if you are looking for something… ahem… >dirtier< than sébastien légers mix or the original, you can catch the second disc here which includes the massive micky slim & funkagendas and aston shuffles remixes and is set for release on the 21st may 2007, again on rising music. micky slim & funkagendas take on >carry me away< is more electro-tech and has been caned in the clubs by the likes of fedde le grand, sasha, steve lawler and many more whereas aston shuffles remix is a little funkier but with warped stabbing bleeps and tons of funk

this release sees electric soulside take a heavy electro funk influence, merging tight rhythms, dirty syncopated basses and twisted vocodered vocals. the results are two awesome slabs of chunky electro that effortlessly cross genres and are sure to bring further acclaim to these rising artists. on the flip mantra vibes blatta & inesha deliver a sublime slice of dirty electro breaks

deep grooving atmospheric and relaxed breaks track includes a deep proggy take by alexander church and a slamming funked up roller by kickflip not to be missed

the track is based on the 80s classic by america includes 2 slamming electrohouse mixes for the bigger rooms by digital dog and a funky take on the flip

next up to be released on z records is a remix package of the tamaras world track trampoline. the original continues to excite major demand and this remix package can only keep the track ever hot. the main remix comes from man of the moment cedric gervais who turns the track into a twisting meltdown of peaktime craziness cedric has turned up the remix heat recently most notably on his reworks of seamus hajis last night a dj saved my life and give me love by alcatraz. on the flip, joey negro provides the remix from the original release taking the vocal on trip into a dark and seedy afterhours joint with devastating effect akabus remix, culled from the original 12, completes the package turning in a more minimal, spaced out take on the original

hybrid deliver a monster of a remix building soundscapes of synth layers for maximum take off flip for a 303 flavoured remix by elite force

break heavy house with a hefty dose of in yer face b boy/hip hop attitude from the legendary nu groove staple. comes with a spacey disco take by ray mang

rong music, the new york disco label beloved by the likes of lindstrom, idjut boys, glimmer twins, quiet village and harvey releases its first artist album. mudd (aka paul murphy) is more commonly known as a part of late 90s dub disco dons akwaaba, alongside steve fela kotey (chicken lips). akwaaba released 2 albums on idjut boys label discfunction and were championed by some legends such as francois k, ron trent and larry heard. under the mudd alias paul has released on key nu disco labels rong, noid, big bear, vertige, stranger, session, discograph and cottage. mudds signature sound is a live, song based take on the spaced out disco trip made popular by lindstrom & prins thomas/rub & tug/idjut boys & quiet village. an essential release for all fans of balearica and cosmic disco.

jazzy flavoured deep latin grooves 2 new mixes on the louie vega remix take a must have

mischa daniels is back with a new release on fame recordings! after his big successes like take me higher he has gained a lot of respect from house djs global wide and he took it to the max again with 2 mixes on his new track are you dreaming. two quality housers to can in all your sets

der dritte raum is possibly one of the most innovative liveacts germany’s techno scene has brought forward since the early nineties, the formative years when frankfurt trance was growing into a national movement that would change the course of dance music in germany forever and inspired countless individuals with its take on electronics. with two album releases on the incredibly influential frankfurt harthouse imprint, which was partly run by pioneer dj sven väth, techno germany’s undisputed father figure who still spearheads the scene, and three album releases on virgin, there is hardly any live act and producer duo as successful and innovative as d3r

very emotional, percussive piece of house music with a haunting string melody. more hard hitting take on the flip

switchstance recordings artist deela come up with their first solo ep that serves as a teaser for their forthcoming album mano mano. these guys already did remixes for mo horizons, issa bagayogo, greg long and many more. the ruhrfahrt ep showcases deela at its best. its a diversity of grooves and rhythms strictly aimed at the dancefloor.

superb 12inch sampler to promote the forthcoming cd album.

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

electro tinged number featuring the brilliant vocal of el feco of solomonic sound and floor friendly barrage of bells and whistles. remixes include a big room epic mix from tech house maestro jamie anderson, a stripped out deep early morning moody minimal take from hipp e and a synthy deep techno flavored mix from idiotbox. stay tuned for part 2

the two amsterdam based djs and producers onno & rocco mundo present their newest release on the lmr imprint.insanity defense:as the track leads in with some raw bass lines the summerish synths take the overhand and gets your head at a big partyon the beach.with influences from old school trance and progressive this track is just 100% nostalgic and can expect many support from a very wide range of djs.classified insanity:then its time for some more house action on the b side.this track begins with a smooth build up, followed by some grindin basslines.and just like in isanity defense theres also a summerish break here.

support by alexi delano, gregor tresher, monika kruse, tony rohr, holgi star, tim xavier, afrilounge, and many more.. shokh is back again. like mr. jekyll-and-hyde he presents us two floor bombs on the brand new imprint rompecabeza music. on one side the playful “snuka”, which you can brand as pure techno funk, on the other side “mr. piper”, which packs an enormous saw tooth and where mr. shokh decides to take you on a loopy journey. the berlin based booking agency rompecabeza will surely supply more big tunes on its new in-house label in the near future. rompecabeza = rambazamba

