trocken, dubbig und extrem selbstsicher wandern die beats durch das klangspektrum des talentierten briten

modern soul music in a house tempo from this great detroit team. beautiful vocals over a classic maw style beat

erwartungsgemäß tolles album !!

jon cutler and matti heilbronn throw in their take of the modern house sound with a percussive, synth-laden deephouse track

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

originally released in 2004 produced by brennan green aka infant two

very emotional electro / neotrance, very pop like... napt remix on the flipside is more dirty electro

hier kommt die nächste limitierte und einseitig bespielte modern love. wie gehabt, solide arbeit

and again modern love comes with two amazing deep space detrorit dub mover !! this time by mlz

wave music is excited to showcase the boy wonders newest sound statement, you glow, an electro-tinged tune credited to lascivious the duo of pal joey and adam hawkins. the slinky new-wave flavored release builds on the minimal electronic tone of the lascivious tune shes here, unleashed on wave in 2004. you glow is a deeply sexy post-modern pop song with sweet emotion expressed through its glitchy techno backbeat and a robotic sounding vocal uttered by pal joey himself. wave delivers two cosmic interpretations by french whiz papastomp on this 12.

rmxs by paul ritch & guillaume & the couto dumonts >2 fast 4 u< was one of the stand-out tracks from kook kook, a tune positioned somewhere wonderful between techno, house and disco, and of course it appears on this 12” in its original form. but for the lead track, lopazz hands over the reins to paul ritch, whose string of fine releases over the past year or so – for labels like resopal, fumakilla and get physical – have made him one of the scenes most sought-after names. a single-minded 4x4 pulse sets the pace, providing the basis for increasingly intense, tribalesque percussion, and dubbed-out samples of lopazz s original instrumentation. this unbelievably deep, hypnotic remix demonstrates an allegiance to both classic detroit techno and the razor-sharp vanguard of modern day minimal techno. on the flip, lopazz offers >2 4 fast u< to another underground techno visionary for re-interpretation,this time guillaume, also known as guillaume and the coutu dumonts. beautifully produced, exuberant eps for mutek and hartchef discos have seen guillaume become a producer of note to those in the know

tiger stripes is mikael nordgren, one of the most respected names in modern house music. he produced the much-loved >dark tradition< 12 inch as d malicious for francois ks wave imprint, winning such fans as jerome sydenham, dennis ferrer and carl craig along the way. he s released records, solo and in collaboration, on labels like ibadan, king street/nitegrooves, slip n slide and gossip, and was invited to remix faze actions >in the trees< for the recent juno re-issue. somehow he s also found time to run the hugely esteemed go! bang clubnight in stockholm... recently, however, mikaels been concentrating on his tiger stripes alter ego, releasing extraordinary 12s for liebe detail, urban torque and now get physical.….

two big techhouse bombs with influences of early detroit house mixed with modern production techniques. supported by james flavour, chloe, dave dk, alexkid, p-toile, tommy four seven to name a few

alfred azzetto is back on purple music with the feel good massive anthem colors, which was one of the most played promo cuts at this year winter music conference. interestingly djs all the time played an acapella over it but also the instrumental melody sounds great. part one includes the walterino main mix is a fierce production featuring classic strings and wicked keys that give the track a modern disco sound, while the piano mix is on a deeper edge, with a great piano hook added (that is reminiscent of bas noir my love is magic). part two includes a full vocal mix & the remixes from dj fopp & christian hornbostel, which will be out end of october. it was worth to wait some months for the release of this tune!

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

released to accompany damian lazarus and dj t.s monza club vol. 2 cd, this ep includes one exclusive new track from up-and-coming youngster, jamie jones, and a hard-to-find modern classic from 1987 via 2002 in joakims remix of >elle et moi< by max berlin.

neue woche, neue love. mit dub im herzen, und detroit in den beinen, bleibt andy lieber auf den boden des understatements !! ich sage : ganz grosse klasse !!

flächen wie ein nordseesturm & elektroide beats machen diese platte zum listening- und tanz-erlebnis

next masterpiece of crispy detroit dub tech !!

part 3 kommt wieder mit dieser herrlichen mischung aus minimal & dub daher !! for fans of basic channel & maurizi !!

deep grooving minimal house grooves with female vocals the stereovox remixes here not to be missed

auch dieser zweite teil ist limitiert! wieder sehr deep und sehr schön, wie der erste teil

the third release of new quality house imprint sume music is a project of some of the hottest producers at the moment polish duo wawa (defected/fluential/egoiste) joined thomas gold (cr2/vendetta/musica diaz) to produce a huge peak time bomb. the original mix is packed with kicking beats, a funky electronic bassline, powerful piano chords and a nice looped vocal line all combined to a sure crowd mover. on the flip patric la funk (toolroom/superstar/ housesession) shows, why he is one of the most promising talents in the house music scene. his electronic remix is deep and groovy but filled with some beautiful strings and the piano of the original version. a great piece of modern housemusic. to complete the package theres also a progressive dub mix by wawa

franco is a well known producer and groove seeker. after many releases on prestigious labels like butanes alphahouse or kenneth james gibsons label adjunct, the south boy comes like milk in your morning coffee at hometown base. wonderful track on a-side, almost 13 minutes long journey into modern techno, full of swing and surprises. detailed production, this tune hides at least 3 other tracks all in one… franco in full effect! a deeper tune on b-side, classical club hammering drums, tiny bass impulses to enjoy the subs fan out there. breaks that drives all hands up the air

das aufstrebende modern love label macht ordentlich eindruck mit ihrem bisher straightesten release. tip für alle basic channel / maurizio fans

great deep detroit house classics incl tracks from polyester recordings, compost, sense music and many more !! ltd restock

all tracks written and produced by jallokin at deaf zone terminal 2. a1 decomposed by pink elln at null prod. studios, miami. b2 decomposed by narcotic syntax (james dean brown / frank ford sinatra) and recorded at perpendicular sound, san narciso. b3 repiled by jallokin at deaf zone terminal 2... inlc the legendary >epic< ep by pile from 1996 !!

the sebo k and metro partnership makes its debut on get physical with >transit<: these upcoming house producers are so hot that this ep almost melts the vinyl that its pressed on! transit looks to the past and the future at the same time: inspired by old school chicago house but boasting a modern techno approach to arranging, the nagging bass riff at the heart of >transit< builds and builds along with sebo and metro s evocative chords to create a track that will raise the roof on any club during the peak time. >transit< never loses its raw, hypnotic groove either, and after it reaches a climax, the sparse, raw rhythm is still there, urging the dancers to keep moving. philly producer king britt dons his scuba hat to provide the remix: its more understated than the original version, based on an off-beat groove, but, like a thief slipping through an open door in the middle of the night, britts reshape gradually introduces the hypnotic chords. before you know it, his remix will have seduced any crowd who love deep, electronic house music. get a move on to pick up on this future house classic!

die bedächtigste warehouse session bisher, aber genauso überzeugend wie die anderen drei

der dritte frühling von move d beschert uns eine feingliederige angelegenheit mit ausgetüfteltem oldschool !! tiefer dubbiger minimal / detroit der extraklasse!!

hier ist sie wieder, die mischung aus detroit & elektro die vielen letztes jahr den kopf verdreht hat

deep floating and atmospheric driven tracks by two highly talented and experienced musicians out of rome called modern heads

streng limitierte 10inch vom manchester mann. nix mit detroit, die platte fühlt sich in kingston zuhause

released 2001 james din a4 bleibt seinem experimentierfreudigem technosound treu

neues initial cuts sublabel im weissen vinyl & auf 500 limitiert. musikalisch sowieso einwandfrei !!

upcoming uk duo audiofly x make their debut on get physical music with a 3 tracker that sounds fresh and entertaining x will appeal to a wide range of feelings moods and emotions get ready to take a trip with these purveyors of modern house

notic nastic is, once more, another newcomer act on tonkind, who has to be watched with highly attention. its predicated individual sound made it become a hype on myspace within a month. so other labels, producers and popular djs already are asking to license and to remix several tracks, although it isn’t even out yet. we can t give to much infos about the backround and identity of the charachter behind this act, due to the fact that there is an aim, to stay anonym. that gives us more space to talk about the music itself and esspecialy about this debut release on tonkind

dancefloor three tracker as the eidolon story continues. don t wake up is a down and dirty minimal house jam! sexy and corrupting whsipers hint at joining the dark side. the bassline moves and thumps along side the hollow rim shots and falling keys. a huge track with a remix already released on patrik skoog s we are label

die volle >modern love< packung für alle die es immer noch nicht begriffen haben. die jungs sind heiss..

remixes to the new kish mauve singles >modern love< & >im in love with a german film star< by simon saunders and mark moore & kinky roland !!!

cooler minimal mit detroit-flair, der eine sexy, elektrisch aufgeladene intimität ausstrahlt. tip top... already played by anja schneider

passage of seventies inspiration that proposes big taste sonorities elaborated in modern key wisely worked

dj support : dan curtin, daniel stefanik, dominik eulberg, jambi, james flavour, anja schneider... gummihz s 2nd release of mobilee comes straight from the bottom of his heart. the concept of >modern dynamic< is based on developing grooves by manipulating the dynamics of a sound, rather than composing melodies. a side consists of a steady groove with a few surprises taking place in the sonic spectrum and a dominating fm tone evolving throughout the arrangement. it is the kind of tune that delivers pure freakness on the dance floor. flipside is set in a deeper atmosphere with a sweet electric piano groove appearing in the end, reminiscent of the starting time of deep house. agony develops during the first minutes of the track, leading to a relaxed groove in theme with the sweet summer breeze

wonderful new stuff from dj jus ed sounding like classic mr fingers stuff with a modern heavy bottom end

der treffsicherste von der modern love mannschaft kommt erneut zum einsatz & liebt es hier etwas reduzierter ! platz 1 in den groove charts (sept / oct 2006)

streng limitiert & ganz schön dubbig. andy stott steht seinen mann auch im dubsektor...

die minimalen geschmacksgladiatoren aus rom zaubern wieder sehr subtil. absolut geeignet für den plattenregal-platz neben minus & maurizio

mark e does it again as he turns two great funky disco classics into modern day dancefloor winners this time gabor szabos keep smilin is the lead track here a slow lolloping tripped out disco groove that lasts for several minutes teasing with more layers until finally the original track comes in for dancefloor devastation already garnering plays from giles peterson on the flip tata vegas give it up for love has the same treatment two astounding re edits on one twelve