this funky / broken beat 2-tracker is the first release on hector moralez minority music imprint, made in 2003 by phil weeks.

after the well received all creation 12s delsin records drops yotokos >wet ink<. yotoko are shifty & domu (jcr, 2000black, archive). yotoko stands for a perfect fusion between broken beat, techno and soul.
their album is not about breaking barriers, but it is their own little twisted version of what they call techno. for yotoko techno can be heard in everything, so as such it is all techno. domu and shifty are influenced by lots of different stuff, soul, jazz, disco, hip hop, techno, some old break beat, new broken stuff.. as well 20 pence mad charity shop finds.. the album is about yotoko making music they think is cool and realizing that all this music is the same no matter what the bpm or groove.
domu started as sonar circle for 4 heros reinforced label. later on active as domu for labels as archive and 2000 black and together with archive label boss volcov for the jcr-label with their album as rima. shifty is domus longtime comrade, making his first musical public appearance as yotoko. the albums artwork will be done by amsterdams machine, who already took care of the kindred spirits releases.

beautiful vocal house with a seducing melody and soulful instrumentation. the remixes on this 2x12inch dont hurt either with a little something for everyone, ranging from the broken beat savvy speakeasy rmx to the deep intoxicating crazy penis (paper) rework, and the solid playful meanderings of new yorks onda.

another outstanding deep house release from the naked camp with brilliant remixes from andi caldwell, lance desardi and artist/production team fenomenon. their mix actually leads off as a1 and deservedly so. a slick broken beat excursion that uses the full vocal by ernesto and lifts the track to another musical dimension. caldwell and desardi opt for not using the vocal and creating two pumping dubs that fit the naked mood beautifully. desardi turns out a hot deep tech electronic mix that fans of francois k should check out!

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

tokyos kez yms follow up to his maiden yore ep, city soul, opts for a more pronounced party vibe, as evidenced by the plenitude of voices that repeatedly pop up during butterflys four deep house tracks. the material sounds of japanese producer kazuki yamaguchi puts a clubby spirit to this ep. propelled by a beautifully warm and soulful bass pulse, inner city funk grooves mightily for five blissful minutes, its rhythm bolstered by the crisp snap of the snare, the funky wah wah of an electric guitar, and the occasional interjection of a synthesizer melody. bridge to bridge quickly charts its own percolating course with the addition of a stepping disco house pulse and a male voices sleepy, off handed musings. bringing the lights down for a romantic make-out session, the sexy low tide chills the pace slightly so that spent dancers can catch their breath and replenish themselves before the next go-round. of the four tracks, the title cut grooves most powerfully in merging a rambunctious broken beat drum attack with an equally driving bass line and manic electric guitar soloing. play these jams loud.

a classically-trained jazz virtuoso and national rock n roll hero in argentina, gutis double 12inch pack for desolat will leave you in no doubt of his ability to twist a snaking groove into something echoingly hypnotic. the tracks contained here are already a favourite in the record boxes of artists like loco dice, carl cox and marco carola, while gutis life story could itself be the subject of a story by jorge luis borges: >i leave to several futures (not to all) my garden of forking paths<. just two years after his first live sets in europe, desolat is proud to present gutis las cosas que no se tocan. the beats follow guti across continents: mr good vibes was composed in a hotel room in stuttgart after an argument with a friend, while the serious dancefloor vibes of sasa, the hustler and ieuuu were channelled in martinez studio. ieuuu and the hustler feature slices of glamorous, haunting vocals by jayson walker, a british singer that guti discovered on myspace. and sasa boasts gutis own vocal touches. meanwhile, the track aguanile is inspired by one of his favourite melodies as a child, one that he’s collected many versions of. the last track on the release, el campeon, reaches a bittersweet ending in the wide open space between percussive trills and a cut-out refrain, inspired by gutis favourite latin storylines of broken hearts and pain.