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

jean-patrice remillard aka pheek hatches a new album making it his sixth, appearing on his own imprint archipel musique. pheek reinterpreted his concept of electronic music by utilizing flavourful blends of techno embedded with funky undertones, minimal, idm, and tech house. specially blended rhythms enriched with bottomless emotion, entices the senses to explore the unknown, but in a playful manner. while his last albums gave him a name for ambient and delicate music, >en légère suspension< will take everyone by surprise demonstrating subtle techniques of dance floor music

excellent elektrokid remix will take all the floors by storm a must have

i dont have much to say about the dahlbacks. jesper is one of my best friends, even though he is a serious pain in the ass. john made 6 records in the time it took you to read this sentence....and he just turned 11. every once in a while they take about 40minutes out of their hectic schedule (john stops making records...to make a record, while jesper take s a break from the grueling demands of being a condo association manager) to make a record for turbo. in all honesty i think they give me the tracks they forgot about..... cuz you know if they really loved them they would keep them for their own lame labels. so, instead i leave you with the music. 3 tracks that prove again that somehow, against all odds, when you put cousins in a studio they bring out the best in each other. jespers maverick genius and time-honed wisdom tempers johns youthful passion and naive exuberance.. while johns youngbrain redefines the game and reenergizes the old master. the two cousins locked in a dance that continually blurs the lines between student and teacher, a sonic sibling rivalry a musical match with one clear winner ....you!!

switch-style hip-house anthem!, edgy, super catchy vocals from lamont morehaus, including the text line: if u aint dancin theres the door, lets take it back to the dancefloor!· brand new 12 inch on slip n slide, with amazing dj reactions and early radio plays from bob sinclar & seamus haji on nrj & bbc radio

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

ultra smooth deep house with seasoned quality vocal by tyrone supported by subtle keys, strong bassline, organ,all laying back a bit to let the vocal take front and center. b side mix stands out with a stripped down darker feel and deep techy edge that play nicely off the vocal for an unexpected combination that works well. remixes by reel soul and martino from 83 west.

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

franz ferdinand live 2003

mit hilfe von pan-pots tassilo liefert bloody mary einen vor bleeps sprühenden minimaltrack ab, der ordentlich bass auf den rippen hat. die andere seite macht das narcotic syntax mitglied klar, und wie

with his new 10inch single, >deserter<, and the forthcoming asa breed lp, dear works again under his birthname to combine his atmospheric production with distinctive vocals to craft a sophisticated take on avant-pop. >deserter< is a moody, robust and elegant marriage of beats and melody, including his best lyricism to date. its dawn music, submerged in a warm gauze of synths and anchored by a relentless backbeat. the exclusive >you know what i would do< hits the dance vibe that dear is known for with a prince-esque minimalism and funk, while the flip side hosts four tet s dreamy reinterpretation of >deserter< , owing as much to classic detroit techno as it does to balearic island classics

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

infectious disco bomb with scissor sisters like vocals this will take the floors by storm

the cooperation between lindstrom and solale (aka isabel/christabelle) started in 2003 with the release of >music (in my mind)< as the second 12inch on feedelity. now finally they ve decided to do some more music together. this first single from the album that they re currently working on is a slow disco-number based on a 5 minute vocaljam (first-take is always best take…) together with a fat bass-arpeggio and some simple guitars/keys here and there. the lyrics doesnt necessarily pretend to be anything more than a >practise<, but is nevertheless quite good we think ! on the flip-side there s an amazing dub-workout that s given us from a friend that doesnt wanna reveal his identity

here comes the eight ball in the software pool game… the labels colour is black and the labels boss hd substance is kicking balls. once more a luscious and deep release: on a side >someone down< is a driving track, full of 808 percussion work out over a sub bass frequency reminder of the old lfo records, on top of liquid synth layers and bubbles, hds trademark sound, a sure winner. on the flip side silicon cut goes more dubby and basic channel infected, with aquatic synth stabs and a moving bass line perfect for sub woofer testing.. future and tradition in one pack. as a gift a one minute japanese speaking intro for those who understand life in tokyo. spring comes, take your copy and enjoy

without a doubt, mechanical is one of ambs funkiest works to date. with its deep acid bassline and its catchy guitar riffs, mechanical typifies the money shot sound. add some of ambs signature mind blowing edits and complex structure, you have one hell of a tune on your hands. groove diggerz take the track in a slightly different direction going for more of an epic electro/tech breaks tune. as is to be expected from one of the hardest working duos in breakbeat, the tune rocks.

