogue acid for the dancefloor made from just 2 303s, a 909 and an 808 (no computers, no midi).

this is volume 2 of 7th citys classic series. it features one of seventh citys best selling releases, john tejadas funky anthem >timebomb<. when originally released in 2001 it became a massive track played in all the top clubs worldwide. despite having a incredibly prolific catalog of releases, timebomb still remains one of john tejadas biggest and best known records. also included is a special edit of paris-based producer jean guillaume cabannes (better known just as cabanne) >cant stand<. as with so many seventh city artists, his release on the label established him with a wider audience and he continues to have success to this day with his own-imprint minibar and as well with his collaborations with ark and david gluck. this version of >cant stand< is an edit by daniel bell, which emphasizes the tracks loopy flow. the original version of the track was released in 2002.

here is another print of violent plastic on the cardiac arrest offshoot. the special series tend to push the throttle just a bit further, taking things just that essential bit beyond to make it worthwhile. after numerous productions for labels like beast music, braindamage, working vinyl and alphabet city - young lexis proceeds to cause addictive agony on cardiac arrest special

the worlds the loop (extended edit) is hiding on this rare as you like italian promo 12 inch. an absolute stinker is this euphoric piece of instrumental cosmica. massive drums, crunchy guitars and soaring synths combine to make a huge sounding fanfare of a tune. nash the slashs wolf on the b side comes from a classic cosmic obscurity of an lp produced by steve hillage and this is our favourite track from the album. no drums, no synths, just a heavy wall of warm violins and wordless vocals. an amazing piece of music from way left of centre. essential for all fans of the true cosmic sound

super versatile 3 track offering from malik alston ranging in style from abstract jazz house, to beautiful rnb and downtempo latinjazz

ohh!! nubian mindz hits again! this time with some of the best broken madness we have heard in a long time. bossa boogie is destined to be a big club track due to its infectious synth lines… just one of those.. it comes in two versions, the original and the 4 to the floor technorub to please any crowd. tangents should do the same, with its rolling bass and its crisp beats, just the right groove to make anyone move

just a fantastic classic tune, back in !!!

the 6 track ep nothing special opens with ryralio djs deep and funky original version from their studio in kaunas, lithuania. chicago house godfather johnny fiasco, who actually stood at the roots of all of it, added dubbed, driving and acidic musical touch to the release by his remix tonic mix. johnnys productions are sweet as roses, but bite as the hedgerow thorns. from still sunny california, comes the moody sure is special version of the track by om records talent rithma.and finally, you will be able to take a ride through moody baltic lands, with rigas finest bandmasters flight duo (amber muse, r2 records) providing the deep house version of nothing special. it is a subtle touch of chilled grooves and melodic sounds. at the very end ryralio welcomes lithuanian house whiz kid, who made great debut on reelgroove records in the very last days of 2006 and who just finished remix for lenny fontana & byron stingly track i ll give you. please welcome santi touch and his santi special version colored by breaky, funky and electro influences

fresh from the studio of scott grooves comes this smokin triple tracker to start his own new label. just like his legendary and still in demand >the journey< scott fuses multi-layered rhythms that are definitely modern between house and techno but echo ancient drum sounds with broding atmospherics, dramatic synth sounds and powerful bubbling analogue basslines. three ace versions that explore the territory between house and techno and will sit nicely in your set between ame, osunlades more abstract beat-orientated stuff or the lastest offerings from ibadan

so you know were partial to a pseudonym or two in the dubsided camp. so just to confuse things further we would like to introduce voodoo chilli aka herve aka count of monte cristal. with a remix from mustapha 3000, aka erol alkan, the banging title track >look what you done to me< is accompanied by two more knock-hard tracks on the ep

nice price deal !!! well known by their remix on the latest dj jose hit turn the lights off! nice house collected on this vinyl a must have for latin club house jocks

funky peaktime housetrack played by axwell/trophy twins...

after two successful singles, >do me like< (remixed by chab from azuli, imago & saw fame) & >so bad<, heres the third single extract from the album, >making love & music<, just in time for the summer period! >makin love & music< has been remixed by top us producer morgan page in two version (instrumental & vocal). for those not familiar with morgan page, he is 24 and living in los angeles, has several remixes under his belt for grammy nominee wax poetic (norah jones), ashlee simpson, jean f. cochois, terry lee brown jr., nigel hayes, home & garden, and dozens of critically acclaimed eps out on labels like bedrock, saw, and nordic trax featuring collaborations with colette, gregory shiff, and astrid suryanto. recently, his music has garnered support from a wide-range of top level djs including sasha, deep dish, danny tenaglia, dave seaman, hernan cattaneo, john digweed, mark farina, and jason bentley

just brill 2007 ibiza mashup , be fast !!

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

cybotron aka juan atkins !!! just a musthave detroit / electro classic... kraftwerk flavoured ... nuff said - no more words necessary

for a few months already, sub static boss falko brocksieper gradually intensifies his work on the own label again. with driving minimal-beats and melodic instinctive feeling the track >slap< from the >slap/happy<-split-ep with mia evolved into a gladly played hit, and also the following >esque ep< was not just a dayfly in the worlds dj-bags. in this phase the new 2-tracker >blackbox< is now brocksiepers ultimate confession to the dancefloor - fully functional without lacking his organic, trippy branding. the track >blackbox< presents itself as a dark, impulsive techno mover, ripped open again and again by intuitively placed accents, only to remind itself of its own irresistible drive and to cultivate it over the full length. meanwhile the b-side >off the rack< is toying with the idea of chicago house groove, driven by a rebelliously grumbling bootybassline and bleepy excursions into the world of weird soundscapes. on both tracks falko brocksieper celebrates the sign stimuli of techno, delightfully modest and coupled with his signature bubbly, sculptural sound.

dont be fooled by the plural >boys.< alexander ridha, 24, is just one man and he can do it all on his own. nobody, however, would argue about the >noize< part. as a kid he taught himself to play the drums and piano, started to write his first songs when he was 12, and at the age of 16, discovered his love for programming and producing. his music and productions have excited massive interest from artists like soulwax, justice, erol alkan and the rapture and labels such as kitsuné, ed banger, fatboy slim s skint, dj hells intl gigolo and tigas turbo rec - to name a few. daft punk have sent him their love via myspace and his remixes of depeche mode, feist, british indie anthems >banquet< by bloc party and >everyday i love you less and less< by kaiser chiefs have thrilled global djs and crowds all over the world.

this is a fresh & rockin kompass musik release, presenting music from the hamburg-city boy denis karimani aka remute! after lonely and quiet years of experimenting and self-discovery he released his first 12inch called >hypnoconsole< on zombie nations label dekathlon records and got remixed by munich-techno-hero richard bartz.the first livegigs followed directly and led him into smoky rave-basements, uproarious clubs, sunny open-airs, as well as shaky party-boats...due to excessive and unresting music-making, denis released lots of 12 s and made several remixes in the following years. he released records on fine labels like traum/trapez/mbf, areal , dial, num, smallville or liebe*detail, made remixes for artists like dominik eulberg, move d or station17 and released his first album >remute< on ladomat. his regular appearance in magazine polls for best live act of the year proves that this is not just theory. now, we proudly welcome this jack-of-all-trades to our yet small but nice label family at kompass musik. he contributes a bodacious three tracker, jam-packed with dirty and pushing club tracks. >slam with the face< on the a-side brings us into some rough, gruffy and exciting soundscapes, the b-side holds two more fantastic proves of remutes far-reaching talent. >cause he likes it<, a pretty deep piece of techno and >propellersweat<, a reduced but heavily effective monster track in the end rave on.!

next strike on fumakilla, this time new shots produced by french artist paul ritch, well known for his stunning releases on labels like get physical, resopal, kickboxer and paradigma, just to name a few….paul definitly knows how to create deep and smooth atmospheres, without sob stuff….he has resources against boredom!!!! fluffy basslines and soundscapes, a wicked little synth chord and a reserved drumwork starts the main track called > back to time<. after a short and constructive break the principal theme restarts, with a striking sound selection and harmonious arrangements. call it mini-trance, call it tech-house, or even detroit-tech, call it whatever, it doesn t make any differences, the main thing is, the boys and girls all over the world will boogie with a smile on their faces, and deservedly so….trip down memory lane!!!!on the flip another tune called >vaticans bell<, and also another straight forward goin up groove monster with pretty great arrangements and awesome placed strings. paul ritch plays the first violin, he knows how to produce a timeless masterpiece, reduced but heavily effective monster tracks at the end, come, look and see… 10 points to berlin again!!