after the release of his co-produced rima-album on jazzanovas jcr-label, domu amazes again with this co-production. as follow-up to the debut ep and as teaser for the upcoming yotoko album (this autumn/winter), shifty and domu deliver this heavy loaded dancefloor monster. rough straight beats come with low basses, melodies and other strange sounds. side b brings two dope beat tracks, very good dj-tools. this release will please house- & techno headz easily as much, as it will all broken beat lovers. check!

nice price deal !!! first sampler from his new album. a brilliant combination of acoustic and electronic sounds, that covers the great black music full spectrum : soul, house, jazz, broken beat, doo wop, nu soul, afro beat, latin, funk. allen hoists music spreads innovative grooves, authenticity & happiness. its simply modern soul music... with soul! but words can only do so much, so listen and let the music explain to you why he is called the prodigal allen hoist ...
supported by: bbc1, bbc 6, radio nova, jazz fm, craig charles funk & soul show, norman jay, little louis vega, gilles peterson, joey negro, osunlade, laurent garnier, rich medina, mike chadwick, wicked jazz sounds, rainer truby, jazztronik, bobbito garcia, knee deep...

after his recent release on clone a made up sound (aka 2562) presents his new platform for his own beat freakery. it is no news anymore that dave huismans is one talented guy! his debut 2562 album was one of last years highlights ... and his new album set for early winter 09 will be not create a smaller buzz! in the meanwhile mr huismans also managed to squeeze out some killer tracks out of his machines for his a made up sound project! these 2 tracks will get a limited run on his newly started label. >rework< started out as a sneaky bonus remix but ended up as a killer techno track in its own right, with stomping 4/4 beats, an irresistibly simple 3 note chord melody and gut-wrenching sub bass. contrasting is >closer< on the flip, where a yearning vocal stab spirals around a warm synth line that just keeps on building over signature punchy broken beats and a big b-line, all the way until its climaxing breakdown. highly recommended!

dj support: endymion, dj d, giangy (ex stunned guys), manu le malin, broken rules, peaky pounder, the outside agency and many many more
finally the long awaited gpw010 is ready! once again the gunpowder rec. brings you an absolutly slamming release composed by 4 monster tracks that, following the typical gpw mission, provides various hardcore styles ready for all the dj bags out there, from mainstream to faster and industrial sounds. except for the already wellknown hit >dig it< created by gif phobia, you will find other three demoniac gems composed by the soldiers of gunpowder family, assembled to offer one of the most complete and interesting screaming hardcore vinyls of the year! yes, the gunpowder rec. is still here, fuck off the global economic crisis and keep the real underground noise alive!
this label is dedicated to hardcore music, raw sounds, noise, industrial beats, distortions, big and fat kicks!from mainstream to experimental, from climax floorfilla to dark influenced hard bases, this label is all about hardcore. every release contains different styles, every release is a surprise and every release can be played in various djsets, because there is ever at least one track good also for you.the logo is a restyled version of the old personal logo of gif phobia, now used for a more global and massive project! now shared with all the artists of gunpowder records.

once again another masterpiece from the dynamic reflection squad in your face! this time the spanish hermanos exium are responsible to represent the fourth coming release!
they smash down the door with the title track , >labyrinth<, a massive dancefloor killer with a big hit potential! with this track exium brings up oldschool memories with influences of their modern sound. this is exium at his best!
on the flipside, paul boex, mr. labelboss himself and his partner in crime marco rane, make their debut on the label with a soulfull remix of this original. with impressive releases on arms and naked lunch these guys prove once again that they are capable of bringin quality stuff to the floor. on the b2 exium comes up with a highly intelligent broken beat tune, called >plankton<. dave clarke already played this in his weekly >white noise< radioshow. big support!
once again an amazing 4th release from the dynamic reflection squad, let s pray for more of this pure quality stuff and keep our eyes on the the future. the scene need more labels like this which reflects the current techno movement and promises loads more of that sweet stuff in days to come.
dynamic reflection will represent only the true spirit of pure techno, they will put only the quality stuff back on the dancefloor!

caravans latest 12 inch finds jilt van moorst at the controls with two beautifully worked cuts, which also featured within octobers much lauded >recession vol. 1< mix. expect some cross-over appeal for the worlds of techno, dub-step and broken-beats. this is exactly the kind of dance floor sneakiness we ve come to love and expect from the caravan stable. totally hot.

perc trax returns with its 30th vinyl release with a split ep showcasing the works of both its newest and most established acts.
first up is ben gibson with 2 tracks that feature on his forthcoming perc trax album >in a realized luck of immanence<. both tracks instantly demonstrate what made jeff mills sign ben to his axis offshoot 6277. bens sound is a dense, atmospheric take on the now-classic uk techno sound of surgeon, regis, ruskin etc and both the rolling bass of >vanished between< and the sharp stabs of >wirklichkeit< prove that he is an artist to watch out for.
on the b-side label boss perc hooks up with the labels canadian connection metalogic to deliver 2 tracks that flit between broken beat and 4/4 rhythms with ease. both tracks feature an attention to detail that both perc and metalogic are known for with endless dubbed out synths and effects keeping the tracks interesting but never getting in the way of the crisp beats. these tracks have already been road tested around the world by perc in recent months and will be a key part of a launch party for this ep in toronto in october.

say the name lil dave and an ingenue of class and aural distinction comes to mind. lil dave channels the far reaches of the soul, all the while effortlessly combining taste, groove, and appeal with todays technology. although his roots are in hip-hop, lil dave is most widely known for his electronic escapades through house, broken beat, brazilia, acid jazz, funk and uk-inspired soul and rare groove. through these genres, lil dave defines his signature sound.
on any given day, lil dave can be found behind the boards producing, in the crates digging, at the beats grinding, at the turntables creating. with demeanor calm and levels tuned, lil dave brings crowds from philly to rome and the world over to a fever pitch, leaving them parched for more. he takes great delight in pleasing his treasured following and making them happy through the power of djing.
whether it be through showcasing rarefied gems on his legendary radio program or providing sonic leaflets as 1/5 of the multifaceted illvibe collective, lil dave has the talent, drive, and the penchant for the art of moving butts.
simply stated, lil dave is the future of the funk!

some sublime athmospheric techno tracks that go somewhere between dubstep, detroit techno and broken beat / garage. roof light did an excellent job on this 4 track ep with tracks that are light but full of emotion and athmosphere. radiance is for sure one of the high lights with its minimal funky bass line and cut up beats and massive strings layered on top. around here is the main track with its 90s two step rhythm and its deep athmospheric sounds and vocals. ltj bukem goes dubstep? not sure who is the producer... but if its a debut its pretty impressive. great release! must have for all the martyn and 2562 fans!

1998 classic!! downtempo/broken beat house tracks!!

development music is back with release number two, an ep featuring vocals from croatian sensation yannah valdevit (eddie meets yannah - compost/sonar kollektiv) and an eclectic package of productions & remixes from two of the uk s hottest production talents: deep house maestro atjazz and broken beat innovator domu.

2003 journey into nitelife by kenny hawkes!!

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

future classic continues its momentum with the future classic attractions 12-inch sampler from a full-length compilation of the same name previewing the immense quality of talent emerging from australian shores. first up come the soulful broken beats of eddit, known for his solid 12Æs on equatorial and freestyle records. the a2 rumpski is a hip house jam from meem with a chunky bassline dropping in the second half of the track reminiscent of early morgan geist. flip and we are treated to mutual sigh, a sublime late night production by deepchild (following up his recent blackness of the sea classic) in collaboration with gauche. touch sensitive concludes the sampler with body stop, a standout slow burner of new school disco deepness. look out for the future classic attractions mix cd featuring 12 exclusive tracks mixed by nathan mclay, a quality overview of the bourgeoning australian scene.

kay suzuki, a london-based japanese producer and dj, has grown up surrounded by quality music since his whole family love music. he s influenced by music with social / cultural background of its time and place such as soul, jazz, funk, afro-beat, latin, house, broken beat, detroit techno, and everything in between or beyond. dubbed ?the hardest working japanese producer/ dj in london, kay isn t about any particular genre of music - or whether it s electronic or live, but rather about the grooves that makes bodies and hearts move. he makes this magic happen through his own night and label called b i p o l a r , which came from his philosophy towards art and human sense.

the first project from the forthcoming art bleek collaborations album, back again is a disco mashup with a summer feel that gets things moving on this ep. with art bleek?s signature groove on the bassline, combined with the trademark li?ll bo tweak groove this one is sure to be a winner!on the b side is boogies gonna get ya which is reminiscent of the earlier li?ll bo tweak remix of art bleek?s between yesterday & tomorrow which was the first project of the trevor loveys & chris belsey production team back in 2006. dancefloor beats and a smooth 80?s harmony delivers room 3 soul with room 1 beats.

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

after setting 2007 alight with his award winning debut solo album a mind of its own karizma returns with the highly anticipated sequel: a mind of its own version 2.0 the upgrade! karizma continues to defy categorization as he moves between his customarily ferocious club bangers through downtempo burners, atmospheric soundtracks and even smoothed out soul with featured vocalists monique bingham, fruity and djinji brown on rap duty. karizmas trademark fusion of raw electronic grooves transcend through the house, broken, dubstep and so called funky house scenes, his raw style influencing beatmakers across the genres. karizma has been putting in the work in 2008 tearing up dancefloors the world over from on a mind of its own v2.0 the upgrade karizma has raised the bar once again as he continues to find new ways to rock clubs, cars and headphones worldwide.

for the latest soulful installment from nysoul records we have called upon the incredible talents of some of the best house music producers in the game: karizma (r2, defected, basement boys), the fanatix (bbe, soul heaven, sfere) & ceramic (broadcite, unique ). they each have given the killer broken beat track >believe in something< by mr bongos greymatter the house treatment. this incredible song is refitted as a 4/4 banger and has already been rocking tastemaker dancefloors around the world. karizma strips the vocal down and maximizes the percussive elements in his mix, whilst both the fanatix & ceramic lay down lush instrumentation and keys, pushing the uplifting vocals to the forefront of their respective interpretations. support from the likes of osunlade, phil asher, eddy meets yannah, dj disciple, kev beadle, simbad, ian friday, dj romain, aaron ross, neil pierce, marlon d, master kev, souled...

another brand new release from the audio assault kitchen! for catalogue number 033 labelowner jeroen liebregts delivers a true bomb. his track hunter/grazer consists of heavy driving beats and huge synths working together to devastate any dancefloor. we re very proud to welcome a new name to the audio assault family, and not the least one too! techno veteran luke slater reworked the original track into an absolute killer version under his planetary assault systems peudonym, a future classic in his trademark style! another new artist to release on this label is a new project by jeroen in cooperation with maarten hoogenboom called sinecure, their contribution is a melodic, broken beat version of the original track. to close this release we re happy to welcome back christian wunsch on the label, he made us a wonderful grinding dark rework of the track, a must-have for fans of his work.

after the killer release of shotgun sunsetsoul is back with another huge track! the german label kicks off 2009 with another massive dance floor burner from the greek funk producer basement freaks. this brilliant broken beat monster combines a heavy bassline with vocals by greek musician and producer quasamodo. mixes come from russian freestyle artist valique, who turns this into a driving percussion breaks gem with an incredible swing. on the flip, german super producer da wiesel delivers funky drums and a huge bossa break which will blow the roof off the club. finally viennas top dj shantisan, drops a house remix which ups the ante on the original, flipping it into a groove laden 4x4 vibe . so fasten your seat belts!

hardy hard feat lady waks! punching slightly broken beat inflated bass rocka!!! monsta tune by mastere hardy hard, plus rockin phat bass remix by westbam!

an unsigned trio consisting of members from wales and northern ireland, two door cinema club make no secret of the fact their rhythm section is computer-assisted. likened to death cab for cutie and broken social scene, a few imminent uk dates are followed by european shows. every now and again a song comes along which, once heard, feels like it has become ingrained in your skin - and this is one of those tunes. a quirky combination of electro-pop and indie, the key lies within a relentless beat combined with an airy guitar riff. add in harmonious vocals and youve an infectious ditty, but whether it falls on the side of genius or annoyance may change with repeated listens

suff-x administers a big dose of pure electro-sound to anyone who suffers from a lack of broken beats.

2006 classic!! cool broken beat remix version by dj hasebe!!!

new release on down the bush records, karl dread, a mysterious jamaican kubo dread based producer (as far as we know he actually lives on the hills of the famous blue mountain with the fierce desire of never coming down), delivers an up-lifting ep with the ever eclectic spirit of down the bush records. with this release, a true mastermind blend of dub, broken beats, house and afrobeat, electronic music goes global like never before. anbuley originated from ghana, and vienna based singer (works also with makossa and megablast) adds her vocals and afro vibes on the main track. when jamaica meets africa, a heat wave hits the dance floors!!!

played by: nick curly, cassy, prins thomas, raresh, robag wruhme, 2000 and one, agnès and many others !! swedish brandy productions brings you two killer-remixes by atjazz (mantis rec.) of andre zimmas (aka slope) broken beat afro-inspired track m.u.s.i.c. the original track was first released on their turbulence ep (sb010) with featuring acts like clara hill, colin corves and alex barck. atjazz, with his touch and magic, turns this track into strictly nyc pressure, that will do some serious damage across the globe. already played and charted by people like gilles peterson, onsulade (which directly requested the track for his compilation passage on bbe), karizma and opolopo to name a few. on the flipside atjazz delivers his stunning dub-mix, that carries a stripped smoking package of deep bass and dubby chords. so just drop the needle for a second, and you find that both cuts are essential dancefloor material with the purpose of making the crowd groove and move!.

after w & p hugg aka hugo giner from valencia had scored a veritable underground hit with >sleep scott heron< the last release on his higly collectable cornuta imprint and after an excellent ep on spains deephouse flagship deep explorer, he know brings more heat on cornuta accompanied by deep explorers dubbyman and his brother above smoke returning the favor on the remix tip. on the self-explaining >funkstart< and the percussive pressure-cooker >basic groove< w & p hugg gloriously displays his great ability to strip down his tracks to the addictive essences of deephouse without unnecessary gadgets or pointless tootling: pure irresistible grooves with classic funk basslines, vocal snippets and simple rhodes keys to warm the heart - straight up heat! dubbyman builds a completely new complex midpaced groove around funkstarts original chords , while above smoke drops the 4/4 drum altogether for a swinging broken beat mix with live bassline and nice jazz guitar licks. absolutely essential release

soulab&#146, allows true talents to meet and bring a musical breath of fresh air into the soul nation, with a full sound spectrum of good grooves: soul, house, jazz, nu soul, broken beat, doo wop, afro beat, latin, funk&#133,thats modern soul music...with soul. souls back ! don&#146,t pass on this one !!

on the a side you ll find a deep grooving broken beat detroit ish remix by trg!! flip for a banging electrohouse ride by andy george

terror traxx presents the new inyoung & static release!these talented boys, well known for their former terror traxx releases >respect your enenmy< and >beat down<, again offer a strong vinyl which covers the >dancefloor< hardcore market as the industrial hardcore market.

nice price deal !!! this record is the finale in the three part 12 inch single project from brooklyns free blood. first up is the club friendly parangatang. broken house beats with increasingly hectic vibes are accompanied by an old time piano melody as the duo continues their onslaught of head scratchingly unique pop singles that maintain a fierce rhythmic consistency. the original is followed by tummy touch records tim love lees remix. lee strips away all but the essentials and adds a heady analog synth melody in place of most of the vocals, creating a proper dance dub version.

well, the summer festival season is near its end, time to bring you some of the raw stompers that youve been dancing to this season! greg notill and i will strike down upon thee with great vengeance and furious anger: if there ever was a famous movie quote to capture the pure essence of the friendly frenchmans track it would be this line from pulp fiction. fierce beats, frantic percussion and even some acid influences. this one has it all! motormorfoses eto and gab, the devistating duo from brazil are now operating from spain and though the name may have changed, the output remains the same. pure relentless beats and power! after opening their track with an electro type bassline and some nice broken beats, pure havoc kicks in soon as the beat drops. hardtrax half of the hardtrax vs. jackhamma liveact and the german bridge between hardtechno and hardcore techno. the dark force recordings co owner comes up with an intriguing brew of raw beats, precise positioned percussion and an 80s type of choir sound that will simply blast you away!dj ogi the torch holder of the croatian techno scene recently spawned us with numerous strong releases on labels such as submissions and cannibal society. we are pleased to say he maintains this line and even raises the bar a little by incorporating some oldschool elements. bet you cant control your feet when you hear this track

supported by m-nus crew, onur ozer, marco carola, karotte, nick curly, anthony collins, x-pansul, matt star, sebastian roya, alexy delano, dave ellesmere… if the original ‘burning the midnight oil’ was already a blast in all minimal tech dance floors, the remix records arrives with a new twist to keep the discos moving. soulrack & mikel_e present a fresh groovy track full of voice lines that’ll go directly to a packed dance floor. seph moves around darker and more hypnotic territories with a continuous loop while fabrizio maurizi dives deep into old school, with some broken beats, distorted voices and numerous bleeps & clicks. a collection of hits that’ll make the night vibrate. long life martinez!

deep grooving soulful hopuse mixes by alix alvarez and a slamming broken beat journey with ig culture!

excellent wonky broken beat / garage / incl dj footloose and witty boy rmxs

love over money is the latest artist project from simon finnegan (one half of soulful underground production duo tone control), alongside co producer nathan thomas and the gorgeous vocal talents of amanda posener. this brand new single, keep on is a big fat boogie bomb, oozing with warm positive vibes over uber beats and a beautifully crafted groove - deemed to lift anyones spirits! the stalwart of uk house and broken beat, mr. phil asher in his restless soul guise was the natural choice for a club remix.

a double a with two slices of bumping broken french fonk akedam and apprendre from the lyon based producer who has been making some noise online over the last couple of years via myspace and ampsoul radio in particular. he has recently produced a track for maspyke (abb) mc hanif jamyls summer release krushed grapes but this is his first solo vinyl release.

finest deep broken beat journeys

one of the big club tunes from the new quantic lp, this smooth 4/4 latino cut spices things up by switching to a broken beat midway through. sabor appears here in original and bonus beats form. the heavy iinstrumental electric folklore on the flip is exclusive to this 12inch. plus politick society feat noelle scaggs (the rebirth).

a romantic montage of cutting edge production techniques, and the incorporation of instruments and vocals into an environment built on experiments with glitchy cut-up funk and found sound. a record with a distinct sense of personality and charm not ordinarily found in vinyl releases. renewal feat. 2 tracks by breandan himself, renewal, and brand new lovin. additionally on the b-side appears serious, a track from breandans side project under the 5yearsolderthandavid moniker with his song-writing partner david schwarz (vocals and guitar), and a funky broken beat treatment of renewal by none other than switzerlands rising star shaka