greenhouse keeps on it s steady course with the >northern style ep< fresh from the mind of glasgow s craig hamilton. craig delivers a solid four tracker that covers all the dimensions all at once funky, jazzy, deep and tracky. kickin it off with the bass ride of >don t stop< expect to hear this from the likes of dj heather and jason hodges. >outta my face< is just a straight dirty slice while >average day< takes the role of peak time mover. wrapping it up is >gonna take< a cool ride with the rhodes and jazz for fans of bryan jones et al… greenhouse is growin

originally hailing from halifax, nova scotia, canada, jon dacey a.k.a. dubious began playing in scuzzy lo-fi noise punk bands at age seventeen. an obsession with 4-track cassette recording spawning his initial productions. now residing in toronto, ontario, canada, dubious interests in crazed dance music fuel his dj sets and productions alike. playing everything from drums, guitar, bass and keys, his take on left field disco house production is distinctly his own. dubiouss musical appetites bounce from wild cosmic rock to blazing acid house, he has few boundaries, yet he remains focused on the funk first and foremost.in addition to his debut on bear funk gold he has also produced for deep freeze, truffle, loop: recordings and on prize (the label he founded). theres nothing dubious about this fellas music

second ep on this new german label comes from france man sebasian prado and he delivers detroit influenced techno with early support by rob boskamp, dj vitamin d, nova radio, carl cox,monika kruse, chris liebing, claude young !!

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

da ist es endlich das gabriel ananda album von dem schon alle reden. dementsprechend sind die erwartungen sehr hoch geschraubt, das gute ist, herr ananda erfüllt diese auch ganz lässig !!

nice booty.. here you will find the typical eighties cure sound combined with a mellow 4x4 beat which will take you right back to that time..

>miscalate< starts off as a smooth, deep house record but quickly chooses a darker path and a big rumbling bassline takes over with sharp electronics following closely behind. as with all the production work of audiofly and paul harris, its the interesting structure and musical side of the track that really makes it stands out. partial arts, a new project from ewan pearson and al usher, take control and not just remix but remake the track! theyve delivered something rather special. a very unique, different and exciting production that will surely be turning heads and pricking the ears of many

arturo has been championing the classiest nu disco sounds at his club miocuore in pescara, italy with guests like the idjut boys, stevie kotey, greg wilson, maurice fulton, joakim and alden tyrell and building the most loyal of followings.stevie kotey picked up his album on a recent gig there and the first single svolvaer is destined to take arturo around the world in a bear disco dub spaceship. svolvaer is aptly named after arturos favourite place in norway, a country that has been, in artists originally introduced by bear funk like lindstrom and prins thomas, a musical inspiration to him. arturo adds his own italian flavours though and even bear funk gold artist fabrizio mammarella was enlisted on the guitar lead flipside track rego dancer. its a family affair as they say, but you dont wanna mess with anyone from the capone family

a side feat a soulful deep grooving piece of house music for these cool summer beach and terrace moments flip over for the afro beats and take it deep

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

supported by karotte !! with the signing of south-german newcomer dizko toaster oliver koletzki rediscovers his old love for squeaky peak-time disco house. toast hawaii is one of those tracks, starting with the sound of the sea breaking and combining filtered disco grooves with sexy techno synths that take you back to the hedonism of studio 54. the track itself is the bomb, but the list of remixers is impressive, too: koletzki as parker frisby turns it into a smashing hit adding his typically strong loops and some hypnotic vocals. on the flip man of the moment remute contributes his production skills and creates an effect-laden driving techno piece full of surprises. stil vor talents own h.o.s.h. then takes a totally different approach resulting in a deep and warmly grooving detroit-style track that immerses the listener into the depth of the tune. this record is a lot of fun

jetzt ist s zappenduster. 100% schwarz & das ende dieser feinen serie. beim letzten teil überzeugt glimpse mit einer modernen neufassung des basic channel thema s & zwei originellen beiträgen auf der b-seite. support by hawtin, villalobos, steve bug, troy pierce, agoria, magda, marco carola, luciano, laurent garnier and many more..

finest detroit influenced minimal techno tracks produced by bjoern stolpmann from onitor/kailash/tongut! incl. ivo >he s a dancing machine< deutschmann remix! >since i began to be< is a huge techno stomper with deep freakin sounds. after a little break bjoern show s us his interpretation of acoustic weapons for the dancefloor! ivo deutschmann (one of the tracks from his first ep on karateklub was signed by minus for magda s mix compilation) did a great remix-job of the main song. on the flipside you will find two excellent and beautyfull rocking tracks but more minimal. karateklub welcomes bjoern stolpmann!...played by delon & dalcan (boxer), electric indigo, karotte, markus lange (craft , pocketgame), prins thomas

das glows debut ep with support by para one. >cathedrale< is unashamedly epic, it comes from the heart and speaks to the brain and feet simultaneously. flip for weiss gaz, which is mostly electro, with shades of ghettotech, acid house accents, laser-guided snaps, and a huge bassline revving like a v8, and bits of musique concrète.then on b2, >vulcanice< is fresh, recorded in one take and built around hammond organ samples

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde