the third dessous by st. sebastian comes along with a nice mymy remix. he turns the original into an irresistibly funky tech-house tune. starting from a reduced rhythm pattern their mix obtains your confidence by fraud with secure house-stabs before more and more weird sounds are added to take you on a trip.a fantastic and innovative mix by berlin based upstarts and playhouse recordings artists lee jones, carsten klemann and nicolas höppner aka mymy. >snow white< rounds up this great 12 with more breezly beats and these distinctive way-out synths

hot rockin electro house trax by david guetta on this double vinyl called >pop life< !! feat steve angello, sebastian ingrosso, el tocadisco, chris willis, jd davis and many more

>im your lover <is the first single to be taken from the forthcoming long player >take it personal< by german duo wahoo. the single features felix from basement jaxx who lends his vocalchords to the bouncy, synth infused summer time track. taking alittle of the ska rhythm the track jumps leisurely through theverses before diving head long into the hella catchy chorus. wahoo is the brainchild of berlin-based singer/ songwriter / producer georg levin and dj dixon. their first single together as wahoo >make em shake it < exploded onto the scene in 2004 on defected records.

hector moralez s minority music imprint is back up and running after a long absence. the re launch comes with a dirty club driven jam with killer remixes. already a proven winner with sneak, mark farina, heather, joey youngman and others.the first remix is by hector and cubase dan under their block committee guise turning out the original , with new drums and beefed up energy. flip for chris carriers remix, an almost acidic take is the ultimate third turntable candy and excels on a big system. last up is spettros redoo with a more ethereal, experimental vibe bringing in a whole new flavor

rounding off a barrage of new releases, the nursery of naughtiness guys make a return with the lesson 2 ep, featuring their blend of in your face electronica/ breaks. eyes is razor sharp track, while substance d is a helping of tripped out electronica that easily bridges the gap between indie and dance. there is also a remix on offer from breakspolls best single winners far too loud that goes straight for the dance floor with its take no prisoners electro breaks approach

pikaya take to the a-side with a flourish of robes and flashing beams of light. >jedi< is not the track youre looking for… wait, no—it absolutely is the track youre looking for, all mind tricks aside. kicking off with a sparse drum pattern, it quickly shifts from a measured andante to an easy jog, as resonant synths and sweeping filters whip up desert winds and high drama. high, lonesome counterpoints and a moody chord progression carry the faintest whiff of ennio morricones outlaw music, and playful trills—you could almost swear they were birdcalls—suggest a secret oasis hidden just behind the next hill.if you find >jedi< cinematic, then >fango< will really blow your wide-screen mind. starting with a rhythmic underpinning thats everything youve come to expect from a cadenza track - tight, ultra-kinetic, just a little bit jittery - pikaya build up layer upon layer of hazy pads and cool arpeggios that shimmer like the aurora borealis. bullfrog-throated horns occasionally burst in with a fat, amicable fanfare, announcing the arrival of the peak hour. great, unison handclaps play off against heel-kicking syncopations: madness ensues. and then everything slowly, imperceptibly smears together and loses focus, and the tune fades flickeringly away. talk about a double feature! now playing on a turntable near you

brother, the second track of reeads album take what you need was conceived in collaboration with guillaume françois & johann querne. this track has an unusual pop rock touch quite different from rewind, reeads first track selected to be on the official compilation of the 2007 winter music conference. brother is just as diverting & enchanting as the album. it reflects the artists will to widen its musical spectrum focusing maybe a little less on the electronic influence of his music and going back to the essence of it. brother thus features a steady voice accompanied by a strait guitar & an efficient bass line. without a doubt, the single and ep will conquer its audience thanks the several remixes that will rejoice the electro music fans. reead >brother< produced by reead written by reead, guillaume françois & johann querne.

you might not think youre familiar with kramer, but chances are youve heard his music before. better known as larrson, the berlin-based dj/producer has released a series of acclaimed 12inchs on esteemed labels like traum schallplatten and bpitch control. he now adopts the kramer guise to deliver a 3-track ep of smart electroinfluenced and minimal house on berlins get physical. kramers first forays into music were as a singer, guitarist and songwriter, it was hearing bpitch boss ellen allien dj for the first time that inspired him to make and play electronic music. his rock/funk prehistory is subtly apparent in the eps a1, >runner<, which begins with a warm, rounded kick and busy, clicking percussion before urgent hi-hats and a hard snare sound take over and aim the tune squarely at the dancefloor. the centrepiece of the track, though, is a synth riff that summons a taste of vintage electro, while sounding purely 2007

archipel brings in two of its friends from uk, newcomer sozadams and moes ferry superstar croatian luka & lazo, for its fifth vinyl outing >tahiti excursion vol. 2< on which soz takes the a side and luka & lazo take the b side both bringing the dirty warehouse funk. soz starts things off with >broken thought< which is a thumping, sweaty late night floor mover which is sure to bend limbs in ways never witnessed before. >liars chair< is a slightly slower pusher which twists and melts along through corroded vocal snippets and dark polyrhythmic moments. luka & lazo take the same attitude of dark funk from sozs a side journey and shred it into a million pieces. >the safe< is a warmer tinged funk but still keeps things moving and grooving while >mood mode< jacks along and rips up a world of digital fabric. archipel keeps up the quality with ease and this is yet another piece of aural evidence to prove it

nottinghams deep house dons inland knights turn the jack factor up to 11 with a decidedly housier take on the original mix. fans of the jackin house sound and jocks such as derrick carter and dj sneak will dig these remixes. inland knights have carved out their own sound over the years, with tracks on their own drop music label as well as for west coast labels like tango, amenti and doubledown. their remix of time is now stays true to their roots, with a crunchy drum groove, well rounded bass and warm stabs n strings.

incl tolga fidan remix (vakant). the last year luxaflex showed the world what it is made of and that it can ride along with the current demand and constantly moving musical development. the label presents a series of pure art ranging from bare minimal, to tech-house and just about everything in between. with the search for innovative technologies and music come new talents - waiting to take over controls from the settled producers. ali kuru is one of those young producers with a huge potential. check it

real deep house from qalomota records. while our planet is being endangered by ourmodern societies, this record will take you to the roots of humanity, when mankind was at the mercy of natur already played & supported by the big boys dj fudge, jephté guillaume, brian tappert,greg gauthier, gilles peterson, rainer truby, ron carrol, miguel migs, markus enochson, & much more

a side is a hypnotic, bleepy but deep grooving house number flip over for an electro flavoured affair on b1 and another atmospheric take on b2

main mix features roy davis jr on slick old school flavored vocals supported with tinkling keys and jazzy synth horns that make way to a delicious break that leads into some searing percussion and serious bass all joining together for a jaw dropping, refreshing reintroduction to some real house music. next up is the jimpster mix, a deep edged straight ahead affair accentuated with big keys and roys vocal right up front and center. a midsection that pulses and hesitates and then drives on with an enveloping deepness that pulls you in. gorgeous! last up is the dub, a wildly percussive take with roys vocal setting the tone. pumping bass and tabla drive the energized big sound with breaks that twist and distort only to launch back into the infectious groove

this is the third tuning spork blues experiment. inspired by legends like miles davis and modern day techno producers like dandy jack, andreoni is forging wacked out new house sounds, in the true spirit of jazz. this ep is no exception, and it shows why the likes of ricardo villalobos believe that signor andreoni is an amazing musician. to begin the experiment, andreoni jams you deep into space, with some seriously fucked up effects that will have you hiding under your bedclothes. sleepover is perhaps the most techno cut on this release, but the deep haze of dub still remains, over a banging percussive track. on members the melodies are perfect as you expect from signor andreoni, and here the acid line is more prominent in the mix, over deep warbling bass notes. in borderline, nothing is as it seems. melodies fall down cliffs into weird drones, and everything seems a little skewed. this completes a 4 track ep from a unique talent in the world of deep electronic house music, with 4 distinctive colourful tracks that take the genre far away from the middlebrow. make sure you check out our third tuning spork blues experiment, even if you spent most of science class using bunsen burners as water pistols

if you are looking for something… ahem… >dirtier< than sébastien légers mix or the original, you can catch the second disc here which includes the massive micky slim & funkagendas and aston shuffles remixes and is set for release on the 21st may 2007, again on rising music. micky slim & funkagendas take on >carry me away< is more electro-tech and has been caned in the clubs by the likes of fedde le grand, sasha, steve lawler and many more whereas aston shuffles remix is a little funkier but with warped stabbing bleeps and tons of funk

this release sees electric soulside take a heavy electro funk influence, merging tight rhythms, dirty syncopated basses and twisted vocodered vocals. the results are two awesome slabs of chunky electro that effortlessly cross genres and are sure to bring further acclaim to these rising artists. on the flip mantra vibes blatta & inesha deliver a sublime slice of dirty electro breaks

deep grooving atmospheric and relaxed breaks track includes a deep proggy take by alexander church and a slamming funked up roller by kickflip not to be missed

the track is based on the 80s classic by america includes 2 slamming electrohouse mixes for the bigger rooms by digital dog and a funky take on the flip

next up to be released on z records is a remix package of the tamaras world track trampoline. the original continues to excite major demand and this remix package can only keep the track ever hot. the main remix comes from man of the moment cedric gervais who turns the track into a twisting meltdown of peaktime craziness cedric has turned up the remix heat recently most notably on his reworks of seamus hajis last night a dj saved my life and give me love by alcatraz. on the flip, joey negro provides the remix from the original release taking the vocal on trip into a dark and seedy afterhours joint with devastating effect akabus remix, culled from the original 12, completes the package turning in a more minimal, spaced out take on the original

hybrid deliver a monster of a remix building soundscapes of synth layers for maximum take off flip for a 303 flavoured remix by elite force

break heavy house with a hefty dose of in yer face b boy/hip hop attitude from the legendary nu groove staple. comes with a spacey disco take by ray mang

rong music, the new york disco label beloved by the likes of lindstrom, idjut boys, glimmer twins, quiet village and harvey releases its first artist album. mudd (aka paul murphy) is more commonly known as a part of late 90s dub disco dons akwaaba, alongside steve fela kotey (chicken lips). akwaaba released 2 albums on idjut boys label discfunction and were championed by some legends such as francois k, ron trent and larry heard. under the mudd alias paul has released on key nu disco labels rong, noid, big bear, vertige, stranger, session, discograph and cottage. mudds signature sound is a live, song based take on the spaced out disco trip made popular by lindstrom & prins thomas/rub & tug/idjut boys & quiet village. an essential release for all fans of balearica and cosmic disco.

jazzy flavoured deep latin grooves 2 new mixes on the louie vega remix take a must have

mischa daniels is back with a new release on fame recordings! after his big successes like take me higher he has gained a lot of respect from house djs global wide and he took it to the max again with 2 mixes on his new track are you dreaming. two quality housers to can in all your sets

der dritte raum is possibly one of the most innovative liveacts germany’s techno scene has brought forward since the early nineties, the formative years when frankfurt trance was growing into a national movement that would change the course of dance music in germany forever and inspired countless individuals with its take on electronics. with two album releases on the incredibly influential frankfurt harthouse imprint, which was partly run by pioneer dj sven väth, techno germany’s undisputed father figure who still spearheads the scene, and three album releases on virgin, there is hardly any live act and producer duo as successful and innovative as d3r

very emotional, percussive piece of house music with a haunting string melody. more hard hitting take on the flip

switchstance recordings artist deela come up with their first solo ep that serves as a teaser for their forthcoming album mano mano. these guys already did remixes for mo horizons, issa bagayogo, greg long and many more. the ruhrfahrt ep showcases deela at its best. its a diversity of grooves and rhythms strictly aimed at the dancefloor.

superb 12inch sampler to promote the forthcoming cd album.

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

electro tinged number featuring the brilliant vocal of el feco of solomonic sound and floor friendly barrage of bells and whistles. remixes include a big room epic mix from tech house maestro jamie anderson, a stripped out deep early morning moody minimal take from hipp e and a synthy deep techno flavored mix from idiotbox. stay tuned for part 2

the two amsterdam based djs and producers onno & rocco mundo present their newest release on the lmr imprint.insanity defense:as the track leads in with some raw bass lines the summerish synths take the overhand and gets your head at a big partyon the beach.with influences from old school trance and progressive this track is just 100% nostalgic and can expect many support from a very wide range of djs.classified insanity:then its time for some more house action on the b side.this track begins with a smooth build up, followed by some grindin basslines.and just like in isanity defense theres also a summerish break here.

support by alexi delano, gregor tresher, monika kruse, tony rohr, holgi star, tim xavier, afrilounge, and many more.. shokh is back again. like mr. jekyll-and-hyde he presents us two floor bombs on the brand new imprint rompecabeza music. on one side the playful “snuka”, which you can brand as pure techno funk, on the other side “mr. piper”, which packs an enormous saw tooth and where mr. shokh decides to take you on a loopy journey. the berlin based booking agency rompecabeza will surely supply more big tunes on its new in-house label in the near future. rompecabeza = rambazamba

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

jean-patrice remillard aka pheek hatches a new album making it his sixth, appearing on his own imprint archipel musique. pheek reinterpreted his concept of electronic music by utilizing flavourful blends of techno embedded with funky undertones, minimal, idm, and tech house. specially blended rhythms enriched with bottomless emotion, entices the senses to explore the unknown, but in a playful manner. while his last albums gave him a name for ambient and delicate music, >en légère suspension< will take everyone by surprise demonstrating subtle techniques of dance floor music

excellent elektrokid remix will take all the floors by storm a must have

i dont have much to say about the dahlbacks. jesper is one of my best friends, even though he is a serious pain in the ass. john made 6 records in the time it took you to read this sentence....and he just turned 11. every once in a while they take about 40minutes out of their hectic schedule (john stops making records...to make a record, while jesper take s a break from the grueling demands of being a condo association manager) to make a record for turbo. in all honesty i think they give me the tracks they forgot about..... cuz you know if they really loved them they would keep them for their own lame labels. so, instead i leave you with the music. 3 tracks that prove again that somehow, against all odds, when you put cousins in a studio they bring out the best in each other. jespers maverick genius and time-honed wisdom tempers johns youthful passion and naive exuberance.. while johns youngbrain redefines the game and reenergizes the old master. the two cousins locked in a dance that continually blurs the lines between student and teacher, a sonic sibling rivalry a musical match with one clear winner ....you!!

switch-style hip-house anthem!, edgy, super catchy vocals from lamont morehaus, including the text line: if u aint dancin theres the door, lets take it back to the dancefloor!· brand new 12 inch on slip n slide, with amazing dj reactions and early radio plays from bob sinclar & seamus haji on nrj & bbc radio

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

franz ferdinand live 2003

mit hilfe von pan-pots tassilo liefert bloody mary einen vor bleeps sprühenden minimaltrack ab, der ordentlich bass auf den rippen hat. die andere seite macht das narcotic syntax mitglied klar, und wie

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

infectious disco bomb with scissor sisters like vocals this will take the floors by storm

the cooperation between lindstrom and solale (aka isabel/christabelle) started in 2003 with the release of >music (in my mind)< as the second 12inch on feedelity. now finally they ve decided to do some more music together. this first single from the album that they re currently working on is a slow disco-number based on a 5 minute vocaljam (first-take is always best take…) together with a fat bass-arpeggio and some simple guitars/keys here and there. the lyrics doesnt necessarily pretend to be anything more than a >practise<, but is nevertheless quite good we think ! on the flip-side there s an amazing dub-workout that s given us from a friend that doesnt wanna reveal his identity

here comes the eight ball in the software pool game… the labels colour is black and the labels boss hd substance is kicking balls. once more a luscious and deep release: on a side >someone down< is a driving track, full of 808 percussion work out over a sub bass frequency reminder of the old lfo records, on top of liquid synth layers and bubbles, hds trademark sound, a sure winner. on the flip side silicon cut goes more dubby and basic channel infected, with aquatic synth stabs and a moving bass line perfect for sub woofer testing.. future and tradition in one pack. as a gift a one minute japanese speaking intro for those who understand life in tokyo. spring comes, take your copy and enjoy

without a doubt, mechanical is one of ambs funkiest works to date. with its deep acid bassline and its catchy guitar riffs, mechanical typifies the money shot sound. add some of ambs signature mind blowing edits and complex structure, you have one hell of a tune on your hands. groove diggerz take the track in a slightly different direction going for more of an epic electro/tech breaks tune. as is to be expected from one of the hardest working duos in breakbeat, the tune rocks.